The Robots
KRAF TWERK Lyrics
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And now we're full of energy
We are the robots
We're functioning automatik
And we are dancing mechanik
We are the robots
Ja tvoi Rabotnik robotnik (=I'm your worker)
We are programmed just to do
anything you want us to
we are the robots
We're functioning automatic
and we are dancing mechanic
we are the robots
Ja tvoi sluga (=I'm your slave)
Ja tvoi Rabotnik robotnik (=I'm your worker)
We are the robots
The lyrics of KRAF TWERK's song "The Robots" portrays the idea of robotic creatures who are recharged and full of energy. They are shown as highly, and even perfectly, functional, doing everything that they were programmed for, without the scope of any personal choices or deviations. The robotic beings that the lyrics describe are portrayed as being perfectly in rhythm with each other and their surroundings, with a mechanical and robotic dance, and a complete automation in their functioning. They are owned by their masters and operate at their masters' commands, ultimately conveying a sense of an emotionless obedience or unyielding robotic loyalty.
The lyrics of "The Robots" can be interpreted as a commentary on our relationship with technology and the increasing blur between humans and technology. It portrays the idea that we have become overly reliant on machines and technology to a point where we are almost slave-like in our obedience to them. The lyrics can also be interpreted as a warning about the dangers of complete automation, as it reduces human elements such as creativity and improvisation.
Line by Line Meaning
We're charging our battery
We're replenishing our energy source
And now we're full of energy
Our energy supply is at maximum capacity
We are the robots
We identify ourselves as artificially intelligent beings
We're functioning automatik
We operate automatically without human intervention
And we are dancing mechanik
We are performing mechanical dance movements in sync with each other
Ja tvoi sluga (=I'm your slave)
I am at your service and under your control
Ja tvoi Rabotnik robotnik (=I'm your worker)
I am your mechanical worker, programmed to perform tasks
We are programmed just to do
Our actions are determined by our pre-set programming
anything you want us to
We are capable of carrying out any task assigned to us
We're functioning automatic
We operate without the need for human input or intervention
and we are dancing mechanic
Our dance movements are mechanical and precise
we are the robots
We are AI-powered beings designed to serve and perform tasks
Lyrics © Universal Music Publishing Group
Written by: SIMON KEITH SHACKLETON
Lyrics Licensed & Provided by LyricFind
@joezava8257
@@thehuntergt Continuing...Kraftwerk's definite defeat came in 1977 with Moroder's new Electronica productions (continuing the electronic evolution of the Einzelganger album) which ultimately evolved and revolutionized the 4 classic lines of Electronic Music with the concrete and initial EDM model of Giorgio Moroder 1977 (E. Munich / Working To The Midnight Shift, Queen For A Day, Now I Need You, I Feel Love and her second electronic album From Here To The Eternity) all under the solid and concrete beginning of this nascent electronic scene that In its first phase of development and evolution (1977-1980) it forms the 3 main and primary electronic genres of EDM Concreto 70's: HI-NRG, Synthpop and Electro.
Kraftwerk and their stagnant, rustic and underdeveloped album (T. Europa E. / 1977) bow and bow to Giorgio Moroder's EDM model, paying tribute to him in 1978 with the album The Man Machine which practically replicates and copies the concrete electronic bases. of Moroder's EDM matrix (HI-NRG & Synthpop) reflected in songs such as Spacelab, Metropolis, The Model among others).
Kraftwerk, defeated by Moroder, began to put an end to their descendants and lineage Progressive German Rock & Krautrock Düsseldorf in their future productions, even more so when in 1980 Ryuichi Sakamoto and his independent productions associated with YMO (E. Japan in synthesis with EDM Concreto post 1977 ) begin the primary electronic model and matrix of Electro (third and last electronic genre of Concrete EDM to be formed), it is from here that again Kraftwerk replicates and takes the productions of other producers, this time it was Ryuichi Sakamoto's turn and his works from that year 1980 / Lexington Queen, Wareheat, B-2 Unit and the Grail of electro sound, the song Riot In Lagos (also added to the most minimal HI-NRG & Synthpop achieved until 1980 and the electronic lines of the group of top producers and developers from the 70's in synthesis with EDM: Moroder (E. Munich), Jarre (E. France), Lacksman (E. Belgium), YMO (E. Japan), Tangerine Dreams & Schulze (E. Berlin)...among others such as Vangelis, Tonet, Gizzi, Pinhas, Martin W. & Ian C...) all of this forms the fundamental electronic bases for the formation of the album Computer World (1981), again thirsty Kraftwerk and leaning towards the EDM of Giorgio Moroder.
But what are you going to know about these topics if you are the typical ignor. average Kraftwerk fan who doesn't have the slightest clue about what he's listening to, talking about, and writing about. Nice to educate you Kraftwerkboy
My name is Giovanni Giorgio, but everyone calls me...the father, founder and pioneer of EDM and Modern Electronics / The Sound Of The Future.
@ralpholson2357
We're charging our battery
And now we're full of energy
We are the robots
We are the robots
We are the robots
We are the robots
We're functioning automatik
And we are dancing mechanik
We are the robots
We are the robots
We are the robots
We are the robots
Ja tvoi sluga (Translation:I'm your slave)
Ja tvoi Rabotnik robotnik (TranslationI:I'm your worker)
We are programmed just to do
anything you want us to
We are the robots
We are the robots
We are the robots
We are the robots
Ja tvoi sluga (Translation:I'm your slave)
Ja tvoi Rabotnik robotnik (TranslationI:I'm your worker)
We are the robots!!! :D
@ShaddySoldier
It's weird seeing Germans this emotive
@Citiesinmotionplayer
+ShaddySoldier I'm German and....... I almost laughed.
@ShaddySoldier
Kim Philipp Möllgaard
HE IS GOING HISTARICAL!
@Citiesinmotionplayer
ShaddySoldier
Histerical and useless?
@ShaddySoldier
Kim Philipp Möllgaard the hysterics have made you only 99.9999% efficient. that is too low for German quotas, you shall be terminated
@seandonton8219
ShaddySoldier ya!
@noonmoom9615
X AE A-12's favorite music
@nickd7225
@@V01D_Protogen happily his mom is a music master too!!! 😉😉😉
@eliminatorjr
bitch shut up
@AdelaTomankova
Yessss and i hope someday grimes will make robot music too