West began making beats and rapping in the early 90s in his hometown of Chicago, Illinois, when he formed the rap group Go Getters with Chicago natives GLC and Really Doe. He later gained nationwide popularity through his work in New York, where he began producing tracks for artists such as Jay-Z, Twista, Mase, Talib Kweli and Alicia Keys.
West's style of production often utilizes pitched-up vocal samples, usually from soul songs, with his drums and instruments. The first major label song he produced was The Truth by Beanie Sigel, and his first major release featuring his trademark vocal sampling style was This Can’t Be Life, a track from Jay-Z’s The Dynasty: Roc La Familia. West said he sped up the drum beat of Dr. Dre’s Xxplosive to use as a replacement for his drums on This Can’t Be Life.
West has said that Wu-Tang Clan producer RZA influenced him in his style, and has said on numerous occasions that Wu-Tang rappers Ghostface Killah and Ol’ Dirty Bastard were some of his all-time favorites. Said Kanye West: “Wu-Tang? Me and my friends talk about this all the time… We think Wu-Tang had one of the biggest impacts as far as a movement. From slang to style of dress, skits, the samples. Similar to the [production] style I use, RZA has been doing that.”
In 2004 (after being pushed aside by many record companies who felt he wasn't a marketable hip-hop artist), he managed to release his debut solo album, The College Dropout on Roc-A-Fella Records. The album received critical acclaim, including 10 Grammy nominations and the awards for Album of the Year and Best Rap Album, as well as defining the style for which West would become known: "wordplay" and heavy sampling of the 70s soul and RnB tracks.
Not content to rest on his laurels, West invested two million dollars and hired a string orchestra to help with his latest effort, Late Registration (2005). West collaborated with Jon Brion to help develop the sound of the album, despite his lack of experience in hip hop production. The album received widespread acclaim like its predecessor and again claimed the Best Rap Album award at the Grammys.
West was no stranger to controversy, such as storming out at the 2004 American Music Awards after not receiving Best New Artist, but just days after the release of his second studio album, West began embroiled in a major controversy after going off-script during Hurricane Katrina broadcast, proclaiming "George Bush doesn't care about black people", which Bush claimed was "one the most disgusting moments of my presidency". In January 2006, West posed on the cover of Rolling Stone wearing a crown of thorns, once again attracting controversy.
For his third release, West was keen to produce songs that could be used more effectively when performing in arenas. For Graduation, the third and ultimately final entry into his 'Dropout Bear' series, West drew musical inspiration from The Rolling Stones, Led Zeppelin, Bob Dylan and Johnny Cash. In the lead up to the album he became involved in a friendly rivalry with 50 Cent over which of the two artists' upcoming albums would sell more, as they were both released on the same day. West ultimately sold 957,000 copies in the first week of release, outselling Curtis by a large margin. The albums lead single "Stronger" sampled Daft Punk, and was West's third number one on Billboard 200. Many proclaim West's 'victory' over 50 Cent to be the 'death' of gangster rap as the dominant hip hop subgenre.
Following the death of his mother, Donda West, and the end of his engagement to long term partner Alexis Phifer, West abandoned his initial plan to release a fourth album entitled Good Ass Job, and shocked his fans by releasing 808s and Heartbreak, which was full of autotune singing, extensive use of the TR-808 drum machine, themes of love, loss and loneliness and very little rapping. It received slightly more mixed reviews than his previous efforts, but many critics cite 808s and Heartbreak as the catalyst for a new wave of rappers, most prominently Drake, due to its themes which were uncommon in mainstream hip-hop.
West's grief seemed to lead to a spiral out of control which culminated in him storming on stage at the 2009 VMAs to interrupt Taylor Swift's award acceptance speech to proclaim that Beyoncé deserved the award instead, in a move that is infamous in pop culture and was vilified by the entire world in the aftermath. West disappeared from the public eye following this, and his upcoming tour with Lady Gaga was cancelled. The disgraced West, who was described as a 'jackass' by President Obama, seemed to have much work to do to return to the his former glory, but he was about to embark on what some critics consider to be the best run of his career.
West holed up in Hawaii for a few months and worked tirelessly to produce what many consider to be his magnum opus. My Beautiful Dark Twisted Fantasy, West's fifth studio album, was released in November 2010 to rave reviews from critics, which solidified his comeback. In stark contrast to his previous effort, which featured a minimalist sound, Dark Fantasy adopts a maximalist philosophy and deals with themes of celebrity and excess. The record included the international hit All of the Lights, and Billboard hits Power, Monster, and Runaway, the latter of which accompanied a 35-minute film of the same name. During this time, West initiated the free music program G.O.O.D. Fridays through his website, offering a free download of previously unreleased songs each Friday of the week, a portion of which were included on the album. Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards was viewed as a "snub" by several media outlets.
