Kingspade debuted with the track "The Adventures of This" on… Read Full Bio ↴History
Kingspade debuted with the track "The Adventures of This" on the Subnoize Rats Compilation in 2003. One year later the Kottonmouth Kings' sixth full-length album Fire It Up was released, including two bonus tracks. One of these was a new Kingspade track entitled "High Riders". On this track it was announced that a Kingspade album was to be released later that year.
In the summer of 2004, the highly anticipated Kingspade debut album was released. This album included the hits "Drunk in the Club" and the previously released "High Riders". Following this release came some touring until they started to work on the next Kottonmouth Kings album. Over the next few years not much was heard from Kingspade other than a few shows here and there.
In 2005, the Kottonmouth Kings released the album Joint Venture, which featured two new Kingspade tracks. Also included was an advertisement stating that a new Kingspade album would be released in June 2006. Promotion was also brought upon with in ad included in the Kottonmouth Kings' fourteenth official album, Koast II Koast, stating the release would come in the late summer of 2006. This information turned out to be false. Nothing was heard of the album or Kingspade for months until the release of Kottonmouth Kings' Hidden Stash III, which included a new Kingspade track entitled "That's How It Goes". A few months later, it was announced that Kingspade would be performing on Kottonmouth Kings' The Joint is on Fire Tour. It was also stated that Kingspade's second release, P.T.B., would be released on April 24, 2007.
Following the release of P.T.B., Kingspade headlined their own tour, accompanied by California-natives 1Ton and UnderRated, who make up the music group Potluck.
Kingspade then rejoined the Kottonmouth Kings on their StrangeNoize Tour. This tour included Tech N9ne, Hed PE, Blaze Ya Dead Homie, and SubNoize Souljaz. Special appearances included the Insane Clown Posse, Cypress Hill and Ill Bill of La Coka Nostra. The tour was to celebrate the Kottonmouth Kings' ninth full-length album, Cloud Nine.
They had three tours in the state of Texas, and got into some trouble with authorities there. D-loc would not give a lot of information on this topic, but Richter said this, "Me and D was just rhymin... after the show we headed out to the cars, not knowing that police would be waiting for us. One of the girls that were at the concert had gotten hit by the falling speaker me and D were playin with."
In March 2013 it was announced by Daddy X that KMK was leaving SubNoize and starting up a new label. A few days after the announcement, it was found out that the label would be called United Family Music. In October 2013 Johnny Richter announced via Twitter that he was officially no longer apart of Kottonmouth Kings. He also stated in his comments that he was unsure if he'd continue with music. This instantly conjured bad blood on both sides, with both sides stating "I won't work with them/him again", and simultaneously putting Kingspade on hiatus. In December 2013 he released his second overall solo album titled FreeKing Out EP on SubNoize. D-Loc released a solo album titled Bong Tokes & Love Notes EP in December 2013. Kottonmouth Kings released their first album without Johnny Richter since 1999 with the CD Buddah Shack EP. The group would go on to release one final studio album titled Krown Power on August 28, 2015.
On December 2, 2017 via Instagram, a picture was uploaded showing D-Loc and Johnny Richter reunited and possibly hinting at something happening with the group, as well as a Kingspade Instagram account launching, and an announcement from D-Loc saying he was putting together a documentary on how the group was formed, the career of the group, and the current status of the group.[1] It has some fans saying that the 2 are only together for the documentary and nothing more, to fans hopeful of a classic KMK lineup (D-Loc, Daddy X, Jonny Richter, [and later] The Dirtball) album and final tour.
