Kate's Dad played French Horn in various orchestras & theatre bands, played… Read Full Bio ↴Kate's Dad played French Horn in various orchestras & theatre bands, played piano and sang (He really wanted to be a musician; but ended up becoming a doctor as well). There are loads of memories around trying to shut out the sound of horn practice. Her Mum always sang. On occassion she sang Kate to sleep with 'Golden Slumbers' (way sweeter than The Beatles), she sang in choirs and continues to sing. In fact, the whole family can sing and harmonise and all have played and dabbled with various instruments, and all love music. Music was a constant – live music a presence.
Kate learnt piano throughout primary school, made up songs, and like all Australian school kids back then, learnt to play Recorder. Later she went on to play Tenor recorder because it was deeper and richer and bigger, and she even had a go at Oboe for a while. Kate's vocal ability was further developed when she was placed in various choirs in secondary school. Having given up recorder, oboe and piano, Kate decided to teach herself guitar, a method which has proven to be both free-ing and frustrating. However, it was this endeavour which enabled Kate to begin composing songs.
At Kate's first public solo performance at 18yrs old, in a coffee shop on Phillip Island, Victoria, she played three original songs, and discovered that the friend who had encouraged and pushed her to play was right – people did get something from the songs. For a number of years afterwards Kate busked, performed and co-wrote songs with Dean Lombard and later they co-founded Wild Honey with Phil Hudson – an acoustic trio of folky/pop/blues originals
Kate, Dean and Phil all sang, wrote and played guitars, swapping between lead vocals, guitar, bass, harmonicas and percussion, throwing in lots of harmonies and playing wherever they were welcome (even in some places where they weren't so welcome!). When Wild Honey folded, Kate and Dean went on to found Black Sheep with Dave Waterworth – this was another acoustic trio of folky/pop/blues originals, with drums/percussion, guitars; lots of harmonies.
A change of pace and another chapter on, Kate went solo and was offered a residency at Double Dutch Café (now known as Bar 303, Northcote). Within twelve months of making this decision Kate was moving towards recording her first EP with the generous assistance of Dave Waterworth (producer/engineer). Following the release of the EP, Kate Eve & the Moonlighters played various venues across Melbourne & surrounds.
Kate has played for patients and their loved ones while they received treatment in Day Oncology at Austin & Repatriation Medical Centre and for several memorial services for those lost to cancer. Through the hospital connection Kate was invited to play for the National White Wreath Day services in 2001 & 2002 held in Queens Hall, Parliament House, Melbourne. For this occasion she wrote and later recorded “Let Me Weep”.
During recent years Kate has continued perform in various venues, compose and record songs and played at seminars held for students in schools around Melbourne, and been a co-conspirator in a collaborative, grassroots CD compilation called 'Unmuzzled'. The self-titled EP has landed in various places around Australia as well as travelled to some curious, unexpected places such as Uzbekistan, Canada and Russia (without web-assistance).
Kate learnt piano throughout primary school, made up songs, and like all Australian school kids back then, learnt to play Recorder. Later she went on to play Tenor recorder because it was deeper and richer and bigger, and she even had a go at Oboe for a while. Kate's vocal ability was further developed when she was placed in various choirs in secondary school. Having given up recorder, oboe and piano, Kate decided to teach herself guitar, a method which has proven to be both free-ing and frustrating. However, it was this endeavour which enabled Kate to begin composing songs.
At Kate's first public solo performance at 18yrs old, in a coffee shop on Phillip Island, Victoria, she played three original songs, and discovered that the friend who had encouraged and pushed her to play was right – people did get something from the songs. For a number of years afterwards Kate busked, performed and co-wrote songs with Dean Lombard and later they co-founded Wild Honey with Phil Hudson – an acoustic trio of folky/pop/blues originals
Kate, Dean and Phil all sang, wrote and played guitars, swapping between lead vocals, guitar, bass, harmonicas and percussion, throwing in lots of harmonies and playing wherever they were welcome (even in some places where they weren't so welcome!). When Wild Honey folded, Kate and Dean went on to found Black Sheep with Dave Waterworth – this was another acoustic trio of folky/pop/blues originals, with drums/percussion, guitars; lots of harmonies.
A change of pace and another chapter on, Kate went solo and was offered a residency at Double Dutch Café (now known as Bar 303, Northcote). Within twelve months of making this decision Kate was moving towards recording her first EP with the generous assistance of Dave Waterworth (producer/engineer). Following the release of the EP, Kate Eve & the Moonlighters played various venues across Melbourne & surrounds.
