She is best known for her songs "Arigatō..." (Thank You?) (which reached #1 in Hong Kong when it was covered by Sammi Cheng) and "The Power of Smile." She is also recognised for her numerous contributions to anime/game soundtracks, the most notable being "Ai no Melody/Chōwa Oto (With Reflection)" for the film Origin: Spirits of the Past, "Follow the Nightingale" for the game Tales of Innocence and "Tatta Hitotsu no Omoi" for the anime Gunslinger Girl: Il Teatrino.
Kokia often performs in Europe, basing her activities in Paris and releasing music through Wasabi Records, a subsidiary of Kazé.
Early life, Pony Canyon debut
Kokia was born on July 22, 1976, and raised by her mother. She started playing the violin when she was two and a half years old, but preferred the family piano. Often instead of playing with toys, Kokia played with the family piano. Kokia remembers putting picture books on the music stand and creating music that represented the scenes.
When Kokia was 10, she went abroad to America with her sister Kyoko to study at the Summer music school (and did so again when she was 14). In high school, she studied in vocal music and opera, later majoring in opera at the Toho Gakuen School of Music.
While at university, a friend gave a demo tape Kokia had recorded to a record executive. Kokia was then signed to Pony Canyon, and debuted in 1998 while still at university. She created her stage name by reversing the syllables of her birth name, Akiko (something she had done as a game when she was very young). Her first released song, "For Little Tail," was used as the opening theme song for the game Tail Concerto (although this was released as the secondary track to the "Road to Glory" single album.). Her first few official singles were not primarily written by Kokia, instead were written by Toshifumi Hinata and Yoko Kanno. After four singles, she released her debut album Songbird in 1999. Unlike the singles before it, the majority of the songs were written by Kokia herself.
None of the releases charted very highly, however the leading single from the album, "Arigatō..." (Thank You?), found success in Hong Kong. It was awarded third in the 1999 Hong Kong International Popular Song Award. Hong Kong entertainer Sammi Cheng covered the song, and released it as the eponymous track from her album "Arigatou" in October 1999. The song became a big hit in Hong Kong.
Victor Entertainment
After the release of her debut album, Kokia did not continue to release music with Pony Canyon. Her first releases after this were five songs for Luna Sea vocalist Ryuichi Kawamura's production project, ЯKS, in 2000. The album was released under Victor Entertainment, heralding in Kokia's relationship with the label. In 2001, she re-debuted in proper under Victor, and released three singles.
Kokia continued to have success throughout Asia, with her music used in Asia-wide ad campaigns. In 2001, she performed at two high-profile Chinese concerts: an anti-drugs concert to 30,000 people with the so-called Four Heavenly Kings of Hong Kong entertainment (Jacky Cheung, Andy Lau, Aaron Kwok and Leon Lai), and also to over 120,000 people at a 2001 new year's countdown event in Taiwan. In January 2002, Kokia released her second album, Trip Trip, her first album to be self-produced. Much like her debut album, none of the releases charted well in Japan.
In 2003, however, Kokia first gained public notice. Her single "Kawaranai Koto (Since 1976)" was used as the drama Itoshiki Mono e's theme song, breaking Kokia into the top 50. Her biggest hit, however, was "The Power of Smile/Remember the Kiss." It gained notoriety after being used in a Kao haircare commercial. After which, Kokia was asked to perform on popular music show Music Station. The single broke the top 20 in Japan and was certified gold by the RIAJ. The resulting album, Remember Me, also broke the top 20, and sold over 45,000 copies.
Her Pony Canyon-era songs "I Catch a Cold" and "Shiroi Yuki" (White Snow?) were used in the soundtrack for the popular Chinese drama At the Dolphin Bay in 2003. This marked the end of Kokia's active participation in the Chinese music market.
Kokia's fourth album Uta ga Chikara (released in 2004) also found modest success, selling 20,000 copies. The biggest single from this album, "Yume ga Chikara," was used as the encouragement song for the Japan team at the 2004 Athens Olympic games.
While Kokia has been associated with game/anime music since her debut, it was only until 2006 when a theme song of hers became successful. Her single "Ai no Melody/Chōwa Oto (With Reflection)" was used as the two theme songs for the anime film Origin: Spirits of the Past, and it reached #30 on Oricon's single charts.
In February 2006, Kokia released her greatest hits collection, Pearl: The Best Collection, and a greatest video clips collection, Jewel: The Best Video Collection. The best collection reached #19 on the albums charts, and is currently her most recent top 20 release.
Anco & Co., France
From 2006 onwards, Kokia began working in European markets, as well as taking greater control over her musical releases. In January, she held her first European concert in Paris, and performed at the Midem music industry trade fair. Pearl was released a month earlier than its Japanese release throughout France and Spain.
In June 2006, Kokia decided to set up her own production company separate from Victor Entertainment, called Anco & Co., after desiring more creative control over her works. In November, she debuted in France with the anime-based retailer Wasabi Records, releasing her 5th album Aigakikoeru: Listen for the Love there six months before its Japanese release.
