Akiko Yoshida is a Japanese folk/world/new age singer-songwriter, who perfo… Read Full Bio ↴Akiko Yoshida is a Japanese folk/world/new age singer-songwriter, who performs under the stage name Kokia (stylised as KOKIA, an anagram of Akiko), and sings with a wide radius of musical influences.
She is best known for her songs "Arigatō..." (Thank You?) (which reached #1 in Hong Kong when it was covered by Sammi Cheng) and "The Power of Smile." She is also recognised for her numerous contributions to anime/game soundtracks, the most notable being "Ai no Melody/Chōwa Oto (With Reflection)" for the film Origin: Spirits of the Past, "Follow the Nightingale" for the game Tales of Innocence and "Tatta Hitotsu no Omoi" for the anime Gunslinger Girl: Il Teatrino.
Kokia often performs in Europe, basing her activities in Paris and releasing music through Wasabi Records, a subsidiary of Kazé.
Early life, Pony Canyon debut
Kokia was born on July 22, 1976, and raised by her mother. She started playing the violin when she was two and a half years old, but preferred the family piano. Often instead of playing with toys, Kokia played with the family piano. Kokia remembers putting picture books on the music stand and creating music that represented the scenes.
When Kokia was 10, she went abroad to America with her sister Kyoko to study at the Summer music school (and did so again when she was 14). In high school, she studied in vocal music and opera, later majoring in opera at the Toho Gakuen School of Music.
While at university, a friend gave a demo tape Kokia had recorded to a record executive. Kokia was then signed to Pony Canyon, and debuted in 1998 while still at university. She created her stage name by reversing the syllables of her birth name, Akiko (something she had done as a game when she was very young). Her first released song, "For Little Tail," was used as the opening theme song for the game Tail Concerto (although this was released as the secondary track to the "Road to Glory" single album.). Her first few official singles were not primarily written by Kokia, instead were written by Toshifumi Hinata and Yoko Kanno. After four singles, she released her debut album Songbird in 1999. Unlike the singles before it, the majority of the songs were written by Kokia herself.
None of the releases charted very highly, however the leading single from the album, "Arigatō..." (Thank You?), found success in Hong Kong. It was awarded third in the 1999 Hong Kong International Popular Song Award. Hong Kong entertainer Sammi Cheng covered the song, and released it as the eponymous track from her album "Arigatou" in October 1999. The song became a big hit in Hong Kong.
Victor Entertainment
After the release of her debut album, Kokia did not continue to release music with Pony Canyon. Her first releases after this were five songs for Luna Sea vocalist Ryuichi Kawamura's production project, ЯKS, in 2000. The album was released under Victor Entertainment, heralding in Kokia's relationship with the label. In 2001, she re-debuted in proper under Victor, and released three singles.
Kokia continued to have success throughout Asia, with her music used in Asia-wide ad campaigns. In 2001, she performed at two high-profile Chinese concerts: an anti-drugs concert to 30,000 people with the so-called Four Heavenly Kings of Hong Kong entertainment (Jacky Cheung, Andy Lau, Aaron Kwok and Leon Lai), and also to over 120,000 people at a 2001 new year's countdown event in Taiwan. In January 2002, Kokia released her second album, Trip Trip, her first album to be self-produced. Much like her debut album, none of the releases charted well in Japan.
In 2003, however, Kokia first gained public notice. Her single "Kawaranai Koto (Since 1976)" was used as the drama Itoshiki Mono e's theme song, breaking Kokia into the top 50. Her biggest hit, however, was "The Power of Smile/Remember the Kiss." It gained notoriety after being used in a Kao haircare commercial. After which, Kokia was asked to perform on popular music show Music Station. The single broke the top 20 in Japan and was certified gold by the RIAJ. The resulting album, Remember Me, also broke the top 20, and sold over 45,000 copies.
Her Pony Canyon-era songs "I Catch a Cold" and "Shiroi Yuki" (White Snow?) were used in the soundtrack for the popular Chinese drama At the Dolphin Bay in 2003. This marked the end of Kokia's active participation in the Chinese music market.
Kokia's fourth album Uta ga Chikara (released in 2004) also found modest success, selling 20,000 copies. The biggest single from this album, "Yume ga Chikara," was used as the encouragement song for the Japan team at the 2004 Athens Olympic games.