Following a headlining set at Coachella 2011 that was described by The Hollywood Reporter as "one of greatest hip-hop sets of all time," West released the collaborative album Watch the Throne with Jay-Z. By employing a sales strategy that released the album digitally weeks before its physical counterpart, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak. Niggas in Paris became the record's highest charting single, peaking at number five on the Billboard Hot 100. In 2012, West released the compilation album Cruel Summer, a collection of tracks by artists from West's record label GOOD Music. Cruel Summer produced four singles, two of which charted within the top twenty of the Hot 100: Mercy and Clique. West also directed a film of the same name that premiered at the 2012 Cannes Film Festival in custom pyramid-shaped screening pavilion featuring seven screens.
Sessions for West's sixth solo effort begin to take shape in early 2013 in his own personal loft's living room at a Paris hotel. Determined to "undermine the commercial," he once again brought together close collaborators and attempted to incorporate Chicago drill, dancehall, acid house, and industrial music. Primarily inspired by architecture, West's perfectionist tendencies led him to contact producer Rick Rubin fifteen days shy of its due date to strip down the record's sound in favor of a more minimalist approach. Initial promotion of his sixth album included worldwide video projections of the album's music and live television performances.
Yeezus, West's sixth album, was released June 18, 2013 to rave reviews from critics. It became the rapper's sixth consecutive number one debut. Def Jam issued "Black Skinhead" to radio in July 2013 as the album's lead single. On September 6, 2013, Kanye West announced he would be headlining his first solo tour in five years, to support Yeezus, with fellow American rapper Kendrick Lamar, accompanying him along the way.
In November 2013, West stated that he was working on and recording his next studio album. The album was to be produced by Rick Rubin and Q-Tip.. Kanye released a single entitled "Only One", on December 31, 2014 featuring Paul McCartney, as well as collaborating with McCartney on the Rihanna track " FourFiveSeconds", released in January 2015. West appeared on the SNL 40th Anniversary Special on February 15th 2015 to debut a new song Wolves, featuring Sia Furler and Vic Mensa. Another single, entitled "All Day" was released on March 2, 2015, again featuring McCartney as well as Theophilus London, Allan Kingdom. In June of the same year, Kanye headlined the Glastonbury Festival in the UK, which garnered much outrage including a petition with 135,000 signatures against his appearance, leading to West declaring he was "the greatest living rock star on the planet" towards the end of his set, and the performance receiving a mixed reaction among fans and critics, due to its controversy. In September 2015, West performed {album artist kanye west]808s and Heartbreak in its entirety at the Hollywood Bowl over two nights, which received rave reviews a featured a 60 person orchestra, guests such as Kid Cudi and Mr Hudson, and over 70 dancers. West released "Facts" at the turn of the new year.
West had originally stated that his upcoming album would be called 'So Help Me God' before changing the title to 'SWISH' and announcing that it would be released on February 11th. In January 2016 he released "Real Friends" and "No More Parties in LA", featuring Kendrick Lamar. As well as renaming the album once again to "Waves", West became involved in several twitter controversies in the lead up to the album, including with rapper Wiz Khalifa after he suggested that West had stolen the idea of the wave from other artists and seemingly dissed Kim Kardashian, which later turned out to be a misunderstanding over the use of "KK". West again changed the name of the album just days before it's release, this time to "{album artist=kanye west]The Life of Pablo", and debuted it at Madison Square Garden on February 11, but delayed it's release for a few days. On February 14, West released the album are a performance on SNL. West initially claimed the album was to be a Tidal exclusive, but it was later released on other streaming platforms, although it is yet to receive a physical release. West continued to tinker with the mixing and production of the album even after it was released, and it was updated several times, including the final song "Saint Pablo" in June 2016. West had also made public his plans to release an album in the summer of 2016, entitled "Turbo Grafx 16", based on the 1990s games console, which never surfaced, although he did release a single thought to be from the upcoming G.O.O.D. Music album "Cruel Winter", called Champions. In the same month, a video for "Famous" was released, including nude wax figures of celebrities such as West, Kim Kardashian, Taylor Swift, Donald Trump, Chris Brown, Rihanna, Bill Cosby and George W. Bush.