In November 2007, Kokia had her second successful game/anime tie-up single, with "Follow the Nightingale." The song, used for the game Tales of Innocence, reached #30 on Oricon.
Kokia's greater creative control allowed for her music to be released at a much greater pace. In 2008, Kokia released three albums: the neoclassical The Voice, the Ireland-themed album Fairy Dance and her first Christmas album Christmas Gift. In 2009, Kokia released two albums simultaneously (Kokia Infinity Akiko: Balance and Akiko Infinity Kokia: Balance) to celebrate her 10th anniversary. She also held her first world tour, with performances in Japan, France, Ireland, Poland, Belgium and Germany.
For Kokia's 11th album, Real World, she travelled to the Tunisian Sahara desert for inspiration.
Voice
Her voice is often praised by critics, for its clarity of sound. It is described by Kay of JaME World as fragile and breathy.
In 2004, on the TV show Daimei no Nai Ongaku-kai 21, Kokia attempted to break the Guinness World Record for the longest note held. In her a cappella performance of 'O Sole Mio, she held a note for 29.5 seconds, but did not break the record.
Song writing
Since her second album, Trip Trip, Kokia has written every original song that appears on her albums. Kokia even occasionally writes the music for the songs she appears in in game/anime OSTs (though this is not a rule, and many songs have been written by others).
Kokia writes the majority of her songs in Japanese, though many are in English or partial English (such as "The Rule of the Universe," "Say Hi!!" and "So Sad So Bad."). She occasionally branches into different languages, such as Italian ("Il Mare dei Suoni," "Insonnia.") and Irish ("Taimse im' chodhadh" and "Siuil a Run" from her Irish-themed album Fairy Dance).
Occasionally in songs, such as "Chōwa Oto" (Harmony) and "Follow the Nightingale," Kokia writes lyrics in code. For both of these songs, they featured reversed syllables (such as the lyric "nimiunooto denzush," when reversed gives "Oto no umi ni shizunde" (Sinking in a sea of sound?)). In "Chōwa Oto," Kokia also has a separate code (the numbers 3 25 15 21 23 and 1) which correspond to the letters of the English alphabet (1=A, 26=Z) to write the song's name in wāpuro rōmaji (C Y O U W A).
Music critic Issei Tomisawa considers Kokia to be one of his favourite musicians.
Personal life
Violinist Kyoko Yoshida is Kokia's older sister,[citation needed] and also attended the Toho Gakuen School of Music.
Kokia's grandfather was the manager of a Japanese shipbuilding company. She created a short-film "Ojii-chan no Tulip" (Granddad's Tulips?) and a song (Grandfather's Ship) in his honour.
Kokia was raised as a Christian, and attended Sunday mass from a young age. She writes many of her songs about God, such as "Why Do I Sing?," "Everlasting," "Inori ni mo Nita Utsukushii Sekai" and "Sei Naru Yoru ni" (In the Holy Night?).
Kokia has done humanitarian work for various causes. At high school, she was a member of the volunteer committee, and strived to help the disabled, elderly and AIDS victims. She has performed at a concert for drug abuse, supported the Japanese Social Welfare Organisation, and released a special charity single for the victims of the 2007 Niigata earthquake. Kokia also feels great sympathy for the September 11 attacks. She gave out 10,000 copies of a special EP, Music Gift, on the streets of New York in memory of the attacks. Many of Kokia's songs are messages about humanitarian/environmental causes, or about ways for people to live their lives better. Kokia primarily makes songs about love and peace.
Kokia is an avid dog lover. Throughout most of the 2000s, she owned four dogs: Donna, Muta, Nero and Titti. However, Donna passed away in February 2010. She has made references to dogs in several of her songs, such as "Shiroi Inu to Odoru Yoru" (Night Dancing with a White Dog?), and in "Say Hi!!," where the lyrics speak of "driving to the beach to play with our Donna." Many of her blog posts are centred around her dogs, with a special category dedicated to these posts.
Tatta Hitotsu no Omoi
KOKIA Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Mamorinurite misetai no sa kakegae no nai mono no tame ni hatashitai yakusoku
Gimon darake no yo no naka kotae ha mitsukaranai mama
Soredemo mae ni susumu no Why?