While Kokia has been associated with game/anime music since her debut, it was only until 2006 when a theme song of hers became successful. Her single "Ai no Melody/Chōwa Oto (With Reflection)" was used as the two theme songs for the anime film Origin: Spirits of the Past, and it reached #30 on Oricon's single charts.
In February 2006, Kokia released her greatest hits collection, Pearl: The Best Collection, and a greatest video clips collection, Jewel: The Best Video Collection. The best collection reached #19 on the albums charts, and is currently her most recent top 20 release.
Anco & Co., France
From 2006 onwards, Kokia began working in European markets, as well as taking greater control over her musical releases. In January, she held her first European concert in Paris, and performed at the Midem music industry trade fair. Pearl was released a month earlier than its Japanese release throughout France and Spain.
In June 2006, Kokia decided to set up her own production company separate from Victor Entertainment, called Anco & Co., after desiring more creative control over her works. In November, she debuted in France with the anime-based retailer Wasabi Records, releasing her 5th album Aigakikoeru: Listen for the Love there six months before its Japanese release.
In November 2007, Kokia had her second successful game/anime tie-up single, with "Follow the Nightingale." The song, used for the game Tales of Innocence, reached #30 on Oricon.
Kokia's greater creative control allowed for her music to be released at a much greater pace. In 2008, Kokia released three albums: the neoclassical The Voice, the Ireland-themed album Fairy Dance and her first Christmas album Christmas Gift. In 2009, Kokia released two albums simultaneously (Kokia Infinity Akiko: Balance and Akiko Infinity Kokia: Balance) to celebrate her 10th anniversary. She also held her first world tour, with performances in Japan, France, Ireland, Poland, Belgium and Germany.
For Kokia's 11th album, Real World, she travelled to the Tunisian Sahara desert for inspiration.
Voice
Her voice is often praised by critics, for its clarity of sound. It is described by Kay of JaME World as fragile and breathy.
In 2004, on the TV show Daimei no Nai Ongaku-kai 21, Kokia attempted to break the Guinness World Record for the longest note held. In her a cappella performance of 'O Sole Mio, she held a note for 29.5 seconds, but did not break the record.
Song writing
Since her second album, Trip Trip, Kokia has written every original song that appears on her albums. Kokia even occasionally writes the music for the songs she appears in in game/anime OSTs (though this is not a rule, and many songs have been written by others).
Kokia writes the majority of her songs in Japanese, though many are in English or partial English (such as "The Rule of the Universe," "Say Hi!!" and "So Sad So Bad."). She occasionally branches into different languages, such as Italian ("Il Mare dei Suoni," "Insonnia.") and Irish ("Taimse im' chodhadh" and "Siuil a Run" from her Irish-themed album Fairy Dance).
Occasionally in songs, such as "Chōwa Oto" (Harmony) and "Follow the Nightingale," Kokia writes lyrics in code. For both of these songs, they featured reversed syllables (such as the lyric "nimiunooto denzush," when reversed gives "Oto no umi ni shizunde" (Sinking in a sea of sound?)). In "Chōwa Oto," Kokia also has a separate code (the numbers 3 25 15 21 23 and 1) which correspond to the letters of the English alphabet (1=A, 26=Z) to write the song's name in wāpuro rōmaji (C Y O U W A).
Music critic Issei Tomisawa considers Kokia to be one of his favourite musicians.
Personal life
Violinist Kyoko Yoshida is Kokia's older sister,[citation needed] and also attended the Toho Gakuen School of Music.
Kokia's grandfather was the manager of a Japanese shipbuilding company. She created a short-film "Ojii-chan no Tulip" (Granddad's Tulips?) and a song (Grandfather's Ship) in his honour.
Kokia was raised as a Christian, and attended Sunday mass from a young age. She writes many of her songs about God, such as "Why Do I Sing?," "Everlasting," "Inori ni mo Nita Utsukushii Sekai" and "Sei Naru Yoru ni" (In the Holy Night?).