In August 2016, West embarked on the ambitious Saint Pablo Tour, which included a mobile stage suspended from the ceiling. After the violent robbery of Kim's jewellery in Paris in October, West had to end a show early and postpone shows following it. In the following performances, West cancelled shows early and went on long winded rants against fellow artists such as Jay Z and Beyoncé among others, as well as making controversial political statements including implying his support for Donald Trump. On November 21st 2016, West cancelled the rest of the tour and was hospitalised due to sleep deprivation and extreme dehydration. Following this, West disappeared from social media, and only resurfaced 11 months later with a series of tweets which included many philosophical thoughts and the announcements two albums in June 2018, a solo album which would include 7 tracks on June 1, and a collaboration with Kid Cudi to be released on June 8.
On August 29th, 2021, Kanye released his 10th highly anticipated studio release Donda via GOOD Music and Def Jam Recordings after a series of three listening parties.
Personal life:
West was born in Atlanta, Georgia. When he was three years old (as mentioned in Hey Mama) his parents divorced, and he moved with his mother to Chicago, Illinois. His father, Ray West, was a former Black Panther; one of the first black photojournalists at the Atlanta Journal-Constitution; and is now a Christian counselor. Kanye’s late mother, Dr. Donda West, worked as a Professor of English at Clark Atlanta University, and the Chair of the English Department at Chicago State University before retiring to serve as Kanye’s manager. He was later raised in an upper middle class background, attending Polaris High School in suburban Oak Lawn, Illinois after living in Chicago.
After attending The American Academy of Art, a Chicago art school, West attended Chicago State University but eventually dropped out due to poor grades and to continue working on his music career. While attending school, West produced for local artists, including on rapper Grav’s debut album Down to Earth. He later gained fame by producing hit singles for major hip hop/R&B artists, including Jay-Z, Talib Kweli, Cam’ron, Paul Wall, Common, Mobb Deep, Jermaine Dupri, Scarface, The Game, Alicia Keys, Janet Jackson and John Legend among others. He also “ghost-produced” for his once mentor Deric Angelettie according to his song Last Call and the credits of Nas’ Poppa Was a Playa.
West was married to Kim Kardashian. Together they had four children: daughters named North (*2013) and Chicago (*2018); and sons named Saint (*2015) and Psalm (*2019). In 2021, Kardashian filed for divorce.
In 2020, West launched an unsuccessful independent presidential campaign that primarily advocated for a consistent life ethic. In 2022, he faced backlash and lost a number of sponsors and partnerships—including his collaborations with Adidas, Gap, and Balenciaga—after making antisemitic statements.
Last Call )
Kanye West Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yo, fuck you, Kanye, first and foremost
For making me do this shit, muhfucker
Had to throw everybody out the muhfuckin' room
'Cause they don't fuckin'
I'd like to propose a toast
I said toast, motherfucker
And I am
(Here's to the Roc)
And they ask me, they ask me, they ask me, I tell them
(Here's to Roc-A-Fella)
Raise your glasses, your glasses, your glasses to the sky and
(Here's to the Roc)
This is the last call for alcohol, for the
(Mr. Rockefeller)
So get your ass up off the wall
The all around the world Digital Underground Pac
The Rudolph the red-nosed reindeer of the Roc
I take my chain, my 15 seconds of fame
And come back next year with the whole fucking game
Ain't nobody expect Kanye to end up on top
They expected that College Dropout to drop and then flop
Then maybe he stop savin' all the good beats for himself
Roc-A-Fella's only niggas that helped
My money was thinner than Sean Paul's goatee hair
Now Jean Paul Gaultier cologne fill the air, here
They say he bougie, he big-headed
Would you please stop talking about how my dick head is
Flow infectious, give me 10 seconds
I'll have a buzz bigger than insects in Texas
It's funny how wasn't nobody interested
'Til the night I almost killed myself in Lexus
Now I am
(Here's to the Roc)
And they ask me, they ask me, they ask me, I tell them
(Here's to Roc-A-Fella)
Raise your glasses, your glasses, your glasses to the sky and
(Here's to the Roc)
This is the last call for alcohol, for the
(Mr. Rockefeller)
So get your ass up off the wall
Now was Kanye the most overlooked? Yes sir
Now is Kanye the most overbooked? Yes sir
Though the fans want the feeling of A Tribe Called Quest
But all they got left is this guy called West
That'll take Freeway, throw him on tracks with Mos Def
When you call him Kwa-li or Kwe-li, I put him on songs with Jay-Z
I'm the Gap like Banana Republic and Old Navy, and ooh
It come out sweeter than old Sadie
Nice as Bun-B when I met him at the Source awards
Girl he had with him, ass coulda won the horse awards
And I was almost famous, now everybody love Kanye
I'm almost Raymond
Some say he arrogant. Can y'all blame him?
