She is best known for her songs "Arigatō..." (Thank You?) (which reached #1 in Hong Kong when it was covered by Sammi Cheng) and "The Power of Smile." She is also recognised for her numerous contributions to anime/game soundtracks, the most notable being "Ai no Melody/Chōwa Oto (With Reflection)" for the film Origin: Spirits of the Past, "Follow the Nightingale" for the game Tales of Innocence and "Tatta Hitotsu no Omoi" for the anime Gunslinger Girl: Il Teatrino.
Kokia often performs in Europe, basing her activities in Paris and releasing music through Wasabi Records, a subsidiary of Kazé.
Early life, Pony Canyon debut
Kokia was born on July 22, 1976, and raised by her mother. She started playing the violin when she was two and a half years old, but preferred the family piano. Often instead of playing with toys, Kokia played with the family piano. Kokia remembers putting picture books on the music stand and creating music that represented the scenes.
When Kokia was 10, she went abroad to America with her sister Kyoko to study at the Summer music school (and did so again when she was 14). In high school, she studied in vocal music and opera, later majoring in opera at the Toho Gakuen School of Music.
While at university, a friend gave a demo tape Kokia had recorded to a record executive. Kokia was then signed to Pony Canyon, and debuted in 1998 while still at university. She created her stage name by reversing the syllables of her birth name, Akiko (something she had done as a game when she was very young). Her first released song, "For Little Tail," was used as the opening theme song for the game Tail Concerto (although this was released as the secondary track to the "Road to Glory" single album.). Her first few official singles were not primarily written by Kokia, instead were written by Toshifumi Hinata and Yoko Kanno. After four singles, she released her debut album Songbird in 1999. Unlike the singles before it, the majority of the songs were written by Kokia herself.
None of the releases charted very highly, however the leading single from the album, "Arigatō..." (Thank You?), found success in Hong Kong. It was awarded third in the 1999 Hong Kong International Popular Song Award. Hong Kong entertainer Sammi Cheng covered the song, and released it as the eponymous track from her album "Arigatou" in October 1999. The song became a big hit in Hong Kong.
Victor Entertainment
After the release of her debut album, Kokia did not continue to release music with Pony Canyon. Her first releases after this were five songs for Luna Sea vocalist Ryuichi Kawamura's production project, ЯKS, in 2000. The album was released under Victor Entertainment, heralding in Kokia's relationship with the label. In 2001, she re-debuted in proper under Victor, and released three singles.
Kokia continued to have success throughout Asia, with her music used in Asia-wide ad campaigns. In 2001, she performed at two high-profile Chinese concerts: an anti-drugs concert to 30,000 people with the so-called Four Heavenly Kings of Hong Kong entertainment (Jacky Cheung, Andy Lau, Aaron Kwok and Leon Lai), and also to over 120,000 people at a 2001 new year's countdown event in Taiwan. In January 2002, Kokia released her second album, Trip Trip, her first album to be self-produced. Much like her debut album, none of the releases charted well in Japan.
In 2003, however, Kokia first gained public notice. Her single "Kawaranai Koto (Since 1976)" was used as the drama Itoshiki Mono e's theme song, breaking Kokia into the top 50. Her biggest hit, however, was "The Power of Smile/Remember the Kiss." It gained notoriety after being used in a Kao haircare commercial. After which, Kokia was asked to perform on popular music show Music Station. The single broke the top 20 in Japan and was certified gold by the RIAJ. The resulting album, Remember Me, also broke the top 20, and sold over 45,000 copies.
Her Pony Canyon-era songs "I Catch a Cold" and "Shiroi Yuki" (White Snow?) were used in the soundtrack for the popular Chinese drama At the Dolphin Bay in 2003. This marked the end of Kokia's active participation in the Chinese music market.
Kokia's fourth album Uta ga Chikara (released in 2004) also found modest success, selling 20,000 copies. The biggest single from this album, "Yume ga Chikara," was used as the encouragement song for the Japan team at the 2004 Athens Olympic games.
While Kokia has been associated with game/anime music since her debut, it was only until 2006 when a theme song of hers became successful. Her single "Ai no Melody/Chōwa Oto (With Reflection)" was used as the two theme songs for the anime film Origin: Spirits of the Past, and it reached #30 on Oricon's single charts.