Kokia has done humanitarian work for various causes. At high school, she was a member of the volunteer committee, and strived to help the disabled, elderly and AIDS victims. She has performed at a concert for drug abuse, supported the Japanese Social Welfare Organisation, and released a special charity single for the victims of the 2007 Niigata earthquake. Kokia also feels great sympathy for the September 11 attacks. She gave out 10,000 copies of a special EP, Music Gift, on the streets of New York in memory of the attacks. Many of Kokia's songs are messages about humanitarian/environmental causes, or about ways for people to live their lives better. Kokia primarily makes songs about love and peace.
Kokia is an avid dog lover. Throughout most of the 2000s, she owned four dogs: Donna, Muta, Nero and Titti. However, Donna passed away in February 2010. She has made references to dogs in several of her songs, such as "Shiroi Inu to Odoru Yoru" (Night Dancing with a White Dog?), and in "Say Hi!!," where the lyrics speak of "driving to the beach to play with our Donna." Many of her blog posts are centred around her dogs, with a special category dedicated to these posts.
She is best known for her songs "Arigatō..." (Thank You?) (which reached #1 in Hong Kong when it was covered by Sammi Cheng) and "The Power of Smile." She is also recognised for her numerous contributions to anime/game soundtracks, the most notable being "Ai no Melody/Chōwa Oto (With Reflection)" for the film Origin: Spirits of the Past, "Follow the Nightingale" for the game Tales of Innocence and "Tatta Hitotsu no Omoi" for the anime Gunslinger Girl: Il Teatrino.
Kokia often performs in Europe, basing her activities in Paris and releasing music through Wasabi Records, a subsidiary of Kazé.
Early life, Pony Canyon debut
Kokia was born on July 22, 1976, and raised by her mother. She started playing the violin when she was two and a half years old, but preferred the family piano. Often instead of playing with toys, Kokia played with the family piano. Kokia remembers putting picture books on the music stand and creating music that represented the scenes.
When Kokia was 10, she went abroad to America with her sister Kyoko to study at the Summer music school (and did so again when she was 14). In high school, she studied in vocal music and opera, later majoring in opera at the Toho Gakuen School of Music.
While at university, a friend gave a demo tape Kokia had recorded to a record executive. Kokia was then signed to Pony Canyon, and debuted in 1998 while still at university. She created her stage name by reversing the syllables of her birth name, Akiko (something she had done as a game when she was very young). Her first released song, "For Little Tail," was used as the opening theme song for the game Tail Concerto (although this was released as the secondary track to the "Road to Glory" single album.). Her first few official singles were not primarily written by Kokia, instead were written by Toshifumi Hinata and Yoko Kanno. After four singles, she released her debut album Songbird in 1999. Unlike the singles before it, the majority of the songs were written by Kokia herself.
None of the releases charted very highly, however the leading single from the album, "Arigatō..." (Thank You?), found success in Hong Kong. It was awarded third in the 1999 Hong Kong International Popular Song Award. Hong Kong entertainer Sammi Cheng covered the song, and released it as the eponymous track from her album "Arigatou" in October 1999. The song became a big hit in Hong Kong.
Victor Entertainment
After the release of her debut album, Kokia did not continue to release music with Pony Canyon. Her first releases after this were five songs for Luna Sea vocalist Ryuichi Kawamura's production project, ЯKS, in 2000. The album was released under Victor Entertainment, heralding in Kokia's relationship with the label. In 2001, she re-debuted in proper under Victor, and released three singles.
Kokia continued to have success throughout Asia, with her music used in Asia-wide ad campaigns. In 2001, she performed at two high-profile Chinese concerts: an anti-drugs concert to 30,000 people with the so-called Four Heavenly Kings of Hong Kong entertainment (Jacky Cheung, Andy Lau, Aaron Kwok and Leon Lai), and also to over 120,000 people at a 2001 new year's countdown event in Taiwan. In January 2002, Kokia released her second album, Trip Trip, her first album to be self-produced. Much like her debut album, none of the releases charted well in Japan.
In 2003, however, Kokia first gained public notice. Her single "Kawaranai Koto (Since 1976)" was used as the drama Itoshiki Mono e's theme song, breaking Kokia into the top 50. Her biggest hit, however, was "The Power of Smile/Remember the Kiss." It gained notoriety after being used in a Kao haircare commercial. After which, Kokia was asked to perform on popular music show Music Station. The single broke the top 20 in Japan and was certified gold by the RIAJ. The resulting album, Remember Me, also broke the top 20, and sold over 45,000 copies.