Bring The Crowd
Kingspade Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You know we do it like this (Like what)
You know we do it like this
You know we do it like this
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
[x2]
From the front to the back we got this whole spot hoppin
When Kingspade hits the stage you know the party starts poppin
Yeah it starts poppin, it's poppin come'on please
Kingspade we bring the green we got them Christmas trees
With different herbs for each season we be smoking 'em down
Burnin joints for no reason puff or pass it around
Puff or pass don't burn the joint stay lit that's what it is
When we rhyme through we tighten though we smokin on a crip
Smoking on the crip blazin on the bud getting love
You know who really holds it down when push comes to shove
A pack of zig zags you better bring don't front
Never skippin a beat when we talk about the bud
Cause of the fact is we the kings of the spades
A smoking weed is a job that's why we really get paid
We the kings of the spades smoking weed that's what's up
You know D-Loc and Johnny Richter never ever get fucked
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
[x2]
Kingspade number one we dropped the seed and watched it grow
Next thing you know we out on the road doin shows
On the road rockin mics we keep it tight for life
Kingspade stay high - every day stay high
Getting lit every night and wakin up not till noon
A new city new people with another gig to do
Another blut, another sac, another city, another dolla
When we chasin the money, you know the p town bothers
Listen holla, if ya feel me, come on make some noise
For D-Loc and J Richter we're the mothafuckin' boys
Come holla at them boys, yo come holla at them boys
When we callin out'cha bluffs come and holla at them boys
We all live for the weed and lay it all on the line
With pocket aces up our sleeves we roll the sevens with the dice
Like a hot n headed vice black n red it go round
When it comes to big chips you know we holdin down the krown
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
[x2]
From the back to the front, Subnoize we puffin blunts
In the club drinkin beer, give a fuck don't really care
So get up off your asses and let it be known
Who be runnin the castle, who be ownin the throne
Loose lips sink ships you better shut the fuck up (Simon says)
Bitch-ass you better shut the fuck up
And get the fuck outta here take your bitch ass home
Take your bitch ass home, you best be leave it alone
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
[x2]
That's Right [x4]
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
(That's right) Bring the crowd from the back to the front
That's Right
The song "Bring The Crowd" by Kingspade is a rap tune that captures the artists' zeal for their music and their love for smoking weed. The lyrics describe their capacity to get the crowd moving from the back to the front while they perform some of their songs. They express their inclination to smoke weed and to party hard, setting the perfect atmosphere for their audience to let loose and have a good time. Kingspade describes their love for smoking weed in colorful language, with lyrics suggesting that they smoke high-quality weed and have plenty of it to spare.
The song also features a few verses in which Kingspade talks about their success as a rap group and how they've managed to succeed despite the odds. They also call out to their fans to support them by coming to be a part of their shows, suggesting that they value the support of their fans and that their fans are responsible for their success in the rap industry. The catchy chorus, "Bring the crowd from the back to the front," is repeated throughout the song, ensuring that the audience can sing along with the artists and become a part of the tune.
Overall, the song "Bring The Crowd" is a feel-good tune that encourages fans to let loose, have a good time, and embrace their love for smoking weed.
Line by Line Meaning
Do it like this (Yeah)
Let's do it the way we always do it, yeah.
You know we do it like this (Like what)
We always do it like this, you know. Like, what's not to know?
You know we do it like this
Just reminding you that we always do it like this.
(That's right) Bring the crowd from the back to the front
We're telling you to bring the crowd from the back to the front, and we're emphasizing how right that is.
(That's right) Bring the crowd from the back to the front
Again, we're telling you to bring the crowd from the back to the front and reiterating how right that is.
(That's right) Bring the crowd from the back to the front
Once more, we're telling you to bring the crowd from the back to the front and emphasizing that it's the right thing to do.
(That's right) Bring the crowd from the back to the front
We're repeating this line to get the point across even more.
From the front to the back we got this whole spot hoppin
We're saying that we're making the whole place lively and exciting, from the front of the venue all the way back.
When Kingspade hits the stage you know the party starts poppin
We're implying that our band is the catalyst for a great party when we start performing on stage.
Yeah it starts poppin, it's poppin come'on please
We're expressing how great the party is and asking the audience to join in on the fun.
Kingspade we bring the green we got them Christmas trees
We're saying that our band provides marijuana, or 'green', and specifically mentioning Christmas trees as a code word for the drug.
With different herbs for each season we be smoking 'em down
We're saying that we smoke different strains of marijuana depending on the season and implying that we're experienced with the drug.
Burnin joints for no reason puff or pass it around
We're saying that we smoke marijuana for no particular reason and that we share it with each other by either puffing the blunt or passing it to the next person.
Puff or pass don't burn the joint stay lit that's what it is
We're instructing others to either puff the blunt or pass it and warning against holding the blunt for too long and letting it burn out.
When we rhyme through we tighten though we smokin on a crip
We're saying that even though we're smoking marijuana, we're still highly skilled and precise when performing our music.
Smoking on the crip blazin on the bud getting love
We're talking about continuing to smoke marijuana and getting positive attention from others because of it.
You know who really holds it down when push comes to shove
We're referencing ourselves and saying that we're the ones who can handle things when situations get difficult.
A pack of zig zags you better bring don't front
We're asking for someone to bring rolling papers and warning them not to hesitate or be insincere about it - don't 'front'.
Never skippin a beat when we talk about the bud
We're saying that we always stay on topic when discussing marijuana, and we never miss a beat while performing or talking about it.
Cause of the fact is we the kings of the spades
We're stating that we are the experts and leaders of marijuana smoking, or 'spades'.
A smoking weed is a job that's why we really get paid
We're implying that smoking marijuana is how we make money, and it's like it's 'our job'.
We the kings of the spades smoking weed that's what's up
We're repeating this line to continue asserting that we are the authoritative figures of marijuana smoking.
