Founded by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald and lyricist Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, and Lake's powerful lead vocals. Their debut album, In the Court of the Crimson King (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous departures of McDonald and Giles, with Lake also leaving very shortly afterwards, Fripp and Sinfield assumed direction of the group for In the Wake of Poseidon (1970), Lizard (1970), and Islands (1971) with Mel Collins, Boz Burrell and Ian Wallace among the band members during this period. In 1972, Fripp changed the group's instrumentation and approach, drawing from European free improvisation, and developing ever more complex compositions. With Bill Bruford, John Wetton, David Cross and briefly, Jamie Muir, they reached what some saw as a creative peak on Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974). Fripp disbanded this group in 1974.
In 1981, Fripp and Bruford reformed King Crimson with another change in musical direction. The new group also included Adrian Belew and Tony Levin. They drew influence from African music, gamelan, post-punk and New York minimalism. This group lasted three years, resulting in the trio of albums Discipline (1981), Beat (1982) and Three of a Perfect Pair (1984). Following a decade-long hiatus, Fripp revived the group as a sextet he called the "double trio" in 1994 adding Pat Mastelotto and Trey Gunn. This group participated in another three-year cycle of activity that included the release of Thrak (1995), and multiple concert recordings. There was a hiatus between 1997 to 2000. Four members of the previous sextet reunited in 2000 as a more industrial-oriented King Crimson, called the "double duo", releasing The Construkction of Light (2000) and The Power to Believe (2003). After a five year hiatus, the group expanded (in the person of new second drummer Gavin Harrison) for a 2008 tour celebrating the 40th anniversary of their 1968 formation.
Following another hiatus (2009–2012), during which Fripp was thought to be retired, King Crimson came together again in 2013; this time as a septet (and, later, octet) with an unusual three-drumkit frontline, and new second guitarist and singer Jakko Jakszyk. This version of King Crimson continued to tour from 2014 to 2021, and released multiple live albums, rearranging and reinterpreting music from across the band's entire 50-year career for the first time.
Full Wikipedia article: https://en.wikipedia.org/wiki/KingCrimson
Studio albums
In the Court of the Crimson King (1969)
In the Wake of Poseidon (1970)
Lizard (1970)
Islands (1971)
Larks' Tongues in Aspic (1973)
Starless and Bible Black (1974)
Red (1974)
Discipline (1981)
Beat (1982)
Three of a Perfect Pair (1984)
Thrak (1995)
The Construkction of Light (2000)
The Power to Believe (2003)
(NOTE: Album covers, band images and YouTube links are not available due to certain legal restrictions imposed on Last.fm by King Crimson's management.)
Moon Child
King Crimson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Dancing in the shallows of a river
Lonely moonchild
Dreaming in the shadow
Of the willow.
Talking to the trees of the
Cobweb strange
Weaving silver wands to the
Night-birds song
Waiting for the sun on the mountain.
She's a moonchild
Gathering the flowers in a garden.
Lovely moonchild
Drifting on the echoes of the hours.
Sailing on the wind
In a milk white gown
Dropping circle stones on a sun dial
Playing hide and seek
With the ghosts of dawn
Waiting for a smile from a sun child
The song "Moon Child/The Dream/The Illusion" by King Crimson is a poetic ode to a mystical, ethereal figure known as the moon child. The moon child is described as a solitary figure, dancing in the shallows of a river and dreaming in the shadows of a willow tree. She communicates with the natural world, talking to the trees and sleeping on the steps of a fountain. She weaves silver wands to the night-birds song, waiting for the sun to rise over the mountain. Throughout the song, the moon child is portrayed as a beautiful, otherworldly presence who is in tune with the rhythms and cycles of nature.
The lyrics of "Moon Child/The Dream/The Illusion" suggest that the moon child is a symbol for the beauty, mystery, and fleeting nature of life. The moon child gathers flowers in a garden and drifts on the echoes of the hours, suggesting a sense of fleeting beauty and transitory existence. The moon child is sailing on the wind in a milk white gown, dropping circle stones on a sun dial and playing hide and seek with the ghosts of dawn. These images evoke a sense of the passing of time and the elusive nature of happiness and contentment. The waiting for a smile from a sun child at the end of the song may represent the hope for a brighter future, or the search for meaning in a world that is often obscured by darkness and illusion.
Line by Line Meaning
Call her moonchild
Referring to a girl who lives a free-spirited life
Dancing in the shallows of a river
She moves gracefully in the water, which is where she finds peace
Lonely moonchild
She is often alone, but never lonely because she finds solace in nature
Dreaming in the shadow of the willow.
She sees the beauty in the things she encounters in nature and dreams about them
Talking to the trees of the cobweb strange
She talks to the trees, which are the only witnesses to her way of life.
