Knightley has since become a notable lead actress, having appeared in several Hollywood films and earning an Academy Award nomination for her role as Elizabeth Bennet in Joe Wright's 2005 adaptation of Jane Austen's Pride and Prejudice.
Biography
Early life
Knightley was born in Teddington, Greater London, England, the daughter of Sharman Macdonald, an award-winning playwright, and Will Knightley, a theatre and television actor. Her father is English and her mother is Scottish and of half Welsh ancestry. She has an elder brother, Caleb, who was born in 1979. Knightley lived most of her life in Richmond, attending Teddington School and Esher College. Knightley has dyslexia, but nevertheless was successful in school and was thus permitted to acquire a talent agent and pursue an acting career. She requested an agent as early as the age of three but got one when she turned six, from her mother as a reward for studying hard. Knightley has noted that she was "single-minded about acting" during her childhood. She performed in a number of local amateur productions including After Juliet (written by her mother) and United States (written by her then drama teacher, Ian McShane, no relation to the Deadwood actor).
Career
Knightley appeared in several television movies in the mid to late 1990s—including ITV1's The Bill—before being cast as Sabé, Padmé Amidala's decoy, in the 1999 science fiction blockbuster Star Wars Episode I: The Phantom Menace. Knightley was cast in the role due to her close resemblance to Natalie Portman, who played Padmé; the two actresses' mothers had difficulty telling their daughters apart when the girls were in full makeup. Knightley's first starring role followed in 2001, when she played the daughter of Robin Hood in the made-for-television Walt Disney Productions feature, Princess of Thieves. During this time, Knightley also appeared in The Hole, a thriller that received a direct-to-video release in the United States. She appeared in a miniseries adaptation of Doctor Zhivago that first aired in 2002 to mixed reviews but high ratings.
Knightley's breakthrough role was in the football-themed film, Bend It Like Beckham, which was a success in its August 2002 UK release, grossing $18 million, and in its March 2003 U.S. release, grossing $32 million. After Bend It Like Beckham's UK release raised her profile, she was cast in the big budget action film, Pirates of the Caribbean: The Curse of the Black Pearl (along with Orlando Bloom and Johnny Depp) which was produced by Jerry Bruckheimer and opened in July 2003 to positive reviews and high box office grosses, becoming one of the biggest hits of summer 2003 and cementing Knightley as the new "It" girl.
Knightley had a role in the British romantic comedy Love Actually, which opened in November 2003. Though charismatic, her performance was overlooked in the crowded A-List cast. Her next film, King Arthur, opened in July 2004 to negative reviews. In the same month, Knightley was voted by readers of Hello! magazine as the film industry's most promising teen star. Additionally, Time magazine noted in a 2004 feature that Knightley seemed dedicated to developing herself as a serious actress rather than a film star. 2005 saw the release of 3 films, the first of which was The Jacket. The complex thriller starring Adrien Brody was derided by critics as unoriginal, silly, and messy. Knightley was taken to task for her American accent but was otherwise dismissed by critics. Next came Tony Scott's Domino, an action film based on the life of bounty hunter Domino Harvey. The film has been Knightley's greatest critical flop to date. Knightley's critics often suggested she was nothing more than a pretty face, which led the young starlet to comment to Elle magazine, “I always feel like I’m the one with everything to prove.” Pride and Prejudice rounded out 2005. For her portrayal of Elizabeth Bennet, Knightley received the greatest reviews of her career thus far. Variety wrote: "Looking every bit a star, Knightley, who's shown more spirit than acting smarts so far in her career, really steps up to the plate here, holding her own against the more classically trained Matthew Macfadyen, as well as vets like Brenda Blethyn, Donald Sutherland, Penelope Wilton, and Judi Dench with a luminous strength that recalls a young Audrey Hepburn. More than the older Jennifer Ehle in the TV series, she catches Elizabeth's essential skittishness and youthful braggadocio, making her final conversion all the more moving." The film grossed more than $100 million worldwide and Knightley earned a Golden Globe nomination and an Oscar nomination (the Oscar ultimately went to Reese Witherspoon). 'Keira Knightley is the third-youngest performer ever nominated for an Academy Award.' BAFTA's decision not to nominate her drew criticism from Pride and Prejudice producer Tim Bevan.
In 2006, Knightley was invited to join the Academy of Motion Picture Arts and Sciences.
Knightley's biggest financial hit thus far, Pirates of the Caribbean: Dead Man's Chest, was released on July 7, 2006. On June 3, 2007, Knightley was up for an MTV Movie Award for Best Performance but she lost to her co-star, Johnny Depp. 2007 saw the release of several films starring Knightley: Silk, an adaptation of the novel by Alessandro Baricco, Atonement, a feature film adaptation of Ian McEwan's novel of the same name (co-starring James McAvoy, Vanessa Redgrave, and Brenda Blethyn), and Pirates of the Caribbean: At World's End, which was released on May 24, 2007. Knightley's performance in Atonement began to generate buzz before the film was released; she was nominated for a Golden Globe Award in the Best Dramatic Actress category for the role, as well as a BAFTA. Critic Richard Roeper was puzzled by both Knightley's and McAvoy's Academy Award snubs stating "I thought McAvoy and Knightly were superb."
