1) [1] a UK hi… Read Full Bio ↴There are three musical projects by the name of Kano --
1) [1] a UK hip hop / grime rapper
2) [2] a classic italo-disco project.
3) [3] a Japanese singer who covers Vocaloid songs.
[1] In his early teens Kano attended Langdon Comprehensive School in East Ham, Newham, where his mother still works. Kano was a promising footballer, representing Chelsea F.C., Junior Hammers and Norwich City by the age of thirteen, but in the end he abandoned his sporting ambitions in favour of a musical career. His cousin Jonathan Fortune plays for Charlton Athletic.
His first track was "Boys Love Girls". Kano first became known on the UK grime scene for his work with his original group, N.A.S.T.Y Crew (Natural Artistic Sounds Touching You). From this springboard he was signed as a solo artist and began work on his debut solo album.
He is signed to 679 Recordings and is a label mate of The Streets. He was also a key member in East Londonβs N.A.S.T.Y. Crew. However, since being signed to 679 recordings, he has now left N.A.S.T.Y Crew, and took Demon and Ghetto with him.
Home Sweet Home was a great critical success, from across the British press, most notably The Independent and The Observer, two creditable UK based newspapers. Many artists in the UK and US have expressed positive views of the album, including Busta Rhymes, Nas, RZA, Jay-Z, Andre 3000 and Chuck D of Public Enemy.
Towards the end of 2005, Kano also released a mixtape, Beats & Bars, which is currently only available at his concerts.
London Town was released on September 10, 2007, which included hit single, "This Is The Girl", featuring Craig David. London Town includes tracks featuring Gorillaz member Damon Albarn formerly of Blur, Kate Nash, Craig David, Vybz Kartel and Leo The Lion.
Kano is also releasing a special Deluxe Limited Edition that includes a DVD featuring a interview with Kano, This Is The Girl video and acoustic studio footage with Craig David.
Kano has now left 679 recordings.
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[2] Kano was a post-disco music project formed in 1979 by Italian-based producers/musicians Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto. They were early producers of a style of Italian dance music called Italo-disco, a blend of 1970s disco and funk with the addition of synthesizers.
Kano's sound was first heard on radio stations and in dance clubs around the world with their debut hit single, 1980's "I'm Ready", from their self-titled debut album (which also included the minor hits, "It's a War" and the instrumental track "Cosmic Voyager"). The b-side of "I'm Ready", "Holly Dolly" used the same essential production elements. "I'm Ready" also peaked at #21 on the Black Singles chart. "It's a War" was also a big hit on the Hot Dance Music/Club Play chart in the U.S., reaching #2 for five weeks.
The project went on to record two other albums, including 1981's "New York Cake" (which included the minor hits "Don't Try to Stop Me", and "Can't Hold Back") and 1983's "Another Life" (including the title track and "I Need Love") which introduced West Indian-born singer Glen White. Their last song was 1985's "This Is the Night".
"I'm Ready" was later used as a sample on a few songs, such as Gigolo Tony's 1986 hit "Hokie Pokie" and Rofo's 1987 hit "Flashlight In A Disconight". The most well-known use of it as a sample is on Tag Team's 1993 hit, "Whoomp! (There It Is)". "Another Life" was remixed by Master Blaster featuring in their 2003 album "We Love Italo Disco". "Another Life" was also sampled in the 2005 track "Discopolis" by Lifelike & Kris Menace. "Ikeya Seki" was sampled by the French electro house artist Kavinsky for his track "Grand Canyon", which appeared on his 2007 EP, 1986.
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[3]Romanized name of the utaite ιΉΏδΉ, for a full biography, check that page.
P's & Q's
Kano Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When Kano comes to town
All I say is "mind's right", and they lose the limelight
When Kano comes around
Some try screw me or even sue me
But it don't work 'cos the crowd don't boo me
You ain't a true G, I'm too deep
How could Kano stay underground?
And kick shit off, I hold it down
But we're still gully
The only 'pop' you'll hear from us is
POP POP POP, then we're out
Act up and get boxed in the mouth
'Cos, you're just playing a gangster
You ain't never weighed a ounce, fought a bouncer
You ain't never hid no blocks in your mouth
You ain't got love in North, West and South
And I'm an East boy, you're a chief boy
I finish it when you start the beef boy
Girls like me but I ain't a sweet boy, so boy
Don't think you can move to me and think I'll be asleep boy
'Cos I'm on my P's and Q's
That's why I make more P's than you's
Even when I'm in 3s and 2s, slip?