Sleeping on the steps of a fountain
Her bed is the stones, and her comfort can be found anywhere she wants
Weaving silver wands to the Night-birds song
She uses music and art to pass the time while alone in nature
Waiting for the sun on the mountain.
She waits for the sun to rise up since it's an essential part of nature which enlivens everything
She's a moonchild
She is carefree, and lives on her own terms, guided by the power of nature
Gathering the flowers in a garden.
Her garden comprises colouful flowers, and she takes care of them, honing her gardening skills as well
Lovely moonchild
She's beautiful, and her beauty arises from her connection to nature
Drifting on the echoes of the hours.
She often gazes up at the sky, and her sense of time is measured in the movement of the sun and the stars
Sailing on the wind, in a milk-white gown
She's like a goddess who floats through the woods, and wherever the wind takes her
Dropping circle stones on a sun dial
She creates her own sundial, which tells the time the way she perceives it
Playing hide and seek with the ghosts of dawn
She loves seeing the sunrise and has an affinity for the uncertainty and the rapid rise of life that accompanies every new day
Waiting for a smile from a sun child
She looks forward to moments of joy and fulfilment during the bright days of sunshine
Lyrics © Universal Music Publishing Group
Written by: GREG LAKE, IAN MCDONALD, MICHAEL REX GILES, PETER JOHN SINFIELD, ROBERT FRIPP
Lyrics Licensed & Provided by LyricFind
@cottoncandy7159
Moonchild
[Part I: “The Dream”]
Call her moonchild
Dancing in the shallows of a river
Lonely moonchild
Dreaming in the shadows of a willow
Talking to the trees of the cobweb strange
Sleeping on the steps of a fountain
Waving silver wands to the night-bird’s song
Waiting for the sun on the mountain
She’s a moonchild
Gathering the flowers in a garden
Lovely moonchild
Drifting in the echoes of the hours
Sailing on the wind in a milk white gown
Dropping circle stones on a sun dial
Playing hide and seek with the ghosts of dawn
Waiting for a smile from a sun child
@alexmendoza346
Llámala hija de la luna
Call her moonchild
Bailando en las aguas poco profundas de un río
Dancing in the shallows of a river
Hijo de la luna solitario
Lonely moonchild
Soñando en las sombras del sauce
Dreaming in the shadows of the willow
Hablando con los árboles de la telaraña extraño
Talking to the trees of the cobweb strange
Durmiendo en los escalones de una fuente
Sleeping on the steps of a fountain
Agitando varitas plateadas al canto de los pájaros nocturnos
Waving silver wands to the night birds song
Esperando el sol en la montaña
Waiting for the sun on the mountain
ella es una hija de la luna
She's a moonchild
Recogiendo las flores en un jardín.
Gathering the flowers in a garden
precioso hijo de la luna
Lovely moonchild
A la deriva en los ecos de las horas
Drifting on the echoes of the hours
Navegando en el viento con un vestido blanco como la leche
Sailing on the wind in a milk white gown
Dejar caer piedras circulares en un reloj de sol
Dropping circle stones on a sun dial
Jugando al escondite con los fantasmas del amanecer
Playing hide and seek with the ghosts of dawn
Esperando una sonrisa de un niño sol
Waiting for a smile from a sun child
@baddomingo6240
Call her moonchild
Dancing in the shallows of a river
Lonely moonchild
Dreaming in the shadows of the willow
Talking to the trees of the cobweb strange
Sleeping on the steps of a fountain
Waving silver wands to the night birds song
Waiting for the sun on the mountain
She's a moonchild
Gathering the flowers in a garden
Lovely moonchild
Drifting on the echoes of the hours
Sailing on the wind in a milk white gown
Dropping circle stones on a sun dial
Playing hide and seek with the ghosts of dawn
Waiting for a smile from a sun child
@progrockplaylists
Some people are hearing this for the first time and i can feel their day has changed completely
@Marova
here
@lifespanofafry1534
I’ll forget this pretentious nonsense by tomorrow. King Crimson is waaaaay in the back of my prog rock taste. If they even register at all.
@Marova
@Lifespan of a Fry dude why you even bother to comment then? I'd get this kind of comment with some of the commercial, social networking, influencer shit thats going on every where nowadays, but from a 1969 album?? And on a full of good vibes comment?? Lame. You are heading in the wrong direction person on the internet who I could care less of a shit, but let me tell you something: You are the one being pretentious and forgettable this time...
Saludos!
@gab_v250
one of them it's me. But I'm coming from Genesis, YES and italian progressive (Banco del Mutuo Soccorso, PFM, Area...)
@alexanderhutton7514
Listening to this for the first time right now, and I can confirm that this is about to have a huge impact on my life
@suntrespasser9684
This was played at my mum's funeral, at her request. Miss you mum xxx
@ssballs
What greatness. Reads like she had great taste.
@rudigazortipek2987
Scintilstes in many an unearthly hue
@johnsosa991
Rest In Peace!