Her Pony Canyon-era songs "I Catch a Cold" and "Shiroi Yuki" (White Snow?) were used in the soundtrack for the popular Chinese drama At the Dolphin Bay in 2003. This marked the end of Kokia's active participation in the Chinese music market.
Kokia's fourth album Uta ga Chikara (released in 2004) also found modest success, selling 20,000 copies. The biggest single from this album, "Yume ga Chikara," was used as the encouragement song for the Japan team at the 2004 Athens Olympic games.
While Kokia has been associated with game/anime music since her debut, it was only until 2006 when a theme song of hers became successful. Her single "Ai no Melody/Chōwa Oto (With Reflection)" was used as the two theme songs for the anime film Origin: Spirits of the Past, and it reached #30 on Oricon's single charts.
In February 2006, Kokia released her greatest hits collection, Pearl: The Best Collection, and a greatest video clips collection, Jewel: The Best Video Collection. The best collection reached #19 on the albums charts, and is currently her most recent top 20 release.
Anco & Co., France
From 2006 onwards, Kokia began working in European markets, as well as taking greater control over her musical releases. In January, she held her first European concert in Paris, and performed at the Midem music industry trade fair. Pearl was released a month earlier than its Japanese release throughout France and Spain.
In June 2006, Kokia decided to set up her own production company separate from Victor Entertainment, called Anco & Co., after desiring more creative control over her works. In November, she debuted in France with the anime-based retailer Wasabi Records, releasing her 5th album Aigakikoeru: Listen for the Love there six months before its Japanese release.
In November 2007, Kokia had her second successful game/anime tie-up single, with "Follow the Nightingale." The song, used for the game Tales of Innocence, reached #30 on Oricon.
Kokia's greater creative control allowed for her music to be released at a much greater pace. In 2008, Kokia released three albums: the neoclassical The Voice, the Ireland-themed album Fairy Dance and her first Christmas album Christmas Gift. In 2009, Kokia released two albums simultaneously (Kokia Infinity Akiko: Balance and Akiko Infinity Kokia: Balance) to celebrate her 10th anniversary. She also held her first world tour, with performances in Japan, France, Ireland, Poland, Belgium and Germany.
For Kokia's 11th album, Real World, she travelled to the Tunisian Sahara desert for inspiration.
Voice
Her voice is often praised by critics, for its clarity of sound. It is described by Kay of JaME World as fragile and breathy.
In 2004, on the TV show Daimei no Nai Ongaku-kai 21, Kokia attempted to break the Guinness World Record for the longest note held. In her a cappella performance of 'O Sole Mio, she held a note for 29.5 seconds, but did not break the record.
Song writing
Since her second album, Trip Trip, Kokia has written every original song that appears on her albums. Kokia even occasionally writes the music for the songs she appears in in game/anime OSTs (though this is not a rule, and many songs have been written by others).
Kokia writes the majority of her songs in Japanese, though many are in English or partial English (such as "The Rule of the Universe," "Say Hi!!" and "So Sad So Bad."). She occasionally branches into different languages, such as Italian ("Il Mare dei Suoni," "Insonnia.") and Irish ("Taimse im' chodhadh" and "Siuil a Run" from her Irish-themed album Fairy Dance).
Occasionally in songs, such as "Chōwa Oto" (Harmony) and "Follow the Nightingale," Kokia writes lyrics in code. For both of these songs, they featured reversed syllables (such as the lyric "nimiunooto denzush," when reversed gives "Oto no umi ni shizunde" (Sinking in a sea of sound?)). In "Chōwa Oto," Kokia also has a separate code (the numbers 3 25 15 21 23 and 1) which correspond to the letters of the English alphabet (1=A, 26=Z) to write the song's name in wāpuro rōmaji (C Y O U W A).
Music critic Issei Tomisawa considers Kokia to be one of his favourite musicians.
Personal life
Violinist Kyoko Yoshida is Kokia's older sister,[citation needed] and also attended the Toho Gakuen School of Music.
