The band’s debut EP, E-Pocalypse, was released during their time as an unsigned band in 2006. During this time they garnered a rare and unprecedented amount of press and support from the likes of Kerrang, NME, Big Cheese, Rocksound, Tuned and Total Guitar magazines, as well as BBC Radio 1 and XFM. In a television interview Lostprophets vocalist Ian Watkins claimed that “Relatively unknown bands such as Kids in Glass Houses are a lot better than a lot of known bands out there.”
In August 2007, the band was nominated for “Best British Newcomer” at the Kerrang! Awards, but the group were beaten to the award by Gallows. The band later went on a headline tour of their own with Tonight Is Goodbye, and supported Funeral For A Friend’s December tour, between which they recorded their debut full length. During 2007 the band also supported artists like Lostprophets, Fall Out Boy, Paramore, Cute Is What We Aim For, Simple Plan, New Found Glory and 30 Seconds to Mars. The band also appeared at The Full Ponty Festival, Download Festival, Hyde Park Calling, Farnham’s Summer Breeze Festival, Collision Course Festival and the Reading and Leeds Festivals during this year.
The band’s debut studio album, Smart Casual, was released on 19th May 2008. The album spawned singles Fisticuffs, Give Me What I Want, and Easy Tiger.
Kids In Glass Houses released their second album Dirt, on 24th March 2010, along with a digital, special edition of the album on iTunes two days later. The first two singles of the album, Youngblood (Let It Out), and Matters At All, were released prior to the album on 5th October 2009 and on 29th January 2010, respectively. Dirt featured The Saturdays’ Frankie Sandford on the track Undercover Lover and New Found Glory on the track Maybe Tomorrow.
On the 26th February 2014 the band announced via their twitter (@kighofficial) that they would be disbanding, saying it was done "amicably and on our own terms". Their final tour will occur in October 2014. In 2022 they reformed.
Their official website is, www.kidsinglasshouses.com.
Youngblood
Kids in Glass Houses Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Chasing his prayers
Upstairs
A white lie
A red light
And her thighs
On his mind
Gotta let it
Hey!
Gotta let it
Hey!
Gotta let it out, let it out, let it
Hey!
Gotta let it
Hey!
Gotta let it
Hey!
Gotta let it out, let it out, let it
She was a young girl
Whispers her prayers
Laid bare
At midnight
An invite
It's pitch black
And bride white
Hey!
Gotta let it
Hey!
Gotta let it
Hey!
Gotta let it out, let it out, let it
Hey!
Gotta let it
Hey!
Gotta let it
Hey!
Gotta let it out, let it out
Take me somewhere new
Take me somewhere new
And the shoes you've grown into
Will soon start wearing you
Hey!
Gotta let it
Hey!
Gotta let it
Hey!
Gotta let it out, let it out, let it
Hey!
We gotta let it
Hey!
Gotta let it
Hey!
We gotta let it out, let it out, let it
Young boys
And young girls
Upstairs
Somewhere
The lyrics to Kids in Glass Houses's song Youngblood can be interpreted as a depiction of young individuals exploring their sexuality and coming of age. The two verses describe a young boy and a young girl, both chasing their prayers (perhaps symbolic of their desires) upstairs, where they engage in sexual activity. The boy has a white lie on his mind, suggesting he may be lying to himself or others about his feelings or intentions. The red light could symbolize the sexual tension or excitement he is experiencing. The girl whispers her prayers, indicating a sense of vulnerability, and is laid bare at midnight, suggesting secrecy or a taboo nature to the encounter. The pitch black and bride white descriptions further emphasize the contrast between light and darkness, good and evil, or innocence and experience.
The chorus seems to encourage a release of these pent-up desires and emotions. The repeated phrase "Gotta let it out" could be interpreted as a call to honesty, communication, and possibly even a form of self-exploration or liberation. The bridge presents a desire for new experiences, perhaps alluding to a sense of restlessness or dissatisfaction with the current state of things. The line "the shoes you've grown into will soon start wearing you" may indicate a need for change or growth in order to avoid becoming stagnant or trapped in one's comfort zone.
Overall, Youngblood can be seen as a raw, honest portrayal of youthful exploration and discovery, both in terms of sexuality and self-discovery. The song may speak to those who feel like they are struggling to find their place in the world, or who are struggling to come to terms with their own desires and emotions.
Line by Line Meaning
A young boy
A boy who is still a child in age
Chasing his prayers
Running after his beliefs or wishes
Upstairs
In the upper floor of a building
A white lie
A harmless false statement
A red light
A sign to stop or wait
And her thighs
Thinking about the physical body of a girl
On his mind
Occupying his thoughts
Hey! Gotta let it
Expressing the need to speak up
She was a young girl
A girl who is still a child in age
Whispers her prayers
Saying her prayers softly
Laid bare
Completely exposed or vulnerable
At midnight
During the late hours of the night
An invite
An opportunity to do something
It's pitch black
Completely dark
And bride white
Pure and innocent
Take me somewhere new
Seeking for a change or adventure
And the shoes you've grown into
Metaphor for growing up
Will soon start wearing you
Metaphor for struggling with adulthood
Young boys
Boys who are still children
And young girls
Girls who are still children
Upstairs
In the upper floor of a building
Somewhere
An unspecified location
Contributed by Matthew A. Suggest a correction in the comments below.
Laura Cutrupi
Best and most underrated band. RIP.
Flávio Trelinski
Concordo plenamente, uma das melhores bandas sempre
TheCrispyDuck
the only time ill be seeing them will also be the last :(
Mate Nemeth Adam
+1 indeed =(
ChemicalBigman
Seen them live on four occasions, Possibly the best live band I've ever seen, Except possibly, The greatest rock band ever, The Who..
scratchcardgloryfilm
the last album was + still is insanely addictive :)
Coyote Lightning
2:17 holy hell that bridge is great. Love all the instruments slowly coming together to roar.
Jo
LOVE THIS SONG! its been stuck in my head 4 weeks!
Aaron wynne
watched these last night they were so good it was going crazy :)
Laurence Mortimer
great song hope they release another good song love the let it out part