Karl August Leopold Böhm (August 28, 1894 – August 14, 1981) was an Austria… Read Full Bio ↴Karl August Leopold Böhm (August 28, 1894 – August 14, 1981) was an Austrian conductor.
Born in Graz, Austria, Böhm studied law and earned a doctorate on this subject. He later studied music at the Graz Conservatory. On the recommendation of Karl Muck, Bruno Walter engaged him at Munich's Bavarian State Opera in 1921. Darmstadt (1927) and Hamburg (1931) were the next places he resided as a young conductor, before succeeding Fritz Busch as head of Dresden's Semper Opera in 1934. He secured a top post at the Vienna State Opera in 1943, eventually becoming music director.
Böhm's career prospered after the war, with his native country usually the focus of his work. The Vienna Philharmonic and the Salzburg Festival featured prominently. He additionally resumed ties in Dresden, at the Staatskapelle.
In 1957, he made his debut at the Metropolitan Opera in New York, conducting Don Giovanni, and quickly became one of the favorite conductors of the Rudolf Bing era, conducting, all told, 262 performances, including the house premieres of Ariadne auf Naxos and Die Frau ohne Schatten (which was the first major smash success in the new house at Lincoln Center), and many other major productions such as Fidelio for the Beethoven bicentennial, Die Zauberflöte, Tristan und Isolde (including the house debut performance of Birgit Nilsson in 1959), Otello, Der Rosenkavalier, Salome, Wozzeck, Elektra and others. He conducted at Bayreuth in 1966 and 1967, resulting in critically acclaimed recordings of the entire Ring cycle and also Tristan und Isolde.
Late in life, he began a guest-conducting relationship with the London Symphony Orchestra (LSO) in a 1973 appearance with the LSO at the Salzburg Festival.[1] He was given the title of LSO President, which he held until his death.
Perhaps his greatest contribution to music lay in bringing to life the operas of his close colleague Richard Strauss. Böhm led the premieres of Strauss's late works Die schweigsame Frau (1935) and Daphne (1938), of which he is the dedicatee, recorded all of the major operas (often making cuts to the scores), and regularly revived Strauss's operas with strong casts during his tenures in Vienna and Dresden, as well as at the Salzburg Festival.
Böhm was praised for his rhythmically robust interpretations of the operas and symphonies of Mozart, and in the 1960s he was entrusted with recording a full cycle of the symphonies with the Berlin Philharmonic. Böhm's brisk and plain way with Wagner won adherents, as did his readings of the symphonies of Brahms, Bruckner and Schubert. His 1971 recorded cycle of Beethoven's symphonies with the Vienna Philharmonic likewise drew high regard. On a less common front, Böhm championed and made recordings of Alban Berg's operas Wozzeck and Lulu before they gained a position in the repertory.
He received numerous honours, among them first Austrian Generalmusikdirektor in 1964. He was widely feted on his 80th birthday, ten years later; his colleague Herbert von Karajan presented him with a clock to mark that occasion.
Böhm died in Salzburg. Actor Karlheinz Böhm, the conductor's son, is known for his role as Ludwig van Beethoven in the Walt Disney film The Magnificent Rebel; the young Emperor Franz Joseph in the three Sissi movies; and for playing Jakob Grimm opposite Laurence Harvey's Wilhelm Grimm, in the 1962 MGM-Cinerama spectacular The Wonderful World of the Brothers Grimm.
Born in Graz, Austria, Böhm studied law and earned a doctorate on this subject. He later studied music at the Graz Conservatory. On the recommendation of Karl Muck, Bruno Walter engaged him at Munich's Bavarian State Opera in 1921. Darmstadt (1927) and Hamburg (1931) were the next places he resided as a young conductor, before succeeding Fritz Busch as head of Dresden's Semper Opera in 1934. He secured a top post at the Vienna State Opera in 1943, eventually becoming music director.
Böhm's career prospered after the war, with his native country usually the focus of his work. The Vienna Philharmonic and the Salzburg Festival featured prominently. He additionally resumed ties in Dresden, at the Staatskapelle.
