1. kent was a Swedish alter… Read Full Bio ↴There are several artists called 'Kent':
1. kent was a Swedish alternative rock band founded in Eskilstuna in 1990 and split in 2016, consisting of Joakim Berg (vocals/rhythm guitar) Martin Sköld (bass/keyboards) Markus Mustonen (drums) & Sami Sirviö (lead guitar). Since the mid-1990s, it has established itself as one of the most successful groups in Scandinavia. With more than 1.5 million albums sold, kent has several times been given the epithet "Sweden's biggest rock band"
In the band's logotype, the 'k' is lower-case using the Avant Garde fonttype. Kent have had several big Swedish radio hits since the breakthrough single “Kräm (så nära får ingen gå)”. As of 2010, they are probably the most popular rock band in Sweden, but are more or less unknown outside Scandinavia. They have also tried an international career with English versions of the albums “Isola” and “Hagnesta Hill”
Kent and Verkligen (1995–1996)
In 1995 Kent released their epynomous debut Kent. It was distorted and not much reminiscent of what Kent would release in later years. It got almost no commercial reputation at all. Four singles were released, with "Frank" closest to being a hit.
Only one year after, in 1996, Kent released Verkligen (Really). Guitarist Martin Roos had left the band for his career at Kent's record company BMG, but has since become the band's manager. The pre-release single "Kräm (Så nära får ingen gå)" immediately became a radio hit and gained Kent some serious fame for the first time. Two more singles were issued, "Gravitation" and "Halka" - The latter one later to be hated with a passion by the group. Musically, the album was slower with less distortion and more emotion. A Japanese release of "Verkligen" featured the group's first English-language song, an altered version of "Kräm (Så nära får ingen gå)" entitled "What It Feels Like".
Isola (1997–1998)
In 1997 Kent released Isola. Guitarist Harri Mänty had joined the group since Verkligen. Verkligen had been heavily toured, gaining some reputation for Kent. The pre-release single, "Om du var här" (If You Were Here), became a hit as would the second single, "Saker man ser" (Things You See). Musically the album changed a lot from Verkligen, going a lot in the direction of slower, more thoughtful songs with more emotion. The last song on the album, the 7 minute, 47 second-long "747", with a characteristic keyboard riff and a long instrumental outro, became the band's closer for every show for the next 8 years, and won numerous best-song polls on Kent's website. It was also released as a single, cut down to four minutes and with an added short chorus.
In 1998, what many in Sweden had been asking for became reality when Kent released an English version of Isola, featuring an extra song only available on the English version, "Velvet". Kent embarked on two accompanying US tours to promote the album. The first was in support of fellow Swedes, The Cardigans, during which they highlighted new song, "Protection", and the second was a double-bill with American band, Papa Vegas. The band would close the shows for the second leg of the tour with what they described as their "only cover song", a version of Depeche Mode's classic single, "Stripped". Singles were released in various territories for three of the album's songs, "If You Were Here", "Things She Said" and "747" (featuring the English version of "Kräm", entitled "What It Feels Like"). The English version of the album was initially not meant to be released in Sweden, but public demand was too great. The English version sold poorly outside of Scandinavia.
Hagnesta Hill (1999–2000)
In 1999, Kent released Hagnesta Hill, named after Hagnestahill, a part of Eskilstuna where the band had had their first studio. The first, pre-release single, "Musik non stop" (Music Non Stop), a disco-rock song, became a huge radio hit and helped bring recognition for this album. The album was, for the most part, faster and less ballad-focused than Isola, and also mildly experimental with drum-machines and electronics. The singer and songwriter of Kent, Jocke Berg, have later complained that he thought the album was too long, thirteen songs spread over one hour. Two more singles were released, the Depeche Mode-esque "En himmelsk drog" (A Heavenly Drug) and the ballad "Kevlarsjäl" (Kevlar Soul).