Kokia's grandfather was the manager of a Japanese shipbuilding company. She created a short-film "Ojii-chan no Tulip" (Granddad's Tulips?) and a song (Grandfather's Ship) in his honour.
Kokia was raised as a Christian, and attended Sunday mass from a young age. She writes many of her songs about God, such as "Why Do I Sing?," "Everlasting," "Inori ni mo Nita Utsukushii Sekai" and "Sei Naru Yoru ni" (In the Holy Night?).
Kokia has done humanitarian work for various causes. At high school, she was a member of the volunteer committee, and strived to help the disabled, elderly and AIDS victims. She has performed at a concert for drug abuse, supported the Japanese Social Welfare Organisation, and released a special charity single for the victims of the 2007 Niigata earthquake. Kokia also feels great sympathy for the September 11 attacks. She gave out 10,000 copies of a special EP, Music Gift, on the streets of New York in memory of the attacks. Many of Kokia's songs are messages about humanitarian/environmental causes, or about ways for people to live their lives better. Kokia primarily makes songs about love and peace.
Kokia is an avid dog lover. Throughout most of the 2000s, she owned four dogs: Donna, Muta, Nero and Titti. However, Donna passed away in February 2010. She has made references to dogs in several of her songs, such as "Shiroi Inu to Odoru Yoru" (Night Dancing with a White Dog?), and in "Say Hi!!," where the lyrics speak of "driving to the beach to play with our Donna." Many of her blog posts are centred around her dogs, with a special category dedicated to these posts.
Battle of destiny
KOKIA Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Eniimashia kk"useiiy rumunas"akta
Titerna woo s"ek toor nut
Jienii s"umutiseina damukk"unajjia
Mikk"oohi tt"uo ss"ia oo ss"ehr mat
時を越えても 尚続いている
いつの時代も救い求め
嘆く者達 闘う者達
全てを変える闘いなら
Eniimashia kk"useiiy rumunas"akta
Titerna woo s"ek toor nut
Jienii s"umutiseina damukk"unajjia
Mikk"oohi tt"uo ss"ia oo ss"ehr
Kk"aime ww"ankk"at kk"aiw"ar oss"anak
Ss"aknar nonak w"ou
未来を懸けた1つの答え
時に人には苦しみながら
わずかに光る希望を掴む
祈りにも似た闘いがある
Eniimashia kk"useiiy rumunas"akta
Titerna woo s"ek toor nut
Jienii s"umutiseina damukk"unajjia
Mikk"oohi tt"uo ss"ia oo ss"ehr mat
Jai kanirdak
Ss"akk"arnattar
Eniimashia kk"useiiy rumunas"akta
Titerna woo s"ek toor nut
Eniimashia kk"useiiy rumunas"akta
Titerna woo s"ek toor nut
Jienii s"umutiseina damukk"unajjia
Mikk"oohi tt"uo ss"ia oo ss"ehr
Jai kanirdak
Ss"akk"arnattar
Jai kanirdak
Ss"akk"arnattar
Kk"aime ww"ankk"at kk"aiw"ar oss"anak
Ss"aknar nonak w"ou oen maw"akk"at
Titerna woo s"ek toor nut
Jienii s"umutiseina damukk"unajjia
Mikk"oohi tt"uo ss"ia oo ss"ehr mat
時を越えても 尚続いている
いつの時代も救い求め
嘆く者達 闘う者達
全てを変える闘いなら
Titerna woo s"ek toor nut
Jienii s"umutiseina damukk"unajjia
Mikk"oohi tt"uo ss"ia oo ss"ehr
Kk"aime ww"ankk"at kk"aiw"ar oss"anak
Ss"aknar nonak w"ou
未来を懸けた1つの答え
時に人には苦しみながら
わずかに光る希望を掴む
祈りにも似た闘いがある
Eniimashia kk"useiiy rumunas"akta
Titerna woo s"ek toor nut
Jienii s"umutiseina damukk"unajjia
Mikk"oohi tt"uo ss"ia oo ss"ehr mat
Jai kanirdak
Ss"akk"arnattar
Eniimashia kk"useiiy rumunas"akta
Titerna woo s"ek toor nut
Eniimashia kk"useiiy rumunas"akta
Titerna woo s"ek toor nut
Jienii s"umutiseina damukk"unajjia
Mikk"oohi tt"uo ss"ia oo ss"ehr
Jai kanirdak
Ss"akk"arnattar
Jai kanirdak
Ss"akk"arnattar
Kk"aime ww"ankk"at kk"aiw"ar oss"anak
Ss"aknar nonak w"ou oen maw"akk"at
The lyrics to KOKIA's song Battle of destiny reflect the idea of a neverending battle between those who seek salvation and those who fight for change. The lyrics refer to different time periods and people who have fought and sought change, with the line "時を越えても 尚続いている" (Even if time surpasses, it still continues). The song suggests that this battle for change is ongoing and will continue into the future, with the line "未来を懸けた1つの答え" (One answer that bets on the future).
