In 1994 the band signed a deal with Noise Records; the release of their debut album Eternity followed in 1995. The next album, Dominion, was released in 1997.
Later that year, two of the band's members were replaced; drummer and founder Richard Warner and lead vocalist Mark Vanderbilt. Respectively, their replacements were Casey Grillo and Roy Khan (Roy Sætre «Khan» Khantatat from Elverum in Norway - formerly of Conception). With the two new members, Kamelot released their third studio album, Siege Perilous. The new line-up undertook an extensive tour through Europe during the fall of the same year only to return to the Gate Studio in Wolfsburg twelve months later to produce the fourth studio effort The Fourth Legacy.
The summer of 2000 brought the "New Allegiance Tour" through Germany, Austria, Switzerland, The Netherlands, Belgium, Italy, Greece and Spain during which the recordings for Kamelot's first live album The Expedition were made. Only a few months later the band presented their fifth album entitled Karma, to the greatest critical success yet. Their sixth album, Epica was released in 2003. Both Epica and the band's seventh effort, The Black Halo, which was released in 2005, are based on Johann Wolfgang von Goethe's version of the legend of Faust, a man who sells his soul to the devil. To support the new album the band went on tour through Europe and Japan during the first leg of the "Black Halo World Tour 2005", with special guests Epica and Kotipelto in Europe and support Silent Force in Japan. They also played on the Bang Your Head!!! Festival in Germany and the Graspop Metal Meeting in Belgium.
In 2005 they shot their first music videos ever, for the songs The Haunting (Somewhere in Time) and March of Mephisto from the album The Black Halo. Both videos were shot by acclaimed director Patric Ullaeus. The 5th of October 2005 saw the addition of Oliver Palotai as the fifth official band member. Oliver will handle both keyboards and (additional) guitars.
On the second leg of the "Black Halo World Tour" they visited North and South America (USA, Canada, Brazil) as well as Europe (The Netherlands, Belgium, Sweden and Norway). During this part of the tour the bands first live DVD was shot, with the main concert being shot on February 11th, 2006 at Rockefeller Music Hall in Oslo, Norway. The shoot was again handled by Patric Ullaeus. The DVD (and live CD) called One Cold Winter's Night was released in November 2006.
Ghost Opera is the eighth studio album from Kamelot. It was released on June 1st, 2007 via SPV/Steamhammer Records, in Germany and then followed by releases on the fourth and fifth in Europe and the USA, respectively. The album was recorded and mixed at Gate Studios and Pathway Studios in Wolfsburg, Germany with producers Sascha Paeth and Miro. The first video from the album is for the track Ghost Opera, and can be seen on the band's official MySpace site. A video for the song The Human Stain was shot and released later.
Following this was their ninth studio album, Poetry for the Poisoned. It was released on the earMUSIC label, a subdivision of Edel, on September 10, 2010 in Europe, and four days later in North America by the band's own label, KMG Recordings. The release sees the return of founding member Sean Tibbetts (who formerly used the stage name Sean Christians) on bass guitar. A video was recorded for the song The Great Pandemonium and released on the band's official YouTube channel on September 6 (it's also included on the Special Edition DVD release of the album). Simone Simons returns to supply guest vocals on a few songs. Amanda Somerville, Gus G. and Björn "Speed" Strid are also featured.
On September 6, 2010, Kamelot announced that Khan wouldn't be able to perform with the band on their North American tour, just a few days before its scheduled start, and had returned to Norway. While it was initially reported that the band would continue the tour with the Norwegian vocalist Michael Eriksen of Circus Maximus in Khan's place, the band later announced that it would postpone the tour with Khan, though one show was performed with Eriksen at the ProgPower USA XI festival in Atlanta, Georgia, on September 10, 2010. However, on December 16, it was announced that Fabio Lione of Rhapsody of Fire would replace Khan for the remaining and rescheduled dates on the Pandemonium over Latin America, Europe and North America tours in 2011, and later the 70,000 Tons of Metal Cruise in 2012. Other guest singers appeared on selected shows, such as Simone Simons singing The Haunting (Somewhere in Time) and Don't You Cry, Tommy Karevik singing Center of the Universe, EdenEcho or The Human Stain, Snowy Shaw as Mephisto on March of Mephisto, Alissa White-Gluz also as Mephisto on March of Mephisto and Atle Pettersen on Karma.
Following a period of uncertainty, Khan and Kamelot released separate statements on April 21 and 22 2011 respectively, announcing Khan's departure from the band for burnout and religious reasons.