In 2000, an English version of Hagnesta Hill was released, featuring two songs from the Swedish version replaced with two new English tracks ("Just Like Money" and "Quiet Heart"). The album was also released in a limited digipack with one of the excluded songs, "A Timekill to Die For", included as a hidden bonus track. The album was accompanied by the release of the single, "Music Non Stop", featuring the other omitted song, "Insects", as a b-side. A single show, played in front of a tiny crowd at London's Scala Club, was recorded for Japanese TV and has been widely bootlegged. A planned US release of the album was shelved, resulting in only "cut-out" promo copies floating around. Likewise, a US tour never materialized, as there was officially no album to promote.
Since their debut, Kent had recorded a large number of b-sides, usually exceptional in quality. Since most of these singles had long gone out of print, it was very hard to get these legally, so in 2000, Kent released the 2CD B-side collection B-Sidor 95-00 (B-Sides 95-00). It featured 21 b-sides, re-recorded versions of two of these and two totally new songs. One of them, "Chans" (Chance), was also released as a single. A hidden bonus track, featuring Finnish vocals, was also featured.
Vapen & ammunition and the White Concert (2002–2003)
After a long break, Kent started to work on their next full-length in 2002. They reported from the studio that they tried to make an album consisting of 10 singles. The first single - Dom Andra (The Others) became a huge hit on Swedish radio. When the album Vapen & Ammunition ("Guns 'n Ammo") came out, many fans complained that the sound was too produced, poppy and commercial, and too much focused on choruses. Despite this, both next singles, "Kärleken Väntar" (Love Waits) and "FF" (from the double A-Side FF/VinterNoll2), plus the album track "Pärlor" (Pearls) became huge radio hits, sending this album over 500,000 sales, more than twice as much as any other Kent album to date.
An English version of the album was planned – as can be seen on the tape titled "Guns & Ammunition" in the "Dom Andra" video, but was cancelled, according to the singer: "We decided it was not worth it (releasing the album in English) when we realized we had sat in a tour bus for two long US-tours, and nothing had happened".
Kent hadn't toured for several months when it was announced that they would do one single performance in 2003, on June 6, the Swedish national day, in Stockholms Stadion which holds a crowd of 30,000. As the band told the crowd to come there dressed in white, it was nicknamed "The White Concert". Generally it was considered a good concert. The critics claimed that the band could have done something "extra" at the concert, instead of playing more or less the same setlist as in the 2002 tour.
Du & jag döden and The hjärta & smärta EP (2005)
After taking a one-year timeout, Kent returned to the studio to record their sixth LP in 2005. Studio reports said it would be "A very dark album". The first single released, Max 500, was well-received by both fans and critics and became, as the last three singles had, a radio hit. When the album Du & Jag Döden (You & I Death) was released, it was very well-received and was considered by most fans to be one of their best albums. Two more singles were released, "Palace & Main" and "Den döda vinkeln" (The Dead Angle) - the last one stirring up some controversy among Kent fans because Kent didn't release any b-sides with it (but still the single has a shorter version of the song). The last track on the album, "Mannen i den vita hatten (16 år senare)" (The Man in the White Hat (16 Years Later)) was very well-received and is seen by many fans as Kents' best effort.
During late spring 2005 they embarked on "Turné 19" (Tour 19), doing 12 gigs in Sweden, one in Norway and one in Finland. The concerts took place in huge tents with a capacity of up to 18,000. This was the only tour that followed the release of "Du & jag döden".
During the summer there were rumours about Kent releasing an EP, as they had been spotted in studio and guitarist Sami had said "We might release an EP, but if we do it will only be digitally released". Just one month before the November 2005 release, the "The Hjärta & Smärta EP" (The Heart & Pain EP) was confirmed, as a CD as well as a digital release. It was well received and contained five tracks, "Dom som försvann" (Those Who Disappeared) becoming the radio single and having a video recorded.
The single EP made #1 in Sweden
The summer 2006 Kent only played on Hultsfredfestivalen and two gigs in Norway.
9th January 2007 the band announced that guitarist Harri Mänty is leaving the band because of lack of motivation. The band claims they're still friends.