It was straight embarrassing how y'all played him
Last year shoppin' my demo, I was tryna shine
Every motherfucker told me that I couldn't rhyme
Now I could let these dream killers kill my self-esteem
Or use my arrogance as the steam to power my dreams
I use it as my gas, so they say that I'm gassed
But without it I'd be last, so I ought to laugh
So I don't listen to the suits behind the desk no more
You niggas wear suits 'cause you can't dress no more
You can't say shit to Kanye West no more
I rocked 20,000 people, I was just on tour, nigga
I'm Kan, the Louis Vuitton Don
Bought my mom a purse, now she Louis Vuitton Mom
I ain't play the hand I was dealt, I changed my cards
I prayed to the skies and I changed my stars
I went to the malls and I balled too hard
"Oh my God, is that a black card?"
I turned around and replied, "Why yes
But I prefer the term African American Express"
Brains, power, and muscle, like Dame, Puffy, and Russell
Your boy back on his hustle, you know what I've been up to
Killin' y'all niggas on that lyrical shit
Mayonnaise-colored Benz, I push Miracle Whips
And I am
(Here's to the Roc)
And they ask me, they ask me, they ask me, I tell them
(Here's to Roc-A-Fella)
Raise your glasses, your glasses, your glasses to the sky and
(Here's to the Roc)
This is the last call for alcohol for my niggas
(Mr. Rockefeller)
So get your ass up off the wall
So this A&R over at Roc-A-Fella, named Hip Hop
Picked the "Truth" beat for Beanie
And I was in the session with him, I had my demo with me
You know, like I always do
I played a songs, he's like "Who that spittin'?" I'm like "It's me"
He's like, "Oh, okay."
Uh, he started talkin' to me on the phone, going back and forth
Just askin' me to send him beats
And I think he's tryna get into managing producers
'Cause he had this other kid named Just Blaze he was messin' with
And um, he was friends with my mentor, No I.D.
And No I.D. told him
"Look, man, if you wanna mess with Kanye you gotta tell him that you like the way he rap"
I was all, I dunno if he was gassin' me or not
But he's like he wanna manage me as a rapper and a producer
I'm like, oh shit
I was messin' with, uh, D-Dot also
People were like this, started talking about the ghost production
But that's how I got in the game
If it wasn't for that, I wouldn't be here
So you know, after they picked that "Truth" beat
I was figuring I was gonna get some more work
But shit just wasn't poppin' off like that
I was stayin' in Chicago, I had my own apartment
I be doin' like just beats for local acts just to try to keep the lights on
And then to go out and buy, get a Pelle Pelle off lay-away
Get some Jordans or something or get a TechnoMarine
That's what we wore back then
I made this one beat where I sped up this Harold Melvin sample
I played it for Hip over the phone
He's like, "Oh, yo that shit is crazy
Jay might want it for this compilation album he doin' called The Dynasty"
And at that time, like the drums really weren't soundin' right to me
So I went and um, I was listening to Dre Chronic 2001 at that time
And really I just, like bit the drums off "Xxplosive"
And put it like with it sped up sample
And now it's kind of like my whole style, where it started
When he rapped on "This Can't be Life"
And that was like, really the first beat of that kind that was on The Dynasty album
I could say that was the the resurgence of the soul sound
You know, I got to come in and track the beat
And at the time I was still with my other management
I really wanted to roll with Hip Hop
Just I, I just needed some fresh air, you know what I'm sayin'?
'Cause I, I been there for a while
I appreciate what they did for me but
You know there's a time in every man's life where he gotta make a change
And try to move up to the next level
That day I came and I tracked the beat and I got to meet Jay-Z and he said
"Oh, you a real soulful dude"
And he, uh, played the song 'cause he already spit his verse by the time I got to the studio
You know he do it one take
He said tell me what you think of this
And I heard it, and I was thinking like, man
I really wanted more like of the simple type Jay-Z
I ain't want like the, the more introspective, complicated rhy- or the, in my personal opinion
So he asked me, "What you think of it?"
And I was like, "Man, that shit tight," you know what I'm sayin'? What I'ma tell him?
