With a ramshackle pile of vinyl and old calculator bits, he set about changing the music world forever. These formative years were creatively fruitful, nailing tonnes of animated promos for Midfield General (Midfielding), Lo Fidelity Allstars (Sleeping Faster) and a whole host of lousy tribute acts.
At the dawning of the new millennium, the now fledgling Kidda saw his musical attempts committed to wax. Under the guise of Gadji ( “‘cause that’s what you call a bloke from the north”), the mighty Puma Strut label released a 7”that was soon to be hoovered up by the baying, vinyl-obsessed-hip-hop-clowns of the world.
This initial foray into soul/funk/Latin/underpant breaks saw the young idiot cut his musical teeth. With an obvious devotion to hooks, drops and hard (fucking) party vibes, Gadji moved crab-like on a sideways tip away from the limitations of hip hop (Stunts, Blunts and far too many fronts). Flying from the Gadji nest and feeling the summer sun on his new found wings, he emerged as Kidda (“’cause that’s what his brother calls him”)
The first to look up and catch a glimpse of his magic was Catskills Records, who, on hearing a demo of 5 new tracks, ‘loved all of ‘em’; and so it was to be that 2004 and 2005 saw birth of the Shoe Cash and Word Booty E.P’s. Both received worldwide love from the likes of Radio 1 (The Blueroom/ Zane Lowe) and Norman Jay (Carnival, N.Y.C., the Big Chill…everywhere).
Just clock the televised footage of N.J. dropping Hey Y’all in the closing moments of the B.B.C.’s ‘Soul Britannia’ series…whether this indicates Kidda as the future of British soul is unclear. Being crowned Extreme Ceramics Champion 2008 is a far more likely prospect than the bountiful successes of Shakatak.
And yet, the story continues.
A meeting of minds with old muckers Skint Records saw an album deal landed in 2005 and following a very long production process due to ‘continued pilfering of existing musical sources’ (read: sampling the fuck out of everything), the album is due to drop in 2008.
This long gestation period has given Kidda time to get his house in order. Firstly nailing the many talents far and wide to appear on the album. Sample replays and co-production were taken care of by Lee ‘Muddy’ Baker, an old mate and one of those super-talented f*ckers that make you wonder what you’ve been doing with your life. His involvement made the whole process ‘a joy’.
Vocally Kidda struck gold with the likes of Gary Lightbody (Snow Patrol), Blak Twang, Psycho Les (The Beatnuts/Big City) and local luminaries Jim Oxborrow (smallwhitelight) and soul beauty Laura Vane.
Not one for static, Kidda knocked out two albums of soul-slapped Beastie Boys remixes (On The Bus To N.Y.C., Fake Boogie Tapes) .All who heard, loved and still to this day gaining fans worldwide via that glorified version of Teletext, the internet.
As Kidda’s profile has been raised from Sunday league to glittering Fourth Division, D.J. bookings have seen him travel to various erm bits of the world. Holding a monthly residency at London’s Heavenly Social plus sets in Bristol, Manchester, Lithuania and Brighton.
Extra Curricular shiznits include remixes for Pepe Deluxe (to be released on Catskills forthcoming remix album) and a promo Kidda/Fatboy mash up that Norm liked so much he put it on his new remix long player too. With a sharp mind and deft hand Kidda also built and maintains his own website, kiddamusic.com, it has flashing lights and everything.
There’s been a lot of musically turgid water slowly going under the bridge since the Word Booty E.P. in 2005. Yet the Kidda sound is more than a return to form and fresh as whatever. Kicking everything off with V.I.P. – a slice of jump up Latin hip hop care of Psycho Les, ‘Going Up’ is an antidote to the bland, the bored and the static. It laughs, it claps, it goes up. Hallelujah.
Jumanji
Kidda Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A deshe leke apo Givenchy?
Jeta krejt Jumanji
Ti e din na kan inati
Ouh oh, le le lei
Le, le le lei
Ouh oh, le le leiLe, le le lei
Pallavra jon kto moj Xhane Xhane
Mos mendo se un te fale fale
Andrra u kon me qen ideale
Pallavra jon
In the lyrics of Kidda's song "JUMANJI," the artist presents a vivid and captivating portrait of attraction and desire, using a playful mix of language and references. The opening lines mention a "pretty gyal Armani," which suggests admiration for a girl with high fashion sense, specifically using the name of a luxury brand, Armani. The reference to Givenchy, another high-end fashion label, highlights a sense of exclusivity and the glamorous lifestyle that the artist is both portraying and aspiring to. The phrase “jeta krejt Jumanji” symbolizes a wild and unpredictable life, much like the famous board game, where players encounter different adventures and challenges. This line hints at the chaotic yet thrilling nature of relationships, where emotions can swing unexpectedly from joy to conflict, which is underscored by the mention of “inati” (meaning "spite" or “grudge”)—suggesting that these relationships can be both alluring and complicated, often featuring tension.