Kate has played for patients and their loved ones while they received treatment in Day Oncology at Austin & Repatriation Medical Centre and for several memorial services for those lost to cancer. Through the hospital connection Kate was invited to play for the National White Wreath Day services in 2001 & 2002 held in Queens Hall, Parliament House, Melbourne. For this occasion she wrote and later recorded “Let Me Weep”.
During recent years Kate has continued perform in various venues, compose and record songs and played at seminars held for students in schools around Melbourne, and been a co-conspirator in a collaborative, grassroots CD compilation called 'Unmuzzled'. The self-titled EP has landed in various places around Australia as well as travelled to some curious, unexpected places such as Uzbekistan, Canada and Russia (without web-assistance).
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The Wind Comes And Goes
Kate Eve Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
@iwanticecreams
This song hits really hard in the feels, in today's society people find jobs or do things so that they can fit in and survive in the modern era, we lose sight of the beauty of the world around us and start to depreciate the things we do, and In turn we become hesitant of what we should pick or do because of our mindset that we should do things out of "necessity" and not out of "passion".
My interpretation of this is:
Stop looking for a meaning or a motivation to do something with all your heart and begin to "love worthless things" you do.
Instead of 'Finding' your Passion, --just 'Create' it.
You don't need to stay in the box, coz even just a simple walk in the forest can be your passion, don't try to compare yourself with what others do, just do what you like and appreciate the little worthless things you do because you don't need to find the 'right' answer to go forward you just need 'you'
Edit: tysm everyone for spending time to read this💖
@yousmel
0:02
[Intro]
Kimi no aizu de ima
Kono sekai wo irodoru yume no saki e
0:30
[Verse 1]
Yuujuu fudan nante
Kotoba de wa nantomo ieru kankei
Hairaito nado nai kono jinsei
Yanagi ni mimi wo sumasou
Rashi sa nante nai yo
Meguru omoi wo kaze ni nose
Mirai no anata to meguri wo awase
Muda wo aisou imi nante sagasu hima mo nai yo
0:54
[Chorus]
You are mine soushi sou ai
Yoku no mama gitai shite
You are mine soushi sou ai
Arino mama wo aishite
You are mine yoi ni samayotte
Kimi no aizu de ima
Kono sekai wo irodoru yume no saki e
1:35
[Verse 2]
Tada jiyuu ni ikitai dake nano ni
Kono fukuramu yoku dake wa aru no ni
Misu shite hekomu kizu wa fueruno ni
Jishin ni tsunagaru koto wa nai node
Hanahiraku you
Sono sugata ga mabushii nodesu
Utsukushii tsuki no you ni kagayaite
Muda wo aisou imi nante sagasu hima mo nai yo
1:59
[Chorus]
You are mine soushi sou ai
Yoku no mama gitai shite
You are minе soushi sou ai
Arinomama wo aishite
You are mine yoi ni samayottе
Kimi no aizu de ima
Kono sekai wo irodoru yume no saki e
2:20
[Outro]
Aitai iro soeru yo
Aimai na style de iyou
I make seikai no nai mirai e ike
Yume no saki e
Aitai iro soeru yo
Aimai na style de iyou
I make seikai no nai mirai e ike
Yume no saki e
@user-qu2xd1dh2w
アニメーション米山舞さんだ…美麗
@tomy.18
@@user-si7km9nx8c うっせえわ
@user-wx4pi7mz9h
サムネ見てマジテンション上がった
@hjtygkt8882
@@user-wx4pi7mz9h 特徴的だよね
@user-wx4pi7mz9h
@@hjtygkt8882 本当にこの人は１枚１枚のレベルが高すぎる
色の使い方とかヌルヌル動くイラストとかヤヴァイ()
@aaakun5975
@@user-wx4pi7mz9h そうなんですね！
超楽しみです
@user-xf5fb3wh4g
「無駄なんてない」って言うんじゃなくて「無駄を愛そう、意味なんて探す暇もないよ」って無駄をあることを許すのが好きです（語彙力）
@user-wt1vk2se6t
｢無駄｣は｢無意味｣じゃない
@comet7015
そこに気づけるコメ主さんすごいと思います！尊敬します！
@kirakirakeronii1372
i come back to this mv every now and then just to appreciate the artistry. i hope we get another collab between eve & yonayama mai