There ain't no reason to, slipping
If there ain't a blitz between the clique, that's slipping
No whip, out the manor linking chicks
That's slipping, that's slipping
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
I hate losing, so I ain't snoozing
From London to Luton, I'm moving
I'm even merking over seas
And I got it locked from London to Leeds
Please, from time you heard me shine
Now I'm big from London to Merseyside
You got lines but you spit like nursery rhymes
This year's gotta be mine, I'm the first in line
Wow, you got your first rewind
But the second line sounded like the first line
I ain't got punch lines, I got kick lines
And I ain't commercial but I got hit lines
I spit deep rhymes
But I got the girls on my side from the first rewind
You might see my face in a magazine
Or in a fur coat in FACE magazine
'Cos they're spreading the word down from raves that I been
And they're bringing the purse out to pay for my team
I couldn't give a shit, I'm breaking the scene
Making a scene then start making the cream
Seen? I got a gang with me
And we all walk with a gangster lean
You're all talk, you don't wanna rap with me
There's no jokes or no pranks with me
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my, P's and Q's, in sneaks or shoes
We're in a Honda, fuck it no Jeeps and coupes
We'll chief your crew, we're so hungry we'll thief your food
So mind out before you find out who you're speaking to
I speak to youths, on the level, and speak the truth
So please, there's thug in me
But there ain't no me in you
And please, you ain't bussin' one, let alone squeezing two
Say cheese, but it won't be a snapshot
Pull out and try and hit like the jackpot, leave
I ain't waiting around, baiting the town for K to be found
That's slipping, if there ain't a blitz between the clique
That's slipping
No whip, out the manor linking chicks
That's slipping, that's slipping
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
If you see me and I ain't with my crew
Believe I'm on my P's and Q's
Even on my own tune
That's the difference between me and you
In "P's & Q's", Kano addresses the badmouthing and negative attitude he receives from some people, especially when he comes to their town. While some try to sue him or speak ill of him, Kano remains confident in his abilities to deliver quality music, hold his own, and always stay on his P's and Q's - an idiom that means to be careful, attentive, and polite at all times.
Kano reflects his self-assuredness and grit through the lyrics, believing himself to be the real deal when it comes to the laidback, confident masculinity of traditional hip-hop. He asserts that he makes more money, stays sharper, and knows how to keep up appearances more effectively than his detractors.
The lyrics also reflect the harsh realities of gang culture in the UK, as Kano indicates that he has a gang of people on his side who will walk with him with a "gangster lean" and will take away anything that comes in their way, including food from "your" plate.
Line by Line Meaning
Some manors don't like me, they try and badmind me
Some places don't welcome me because they are envious of me.
When Kano comes to town
When Kano visits that place.
All I say is 'mind's right', and they lose the limelight
I simply say 'I'm good' and those who were envious divert their attention elsewhere.
When Kano comes around
When I visit.
Some try screw me or even sue me
Some people try to mistreat me or even take me to court.
But it don't work 'cos the crowd don't boo me
Their actions don't work because the audience still loves me.
You ain't a true G, I'm too deep
You aren't a true Gangster, I am more involved than you.
How could Kano stay underground?
How could I remain unknown?
I ain't like most that roll around
I'm not like most people who roam around.
And kick shit off, I hold it down
They start fights, while I am responsible and maintain the situation.
But we're still gully
We are still gangster-like.
The only 'pop' you'll hear from us is POP POP POP, then we're out
The only sound you'll hear from us is gunshots then we'll leave.
Act up and get boxed in the mouth
If you cause trouble, you'll get punched.
You're just playing a gangster
You pretend to be a gangster.
You ain't never weighed a ounce, fought a bouncer
You have never sold or fought anyone.
You ain't never hid no blocks in your mouth
You have never hidden drugs in your mouth.
You ain't got love in North, West and South
You don't have support from all around.
And I'm an East boy, you're a chief boy
I'm from East London while you are a coward.
I finish it when you start the beef boy
I end the trouble when you initiate it.
Girls like me but I ain't a sweet boy, so boy
Girls are attracted to me but I'm not naive.
Don't think you can move to me and think I'll be asleep boy
Don't try to challenge me and expect me to be unaware.
'Cos I'm on my P's and Q's
Because I'm cautious and attentive.