Line by Line Meaning
Eniimashia kk"useiiy rumunas"akta
The battle continues on even beyond time, with the echoes of the past resounding in the present.
Titerna woo s"ek toor nut
Amidst the chaos, people search for a way to save themselves and those around them.
Jienii s"umutiseina damukk"unajjia
Those who grieve and those who fight come together to change everything through their struggle.
Mikk"oohi tt"uo ss"ia oo ss"ehr mat
The fight rages on, a testament to the strength and resilience of those who refuse to give up.
Jai kanirdak
In the face of overwhelming odds and uncertainty, people cling to the hope that this battle will have meaning and purpose in the future.
Ss"akk"arnattar
For some, the struggle is too much to bear and they fall to despair and resignation.
未来を懸けた1つの答え
There is one answer that could change everything, but at great cost to those who seek it.
時に人には苦しみながら
People endure great suffering in pursuit of this answer, sometimes losing their way in the darkness.
わずかに光る希望を掴む
Yet despite the challenges, a glimmer of hope shines through, giving people the strength to keep fighting.
祈りにも似た闘いがある
This fight is like a prayer, with each action and sacrifice a tribute to the belief that there is something worth fighting for.
Kk"aime ww"ankk"at kk"aiw"ar oss"anak
In the end, the answers remain elusive, leaving many to wonder if the struggle was worth it at all.
Ss"aknar nonak w"ou oen maw"akk"at
But for those who fought, who dared to dream and hope despite the darkness, the answer may lie in the memories and lessons of the battle itself.
Writer(s): Kokia
Contributed by Aubrey E. Suggest a correction in the comments below.
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@DJNightchild
Japanese to English:
I’ll keep going even if it means crossing time
To seek and help in whatever period
Those who grieve, those who fight
A fight that changes everything
One answer that risked the future
While there is suffering in time, in people
I merely seize the shining wish
It’s a fight that’s also like a prayer
@cecilec6882
Battle of Destiny - Lyrics
Eniimashia kk”useiiy rumuna s”akta
Titerna woo s”ek toor nut
Jienii s”umutiseina damukk”unajjia
Mikk”oohi tt”uo ss”ia oo ss”ehr mat
Toki o koete mo nao tsuzuite iru
Itsu no jidai mo sukui motome
Nageku monotachi tatakau monotachi
Subete o kaeru tatakai nara
Eniimashia kk”useiiy rumuna s”akta
Titerna woo s”ek toor nut
Jienii s”umutiseina damukk”unajjia
Mikk”oohi tt”uo ss”ia oo ss”ehr
Kk”aime ww”ankk”at kk”aiw”ar oss”anak
Ss”aknar nonak w”ou
Mirai okaketa hitotsu no kotae
Toki ni hito ni wa kurushimi nagara
Wazuka ni hikaru kibou o tsukamu
Inori ni mo nita tatakai ga aru
Eniimashia kk”useiiy rumuna s”akta
Titerna woo s”ek toor nut
Jienii s”umutiseina damukk”unajjia
Mikk”oohi tt”uo ss”ia oo ss”ehr mat