The chorus that follows—“Ouh oh, le le lei” repeated in a catchy melody—is an essential component of the song's infectious rhythm. This repetitive musical phrase serves as a euphoric interlude that invites listeners to lose themselves in the moment, reinforcing the carefree atmosphere of the song. The lyrics become more about the feeling and experience rather than a direct message, creating a party vibe that encourages enjoyment and celebrates life’s fleeting pleasures. This playful engagement with the audience speaks to the song’s overall theme of reveling in youthful exuberance, drawing listeners into an infectious celebration of life and attraction.
The next stanza, which refers to “Pallavra jon” (our words), points to the often superficial nature of relationships and communication in modern circumstances. Here, Kidda expresses skepticism about the authenticity of romantic gestures and declarations, indicating that promises made during moments of passion might not hold weight in the long term. By mentioning “mos mendo se un te fale fale” (don’t think I’ll fall for it), there's an assertion of self-awareness and caution, suggesting that despite the fun and flirtation, there is a deeper understanding that not everything said in the heat of the moment is sincere. The reference to ideal dreams throughout the verse juxtaposes with the reality of love, emphasizing that while aspirations of finding perfect relationships may exist, they often clash with the more chaotic nature of actual connections, echoing the idea that perfection is rarely achieved.
In essence, "JUMANJI" captures a dance between glamor and reality, glamorized by the context of luxury brands and the thrill of attraction but grounded by a more poignant commentary on the nature of words and intentions within romantic interactions. Kidda paints a world where beauty and chaos coexist, suggesting that navigating through relationships can be as exciting and unpredictable as playing a game. The combination of catchy choruses with deeper reflections on love and desire creates a multi-layered experience for listeners, encapsulating not only the euphoria of youthful interactions but also a thoughtful observation of the complexities that often lie beneath.
Line by Line Meaning
Pretty gyal Armani
An attractive girl adorned in luxury, specifically referencing the high-end fashion brand Armani, symbolizing elegance and allure.
A deshe leke apo Givenchy?
Are you attracted to wealth or the prestige that comes with a brand like Givenchy? It poses a question about materialism and desire.
Jeta krejt Jumanji
Life is akin to a game of Jumanji, suggesting that it is unpredictable, adventurous, and filled with challenges one must navigate.
Ti e din na kan inati
You know that we have a stubbornness or resilience, implying that there is a tenacity in facing life's adversities and refusing to back down.
Ouh oh, le le lei
An expression of excitement or anticipation, serving as a rhythmical pause in the song that draws listeners in with its catchy sound.
Le, le le lei
A repetition that amplifies the feeling of joy or celebration, reinforcing the uplifting atmosphere of the song.
Ouh oh, le le lei
Once again, a musical chant that serves to engage the audience and elevate the energy of the performance.
Le, le le lei
Continuing the engaging rhythm, this line maintains the playful spirit of the song and invites participation.
Pallavra jon kto moj Xhane Xhane
These are just sweet words or promises, particularly directed at someone named Xhane, suggesting superficiality in relationships or claims.
Mos mendo se un te fale fale
Don't think that I’m being naive or easily deceived, indicating a shrewdness and awareness in handling relationships and emotions.
Andrra u kon me qen ideale
The dream was to be ideal or perfect, expressing aspirations of reaching unattainable standards of perfection in life.
Pallavra jon
These are empty words, concluding with a realization that often what’s said holds little weight in the grand scheme of reality.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@theonlykidda
Stream JUMANJI on Spotify🔥 https://bfan.link/jumanji-1
@zyzzysick
Bishaaa💯
@ArbenAdemi
Shka .!. Osht Bre Kjo Kong Pash Familen... Shka Je Tu Than.. Spo Miret Vesh Kurgjo.. #MUT
@9mmall45
E pah pagu borxhin per Videoclipin hahaha
@nitiniti4973
@Doci feri hjji
@nitiniti4973
Ji
@bigindustri
Kush menon qe kish me qen ni mega hit Dafina Zeqiri Kidda😍
@albozz
Vec me Noizyn I Dalin kengt legjend Dafines
@Albmusicofficial
@@albozzik dgjo kengen e kiddes me taynen
@caneruc5719
That video was really great! I want to learn Albanian just so I can tell him to turn his music down 😞❤️❤️❤️❤️ I've been able to travel to some amazing places that I never would have been able to visit without Mighty 🤳 Travels 🤝 Premium.