In February 2006, Kokia released her greatest hits collection, Pearl: The Best Collection, and a greatest video clips collection, Jewel: The Best Video Collection. The best collection reached #19 on the albums charts, and is currently her most recent top 20 release.
Anco & Co., France
From 2006 onwards, Kokia began working in European markets, as well as taking greater control over her musical releases. In January, she held her first European concert in Paris, and performed at the Midem music industry trade fair. Pearl was released a month earlier than its Japanese release throughout France and Spain.
In June 2006, Kokia decided to set up her own production company separate from Victor Entertainment, called Anco & Co., after desiring more creative control over her works. In November, she debuted in France with the anime-based retailer Wasabi Records, releasing her 5th album Aigakikoeru: Listen for the Love there six months before its Japanese release.
In November 2007, Kokia had her second successful game/anime tie-up single, with "Follow the Nightingale." The song, used for the game Tales of Innocence, reached #30 on Oricon.
Kokia's greater creative control allowed for her music to be released at a much greater pace. In 2008, Kokia released three albums: the neoclassical The Voice, the Ireland-themed album Fairy Dance and her first Christmas album Christmas Gift. In 2009, Kokia released two albums simultaneously (Kokia Infinity Akiko: Balance and Akiko Infinity Kokia: Balance) to celebrate her 10th anniversary. She also held her first world tour, with performances in Japan, France, Ireland, Poland, Belgium and Germany.
For Kokia's 11th album, Real World, she travelled to the Tunisian Sahara desert for inspiration.
Voice
Her voice is often praised by critics, for its clarity of sound. It is described by Kay of JaME World as fragile and breathy.
In 2004, on the TV show Daimei no Nai Ongaku-kai 21, Kokia attempted to break the Guinness World Record for the longest note held. In her a cappella performance of 'O Sole Mio, she held a note for 29.5 seconds, but did not break the record.
Song writing
Since her second album, Trip Trip, Kokia has written every original song that appears on her albums. Kokia even occasionally writes the music for the songs she appears in in game/anime OSTs (though this is not a rule, and many songs have been written by others).
Kokia writes the majority of her songs in Japanese, though many are in English or partial English (such as "The Rule of the Universe," "Say Hi!!" and "So Sad So Bad."). She occasionally branches into different languages, such as Italian ("Il Mare dei Suoni," "Insonnia.") and Irish ("Taimse im' chodhadh" and "Siuil a Run" from her Irish-themed album Fairy Dance).
Occasionally in songs, such as "Chōwa Oto" (Harmony) and "Follow the Nightingale," Kokia writes lyrics in code. For both of these songs, they featured reversed syllables (such as the lyric "nimiunooto denzush," when reversed gives "Oto no umi ni shizunde" (Sinking in a sea of sound?)). In "Chōwa Oto," Kokia also has a separate code (the numbers 3 25 15 21 23 and 1) which correspond to the letters of the English alphabet (1=A, 26=Z) to write the song's name in wāpuro rōmaji (C Y O U W A).
Music critic Issei Tomisawa considers Kokia to be one of his favourite musicians.
Personal life
Violinist Kyoko Yoshida is Kokia's older sister,[citation needed] and also attended the Toho Gakuen School of Music.
Kokia's grandfather was the manager of a Japanese shipbuilding company. She created a short-film "Ojii-chan no Tulip" (Granddad's Tulips?) and a song (Grandfather's Ship) in his honour.
Kokia was raised as a Christian, and attended Sunday mass from a young age. She writes many of her songs about God, such as "Why Do I Sing?," "Everlasting," "Inori ni mo Nita Utsukushii Sekai" and "Sei Naru Yoru ni" (In the Holy Night?).
Kokia has done humanitarian work for various causes. At high school, she was a member of the volunteer committee, and strived to help the disabled, elderly and AIDS victims. She has performed at a concert for drug abuse, supported the Japanese Social Welfare Organisation, and released a special charity single for the victims of the 2007 Niigata earthquake. Kokia also feels great sympathy for the September 11 attacks. She gave out 10,000 copies of a special EP, Music Gift, on the streets of New York in memory of the attacks. Many of Kokia's songs are messages about humanitarian/environmental causes, or about ways for people to live their lives better. Kokia primarily makes songs about love and peace.
