Killah Priest is a tangential associate of the Wu-Tang Clan. The Brooklyn n… Read Full Bio ↴Killah Priest is a tangential associate of the Wu-Tang Clan. The Brooklyn native made his first recorded appearances on records by such Wu side projects and solo albums as the Gravediggaz, Ol' Dirty Bastard's Return to the 36 Chambers, and, most importantly, Genius/GZA's seminal Liquid Swords. His contributions became legendary and paved the way for the release of his acclaimed debut album, Heavy Mental, in the spring of 1998.

Born in Brooklyn, New York and raised in Bedford-Stuyvesant and Brownsville, Killah Priest became infatuated with hip-hop as a child, listening to old-school and new school acts like Eric B. & Rakim alike. He also was influenced by local rappers, like GZA and Onyx's Suave, who would often play local parties. Killah Priest began working on his rhyming and eventually earned a considerable reputation in Brooklyn , but instead of pursuing his musical career further, he took a sabbatical in order to educate himself, primarily about religion and history.

Killah Priest returned to rapping in 1995, appearing on several Wu projects. All of his cameos were noteworthy, but his role on Liquid Swords earned special attention. By the end of 1996, he formed his own side project, the Sunz of Man. In 1997, GZA suggested to Geffen that they sign Killah Priest, and the label took his advice.

Killah worked on the album with True Master and 4th Disciple, two producers associated with the Clan. The resulting album, Heavy Mental, was dense with religious imagery and filled with evocative sounds. It received excellent reviews upon its March 1998 release and was a respectable commercial success, debuting at number 24 on the pop charts.

Killah Priest issued his second album, View from Masada, in the spring of 2000, further bolstering his status as one of the most compelling solo artists in the Wu-Tang stable. After that he has released more projects such as Priesthood and Black August.

The Park
Killah Priest Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

The park we do this
Yeah, the park we do this

Candy apple, honey kisses
Play the pharaoh, one with riches on the throne
Harrow bones, stand alone, cow will moan
Finger pop the with the rastas, y′all imposters
We the mobsters eating pasta

[?] so influenced by the music

Overall Meaning

In Killah Priest's song "The Park," the lyrics seem to introduce a sense of nostalgia and unity through the imagery of a park. The repetitive phrase "the park we do this" suggests that the park represents a gathering place or a community where the artist and his peers come together. It is a space where they feel comfortable and free to express themselves.

The mention of "candy apple, honey kisses" adds a playful and sweet element to the lyrics, evoking a sense of innocent joy and romance. The line "play the pharaoh, one with riches on the throne" could be interpreted as a metaphor for feeling powerful and successful, as if they are rulers or kings in this park setting.

The following lines, "harrow bones, stand alone, cow will moan," create an enigmatic and mysterious atmosphere. It suggests that despite being surrounded by others in the park, each person has their own unique experiences and struggles. The reference to "finger pop the with the rastas" could imply a connection to reggae music and the Rastafarian culture, emphasizing the artist's diverse influences and inspirations.

Overall, "The Park" by Killah Priest seems to celebrate a sense of belonging, creativity, and individuality within a community space. It captures the essence of coming together, enjoying life's simple pleasures, and finding inspiration through music.

Line by Line Meaning

The park we do this
We engage in this activity at the park

Yeah, the park we do this
Yes, the park is the place where we engage in this activity

Candy apple, honey kisses
Enjoying sweet treats and affectionate moments

Play the pharaoh, one with riches on the throne
Taking on the role of a powerful ruler with immense wealth

Harrow bones, stand alone, cow will moan
Facing difficulties and hardships, relying on inner strength, while others express their discontent

Finger pop the with the rastas, y′all imposters
Having fun and interacting with genuine Rastafarians, not fake individuals

We the mobsters eating pasta
We, the organized crime members, enjoy a meal of pasta

[?] so influenced by the music
Being greatly affected and inspired by the music in some unspecified way

Writer(s): Reed Walter

Contributed by Andrew J. Suggest a correction in the comments below.

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