In 1957, he made his debut at the Metropolitan Opera in New York, conducting Don Giovanni, and quickly became one of the favorite conductors of the Rudolf Bing era, conducting, all told, 262 performances, including the house premieres of Ariadne auf Naxos and Die Frau ohne Schatten (which was the first major smash success in the new house at Lincoln Center), and many other major productions such as Fidelio for the Beethoven bicentennial, Die Zauberflöte, Tristan und Isolde (including the house debut performance of Birgit Nilsson in 1959), Otello, Der Rosenkavalier, Salome, Wozzeck, Elektra and others. He conducted at Bayreuth in 1966 and 1967, resulting in critically acclaimed recordings of the entire Ring cycle and also Tristan und Isolde.
Late in life, he began a guest-conducting relationship with the London Symphony Orchestra (LSO) in a 1973 appearance with the LSO at the Salzburg Festival.[1] He was given the title of LSO President, which he held until his death.
Perhaps his greatest contribution to music lay in bringing to life the operas of his close colleague Richard Strauss. Böhm led the premieres of Strauss's late works Die schweigsame Frau (1935) and Daphne (1938), of which he is the dedicatee, recorded all of the major operas (often making cuts to the scores), and regularly revived Strauss's operas with strong casts during his tenures in Vienna and Dresden, as well as at the Salzburg Festival.
Böhm was praised for his rhythmically robust interpretations of the operas and symphonies of Mozart, and in the 1960s he was entrusted with recording a full cycle of the symphonies with the Berlin Philharmonic. Böhm's brisk and plain way with Wagner won adherents, as did his readings of the symphonies of Brahms, Bruckner and Schubert. His 1971 recorded cycle of Beethoven's symphonies with the Vienna Philharmonic likewise drew high regard. On a less common front, Böhm championed and made recordings of Alban Berg's operas Wozzeck and Lulu before they gained a position in the repertory.
He received numerous honours, among them first Austrian Generalmusikdirektor in 1964. He was widely feted on his 80th birthday, ten years later; his colleague Herbert von Karajan presented him with a clock to mark that occasion.
Böhm died in Salzburg. Actor Karlheinz Böhm, the conductor's son, is known for his role as Ludwig van Beethoven in the Walt Disney film The Magnificent Rebel; the young Emperor Franz Joseph in the three Sissi movies; and for playing Jakob Grimm opposite Laurence Harvey's Wilhelm Grimm, in the 1962 MGM-Cinerama spectacular The Wonderful World of the Brothers Grimm.
Mozart: Symphony No.41 in C K.551
Karl Böhm Lyrics
We have lyrics for these tracks by Karl Böhm:
Also Sprach Zarathustra: Einleitung Rain was your birth Gathered deep Beneath the earth. Search …
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@kylehollenbaugh3464
Zeus
“Intelligences of the heavens… The Gentiles called them Gods and Goddesses… because for that very reason we should wonder at the excellence of these beings (which transcends the eyes of the human mind, as saith the Philosopher in the second of Metaphysics), and should affirm their existence. For albeit we have no perception of them by sense, wherefrom our knowledge hath its rise, yet there is in the intellect a kind of reflected glow of the light of their most vivid existence…“.
-Dante Aliaghieri
The Convivio II.V
“Do I not find within thy radiant eyes
Fairer reflections of all joys most fair?
In thee I marvel at myself--the dyes
Of lovely earth seem lovelier painted there,
And in the bright looks of the friend is given
A heavenlier mirror even of the heaven!“
Friederich Schiller
@stevep0508
I'm no classical music expert. I have, however, heard at least a dozen performances of this symphony. There are goodness knows how many out there ! The final movement under Bohm with the Berlin Phil. is my favourite beyond doubt. A wonderful, swirling, almost mesmeric delight. Utterly magnificent.
@OccyDaBoss
ikr
@hyunukhyunuk6278
This is so beautiful... Listening to this over and over while studying lol
@elliotloucks5249
Sounds like a true outer space adventure
@glennrichardson9926
I once took off on a flight from Sydney into the night the sky with this on my iplayer, does that count? :)
@elliotloucks5249
@@glennrichardson9926 I guess so
@---vq8xo
Suite well with your profile pic
@rolandszutis4043
Viņš ir ģēnijs ❤
@TheRandomannoyingman
This song is beautiful
@jamesghns5402
Outstanding! Thank you!