Founded by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald and lyricist Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, and Lake's powerful lead vocals. Their debut album, In the Court of the Crimson King (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous departures of McDonald and Giles, with Lake also leaving very shortly afterwards, Fripp and Sinfield assumed direction of the group for In the Wake of Poseidon (1970), Lizard (1970), and Islands (1971) with Mel Collins, Boz Burrell and Ian Wallace among the band members during this period. In 1972, Fripp changed the group's instrumentation and approach, drawing from European free improvisation, and developing ever more complex compositions. With Bill Bruford, John Wetton, David Cross and briefly, Jamie Muir, they reached what some saw as a creative peak on Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974). Fripp disbanded this group in 1974.
In 1981, Fripp and Bruford reformed King Crimson with another change in musical direction. The new group also included Adrian Belew and Tony Levin. They drew influence from African music, gamelan, post-punk and New York minimalism. This group lasted three years, resulting in the trio of albums Discipline (1981), Beat (1982) and Three of a Perfect Pair (1984). Following a decade-long hiatus, Fripp revived the group as a sextet he called the "double trio" in 1994 adding Pat Mastelotto and Trey Gunn. This group participated in another three-year cycle of activity that included the release of Thrak (1995), and multiple concert recordings. There was a hiatus between 1997 to 2000. Four members of the previous sextet reunited in 2000 as a more industrial-oriented King Crimson, called the "double duo", releasing The Construkction of Light (2000) and The Power to Believe (2003). After a five year hiatus, the group expanded (in the person of new second drummer Gavin Harrison) for a 2008 tour celebrating the 40th anniversary of their 1968 formation.
Following another hiatus (2009–2012), during which Fripp was thought to be retired, King Crimson came together again in 2013; this time as a septet (and, later, octet) with an unusual three-drumkit frontline, and new second guitarist and singer Jakko Jakszyk. This version of King Crimson continued to tour from 2014 to 2021, and released multiple live albums, rearranging and reinterpreting music from across the band's entire 50-year career for the first time.
Full Wikipedia article: https://en.wikipedia.org/wiki/KingCrimson
Studio albums
In the Court of the Crimson King (1969)
In the Wake of Poseidon (1970)
Lizard (1970)
Islands (1971)
Larks' Tongues in Aspic (1973)
Starless and Bible Black (1974)
Red (1974)
Discipline (1981)
Beat (1982)
Three of a Perfect Pair (1984)
Thrak (1995)
The Construkction of Light (2000)
The Power to Believe (2003)
(NOTE: Album covers, band images and YouTube links are not available due to certain legal restrictions imposed on Last.fm by King Crimson's management.)
Light ConstruKction
King Crimson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Love empty day life die pain passion
Joy black day hate beauty die life
Joy ache empty day pain die love
Passion joy black light
And if God is dead what am I,
A fleck of dirt on the wing of a fly
Through a hole in the sky
A hole in the sky
And if Warhol's a genius, what am I,
A speck of lint on the penis of an alien
Buried in gelatin
Beneath the sands of Venus
Time sun hurt trust peace dark rage
Sad white rain sun anger hurt soft
Trust night rage rain white hope dark
Sacred sun time trust hurt rage anger
Rain white light
And if a bird can speak, who once was a dinosaur,
And a dog can dream; should it be implausible
That a man might supervise
The construction of light
The construction of light
Pain day sky beauty black die joy
Love empty time sun hurt trust peace
Dark rage sad white rain hate anger
Hope sacred passion life night ache soft
Light
The lyrics of King Crimson's song Light ConstruKction seem to be a collection of seemingly contradictory words and phrases. However, upon closer examination, a pattern emerges. The first set of lyrics "pain day sky beauty die black joy" suggests a process of destruction, where beauty fades away into darkness and pain. On the other hand, "love empty day life die pain passion" presents a theme of hope, where passion lights up even the darkest of days. This contradiction is further explored in the third set of lyrics "joy black day hate beauty die life" where the meaning of 'beauty' and 'life' seems to have shifted once more.