You know D-Loc and Johnny Richter never ever get fucked
We're referencing ourselves and saying that we never get taken advantage of or mistreated by others.
Kingspade number one we dropped the seed and watched it grow
We're saying that our band is the best, and we've started from the bottom and watched ourselves grow and improve.
Next thing you know we out on the road doin shows
We're explaining that we've moved on to touring and performing live shows after starting small and building ourselves up.
On the road rockin mics we keep it tight for life
We're saying that we're constantly traveling and performing but we always stay skillful and tight as a band.
Kingspade stay high - every day stay high
We're confirming that we still smoke marijuana regularly as a band, and we're saying that we 'stay high' in the sense that we're always doing well and staying popular.
Getting lit every night and wakin up not till noon
We're saying that we party hard and stay up late every night, not waking up until late in the day.
A new city new people with another gig to do
We're saying that we're always traveling to new cities and meeting new people, and performing shows is always our main priority.
Another blut, another sac, another city, another dolla
We're repeating this pattern of repeating the process of smoking a blunt, getting high, going to another city, and making money by performing a show.
When we chasin the money, you know the p town bothers
We're saying that when we're trying to make money, we're focused and serious about it, and 'p town' likely refers to a location where we find success doing so.
Listen holla, if ya feel me, come on make some noise
We're requesting that the audience listening acknowledges and responds to what we're saying, asking them to 'make some noise'.
For D-Loc and J Richter we're the mothafuckin' boys
We're introducing ourselves as 'the boys', or leaders, and stating our names to give us a professional identity.
Come holla at them boys, yo come holla at them boys
We're repeating this line to reinforce the idea of audiences coming to acknowledge and interact with us as performers.
When we callin out'cha bluffs come and holla at them boys
We're saying that when we're challenging others or doubting their intentions, they should come and interact with us directly to prove us wrong.
We all live for the weed and lay it all on the line
We're saying that marijuana is important to us and we're willing to put all of our effort and energy into smoking and discussing it.
With pocket aces up our sleeves we roll the sevens with the dice
We're saying that we have the upper hand, like having a great hand in poker, and we're likely to be successful in anything we do, like rolling sevens in dice.
Like a hot n headed vice black n red it go round
We're using this cryptic, metaphorical line to suggest that we're focused and intense when we perform, and we're potent like the colors black and red when they're mixed together.
When it comes to big chips you know we holdin down the krown
We're saying that when it comes to making money and success, we're dominant and have control over it - we're 'holding down the crown'.
From the back to the front, Subnoize we puffin blunts
We're referencing the record label SubNoize and saying that we smoke marijuana from the back of the venue to the front, making our way to the stage.
In the club drinkin beer, give a fuck don't really care
We're saying that we're partying in the club and we don't care about much else, we just want to have fun.
So get up off your asses and let it be known
We're trying to motivate the audience and get them involved in the party or performance, encouraging them to move and show their appreciation.
Who be runnin the castle, who be ownin the throne
We're asking the audience who the leaders of the party or venue are, using this metaphor.
Loose lips sink ships you better shut the fuck up (Simon says)
We're warning others not to talk too much or reveal secrets, or they'll get into trouble ('loose lips sink ships') and using the phrase 'Simon says' to get their attention and emphatically make this point.
Bitch-ass you better shut the fuck up
We're using strong language to demand that someone stop talking or making trouble.
And get the fuck outta here take your bitch ass home
We're telling someone to leave the venue or party angrily and using strong language to emphasize this point.
Take your bitch ass home, you best be leave it alone
We're literally using the same line as before, as a way to reinforce the idea that troublemakers should leave and not interfere with the party or venue.
(That's right)
This line is used throughout the song to express confidence and assertiveness.
Contributed by Leah N. Suggest a correction in the comments below.
White Stoner Mane Aka OGDoms
2019 still bumpin 🔥🔥🔥🔥🔥💨
GarageBuilt
Kingspade stay high everyday stay high! dope
Daniel Diamond
KINGSPADE! down wit tha krown till I'm dead in the ground. legalize today!
kreamkrop
sick shit. spaaaded
anoymouse stalker
i think kong spad makes better raps then there outher band kmk
Quinnton Wellnan
legalize it ?? YEEEAA
Chris S
ya boi flame reppin that okc ... supp wit tha buddz homiez fire that shit up oklahoma city middle of tha map waz good dawgz
enzo-in-a-240sx
@wrecked300 about time some 1 else sees what ive been saying im down wit waken bake 2 a midnight toke but still DO NOT LEGALIZE it would be shit gov controlld strains no more daaaannnk all stress keep it underground strait FIRE
airstone2
i bring the crowd and the krown
clarence menzie
best song n the fukin world