1) KINGS is a … Read Full Bio ↴There is more than one artist with this name, including:
1) KINGS is a dance artist.
2) Kings is a Japanese hard rock band formed in 1994 by Taiji Sawada.
3) Kings is a Portugal garage group.
4) Kings is is an American group from from New Haven, CT.
5) Kings is a British experimental hip-hop producer from Swindon.
6) Kings is New Zealander rapper and singer-songwriter Kingdon Chapple-Wilson.
7) Kings was a Swedish 60s pop band.
1. KINGS made their appearance in June 2012 with their first single titled "For One Time" was released in digital single from LYRA. The return of KINGS was with the single "Where By Pass" which was released in January 2013 from the new label roof of EMI and conquered the top of the charts and was in first place of the radio airplay based on official measurements of the media inspector. Three months later, in April 2013 the KINGS cooperate with Michael Tsaousopoulo and create an international version of Where In Pass titled "Follow The Night" is expected to qualify as a dance single summer. Right now KINGS are in the studio creating their next single is expected to be released in June 2013 and is going to add another great success in the assets of KINGS.
2. Kings is a Japanese hard rock band formed in 1994 by Taiji Sawada. The lineup is:
* Vocal - Suichi Aoki (ex. Night hawks)
* Bass & Guitars - Taiji Sawada (ex. X Japan, ex. Loudness, now: D.T.R, Taiji, Otokaze, Taiji with Heavens)
* Guitar - Sgt Luke Takamura II (ex. Seikima-II)
* Drums - Satoshi "Joe" Miyawaki (44 Magnum, Madbeavers, ex-ZIGGY, ex-hide with Spread Beaver)
3. Kings is a Portugal garage group.
4. Kings is an American group from from New Haven, CT.
(Not to be confused with Canadian band The Kings. If you are here because of that artist, Fix Your Artist Tags.)
5. Kings is a British experimental hip-hop producer from Swindon (http://soundcloud.com/kingoss).
6. Kingdon Chapple-Wilson known professionally as Kings, is a New Zealander rapper and singer-songwriter. He has been producing music under his self-run label Arch Angel Records since 2018 and broke the record of longest running No. 1 New Single in 2017 for his song "Don't Worry Bout' It".
7) Kings was a Swedish 60s pop band.
Long Lonely Nights
Kings Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'm just tired of being lonely
Seen your actions and you phony
I can't lie I just need space
I think all these niggaz be some weirdos
Remember when I iced out both her earlobes
They switched up on me and I stood ten toes
Shit ain't sweet
That bitch weak
That nigga weak
Cash in my pocket
Spend it as I need
Prayers to the Lord
Down on my knees
Want to fuck with me
Got to pay the fee
Dripping like a leak
In the whip I speed
They just love me when I'm sitting low
Now they see my money long
Now they want to come along
Lonely but I'll be alone
That bitch wasn't loyal had to leave her
Swearing up and down that she a keeper
Loaded while I slide in this two-seater
Plays on my phone like it's a beeper
(Harmonizing)
I'm just tired of being lonely
Seen your actions and you phony
I can't lie I just need space
I think all these niggaz be some weirdos
Remember when I iced out both her earlobes
They switched up on me and I stood ten toes
(Harmonizing)
I'm just tired of being lonely
Seen your actions and you phony
I can't lie I just need space
I think all these niggaz be some weirdos
Remember when I iced out both her earlobes
They switched up on me and I stood ten toes
In "Long Lonely Nights," Kings articulates the deep sense of isolation and frustration he feels after being let down by people he once trusted. The repetition of being "tired of being lonely" emphasizes a profound weariness from solitary existence, suggesting that loneliness has become a chronic state in his life. This phrase sets a tone of emotional exhaustion, which resonates throughout the song. The mention of phoniness in others provides a context for his disillusionment—those around him are not genuine or loyal, leading to feelings of betrayal. Kings's use of "need space" highlights a desire for distance from toxic relationships, reinforcing his need for self-preservation in the face of deceitfulness and betrayal.
As the lyrics unfold, the artist recollects moments that illuminate the contrast between past loyalty and present disappointment. The imagery of "icing out both her earlobes" portrays a past intimacy where Kings was willing to give and show affection through material means. However, the subsequent acknowledgment that people have "switched up" signifies a painful realization about the impermanence of trust. The phrase "stood ten toes" reflects resilience and commitment to his own values, suggesting that despite the betrayal, he remains steadfast in his identity. This juxtaposition between generosity and betrayal deepens the sense of heartbreak, as Kings grapples with the reality that those who once received his kindness have turned their backs on him.