The second set of lyrics presents the concept of insignificance, where man is nothing but a speck of dirt on the wing of a fly amid the vastness of the universe. The fourth set of lyrics talks about the possibility of man supervising the construction of light, which is almost opposite to the hopeless insignificance presented in the second set of lyrics. The final set of lyrics, "Pain day sky beauty black die joy/Love empty time sun hurt trust peace/Dark rage sad white rain hate anger/Hope sacred passion life night ache soft/Light" brings together the themes of destruction, hope, and insignificance, showing that life is a complex and unpredictable journey.
Line by Line Meaning
Pain day sky beauty die black joy
The beauty of the sky is lost in pain and sadness, causing joy to disappear and be replaced by darkness and death.
Love empty day life die pain passion
Love is empty and devoid of passion, causing a day to feel like a lifeless eternity filled with pain and sorrow.
Joy black day hate beauty die life
Hatred poisons every moment of a once-beautiful day, leaving life to wither and joys to turn black and fade away.
Joy ache empty day pain die love
Even love can't fill the emptiness of a day where joy is replaced by ache and pain that ultimately drains away love.
Passion joy black light
Passion and joy shine through the darkness, like a black light revealing hidden beauty.
And if God is dead what am I,
A fleck of dirt on the wing of a fly
Hurtling to earth
Through a hole in the sky
A hole in the sky
In the absence of God, one's insignificance and fragility become apparent, like a speck of dirt falling from the sky through a hole that leads to an uncertain fate.
And if Warhol's a genius, what am I,
A speck of lint on the penis of an alien
Buried in gelatin
Beneath the sands of Venus
Compared to someone as great as Warhol, one may feel insignificant and pointless, like a tiny speck of lint on an alien's anatomy buried beneath the sand on Venus.
Time sun hurt trust peace dark rage
Time continues to pass, bringing with it hurts, doubts, and darkness that can fuel rage and undermine trust and peace.
Sad white rain sun anger hurt soft
Sadness descends like white rain, followed by anger that hurts, but only serves to make one's heart soft and open to new experience.
Trust night rage rain white hope dark
At night, trust can be hard to come by, and rage often follows the rain, but in the darkness, there is still hope that shines like a bright light.
Sacred sun time trust hurt rage anger
The sun, a sacred symbol of time, can be a source of trust, but also hurt, rage, and anger.
Rain white light
Rain, though often associated with darkness and gloom, can still reveal the beauty of white light that shines through the drops.
And if a bird can speak, who once was a dinosaur,
And a dog can dream; should it be implausible
That a man might supervise
The construction of light
The construction of light
If nature can produce such wonders as a bird that speaks and a dog that dreams, then why would it be impossible for a human to create something as amazing as the construction of light?
Lyrics © Universal Music Publishing Group
Written by: ADRIAN BELEW, ROBERT FRIPP, TREY GUNN
Lyrics Licensed & Provided by LyricFind
@juankgonzalez6230
One of the most astonishing basslines I've ever heard
@rdm7770
Warr guitar*
@HEHEHE_I_AM_A_MASKED_WARRIA
Tony Levin once called it one of the best touch guitar bass parts ever written.
@sandenson
Based Trey Gunn
@incognito7479
HEHEHE I AM A MASKED WARRIA Tony on bass reminds me of Jimi on guitar. Humble enough to disregard the acolades.
@rinsancrindle7715
that stick!
@braulioacosta6816
This is one of my favorites KC tracks ever.
@fabioosse6474
...como os sons das antigas deles, raro!
@InsaneCarville
This is what I show the younglings who have never heard KC
@almightyhotdoglady5383
@@InsaneCarville Yeah, either this or Level Five. Still, as a long time KC fan, this album, Thrak and The Power to Believe are their best albums. In The Court and Red is kind of overrated.