Kokia is an avid dog lover. Throughout most of the 2000s, she owned four dogs: Donna, Muta, Nero and Titti. However, Donna passed away in February 2010. She has made references to dogs in several of her songs, such as "Shiroi Inu to Odoru Yoru" (Night Dancing with a White Dog?), and in "Say Hi!!," where the lyrics speak of "driving to the beach to play with our Donna." Many of her blog posts are centred around her dogs, with a special category dedicated to these posts.
DESPERADO
KOKIA Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Why don't you
come to your senses
You've been out riding fences
For so long now
Oh, you're a hard one
But I know that
you've got your reasons
pleasing you
Can hurt you somehow
Don't you draw
The Queen of Diamonds boy
She'll beat you if she's able
You know the Queen of Hearts
Is always your best bet
Now it seems to me
Some fine things have been
laid upon your table
But you only want
the ones you can't get
Desperado
you ain't getting no younger
Your pain and your hunger
They're driving you home
And freedom, oh freedom
Well that's just some
people talking
Your prison is walking
through this world all alone
Don't your feet get cold
in the wintertime
The sky won't snow
And the sun won't shine
It's hard to tell
the nighttime from the day
And you're losing
all your highs and lows
Ain't it funny
how the feeling goes away
Desperado
Why don't you come to
your senses
Come down from your fences
Open the gates
It may be rainin
but there's a rainbow above you
You'd better let somebody
love you
Let somebody love you
You'd better let somebody
love you
before it's too late
KOKIA's song "Desperado" is a cover of the Eagles' 1973 classic of the same name. The song talks about a cowboy or a desperado who has been on the run for a long time and is now feeling the consequences of his actions. The lyrics ask him to come to his senses, stop running away, and open his heart to love before it's too late. The song suggests that the desperado's pain and hunger are driving him home, but it's not freedom that awaits him there but rather an empty prison where he walks alone.
The lyrics paint a vivid picture of the desperado's life, where nothing goes his way, and he finds solace in things that ultimately hurt him. The song warns him not to draw the Queen of Diamonds and instead look for love with the Queen of Hearts. The line, "It's hard to tell the nighttime from the day, and you're losing all your highs and lows" describes the desperado's state of mind, where he's lost his sense of time and is unable to feel anything deeply.
Line by Line Meaning
Desperado
Addressing the person, who is desperate
Why don't you
Asking why they haven't done something yet
come to your senses
Realize what's really going on or what they need to do
You've been out riding fences
Been struggling and fighting for a long time
For so long now
Been going on for an extended period of time
Oh, you're a hard one
You are stubborn and tough
But I know that you've got your reasons
Acknowledging that they have valid motivations for their behavior
These things that are pleasing you
Things that make you happy
Can hurt you somehow
A reference to how things that seem good can have negative consequences
Don't you draw The Queen of Diamonds boy
Warning against taking unnecessary risks and challenging fate
She'll beat you if she's able
Referring to the idea that taking risks can have negative consequences
You know the Queen of Hearts Is always your best bet
Suggesting that love and connection are preferable to taking risks and being alone
Now it seems to me Some fine things have been laid upon your table
Noticing that good things have happened to them
But you only want the ones you can't get
Unhappy with what they have and always chasing what they don't
Desperado you ain't getting no younger
Acknowledging the passing of time and suggesting they take action before it's too late
Your pain and your hunger They're driving you home
Their struggles and needs are motivating them to take action
And freedom, oh freedom Well that's just some people talking
Reference to how freedom might not actually be the solution to their problems
Your prison is walking through this world all alone
Feeling isolated and trapped
Don't your feet get cold in the wintertime
Asking how difficult it is for them to deal with life's struggles
The sky won't snow And the sun won't shine
Metaphor for feeling stuck and helpless
It's hard to tell the nighttime from the day
Feeling disoriented and unsure of what's going on
And you're losing all your highs and lows
Suggesting that they are disconnected from their emotions and their former joy
Ain't it funny how the feeling goes away
Reflecting on how odd it is that emotions can fade away over time
Desperado Why don't you come to your senses
Repeating the earlier call to action, inviting them to take control of their life
Come down from your fences Open the gates
Leave behind the barriers and limitations they have set for themselves
It may be rainin but there's a rainbow above you
Optimistically acknowledging that somewhere there is something good to be found
You'd better let somebody love you Let somebody love you You'd better let somebody love you before it's too late
Urging connection and love, warning that life is short and they should take action before it's too late
Lyrics © O/B/O APRA AMCOS
Written by: Unknown
Lyrics Licensed & Provided by LyricFind