Jai kanirdak
Ss”akk”arnattar
Eniimashia kk”useiiy rumuna s”akta
Titerna woo s”ek toor nut
Eniimashia kk”useiiy rumuna s”akta
Titerna woo s”ek toor nut
Jienii s”umutiseina damukk”unajjia
Mikk”oohi tt”uo ss”ia oo ss”ehr mat
Jai kanirdak
Ss”akk”arnattar
Jai kanirdak
Ss”akk”arnattar
Kk”aime ww”ankk”at kk”aiw”ar oss”anak
Ss”aknar nonak w”ou oen maw”akk”at
Translation (only the Japanese parts)
[…]
I’ll keep going even if it means crossing time
To seek and help in whatever period
Those who grieve, those who fight
A fight that changes everything
[…]
One answer that risked the future
While there is suffering in time, in people
I merely seize the shining wish
It’s a fight that’s also like a prayer
[…]
@SamuChan
Eniimashia kk"useiiy
Rumunas"akta
Titerna woo s"ek toor nut
Jienii s"umutiseina
Damukk"unajjia
Mikk"oohi tt"uo ss"ia
Oo ss"ehr mat
Toki wo koete mo nao tsudzuiteru
Itsu no jidai mo sukuimotome
Nageku monotachi tatakau monotachi
Subete wo kaeru tatakai nara
Eniimashia kk"useiiy
Rumunas"akta
Titerna woo s"ek toor nut
Jienii s"umutiseina
Damukk"unajjia
Mikk"oohi tt"uo ss"ia
Oo ss"ehr
Kk"aime ww"ankk"at
Kk"aiw"ar oss"anak
Ss"aknar nonak w"ou
Mirai wo kaketa hitotsu no kotae
Toki ni hito ni wa kurushimi nagara
Wazuka ni hikaru kibou wo tsukamu
Inori ni mo nita tatakai ga aru
Eniimashia kk"useiiy
Rumunas"akta
Titerna woo s"ek toor nut
Jienii s"umutiseina
Damukk"unajjia
Mikk"oohi tt"uo ss"ia
Oo ss"ehr mat
Jai kanirdak
Ss"akk"arnattar
Eniimashia kk"useiiy
Rumunas"akta
Titerna woo s"ek toor nut
Eniimashia kk"useiiy
Rumunas"akta
Titerna woo s"ek toor nut
Jienii s"umutiseina
Damukk"unajjia
Mikk"oohi tt"uo ss"ia
Oo ss"ehr mat
Jai kanirdak
Ss"akk"arnattar
Jai kanirdak
Ss"akk"arnattar
Kk"aime ww"ankk"at
Kk"aiw"ar oss"anak
Ss"aknar nonak w"ou oen
Maw"akk"at
@DJNightchild
Japanese to English:
I’ll keep going even if it means crossing time
To seek and help in whatever period
Those who grieve, those who fight
A fight that changes everything
One answer that risked the future
While there is suffering in time, in people
I merely seize the shining wish
It’s a fight that’s also like a prayer
@earthling123
Thanks man
@user-eb4qc4lz6t
何年経っても色褪せない曲です
@tyabasiraaa2408
これ聞いたこと無かったけどすごいいい曲…
@user-ie1zz6tz3b
数年前に、オンラインアクションＲＰＧ「ドラゴンネスト」でＯＰに使われていた曲だそうですよ。
@dinosaurPokemonfan
久しぶりにこの曲聞きました。あの時ドラネスやってた時は最高の思い出ができました…短い間だったのに、初のPCゲーだけあって、絆、関わり、そして出会いと別れ、最後にはゲーム内での事件にも発展し、それを自力で解決でき。人の心を変えた…1~2か月の間でここまで来たのもなんか感動っていうか、よくわからない感情です。鳥肌立ちました久しぶりに聞くと。これ聴いて。もう一度あのころに戻ろう。と思いました…MMOは、絆と関わりと、最大の感動が、そこにある！（丁度曲が終わったところに書き終えた）
@dinosaurPokemonfan
久しぶりに聞きにきました。トップにあったので・・・やっぱいい曲だわぁ・・・ＷｉＭＡＸに変わったらやろうかな。あれはいい思い出だった。
なんか短い間にものすごいドラマあったしねｗ
@musicgirl35ful
+dinosaur &Pokémon fan! 素晴らしい曲ですね
@hyrulenorn7912
歌声は勿論、バックの音楽もいいなぁ。果てしない闘いという感じがする、壮大な曲だな。
@fightkimuti
めっちゃいい！！この曲はやっぱり最高だね