In the late spring of 2007, Knightley shot The Edge of Love with Cillian Murphy as her husband, Matthew Rhys as her childhood sweetheart, Welsh poet Dylan Thomas, and Sienna Miller as Thomas' wife Caitlin MacNamara. She has received, for the most part, very positive reviews for her role. This 2008 release was penned by her mother, Sharman Macdonald, and directed by John Maybury. She then began work on The Duchess based on the best-selling biography, Georgiana, Duchess of Devonshire by Amanda Fporeman in which she plays Georgiana Cavendish, Duchess of Devonshire; the film was released in cinemas on September 5, 2008 in the U.K. Knightley has been praised for her portrayal of Georgiana. Critic and Co-Chair of the Toronto International Film Festival, Cameron Bailey, stated that "The Duchess Of Devonshire, with Keira Knightley, which is a beautiful film and she gives a really mature performance. You're seeing her really turn into something beyond the kind of pretty face that we've seen her do already so well. But she's actually a very serious actress and she's turning into a great, great performer." Critic Edward Douglas writes "we were blown away by Keira Knightley's performance in the costume drama The Duchess...Knightley is even better in it than Atonement and Pride & Prejudice." New York Post critic Lou Lumenick writes that in terms of an Oscar nomination, that Knightley "seems a lock for The Duchess" and goes on to say that she "shines" in this role.
Keira's next film roles include King Lear, and the modern drama Last Night in which she will co-star with Eva Mendes, Sam Worthington and Guillaume Canet. It is to be directed by Massy Tadjedin and will start filming in October 2008 in New York.
Tell Me If You Wanna Go Home
Keira Knightley Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You don't have to kill so kind
Pretend to ease my mind
When baby you won't
Oh sugar
You don't have to be so sweet
I know who you're going to meet
So maybe
I won't let your memory haunt me
I'll be sleepwalking
With the lonely
If you're taking me home
Tell me if I'm back on my own
Giving back a heart that's on loan
Just tell me if you wanna go home
Tell me if you wanna go home ('cause I'm just not sure)
Tell me if I'm back on my own (how to get back there)
Giving back a heart that's on loan (and I just can't bear)
Tell me if you wanna go home (if you're not there)
Oh, oh, oh, oh, baby
If you're taking me home
Tell me if I'm back on my own
Giving back a heart that's on loan
Tell me if you wanna go
Wanna go, wanna go, wanna go, wanna
'Cause I'm just not sure
How to get back there
And I just can't bear
If you're not there
If you're taking me home('cause I'm just not sure)
Tell me if I'm back on my own (how to get back there)
Giving back a heart that's on loan (and I just can't bear)
Just tell me if you wanna go home
('Cause I'm just not sure)
(How to get back there)
(And I just can't bear)
(If you're not there)
In Keira Knightley's "Tell Me If You Wanna Go Home,” the singer grapples with the end of a relationship and the uncertainty that comes with it. Throughout the song, Knightley is asking her partner to be honest with her about their intentions, whether they want to continue the relationship or if it's time to go separate ways.
The verse “Oh maybe, You don't have to kill so kind, Pretend to ease my mind, When baby you won't” suggests that Knightley's partner is not being entirely truthful with her and is putting up a facade of being kind just to spare her feelings. On the other hand, she wants him to be honest and upfront about his feelings instead of pretending to care for her. The repetition of the phrase “Tell me if you wanna go home” is a plea to her partner, urging them to reveal their true intentions for the future of their relationship. The chorus reflects the uncertainty of the relationship and the fear of being left alone. Knightley is asking her partner to decide, so she knows what to expect, and the uncertainty of not knowing is breaking her heart.
In the end, Knightley seems resigned to the fact that her partner may leave her, and the line “If you're taking me home/Tell me if I'm back on my own/Giving back a heart that's on loan/Just tell me if you wanna go home” further highlights that she just wants honesty and closure. Overall, this song is an emotional plea for honesty and transparency in a relationship that is slowly coming to an end.
Line by Line Meaning
Oh maybe
Perhaps it's possible
You don't have to kill so kind
You don't have to be overly polite and accommodating
Pretend to ease my mind
Pretend to make me feel better
When baby you won't
When in truth you have no intention of doing so
Oh sugar
Oh darling
You don't have to be so sweet
You don't have to be overly charming
I know who you're going to meet
I know who you're planning to see
Don't say that I don't
Don't deny it
So maybe
Perhaps it's possible
I won't let your memory haunt me
I won't allow myself to be haunted by thoughts of you
I'll be sleepwalking
I'll be going through the motions, feeling numb
With the lonely
With a sense of isolation and emptiness
If you're taking me home
If you're bringing me back with you
Tell me if I'm back on my own
Inform me if I'm alone again
Giving back a heart that's on loan
Returning a heart that was lent out
Just tell me if you wanna go home
Simply let me know if you'd like to leave
Tell me if you wanna go home
Let me know if you'd like to leave
('Cause I'm just not sure)
(Because I'm uncertain)
Tell me if I'm back on my own
Inform me if I'm alone again
(How to get back there)
(How to return to that state)
Giving back a heart that's on loan
Returning a heart that was lent out
(And I just can't bear)
(And I just can't handle)
(If you're not there)
(If you're not with me)
Lyrics © BMG Rights Management, Downtown Music Publishing
Written by: Alexander Gregg, Nicholas Lashley
Lyrics Licensed & Provided by LyricFind
Shray Kumar Sharma
who else thinks that the movie is a way too underrated?!
Amy J
Same! Just finished re-watching on Netflix and forgot how amazing it was. No one I know has heard of this film :/
Shray Kumar Sharma
@Amy J Yup, it's a masterpiece...yet unrecognized...
Hey It's Sunday
This is my most favorite movie of all time.. :) Watched it atleast once a month..
Carme GRAU VISA
With no doubt!
Carme GRAU VISA
Me!!
widM
This scene, the song and the production really won me over. That guitar solo at the end was amazing.
Lesego Ntshabeleng
Me too,that solo was just too good.
Noman Abdullah
+Lesego Ntshabeleng the guitar solo was amazing .
Adair Júnior
Begin Again is one of those movies we like without knowing the reason. And this is my favourite scene of the movie, every time I watch it, it makes my heart warmer.