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Keiko Lyrics


We have lyrics for these tracks by Keiko:


As Syllable From Sound Dead air calls your name Through hollow walls Broken mirrors…
Be Yourself 混ざり合う想いが今 あなただけの色になって 輝き出すと信じ続けるから あなたの夢の続きを見せてよ ずっと just be…
Black Elm And yet how Gentle it seems April drained Of it's green Skyl…
Bridge Over Troubled Water When you're weary feelin' small When tears are in your eyes …
Echoes of Anguish Your eyes are telling me Secrets never keep I can read right…
God Knows… (涼宮ハルヒの憂鬱より) 渇いた心で駆け抜ける ごめんね何もできなくて 痛みを分かち合うことさえ あなたは許してくれない 無垢に生きるため振り向か…
If I Were a Boy If I were a boy Even just for a day I'd roll…
Malaina I whisper your precious name Searching for something beautif…
Ode to a Nightingale A lonely whisper from the forest peak Soft she speaks When t…
Sleeping Love I fall out of view twisted in What has come to…
Water When you're weary feelin' small When tears are in your eyes …
ベストウイッシュ! はじめての場所 はじめての風のにおい mm... はじめてじゃないのは このドキドキ! 新品のこの地図 クシャクシャにな…
夕闇のうた 光と影が手を取り駆け巡る 夜の中で生まれた 小さな手のひらからこの世界に 愛を届けたい 荒れ果てた空の下に咲く (下に…
夜の嘘と 一人 夜を 見上げて あなた思い描いて 聞いて 心 泣いてる あなたをまだ求めて あなたの未来のために 私の心だけにつ…
海との友情 いつでもこの場所 波間を探せば 水晶のような水しぶき、 天使が降り立つ 貝殻のキス星屑の歌 潮騒と指先で明日に酔わせて …
燈命 揺蕩う季節に包まれた 朧気なる想い 愁いを帯びた言ノ葉たちは 愛の詩に変わる 互いが互いの心を見つめた 繋いだ手と手が…



朝日が降りそそぐ すべてが目覚め始めた 知らない間に今日もまた 消えて無くなる命 孤独の入り口に 怯え足元見つめた 息…


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Most interesting comment from YouTube:

Olatunde Fajimi

I enjoyed the groove of the song, and the different way KEIKO approached her vocals.
Lightening the weight of her tone and the timbre of her voice and going more heady? More of this! Loved her switch to head voice with vibrato on the top note at 2:20. The fact that she can do it and that she does do it in this song is a testament.

To all the Kalafina and FictionJunction fans, every singer needs to grow and be able to sing and use their voices in many ways. These ladies (including KEIKO) have been limited to singing in a particular way for so long, due to the nature of Yuki Kajiura's sonic landscape and how she writes for their vocals. Yuki Kajiura once said in an article I read, that Wakana, KEIKO, and Hikaru should not think they have yet reached the highest levels of singing but must always seek to improve themselves.
It was often Hikaru that experimented with her vocal production during Kalafina lives with varying results, but at least she experimented.

KEIKO has a lot of music in her that is not merely Kajiura-centric or anisong. Let's allow her to spread her wings and express the music she feels or at least try something different. And she sang well!

KEIKO, keep singing. There's still a lot in you to share!

(Edited to space out the paragraphs)



All comments from YouTube:

Olatunde Fajimi

I enjoyed the groove of the song, and the different way KEIKO approached her vocals.
Lightening the weight of her tone and the timbre of her voice and going more heady? More of this! Loved her switch to head voice with vibrato on the top note at 2:20. The fact that she can do it and that she does do it in this song is a testament.

To all the Kalafina and FictionJunction fans, every singer needs to grow and be able to sing and use their voices in many ways. These ladies (including KEIKO) have been limited to singing in a particular way for so long, due to the nature of Yuki Kajiura's sonic landscape and how she writes for their vocals. Yuki Kajiura once said in an article I read, that Wakana, KEIKO, and Hikaru should not think they have yet reached the highest levels of singing but must always seek to improve themselves.
It was often Hikaru that experimented with her vocal production during Kalafina lives with varying results, but at least she experimented.

KEIKO has a lot of music in her that is not merely Kajiura-centric or anisong. Let's allow her to spread her wings and express the music she feels or at least try something different. And she sang well!

KEIKO, keep singing. There's still a lot in you to share!

(Edited to space out the paragraphs)

Olatunde Fajimi

@Christian Albert Jahns You know the structure they have in Japan is very strict and delineated. They are somewhat employed by the agencies and paid salaries so Wakana would not be able to just "jam" with FJ on her own without agency agreement on both sides, and her agency, Space Craft Produce, is the same one that Yuki Kajiura left under acrimonious circumstances. At least that's how I understand it. There seems to be some fan anger at Wakana for staying behind while the others left. I don't know about Yuriko Kaida's and Kaori's agency situation, though.

Christian Albert Jahns

​@Olatunde Fajimi so it's Wakana who left FJ. interesting

Aleeeyra

@Olatunde Fajimi Yes, Yuki Kajiura wrote Hibari for ASCA. I love her, so if you happened to listen to her other songs you might realize that she sings differently. Perhaps she's also experimenting with her style since she's still young :)

Olatunde Fajimi

Aleeeyra I just went and listened to ASCA's "Hibari", and it definitely did seem to have that Kajiura-esque sonic flavor that felt so familiar. Did Yuki Kajiura write the song for ASCA or someone else who was inspired by her (Yuki)? ASCA's other songs were really different.

Olatunde Fajimi

Christian Albert Jahns KEIKO's still with FictionJunction. She’s been performing with them since after leaving Kalafina. It’s Wakana that hasn’t been since she stayed behind at the same agency that Yuki Kajiura, KEIKO, and Hikaru left, after Kalafina was broken up.

5 More Replies...

ふー

新しい2曲を聞いてびっくりしました
keikoさんはこんな歌い方もできるんだと、改めてすごいなぁと思いました
でもやっぱり梶浦さんの音楽を聞き続けた私にとっては物足りない感じがしてしまいます、というより梶浦さんのつくる音楽が壮大過ぎて他の音楽が薄く聞こえちゃうんです…
でも今のkeikoさんもすごく好きです
新鮮で美しい
keikoさんが楽しいなら本当にやりたいことなら私は応援し続けます!!
頑張ってください

Breno Zsabruk

Keiko é uma artista sensacional ❤❤❤😢

Tamiris Y.

I really miss her singing style from Kalafina, but I love the fact she is experimenting with her voice and having fun while growing as a singer ❤

マイスター

Kalafinaの時の歌声と比べる人がいますが、それはナンセンス。
今、ソロだからこそ様々な表現力や可能性を育てられる時だと
思います。新たなKeikoさんの魅力が沢山湧き出て来ることを
応援しましょう♪

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