King Crimson was a progressive rock band formed in 1968 in London, England.… Read Full Bio ↴King Crimson was a progressive rock band formed in 1968 in London, England. The band draws inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following.
Founded by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald and lyricist Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, and Lake's powerful lead vocals. Their debut album, In the Court of the Crimson King (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous departures of McDonald and Giles, with Lake also leaving very shortly afterwards, Fripp and Sinfield assumed direction of the group for In the Wake of Poseidon (1970), Lizard (1970), and Islands (1971) with Mel Collins, Boz Burrell and Ian Wallace among the band members during this period. In 1972, Fripp changed the group's instrumentation and approach, drawing from European free improvisation, and developing ever more complex compositions. With Bill Bruford, John Wetton, David Cross and briefly, Jamie Muir, they reached what some saw as a creative peak on Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974). Fripp disbanded this group in 1974.
In 1981, Fripp and Bruford reformed King Crimson with another change in musical direction. The new group also included Adrian Belew and Tony Levin. They drew influence from African music, gamelan, post-punk and New York minimalism. This group lasted three years, resulting in the trio of albums Discipline (1981), Beat (1982) and Three of a Perfect Pair (1984). Following a decade-long hiatus, Fripp revived the group as a sextet he called the "double trio" in 1994 adding Pat Mastelotto and Trey Gunn. This group participated in another three-year cycle of activity that included the release of Thrak (1995), and multiple concert recordings. There was a hiatus between 1997 to 2000. Four members of the previous sextet reunited in 2000 as a more industrial-oriented King Crimson, called the "double duo", releasing The Construkction of Light (2000) and The Power to Believe (2003). After a five year hiatus, the group expanded (in the person of new second drummer Gavin Harrison) for a 2008 tour celebrating the 40th anniversary of their 1968 formation.
Following another hiatus (2009–2012), during which Fripp was thought to be retired, King Crimson came together again in 2013; this time as a septet (and, later, octet) with an unusual three-drumkit frontline, and new second guitarist and singer Jakko Jakszyk. This version of King Crimson continued to tour from 2014 to 2021, and released multiple live albums, rearranging and reinterpreting music from across the band's entire 50-year career for the first time.
Full Wikipedia article: https://en.wikipedia.org/wiki/KingCrimson
Studio albums
In the Court of the Crimson King (1969)
In the Wake of Poseidon (1970)
Lizard (1970)
Islands (1971)
Larks' Tongues in Aspic (1973)
Starless and Bible Black (1974)
Red (1974)
Discipline (1981)
Beat (1982)
Three of a Perfect Pair (1984)
Thrak (1995)
The Construkction of Light (2000)
The Power to Believe (2003)
(NOTE: Album covers, band images and YouTube links are not available due to certain legal restrictions imposed on Last.fm by King Crimson's management.)
Founded by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald and lyricist Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, and Lake's powerful lead vocals. Their debut album, In the Court of the Crimson King (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous departures of McDonald and Giles, with Lake also leaving very shortly afterwards, Fripp and Sinfield assumed direction of the group for In the Wake of Poseidon (1970), Lizard (1970), and Islands (1971) with Mel Collins, Boz Burrell and Ian Wallace among the band members during this period. In 1972, Fripp changed the group's instrumentation and approach, drawing from European free improvisation, and developing ever more complex compositions. With Bill Bruford, John Wetton, David Cross and briefly, Jamie Muir, they reached what some saw as a creative peak on Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974). Fripp disbanded this group in 1974.
In 1981, Fripp and Bruford reformed King Crimson with another change in musical direction. The new group also included Adrian Belew and Tony Levin. They drew influence from African music, gamelan, post-punk and New York minimalism. This group lasted three years, resulting in the trio of albums Discipline (1981), Beat (1982) and Three of a Perfect Pair (1984). Following a decade-long hiatus, Fripp revived the group as a sextet he called the "double trio" in 1994 adding Pat Mastelotto and Trey Gunn. This group participated in another three-year cycle of activity that included the release of Thrak (1995), and multiple concert recordings. There was a hiatus between 1997 to 2000. Four members of the previous sextet reunited in 2000 as a more industrial-oriented King Crimson, called the "double duo", releasing The Construkction of Light (2000) and The Power to Believe (2003). After a five year hiatus, the group expanded (in the person of new second drummer Gavin Harrison) for a 2008 tour celebrating the 40th anniversary of their 1968 formation.
Following another hiatus (2009–2012), during which Fripp was thought to be retired, King Crimson came together again in 2013; this time as a septet (and, later, octet) with an unusual three-drumkit frontline, and new second guitarist and singer Jakko Jakszyk. This version of King Crimson continued to tour from 2014 to 2021, and released multiple live albums, rearranging and reinterpreting music from across the band's entire 50-year career for the first time.
Full Wikipedia article: https://en.wikipedia.org/wiki/KingCrimson
Studio albums
In the Court of the Crimson King (1969)
In the Wake of Poseidon (1970)
Lizard (1970)
Islands (1971)
Larks' Tongues in Aspic (1973)
Starless and Bible Black (1974)
Red (1974)
Discipline (1981)
Beat (1982)
Three of a Perfect Pair (1984)
Thrak (1995)
The Construkction of Light (2000)
The Power to Believe (2003)
(NOTE: Album covers, band images and YouTube links are not available due to certain legal restrictions imposed on Last.fm by King Crimson's management.)
Providence
King Crimson Lyrics
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@rushnerd
I love being reminded how absolutely musical this album was even for having as few tracks as it did. An absolutely gymnastic feat.
@tommyrawlings3046
Red was the best album of the later Crimson
@stepheniliffe7676
An utter masterpiece of slow-burning and cathartic live improvisation and one of my all-time favourite KC tracks. The mesh of Fripp's guitar, Wetton's bass, Cross' violin and Bruford's drum is telepathic here.
@bradshegog7445
right on brother
@tommyrawlings3046
Scary how good this is!
@royfinktum8484
Well said! I first heard this at age 11 (older brother, first joint, etc). For years, I didn't know it was live improvisation - I thought that it was a well-composed, intricately-rehearsed, and painstakingly-recorded masterpiece. It is probably the opposite of all those things, which makes it even more of a masterpiece. It is now a part of my psyche.
@barackobama9552
Definitely one of their better improvised pieces
@whitedissapointment820
yes i agree, 44th president of the united states barack obama
@user-wx2ek3uv1i
Based.
@caiosoares2834
Thanks Obama.