On June 22 2012, Kamelot introduced Seventh Wonder's Swedish vocalist Tommy Karevik as their new official vocalist. Karevik had previously appeared as one of the guest singers on the 2011 Pandemonium World Tour, and was thrilled about his new position: “I am so honored to now be a part of this family and I can't wait to move into the new era of the band together with the guys. I fully understand that this comes with great responsibility and that it will be a big challenge for me as a singer as well as a person, but you can rest assured I will give it my all. From this day, a new journey has begun and I am really eager to meet you all along the way to share my passion for this music!”. Their first show with Karevik was on July 12, 2012 at Masters of Rock.
Kamelot returned to the German label SPV GmbH to release their tenth record, which was unveiled as "Silverthorn" in July 2012. Silverthorn was released on October 30th in North America, October 26th in Germany, and October 29th in the rest of Europe via Steamhammer/SPV. The CD marked the band’s first release with new singer, Tommy Karevik.
Silverthorn went directly to the top, debuting at the #1 position on Amazon’s Heavy Metal Chart. Along with this accomplishment, KAMELOT also impacted major charts in other categories including the #9 position on Billboard’s Hard Rock Chart, #24 on the Rock Charts, #79 on Billboard’s Top 200 Chart, as well as appearing on multiple international charts.
A music video was released for the first single from Silverthorn, Sacrimony (Angel Of Afterlife). The band joined Nightwish on their North American tour as special guests during September and October 2012 in the period leading up to the release of Silverthorn, along with guest vocalists Elize Ryd and Alissa White-Gluz. Following the North American tour, Kamelot embarked on a headlining European tour during November 2012, with support on the tour coming from Xandria, Triosphere and Blackguard. The band also toured new countries on the Silverthorn world tour including Australia, Korea and Taiwan.
On February 23, 2015 the title, artwork, track listing and official release dates for Kamelot's new album were revealed. The new album titled "HAVEN" will make Kamelot's history as it will be released worldwide (excl. Asia) on Napalm Records/Universal and Napalm Records/ADA/Warner as an exclusive licensing deal through the band’s Kamelot Music LLC on May 5, 2015 (North America) and May 8, 2015 (Europe and rest of the world).
Produced by acclaimed music producer Sascha Paeth and mastered by Jacob Hansen, Haven "features all the signature elements of KAMELOT but the band steps out to add new and modern elements along with bringing some amazing emotions that harken to the band’s earlier days." (Source: official press release). Additional guests include Alissa White-Gluz (Arch Enemy), Troy Donockley (Nightwish) and Charlotte Wessels (Delain).
Following the release of HAVEN, Kamelot will embarque on a massive world tour, starting with North America in April/May 2015 followed by European shows in the Summer 2015 and with The Haven European Tour in September/October 2015 the band will return to Europe for their biggest headliner tour to date.
Current Members:
Current members
Thomas Youngblood – guitars, backing vocals (1987–present)
Oliver Palotai – keyboards, additional guitars (2005–present)
Sean Tibbetts – bass (1991–1992, 2009–present)
Tommy Karevik – lead vocals (2012–present)
Alex Landenburg – drums, percussion (2019–present)
Former members
Rob Beck – lead vocals (1987–1991)
Dirk Van Tilborg – bass, keyboards (1987–1991)
Richard Warner – drums (1987–1997)
Mark Vanderbilt – lead vocals (1991–1998)
David Pavlicko – keyboards (1993–1998)
Glenn Barry – bass (1992–2009)
Roy Khan – lead vocals (1998–2011)
Casey Grillo – drums, percussion (1997–2018)
Johan Nunez – drums, percussion (2018–2019)
Live/Session members
Howard Helm – keyboards (1998–1999)
Günter Werno – keyboards (2000)
Michael Eriksen – lead vocals (2010)
Fabio Lione – lead vocals (2011–2012)
Sascha Paeth – additional guitars (1999–present)
Michael "Miro" Rodenberg – keyboards, backing vocals, orchestral arrangements (1999–present)
Live guest musicians
Elisabeth Kjærnes – additional vocals (2006)
Mats Olausson – keyboards (2003; died 2015)
Heather Shockley – additional vocals (2005)
Mari Youngblood – additional vocals (2005–2007)
Anne-Catrin Maerzke – additional vocals (2007–2009)
Amanda Somerville – additional vocals (2009)
Jake E Berg – vocals (2010–2011)
Charlotte Wessels – additional vocals (2010, 2018)
Elize Ryd – additional vocals (2010–2015, 2017, 2018)
