There is more than one artist with this name, including:
1) Karelia wa… Read Full Bio ↴There is more than one artist with this name, including:
1) Karelia was a 1970s Finnish psych-folk group.
2) Karelia is a French dark symphonic power metal band created in 2000.

Note: for the 90s Scottish rock band, see The Karelia.

1) Karelia was a 1970s Finnish psych-folk group headed by Paroni Paakkunainen and jazz guru Edward Vesala with Esa Kotilainen and Matti Kontio. The band released two albums, Suomi Pop and Suomi Pop 2 , as well as singles "With the Lord on the Field" / "Taitaja from Karelia" and "Tiski-Jukka (Vyborg's Vihtor's Son)" / "Old Gold" (the singles were released under the name Iivana Nyhtänköljä and Karelia)
Paakkunainen re-established Karelia at the turn of the 1980s. In addition to Paakkunainen, Esa Kotilainen (keyboards), Eerik Siikasaari (double bass, electric bass) and Matti Kontio (guitar, kantele, strings) and, since 1982, Judo Wasama (drums, percussion) have played in this completely renewed line-up . The band's last album, recorded in 1992 and released in 2005, also features Mongo Aaltonen (percussion).

2) Karelia is a French dark symphonic power metal band from Alsace created in 2000 by Lionel Vest (sound mastering) and Matthieu Kleiber (singer). They've released several albums including Usual Tragedy (2003), Raise (2005), and Restless (2008).
Karelia's music is generally referred to as symphonic metal. Next to driving drum parts, progressive rhythms and hard-as-nails guitar riffs, there are anthemic choir parts, hovering string arrangements and numerous cross references to the time of the great classical composers.
The compositions are multi-layered, multi-dimensional, away from clichés or genre-typical settings, yet accessible and catchy at the same time.
Early 2004 saw the arrival of their debut, Usual Tragedy. Raise, the second album by the quintet, demonstrated how melodies, sounds and lyrical standards can be brought into line. "Compared to our first album, we've changed some minor stylistic aspects", says Matthieu Kleiber, vocalist, founder and main composer. "The vocals in particular are more unambiguous and easier to pin down this time around. We've concentrated more on mid-tempo numbers, consciously making the album less monotonous by including only a few fast double bass numbers."
Karelia have proved themselves as intelligent and sensitive contemporary musicians with their lyrics. Their talent for observation is sharp and critical, their historic understanding pronounced. The title track is an intense exploration of the turmoil of World War II. "That war still is inexplicable to me," says Kleiber. "We live only a few kilometres away from the German border. Germany and France are good friends. It's impossible to imagine that only sixty years ago there was a bloody war raging between these two countries." A cold shiver runs down the listener's spine when excerpts from a Hitler speech reverberate on 'Raise'. Karelia have turned music into a breathtaking excursion into the past.
Karelia also focus on the madness of countries involved in wars – 'Cross & Crescent' doesn't kick off with oriental sounds for no reason, it's a symbol for the culture clash the way it presents itself in the Middle East at the moment. Kleiber: "The worst thing for me is the uncertainty which information to trust. Isn't everything we get to hear in Europe propaganda?"
'High Hopes', the Pink Floyd classic off the The Division Bell album comes along in a tougher, more metallic outfit, courtesy of Karelia, while it continues to spread a similar intensity as the original. For Matthieu Kleiber, it's a question of honour to interpret the original, but not to disfigure it. "We're all big Pink Floyd fans," he confesses. "That's what we would like to document with 'High Hopes'. Of course, it could have been any other song. 'Comfortably Numb' was also on my wish list."
Karelia was founded by Matthieu Kleiber and keyboarder Lionel Vest, who has gone on to concentrate on other classical projects but is always delighted to help out with orchestral arrangements at the studio. Following the release of their self-produced demo and shows with acts like Kamelot, At Vance, Vanden Plas and Dyslesia, Karelia signed with Drakkar and released their debut, Usual Tragedy, in spring 2004. Next to Kleiber, the current line-up consists of Bertrand Maillot (keyboards), Erwan Morice (guitar), Loïc Jenn (drums) and Gilles Thiebaut (bass).

Restless
Karelia Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I wake up before morning light
Put on my shoes and tiptoe until I'm outside
Silence and dark all around
I just hear my steps while starin'at the frost on
The ground
Chorus :
A lifetime on the assembly line
Restless, restless

Wrenchin' pieces of human rights
Restless, restless
I wake up before morning light
Just like yesterday and tiptoe until I'm outside
Silence, dark n' frost on the ground
Am I really bend my steps towards the workin'town?
Chorus
Monday : assembly line
Tuesday, it drains my strength
Wednesday, I just feel the void, go on...
Thursday : assembly line, restless
Friday, I go crazy my brain's startin' to faint away
Saturday, I lost my soul...

... Sunday at last....
Chorus

Overall Meaning

The song Restless by Karelia is a portrayal of the monotonous nature of working on an assembly line. The lyrics denote a sense of numbness and exhaustion of the singer who has been waking up early in the morning, tiptoeing outside and staring at the frost on the ground, over and over again, every day. The silence and darkness around signify the suppressed emotions and the emptiness the singer feels. The chorus highlights the restlessness and the feeling of helplessness that has taken over their life.

The song progresses with a depiction of the days of the week, portraying the monotony and the boredom that the singer feels. Mondays imply the routine assembly line work, Tuesdays drain their strength, Wednesdays create a feeling of emptiness, Thursdays reiterate the assembly line work, Fridays lead to a loss of sanity and Saturdays lead to a loss of the individual soul. The lyrics culminate with Sundays, portraying the respite the singer finds after a week of monotony.

Line by Line Meaning

I wake up before morning light
I wake up every day before the sun rises

Put on my shoes and tiptoe until I'm outside
I put on my shoes and quietly leave my house

Silence and dark all around
It's quiet and dark outside

I just hear my steps while starin'at the frost on The ground
I can only hear the sound of my footsteps while looking at the frost on the ground

A lifetime on the assembly line
I have spent my entire life working on an assembly line

Restless, restless
I feel restless and unsettled

Wrenchin' pieces of human rights
I feel like I'm being mistreated and my rights as a human are being taken away

Just like yesterday and tiptoe until I'm outside
Every day is the same, I leave my house quietly just like the day before

Silence, dark n' frost on the ground
It's still quiet and dark outside with frost on the ground

Am I really bend my steps towards the workin'town?
Am I really walking towards the town where I work?

Monday : assembly line
On Monday, I work on the assembly line