That's why I make more P's than you's
That's why I make more money than you do.
Even when I'm in 3s and 2s, slip?
Even if I'm not accompanied by my gang, need I be careful?
There ain't no reason to, slipping
There is no reason to be careless.
If there ain't a blitz between the clique, that's slipping
If there is no organized attack between us, we are vulnerable.
No whip, out the manor linking chicks
No car, out in the area meeting girls.
If you see me and I ain't with my crew
If you see me alone without my gang.
Believe I'm on my P's and Q's
Believe that I'm still being cautious.
Even on my own tune
Even on my own song.
That's the difference between me and you
That's how we differ.
I hate losing, so I ain't snoozing
I hate to lose, so I'm not resting or slacking off.
From London to Luton, I'm moving
From London to Luton, I'm traveling fast.
I'm even merking over seas
I'm even succeeding overseas.
And I got it locked from London to Leeds
I have things under control in places from London to Leeds.
Please, from time you heard me shine
Since you heard me, I've been outstanding.
Now I'm big from London to Merseyside
I'm recognized and respected from London to Merseyside.
You got lines but you spit like nursery rhymes
You have lyrics but they are simple like children's songs.
This year's gotta be mine, I'm the first in line
This year must be the year for me, I'm first in line for success.
Wow, you got your first rewind
Wow, someone played your song again for the first time.
But the second line sounded like the first line
But the second line was indistinguishable from the first.
I ain't got punch lines, I got kick lines
I don't have funny lines, I have powerful lines.
And I ain't commercial but I got hit lines
I don't make mainstream music but I have catchy lines.
I spit deep rhymes
I deliver thought-provoking lyrics.
But I got the girls on my side from the first rewind
But the girls already liked me from my first song.
You might see my face in a magazine
You might see my picture in a magazine.
Or in a fur coat in FACE magazine
Or you might see me wearing a fur coat on the cover of FACE magazine.
'Cos they're spreading the word down from raves that I been
Because they're spreading the word about me from the parties I attended.
And they're bringing the purse out to pay for my team
And they're pulling out their wallets to pay for my team.
I couldn't give a shit, I'm breaking the scene
I don't care, I'm shaking things up.
Making a scene then start making the cream
Getting attention then making money.
Seen? I got a gang with me
Understand? I'm with my gang.
And we all walk with a gangster lean
And we all walk with a confident swagger.
You're all talk, you don't wanna rap with me
You just talk, you don't actually want to compete lyrically with me.
There's no jokes or no pranks with me
I'm serious, I don't play around.
Believe I'm on my, P's and Q's, in sneaks or shoes
Believe that I'm always cautious, whether I am in sneakers or dress shoes.
We're in a Honda, fuck it no Jeeps and coupes
We're in a Honda, we don't need fancy cars.
We'll chief your crew, we're so hungry we'll thief your food
We'll take over your gang, we're so desperate that we'll even steal your food.
So mind out before you find out who you're speaking to
Be careful who you're talking to.
I speak to youths, on the level, and speak the truth
I talk to young people, I'm honest, and I tell the truth.
So please, there's thug in me
So please understand that I'm tough.
But there ain't no me in you
But you don't have the same toughness as me.
And please, you ain't bussin' one, let alone squeezing two
And please know that you haven't shot anyone, let alone two people.
Say cheese, but it won't be a snapshot
If you smile, it won't be because of a camera.
Pull out and try and hit like the jackpot, leave
Pull out your gun and try to hit your target, then leave.
I ain't waiting around, baiting the town for K to be found
I'm not wasting my time looking for myself.
That's slipping, if there ain't a blitz between the clique
That's dangerous, if we're not organized and ready to attack.
Lyrics Β© Songtrust Ave
Written by: CLARK THOMAS FINN CHICESTER, KANE BRETT ROBINSON
Lyrics Licensed & Provided by LyricFind
@uzzie88
"Bluetooth me that track yo".
"Not got bluetooth? Alright, infrared it".
- Them days.
@davidhanley1962
Good old days
@XionGaming2912
Infrared...jeez π
@canderella85able
π
@chickfight1602
YESS
@JB.h2o2
This!
@WhiteNoiseCompany
Whos still listening to this banger in 2024
@dracokk868
16 yrs later
@BiignoseMiidget
@@dracokk868 No, this song was released in 2004
@GNotts
Every day since release pretty much. O.G for sure