Edu Falaschi – lead vocals (2011)
Simone Simons – additional vocals (2006–2012)
Alissa White-Gluz – additional vocals (2011, 2012–2016, 2018)
Coen Janssen – keyboards (2013)
Linnéa Vikström – additional vocals (2012, 2015)
Floor Jansen – additional vocals (2013)
Marcela Bovio – additional vocals (2013–2014)
Kobra Paige – additional vocals (2015–2017)
Aeva Maurelle – additional vocals (2016)
Noora Louhimo – additional vocals (2018–2019)
Lauren Hart – additional vocals (2018–2019)
Session guest musicians
Dirk Bruinenberg – drums, percussion (1999)
Robert Hunecke-Rizzo – drums, percussion (1999)
Cinzia Rizzo – vocals (1999, 2001, 2003, 2005–2007, 2012)
Mari Youngblood – vocals (2003, 2005–2006)
Luca Turilli – guitars (2003)
Amanda Somerville – vocals (2005–2012)
Simone Simons – vocals (2005–2008, 2010)
Shagrath – vocals (2005)
Jens Johansson – keyboards (2005)
Elize Ryd – vocals (2012)
Anne-Catrin Märzke – vocals (2008)
Jon Oliva – vocals (2010–2011)
Chanty Wunder – vocals (2010–2011)
Björn "Speed" Strid – vocals (2010)
Gus G – guitars (2010)
Alissa White-Gluz – vocals (2012, 2015)
Charlotte Wessels – vocals (2015)
Troy Donockley – uilleann pipes, tin whistle (2015)
Jennifer Haben – vocals (2018)
Lauren Hart – vocals (2018)
Studio albums:
1995 - Eternity
1997 - Dominion
1998 - Siege Perilous
1999 - The Fourth Legacy
2001 - Karma
2003 - Epica
2005 - The Black Halo
2007 - Ghost Opera
2010 - Poetry for the Poisoned
2012 - Silverthorn
2015 - Haven
2018 - The Shadow Theory
Live Albums:
2000 - The Expedition
2006 - One Cold Winter's Night
2020 - I Am the Empire – Live from the 013
Live DVDs:
2006 - One Cold Winter's Night
Demos:
1991 - Demo
2) Kamelot is a czech folk/rock band from Brno found in 1982. The only member who has been in the band the whole time is its founder, Roman Horký.
Current Members:
Roman Horký
Viktor Porkristl
Jiří Meisner
Pavel Plch
Discography:
Studio albums:
1990 - Zachraňte koně
1991 - Tajný výpravy
1992 - Vyznavači ohňů
1993 - Roman Horký a jeho hosté
1994 - Duhová cesta
1995 - Zlatá ryba
1996 - Cesta do ráje
1997 - The Best Of
1997 - Vyhaslý oheň
1998 - Země antilop
1999 - Větrné město
2000 - Vzpomínka na kamaráda
2001 - Paměť slonů
2001 - Pozdní návraty
2002 - Valerie
2004 - Zvláštní svět
2005 - Dlouhá pláž
2006 - Modrá planeta
2007 - 25 - Výběr největších hitů
2009 - Mořská sůl
2010 - 19 ztracených písní Wabiho Ryvoly
Singles:
1995 - Tomáš
1996 - Rio/Hardegg
2004 - Island
Up Through the Ashes
Kamelot Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
They claim with conviction
You've got a crowd
So what's your appeal
Your voice, your predictions
They're getting loud
Raise me up, up through the ashes
Take me on, into the light
You want to die
Create some sensation
Be makin' the news
An eye for an eye
Mocking your creation
King of the Jews
Before I let you die, you must forgive me
Raise me up, up through the ashes
Take me on, into the light
Give a sign of remorse
(I don't need your blood)
You will hang on the cross
For playing God
You, the people, must decide
The self-proclaimed prophet, or the novice murderer
The king or the convict, it's up to you
So tell me who's free to go
Raise me up, up through the ashes
Take me on, into the light
Raise me up, up through the ashes
Take me on, into the light
The song "Up Through the Ashes" by Kamelot talks about the consequences of people who claim to be a prophet or a messiah and the people who blindly follow them. The first verse talks about how people listen to such claims and follow them blindly, without questioning its authenticity. The next section talks about how these false prophets create a spectacle, seeking attention, and how they sometimes become a laughing stock in society. The line "king of the Jews" from this section is a reference to biblical stories where Jesus was insulted with such titles.
In the second verse, the singer talks about the consequences of such foolishness. A call for penance and a plea of forgiveness is made, requesting that the self-proclaimed prophets be led into the light as they rise from the ashes. The chorus repeats the same verse twice. The song ends with the demand that the people take responsibility and choose between a self-proclaimed prophet or a novice criminal.
Overall, the song has a very heavy and ominous tone that critiques society's blind acceptance of false prophets and the consequences of such actions. The song talks about how these actions have led to severe consequences, often resulting in violence, death, and chaos.
Line by Line Meaning
So you can hear
The singer is addressing someone who may be getting a lot of attention and recognition from the public.
