Dalton, whose heritage was Cherokee, was born Karen J. Cariker in Enid, Oklahoma. Her bluesy, world-weary voice is often compared to that of iconic jazz singer Billie Holiday. She sang blues, folk, country, pop, Motown - making over each song in her own style. She played the twelve string Gibson guitar and a long neck banjo.
In his 2004 autobiography, Bob Dylan wrote this in his description of discovering and joining the music scene at Greenwich Village's Cafe Wha? after arriving in New York City, New York, United States in 1961: "My favorite singer in the place was Karen Dalton. Karen had a voice like Billie Holiday and played guitar like Jimmy Reed... I sang with her a couple of times."
Dalton's second album, In My Own Time (1971), was recorded at Bearsville Studios and originally released by Woodstock Festival promoter Michael Lang's label, Just Sunshine Records. The album was produced and arranged by Harvey Brooks, who played bass on it. (Harvey Brooks played bass also on the Miles Davis album Bitches Brew, on the Bob Dylan album Highway 61 Revisited and on the Richie Havens album Mixed Bag.) Piano player Richard Bell guested on In My Own Time. Its liner notes were written by Fred Neil and its cover photos were taken by Elliot Landy. Less well-known is Dalton's first album, It's So Hard to Tell Who's Going to Love You the Best (Capitol, 1969), which was re-released by Koch Records on CD in 1996.
Both Dalton's albums were re-released in November 2006: It's So Hard To Tell Who's Going To Love You The Best, on the French Megaphone-Music label, included a bonus DVD featuring rare performance footage of Dalton. In My Own Time was re-released on CD and LP on November 7, 2006 by Light In The Attic Records.
The version of the song Something on Your Mind (composed by Dino Valenti) that is sung by Dalton on her album In My Own Time is the soundtrack during the ending credits of the 2007 film Margot at the Wedding, which was written and directed by Noah Baumbach and starred Nicole Kidman and Jennifer Jason Leigh.
Known as "the folk singer's answer to Billie Holiday" and "Sweet Mother K.D.", Dalton is said to be the subject of the song Katie's Been Gone (composed by Richard Manuel and Robbie Robertson) on the album The Basement Tapes by The Band and Bob Dylan. She struggled with drugs and alcohol for many years. It has been widely reported that she died in 1993 on the streets of New York City after an eight-year battle with AIDS.
However, an article in Uncut magazine confirmed that Dalton was actually being cared for by the guitarist Peter Walker in upstate New York during her last months.
________________________________
A cult singer, 12-string guitarist, and banjo player of the New York 1960s folk revival, Karen Dalton still remains known to very few, despite counting the likes of Bob Dylan and Fred Neil among her acquaintances. This was partly because she seldom recorded, only making one album in the 1960s - and that didn't come out until 1969, although she had been known on the Greenwich Village circuit since the beginning of the decade. It was also partly because, unlike other folksingers of the era, she was an interpreter who did not record original material. And it was also because her voice - often compared to Billie Holiday, but with a rural twang - was too strange and inaccessible to pop audiences. Nik Venet, producer of her debut album, went as far as to remark in Goldmine, "She was very much like Billie Holiday. Let me say this, she wasn't Billie Holiday but she had that phrasing Holiday had and she was a remarkable one-of-a-kind type of thing.... Unfortunately, it's an acquired taste, you really have to look for the music."
Dalton grew up in Oklahoma, moving to New York around 1960. Peter Stampfel of the Holy Modal Rounders, who was in her backup band in the early '70s, points out in his liner notes to the CD reissue of her first album that "she was the only folk singer I ever met with an authentic 'folk' background. She came to the folk music scene under her own steam, as opposed to being 'discovered' and introduced to it by people already involved in it." There is a photograph from February 1961 (now printed on the back cover of the It's So Hard to Tell Who's Going to Love You the Best reissue) of Dalton singing and playing with Fred Neil and Bob Dylan, the latter of whom was barely known at the time. Unlike her friends she was unable to even capture a recording contract, spending much of the next few years roaming around North America.