Kings's assertion that "shit ain't sweet" underscores a prevailing sense of disillusionment with these relationships and possibly a harsher reality that he has come to terms with. He draws a clear line between himself and those he perceives as weak, emphasizing that while he possesses financial stability ("cash in my pocket"), this does not equate to emotional fulfillment. The phrase "prayers to the Lord" highlights a vulnerability and search for guidance, suggesting that while he seeks material success, he also recognizes a need for spiritual solace amidst his struggles. His acknowledgment of wanting to be free from people who demand a "fee" to interact with him indicates a recognition of transactional relationships and a longing for authenticity.
Ultimately, "Long Lonely Nights" serves as both a cathartic expression of pain and a declaration of independence in the face of disappointment. Kings reflects on his past experiences to highlight the fickle nature of relationships, especially in the context of newfound wealth and attention. The recurring motif of loneliness reinforces the idea that, despite the allure of social ties, he may prefer solitude over the company of those who are insincere. The song resonates with a broader audience, as many can relate to the challenges of maintaining genuine connections in an environment where superficiality often prevails. In embracing his solitude, Kings ultimately asserts his strength, choosing to prioritize self-worth over fleeting companionship, encapsulating a complex emotional journey through vulnerability and resilience.
Line by Line Meaning
I'm just tired of being lonely
The feeling of isolation has become overwhelming and exhausting.
Seen your actions and you phony
I have observed your behavior and realized it's insincere and false.
I can't lie I just need space
I must be honest; I require some distance to clear my mind.
I think all these niggaz be some weirdos
I believe that many people around me exhibit strange or unsettling behavior.
Remember when I iced out both her earlobes
Recall the time I adorned her ears with extravagant jewelry, demonstrating my affection.
They switched up on me and I stood ten toes
People betrayed my trust, but I remained steadfast and resilient in my beliefs.
Shit ain't sweet
Things are not pleasant or easy; life has its challenges.
I had to leave
I made the difficult decision to walk away from the situation.
That bitch weak
She lacks strength and loyalty, which contributed to my decision to part ways.
That nigga weak
He also demonstrates weakness and unreliability in character.
Cash in my pocket
I have money available to me right now.
Spend it as I need
I will use my money according to my immediate necessities and desires.
Prayers to the Lord
I turn to a higher power for guidance and support.
Down on my knees
I humbly submit in prayer, seeking help and strength.
Want to fuck with me
If you wish to engage with me, you must understand the terms involved.
Got to pay the fee
There are costs associated with being in my life, whether emotional or tangible.
Dripping like a leak
I am exuding style or wealth effortlessly, as if it's flowing out of me.
In the whip I speed
I drive fast in my car, enjoying freedom and perhaps a rush of adrenaline.
They just love me when I'm sitting low
People tend to adore me when I am humble or not flaunting my success.
Now they see my money long
Now that my wealth is evident, people are starting to take notice.
Now they want to come along
As my status improves, others are eager to join me, looking for potential benefits.
Lonely but I'll be alone
Though I feel isolated, I choose solitude over dishonesty or disloyalty.
That bitch wasn't loyal had to leave her
Her betrayal of trust made it necessary for me to distance myself.
Swearing up and down that she a keeper
She proclaimed her commitment to me, but her actions suggested otherwise.
Loaded while I slide in this two-seater
I’m fully equipped and confident as I drive my stylish car.
Plays on my phone like it's a beeper
I receive constant notifications from people reaching out to me, reminiscent of an older communication style.
Lyrics © O/B/O DistroKid
Written by: Jeremy Hall
Lyrics Licensed & Provided by LyricFind
@TheZeevik
beautiful version
@bluenote824jones7
Really nice version
@nyronut
Clyde McPhatter did a nice version as well
@Frnk_3
This version recorded by the 1957 incarnation of the Ravens on Atco, (credited as “The Kings”) featured former Domino James Van Loan on tenor lead, his younger brother Paul at 2nd Tenor, his older brother Joe on baritone (Joe was normally top tenor but sang James’ background part when he was on lead), and former Lark David “Boots” Bowers on Bass. James was in the Dominoes with Clyde for about a year and a half, until Clyde left. Boots had been part of the second Larks group specifically. The only original member to sing with that group was Eugene Mumford who replaced Jackie Wilson in the Dominoes (note it was Jackie who originally replaced Clyde).