They claim with conviction
Others believe that this person is special or important in some way.
You've got a crowd
The person being addressed has attracted a large group of people through some means.
So what's your appeal
The artist is questioning what specifically is causing others to be interested in this person.
Your voice, your predictions
The artist suggests that this person may have a distinctive speaking style or be making predictions that are capturing people's attention.
They're getting loud
The public's interest in this person is increasing and becoming more intense.
But if I let you die, you must forgive me
The singer is potentially holding this person's life in their hands, and they are expressing concern about the consequences of their actions.
Raise me up, up through the ashes
The artist wants to be lifted up and away from some kind of negative or difficult situation in their life.
Take me on, into the light
They want to move towards something more positive, or away from darkness or suffering.
You want to die
The artist is accusing the person being addressed of intentionally seeking out danger or death.
Create some sensation
The singer suggests that the person wants to cause a stir or become the center of attention.
Be makin' the news
They may be actively seeking out opportunities to be covered in the media or becoming a topic of discussion among the public.
An eye for an eye
The singer believes that the person has done something wrong, and they want to seek revenge in some form.
Mocking your creation
The singer is mocking or belittling the person's work, accomplishments, or ideas.
King of the Jews
This may be a reference to the Bible or a phrase used to describe someone who is arrogant or acting like they are above others.
Before I let you die, you must forgive me
The artist is again expressing concern about having control over someone's life and being held responsible for the consequences of their actions.
Give a sign of remorse
The artist is demanding some kind of indication that the person being addressed understands that they did something wrong and feels regret.
(I don't need your blood)
The singer is denying that they are seeking any kind of physical harm to this person in response to their actions.
You will hang on the cross
This is potentially a biblical reference to punishment or suffering.
For playing God
The artist may be suggesting that the person has acted in a way that is arrogant or imposing their will on others, like a god.
You, the people, must decide
The artist is addressing the public and suggesting that they have a role to play in deciding what happens to this person.
The self-proclaimed prophet, or the novice murderer
The artist is presenting two potential options for how to view this person - either as someone who may be trying to spread ideas or messages like a prophet, or someone who is inexperienced or unprepared for what they are doing.
The king or the convict, it's up to you
The singer is presenting two more options for how to view this person - either as someone with power and authority, or someone who has been found guilty of wrongdoing in the eyes of the law.
So tell me who's free to go
The artist is asking the public to weigh in and determine what should happen to this person.
Raise me up, up through the ashes
The singer repeats their desire to be lifted up and away from difficulty or suffering.
Take me on, into the light
They want to move towards something more positive or uplifting, away from darkness.
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
scw55
I was oblivious to the lyrics until I started listening closely. I then read them up. And it confirmed to me that the song is about a monumental moment. Where people sentenced the person they had been waiting for to death.
Hezekiah Montiel
@Bassdrummer 98 That is so true!
Bassdrummer 98
scw55 yes you're right
To be more specific: these lyrics are based on the decisions of Pontius Pilatus when he sentenced Jesus to be crucified ;)
Minster Games
I swear I always thought he said at 2:46
Give me a sign of remorse
(Like a need of blood)
You will hang on the curse
To play god
wow was I wrong
Twenty2 twenty2
i want to go up throught the ashes
Anthony González Miranda
Ghost Opera is one of the most underrated albums of Kamelot. It is not entirely awesome, but the songs that I love in it are actually my favorites songs of Kamelot.
"The Human Stain", "Blûcher", "Love you to Death" and "Up Through the Ashes" are all, for me, above anything Black Halo and Epica have to offer, which are, by the way, nigh-perfect Kamelot albums. These Ghost Opera songs, however, are much more musical and lyrical. They are just plain beautiful.
Kona Aukai
I recently acquired a copy of Ghost Opera from Amazon, and had great difficulty finding it for less than $40 (supply and demand for an out of print item is the driving force behind the prices). On top of that, it is one of the two most sought after albums Kamelot ever put out so far as I am aware, the second one being the Black Halo. As a result, I strongly disagree. I had no problem finding every other album for decent prices from Fourth Legacy onward, but not these two. I love this album, but I do not think for one second that this is underrated.
Shade338
To each their own, but this album lacks "something" in most of their songs. This song is great, but it lacks the energy that Karma, Epica, or The Black Halo has. This album is good, but it's not on the same level as Epica and The Black Halo where each and every song is amazing to listen too.
Derek Belden
I don't know about that. Ghost Opera did great critically and sold nicely using the momentum of The Black Halo, usually following such a masterpiece has a lot of drawbacks, but instead it just solidified the album as a great follow up, if maybe not as perfect.
The Jester
+Anthony González Miranda Whole Ghost Opera is awesome my 2nd favorite album first one is Karma :)