Dalton was not comfortable in the studio, and her Capitol album It's So Hard to Tell Who's Going to Love You the Best came about when Nik Venet, who had tried unsuccessfully to record her several times, invited her to a Fred Neil session. He asked her to cut a Neil composition, "Little Bit of Rain," as a personal favor so he could have it in his private collection; that led to an entire album, recorded in one session, most of the tracks done in one take. Dalton recorded one more album in the early '70s, produced by Harvey Brooks (who had played on some '60s Dylan sessions). Done in Bearsville Studios in Woodstock, it, like her debut, had an eclectic assortment of traditional folk tunes, blues, covers of soul hits ("When a Man Loves a Woman," "How Sweet It Is"), and contemporary numbers by singer/songwriters (Dino Valente, the Band's Richard Manuel). The Band's "Katie's Been Gone," included on The Basement Tapes, is rumored to be about Dalton.
In the Evening
Karen Dalton Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
In the evening, darling
When the sun goes down
In the evening
When the sun goes down
It's so lonesome and lonesome
When the one you love is not around
Last night I was laying sleeping, darling
All by myself
Last night I was laying sleeping, darling
All by myself
And the one I really really love
He was laying somewhere else
The sun rises in the East
It sets down over in the West
Sun rises in the East, darling
It sets down over in the West
It's so hard, so hard to tell
Who's gonna love you the best
Goodbye, oh my old sweethearts and pals
I'm goin' away
I may come back to see you darling
Some old rainy rainy day
Oh in the evening, in the evening darling
Maybe when the sun goes down
When the sun goes down
Karen Dalton's "In the Evening" is a song about loneliness and the pain of being separated from someone you love. The opening lines "In the evening, darling / When the sun goes down" set the mood for the rest of the song. Dalton sings about how difficult it is to be alone when you love someone who is not around. She describes a time when she was "laying sleeping, darling / All by myself" and realized that the person she loved was somewhere else. The repetition of the phrase "all by myself" emphasizes her isolation.
The third verse of the song features a contrast between the rising and setting of the sun. Dalton sings that it's hard to tell "who's gonna love you the best" when the sun rises in the East and sets in the West. This verse speaks to the uncertainty of relationships and the fear of not knowing if someone else will love you as deeply as you love them.
The final lines of the song are a farewell to old friends and lovers. Dalton says she's "goin' away" but may return someday. The repetition of "oh in the evening, in the evening darling / Maybe when the sun goes down / When the sun goes down" brings the song full circle, emphasizing the sense of longing and sadness.
Overall, "In the Evening" is a hauntingly beautiful song that captures the feeling of being alone and missing someone you love.
Line by Line Meaning
In the evening
During the night time
In the evening, darling
When in a romantic relationship
When the sun goes down
At sunset
It's so lonesome and lonesome
Being alone is very painful
When the one you love is not around
Missing the presence of a loved one
Last night I was laying sleeping, darling
Sleeping alone at night
All by myself
Without company
And the one I really really love
The person one truly loves
He was laying somewhere else
The loved one was not near
The sun rises in the East
The sun's location at dawn
It sets down over in the West
The sun's location at sunset
It's so hard, so hard to tell
Difficult to predict
Who's gonna love you the best
Who will truly love and cherish you
Goodbye, oh my old sweethearts and pals
Saying farewell to past relationships and friendships
I'm goin' away
Leaving the current location
I may come back to see you darling
A possible future visit
Some old rainy rainy day
A day that is not determined
Oh in the evening, in the evening darling
The night time spent with a loved one
Maybe when the sun goes down
Possibly at sunset
When the sun goes down
At sunset
Contributed by Alaina C. Suggest a correction in the comments below.
@MrMLD1972
♥
@conradbrudi3607
Better than leadbelly