I was on the train, man, you know
So after that I went back home
And, man I'm, I'm just in Chicago, I'm tryna do my thing
You know, I got groups, I got acts I'm tryna get on
And like wasn't nothin really like poppin' off the way it should have been
One of my homies that was one of my artists, he got signed
But it was supposed to really go through my production company
But he ended up going straight with the company
So, like I'm just straight holdin' the phone
Gettin' the bad news that dude was tryna leave my company
And I got evicted at the same time
So I went down and tracked the beats from him
And I took that money, came back, packed all my shit up in a U-Haul
Maybe about ten days before I had to actually get out
So I ain't have to deal with the landlord, 'cause he's a jerk
Me and my mother drove to
Newark, New Jersey, I hadn't even seen my apartment
I remember I pulled up, I unpacked all my shit
You know, we went to IKEA, I bought a bed, I put the bed together myself
I loaded up all my equipment, and the first beat I made was, uh, "Heart of the City"
And Beans was still working on his album at that time
So I came up there to Baseline, it was Beans' birthday, matter of fact
And I played like seven beats
And, you know I guess he was in the zone, he already had the beats that he wanted
I had did "Nothing Like It" already at that time
But then Jay walked in
I remember he had a Gucci bucket hat on
I remember it like, like it was yesterday
And Hip Hop said, "Yo, play that one beat for him"
So I played "Heart of the City"
And really I made "Heart of the City," I really wanted to give that beat to DMX
Then I played another beat, then I played another beat
And I remember that Gucci bucket, he took it and like put it over his face
And made one of them faces like, ooh
Two days later I'm in Baseline and I seen Dame
Dame didn't know who I was and I was like, "Yo, what's up I'm Kanye"
"You that kid that gave all them beats to Jay? Yo, this nigga got classics to your beats, B"
You know how he talk his shit
I'm like "oh, shit"
And all this time I'm starstruck, man
I'm still thinking 'bout, you know I'm picturing these niggas on the show
The Streets is Watching or whatever
I'm lookin', these were superstars in my eyes
And they still are, you know
So, Jay came in and he spit all these songs like in one day, and in two days
I gotta bring up one thing, you know, go back to in story
The day I did the 'Can't be Life' beat I tracked
I remember Lenny S, he had some Louis Vuitton sneakers on, he think he fly
And Hip Hop was there, I think Ty-Ty, John Meneilly, a bunch of people
I didn't know all these people at the time, they was in the room, and I said, "Yo, Jay I could rap"
And I spit this rap that said, uh "I'm killin' y'all niggas on that lyrical shit
Mayonnaise colored Benz, I push miracle whips"
And I saw his eyes light up when I said that line
But you know the rest, the rap was like real wack and shit, so that's all the response
He said, "Man, that was tight"
And that was it, you know, I ain't get no deal or nothin'
Okay, fast forward
So, Blueprint, "H to the Izzo," my first hit single
And I just took that proudly, built relationships with people
My relationship with Kweli I think was one of the best ones to ever happen to my career as a rapper
Because, you know, of course later he allowed me to go on tour with him
Man, I appre-, I love him for that
And at this time, you know I didn't have a deal
I had songs, and I had relationships with all these A&R's
'Cause they wanted beats from me, so they'd call me up, I'd play them some beats
"Gimme a beat that sound like Jay-Z"
You know, they dick riders, whatever
So I'll play them these post-Blueprint beats or whatever and then I'll play my shit
I'll be like, "Yo, but I rap too"
Ayy, I guess they was lookin' at me crazy 'cause you know
'Cause I ain't have a jersey on or whatever
Everybody out there listen here
I played them 'Jesus Walks' and they didn't sign me
You know what happened, it was some A&R's that fucked with me though
But then like the heads, it'd be somebody at the company that'll say "nah"
Like, Dave Lighty fucked with me, my nigga Mel brought me to a bunch of labels
Jessica Rivera, man
I'm not gonna say nothin' to mess my promotion up
Let's just say I ain't get my deal
The nigga that was behind me, I mean, he wasn't even a nigga
The person that actually kicked everything off was Joe 3H from Capitol Records
He wanted to sign me really bad
Dame was like, "Yo, you got a deal with Capitol? Okay, man, just make sure it's not wack"
Then one day I just went ahead and played it
I wanted to play some songs, cause you know Cam was in the room, Young Guru, and Dame was in the room
So I played, actually it's a song you'll never hear
Well maybe I might use it so, it's called 'Wow'
I go to Jacob with 25 thou', you go with 25 hundred, wow
I got eleven plaques on my walls right now
You got your first gold single, damn, nigga, wow"
Like the chorus went like
Don't bite that chorus, I might still use it
So I play that song for him and he's like "oh, shit"
"I ain't gonna front, it's kinda hot"
Like they still weren't looking at me like a rapper
And I'm sure Dame figured
Like, man, if he do a whole album, if his raps is wack
At least we can throw Cam on every song and save the album, you know
So, uh, Dame took me into the hallway
He's like "Yo, man, B, B, you don't want a brick, you don't want a brick"
"You gotta be under an umbrella or you'll get rained on"
I told Hip Hop and Hip Hop was like, "oh, word?"