17th October 2007 saw the release of their seventh album named "Tillbaka Till Samtiden" (Back to the Present Age) it was preceeded by the single "Ingenting", exactly one month before the release of the album. The album was well received in media, but many of their older fans critisised the bands new more electronic approach to music. Two more singles were released from the album, "Columbus" and "Generation ex" as well as a free digital download, "Vy från ett luftslott (Punks Jump Up Remix)". The band later released "Vy från ett luftslott (Punks Jump Up Remix)" as a physical one track single due to popular demand.
The release of the album was followed by three scandinavian tours, one in the autumn 2007, one in the spring 2008 and another one in the summer 2008. In total, well over 60 gigs were played all over Scandinavia.
On the 29th of October 2008 Kent released what they described as a "half time summary" of their career, a box entitled "Box 1991-2008". The box contains all of their seven swedish studio albums as well as the 2-disc b-side collection "B-sidor 95-00" and "The Hjärta & Smärta EP". The box also contains 26 bonus songs out of which 15 are previously unreleased and a book with private pictures, an interview made by Jan Gradvall, song lyrics and a tour history.
2. A French singer, former leader of Starshooter. He has released numerous records, sometimes "chanson", sometimes more rock.
3. Quentin Balenghien, a progressive trance producer.
4. Kent from China, known from, i.e., the song 乱乱村 .
5. A rapper from Minsk, Belarus.
Twitter: https://mobile.twitter.com/justim91
VK: https://m.vk.com/life_kent
Blog: http://kent-prod.blogspot.com/?m=1
Tous Les Mômes
Kent Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
La cigarette au lieu du bubble-gum
Avoir une auto et mettre la gomme
Etre un champion à tous les critériums.
Tous les mômes veulent devenir des hommes.
Ils nous voient toujours plus beaux que nous sommes.
Ils ne se contentent pas du minimum.
Vivre et aimer toujours au maximum.
Ils savent nous faire oublier qui nous sommes.
Si on sait redevenir haut comme trois pommes
Chacun de nous, pour eux, est au summum.
Mais l'âge et le temps racolent les petits mômes.
Au fil du temps, ça donne les petits hommes au décorum.
Tous les mômes veulent devenir des hommes
Grands comme le plafond du planétarium
Avoir une fusée et mettre la gomme
Tuer les dragons du pandémonium.
Tous les mômes ont une belle idée des hommes.
Ils n'ont pas besoin de curriculum
Pas besoin non plus de faire un référendum
Chacun de nous, pour eux, est au summum.
Mais l'âge et le temps racolent les petits mômes.
Au fil du temps, ça donne les petits hommes au décorum.
Ecoute ton cœur de môme qui bat encore.
Ecoute ce cœur de môme. Espère encore.
Ecoute ce cœur de môme jusqu'à ta mort.
Jamais, jamais n'abandonnera tes rêves de chercheur d'or.
Tous les mômes veulent devenir des hommes
Replonger dans des rêves polychromes
Les genoux couverts de mercurochrome
Médaille en chocolat pour tout diplôme.
Tous les mômes ont une belle idée des hommes.
Tant pis si, sous le lit, y a des fantômes.
Si on sait redevenir haut comme trois pommes
Chacun de nous est au summum.
Mais l'âge et le temps racolent les petits mômes.
Au fil du temps, ça donne les petits hommes au décorum.
Pourtant, ça ne te plaît pas, le décorum
Pourtant, tu n'aimes pas, le décorum
Pourtant, tu n'en veux pas, du décorum.
In the song Tous les mômes by Kent, the lyrics express the desire of all children to grow up and become adults. The children are depicted as wanting to leave behind their childhood hobbies like bubble gum for a more adult taste, cigarettes. They want to drive cars and be successful in everything they do. The song talks about how children see the world, and how they see adults as all-powerful beings who can make anything happen. The children don't want to settle for less and always want more.
The lyrics highlight how adults sometimes forget what it was like to be a child and see the world through innocent eyes. Children have a beautiful vision of the world, and they can make people forget who they are. The song encourages adults not to forget their inner child as they evolve, and to continue pursuing their dreams, no matter what happens. The song concludes with an appeal to the heart of every adult by asking them to remember their childhood dreams and pursue them until their last breath.