Sora he to nobiru itosugi massugu sashishimeshita michi
Ima toiu kiseki wo shinji you
Tatta hitotsu no omoi tsuranuku muzukashisa no naka de boku ha
Mamorinurite misetai no sa kakegae no nai mono no tame ni
Namiutteiru kodou ni chikau yo moetsukiru made hashiri tsuduke you
Ikinuite koso kanjirareru eien no itoshisa no naka hatashitai yakusoku
Oka no shita saku himawari mabushiku hirogaru kiiro ha
Kibou no hikari wo terasu yo
Kaerareru mono nara
Chigatta ikikata aru hazu to
Subete kake you ataerareta toki no naka de kagayaiteitai
Tada iki wo shite koko ni iru dake soredake nano ni afuredasu kimochi
Boku ni ha boku no shiawase ga aru sou omoeru dake de dorehodo
Kono shunkan ga itooshii hodo hikari wo hanatte yuku yo
Hitori de susumu ni ha nagasugiru michinori
Dareka ga kono tobira akenai ka matteru
Tatta hitotsu no omoi tsuranuku muzukashisa no naka de boku ha
Mamorinurite misetai no sa kakegae no nai mono no tame ni
Namiutteiru kodou ni chikau yo moetsukiru made hashiri tsuduke you
Ikinuite koso kanjirareru eien no itoshisa no naka
Hatashitai yakusoku
The lyrics of "Tatta Hitotsu no Omoi" by KOKIA speaks of a desire to protect and cherish one's most important feelings, even in the midst of difficulty and uncertainty. The opening lines convey the idea of a singular, unwavering emotion that persists even in the face of challenges. The singer expresses a determination to prove their devotion and loyalty to this feeling, which they consider to be priceless.
As the song progresses, the lyrics suggest that the world can be a confusing and complicated place, filled with unanswered questions. Despite this, the singer feels compelled to keep moving forward and searching for answers, motivated by a sense of wonder and faith. This is exemplified in lines such as "Soredemo mae ni susumu no Why?" ("But still, why do I keep moving forward?").
The song's chorus reinforces the idea of holding onto one's most precious emotions and promises, despite the difficulties that may arise. The final lines of the song express a longing to continue experiencing the sense of joy and beauty that this emotion brings.
Line by Line Meaning
Tatta hitotsu no omoi tsuranuku muzukashisa no naka de boku ha
In the midst of difficult struggles, I want to convey my one and only feeling
Mamorinurite misetai no sa kakegae no nai mono no tame ni hatashitai yakusoku
I want to make a promise to protect and demonstrate my worth for something irreplaceable
Gimon darake no yo no naka kotae ha mitsukaranai mama
In a world full of doubts, I still don't have answers
Soredemo mae ni susumu no Why?
Nevertheless, why do I keep moving forward?
Sora he to nobiru itosugi massugu sashishimeshita michi
I climbed upward to the sky, on a straight path that showed me the way
Ima toiu kiseki wo shinji you
Let's believe in the miracle of the present
Yume mitai na genjitsu kono te de kaerareru mono nara
If I can change this reality like a dream, by my own hand
Namiutteiru kodou ni chikau yo moetsukiru made hashiri tsuduke you
I swear on my racing heartbeat that I'll keep running until I burn out
Ikinuite koso kanjirareru eien no itoshisa no naka hatashitai yakusoku
In order to feel the sweetness of eternal love through surviving, I want to make a promise
Oka no shita saku himawari mabushiku hirogaru kiiro ha Kibou no hikari wo terasu yo
Sunflowers blooming under the hill spread bright yellow, shining a light of hope
Chigatta ikikata aru hazu to
There must be a different way of life
Kaerareru mono nara
If we can change
Subete kake you ataerareta toki no naka de kagayaiteitai
I want to shine among everything at stake that has been given to me
Tada iki wo shite koko ni iru dake soredake nano ni afuredasu kimochi
Just by breathing and being here, emotions overflow
Boku ni ha boku no shiawase ga aru sou omoeru dake de dorehodo
As long as I believe that my happiness exists within me, it doesn't matter how much
Kono shunkan ga itooshii hodo hikari wo hanatte yuku yo
This moment will release so much light that it will become dear to me
Hitori de susumu ni ha nagasugiru michinori
To advance alone on a long road
Dareka ga kono tobira akenai ka matteru
Someone is waiting for this door to open
Contributed by Gianna B. Suggest a correction in the comments below.
@damiandavie4016
its been several years since I first seen the series, and I must say the music still hits me even to this day. it's just beautiful and I loved the anime! shame it doesn't continue on, I have the manga but I would love to see the anime continue on.
@zirath17
Same. RIP season 3.
@caramelcoffees
almost 10 years since i watched this series, but the soundtrack still gives me feels.... i think it was the first anime i watched that was so beautiful but unspeakably tragic.
@AgentNightfall
My god the GFL x Gunslinger Girl collaboration got me crying
I really hope the collaboration event is canon in the gunslinger girl universe
@majorblitz3846
It's canon, yes, Gunslinger Girl event happened canonically as event before entire GFL lore.
@zirath17
Wait, what's GFL?
@AgentNightfall
@Zirath Ashe Girls' frontline
@projetoelectrosphere
@Major Blitz It´s not canon, they corrected the dialogue during the event
@majorblitz3846
@@projetoelectrosphere oh ok
@sjomik77
Personally I find this song to be the happiest most positive thing I've heard, litterally - when I listen to it - no matter how foul mood I'm in -this always makes it allgo away. Anime is also great - I really don't see how there is much sadness in it (with some exceptions obviously) this anime brings really warm and good feelings IMHO. love it ;)