Actually, even with that I was still about to take the deal with Capitol
'Cause it was already on the table and 'cause of my relationship with 3H
That, you know, 'cause I told him I was gonna do it, and I'm a man of my word
I was gonna roll with what I said I was gonna do
Then, you know, I'm not gonna name no names
But people told me, "Oh, he's just a producer rapper"
And told 3H that told the heads of the Capitol
And right, the day I'm talking about, I planned out everything I was gonna do, man
I had picked out clothes, I already started booking studio sessions
I started arranging my album, thinking of marketing schemes, man, I was ready to go
And, and they had Mel call me, they said, "Yo, Capitol pulled on the deal"
And, you know I told them that Roc-A-Fella was interested and
I don't know if they thought that was just something I was saying to gas them up
To try to push the price up or whatever
I went up,I called G, I said, "Man, you think we could still get that deal with Roc-A-Fella?"
So won't you raise your glass, won't you?
So won't you raise your glass, won't you?
So won't you raise your glass, won't you?
So won't you raise your glass, won't you?
The song "Last Call" by Kanye West serves as an autobiographical recounting of his early career in the music industry. The lyrics express Kanye's frustration with the industry and how he had to prove himself as both a producer and a rapper. The song begins with Kanye expressing his annoyance with his label for making him do the song, but then transitions into a toast, symbolizing his success and resilience.
Throughout the song, Kanye reflects on the challenges he faced, the doubters he encountered, and his determination to succeed. He mentions how he was underestimated and expected to fail, but he proved everyone wrong. Kanye references his rise to fame and how he gained recognition and respect in the industry, from collaborations with Jay-Z and other artists to his breakthrough single "Jesus Walks."
The lyrics also touch on Kanye's move from Chicago to New Jersey, his struggles to secure a record deal, and the pivotal role played by A&R executives, including Hip Hop and Joe 3H. Kanye credits these individuals for believing in him and helping him navigate the industry. The song ends on a triumphant note, with Kanye asserting his position as a successful artist, both as a rapper and a producer.
Line by Line Meaning
Yo fuck you, Kanye, first and foremost
I'm frustrated with you, Kanye, but let me explain why
For making me do this shit. Muh'fucker
You pushed me to a point where I had to prove myself
Had to throw everybody out the motherfucking room
I needed complete focus and solitude to deliver this
'Cause they don't fucking
Their presence was distracting and hindering my creative process
I'd like to propose a toast
Let's celebrate and raise our glasses
And I am
I am the one right now
(Here's to the Roc)
Let's give praise to Roc-A-Fella Records
And they ask me, they ask me, they ask me, I tell them
People inquire about my success and I proudly respond
(Here's to Roc-A-Fella)
Again, let's give tribute to Roc-A-Fella Records
Raise your glasses, your glasses, your glasses to the sky and
Hold up your glasses and toast to our achievements
(Here's to the Roc)
Once again, let's honor Roc-A-Fella Records
This is the last call for alcohol, for the
We're closing the chapter on this era and bidding farewell to the
(Mr. Rockefeller)
success we've achieved under Roc-A-Fella Records
So get your ass up off the wall
Don't stand on the sidelines, get involved and celebrate with us
So won't you raise your glass, won't you
Join me in celebrating our accomplishments
So won't you raise your glass, won't you
Once again, let's toast to our achievements
So won't you raise your glass, won't you
Hold up your glass and celebrate with us
So won't you raise your glass, won't you
Join us in raising a glass to our success
Lyrics © Ultra Tunes, Royalty Network, Sony/ATV Music Publishing LLC
Written by: Antony Williams, Kanye West, Kenneth Lewis, Michael Perretta
Lyrics Licensed & Provided by LyricFind
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