In conclusion, Tous les mômes by Kent is a beautiful ballad that encourages adults to remember their childhood dreams and never give up on them. The song highlights the fact that children view the world with innocence, beauty, and wonder. Adults are urged not to lose the desire to dream big and always strive for more, no matter their age.
Line by Line Meaning
Tous les mômes veulent devenir des hommes
All children want to become adults
La cigarette au lieu du bubble-gum
Cigarettes instead of bubble gum
Avoir une auto et mettre la gomme
Having a car and going fast
Etre un champion à tous les critériums.
Being a champion in every competition
Ils nous voient toujours plus beaux que nous sommes.
They always see us as better than we really are
Ils ne se contentent pas du minimum.
They are not satisfied with the minimum
Vivre et aimer toujours au maximum.
Living and loving to the fullest
Tous les mômes ont une belle idée des hommes.
All children have a beautiful idea of adults
Ils savent nous faire oublier qui nous sommes.
They know how to make us forget who we are
Si on sait redevenir haut comme trois pommes
If we know how to become as high as three apples
Chacun de nous, pour eux, est au summum.
Each of us, for them, is at the top
Mais l'âge et le temps racolent les petits mômes.
But age and time catch up with children
Au fil du temps, ça donne les petits hommes au décorum.
Over time, it produces small men with decorum
Grands comme le plafond du planétarium
As tall as the ceiling of the planetarium
Avoir une fusée et mettre la gomme
Having a rocket and going fast
Tuer les dragons du pandémonium.
Killing the dragons of hell
Ils n'ont pas besoin de curriculum
They don't need a curriculum
Pas besoin non plus de faire un référendum
No need to have a referendum
Ecoute ton cœur de môme qui bat encore.
Listen to your child heart that still beats
Ecoute ce cœur de môme. Espère encore.
Listen to your child heart. Keep hoping
Ecoute ce cœur de môme jusqu'à ta mort.
Listen to your child heart until you die
Jamais, jamais n'abandonnera tes rêves de chercheur d'or.
Never, never give up your dreams of being a gold seeker
Replonger dans des rêves polychromes
Diving back into colorful dreams
Les genoux couverts de mercurochrome
Knees covered in mercurochrome
Médaille en chocolat pour tout diplôme.
Chocolate medal for any diploma
Pourtant, ça ne te plaît pas, le décorum
However, you don't like the decorum
Pourtant, tu n'aimes pas, le décorum
However, you don't like the decorum
Pourtant, tu n'en veux pas, du décorum.
However, you don't want the decorum
Writer(s): Francois Guy Andre Breant, Jacques Bastello, Kent Cokenstock
Contributed by Xavier A. Suggest a correction in the comments below.
@politeiakhan
Kent m’a accompagné dans les pires comme les meilleurs moments de ma vie.
Bienveillance, humilité, profondeur et légèreté.
<3
@professeurmax1725
Tous les momes ? ... Traverser le temps avec kent, c'est chanter, écrire ou dessiner la vie... en mieux. Ce morceaux est un bijou... tout comme le reste des morceaux de l'album du même nom. Merci M Kent.
@christophebonnet3902
Très belle chanson avec des paroles magnifique
@SaidSaid-wo9ed
Salam mon grand respect pour monsieur kent une personne de légende bravo les lyonnais que du bonheur et souvenirs et magnifiques moments merci beaucoup mon frère
@creeks058ify
Chanson que j'ai découvert dans SuperLoustic il y a 30 ans. Très belle chanson.
@endy251
je ne m'en lasse pas c'est de la poésie et intemporel
@rodlarsen4371
Elle est vraiment belle cette chanson. Elle nous plonge dans le souvenir du mome que nous avons tous ete un jour...Replonger dans les reves en polychrome...
@heleneschaeffer6622
très très joli texte ! c'est vrai que ça donne pas envie de vieillir !
@olivierhaussaire6730
Super texte👍👍👍❤❤
@ThePlayer0ne
Quelle magnifique chanson .....