She is best known for her 1954 solo recording '"Little Things Mean a Lot" — a song that stayed at the U.S. number one spot for nine consecutive weeks, charted in the U.S. for almost seven months, hit #1 on the UK singles chart, and sold more than two million copies. AllMusic called the recording a "monster hit", music historian Jonny Whiteside said the song "ably characterizes Kallen’s impressive, and graceful, transition from classic big band swing to modern post-war pop".
Voted "most popular female singer" in 1954 in both Billboard and Variety polls, Kallen lost her voice at the Palladium in 1955 at the top of her career and left singing for four years, suffering paralyzed vocal cords. After testing her voice under a pseudonym in small town venues, she ultimately returned and went on to achieve 13 top-ten career hits.
Kallen performed at numerous prominent live venues including Manhattan's Copacabana, Morris Levy's Versailles, the Capitol Theater, the Maisonette Room at the St. Regis, the Cafe Rouge at the Hotel Pennsylvania and the Plaza Hotel's Persian Room. As well, she starred on Broadway in Finian's Rainbow; in the 1955 film The Second Greatest Sex and on numerous television shows including The Tonight Show with Johnny Carson, The Big Beat with singer-host Richard Hayes, American Bandstand, and Fred Allen's Judge for Yourself. In 1951, Kallen appeared with Buster Crabbe as the Queen and King of Winter at the Lake Placid resort.
During the height of her popularity, three imposters billed themselves as "Kitty Kallen". When one of them — Genevieve Agostinello — died in 1978, it was incorrectly reported that Kallen herself had died. On February 8, 1960, Kallen received a star on the Hollywood Walk of Fame (located on the north side of Hollywood Boulevard at #7021), and in 2009 she was inducted into the Hit Parade Hall of Fame.
Some sources give Kallen's birth name as Katherine Kalinsky, but according to records cited by her son, the name was Katie Kallen. She was born May 25, 1921, in Philadelphia, Pennsylvania, one of seven children, to Russian Jewish immigrants Samuel and Rose Kalinsky (later Kallen). As a child, she won an amateur contest by imitating popular singers. When she returned home with her prize, a camera, her father did not believe her, and punished her for stealing the camera. Only when neighbors subsequently visited to congratulate her, did Kallen's father realize she had actually won it.
While performing with Jack Teagarden's band, she married Clint Garvin, the band's clarinet player. When Teagarden fired Garvin, Kallen left as well, later annulling the marriage. In 1948, Kallen married Bernard "Budd" Granoff, a publicist, agent, and television producer. He later became a pioneering television syndicator. The couple, married for over forty-five years until Granoff's death in 1996, had a son, Jonathan Granoff, President of the Global Security Institute and Adjunct Professor of International Law at Widener University School of Law.
In 1977, Kallen sued her dermatologist, Norman Orentreich, after he prescribed an estrogen drug, Premarin, for her small facial wrinkles. She subsequently suffered blood clots in her lungs, caused directly by the drug, and won $300,000 by the court's decision.
In 2008, Kallen joined artists Patti Page, Tony Martin, Dick Hyman, Richard Hayman and the estates of Count Basie, Benny Goodman, Sarah Vaughan, Woody Herman, Les Brown, the Mills Brothers, Jerry Murad, Frankie Laine, and the gospel singer Sister Rosetta Tharpe in a suit against the world's then largest music label, Universal Music Group, alleging the company had cheated them on royalties.
Kallen died on January 7, 2016 at her home in Cuernavaca, Mexico at the age of 94.
As a young girl Kallen sang on The Children's Hour, a radio program sponsored by Horn & Hardart, an automat chain. As a pre-teen, Kallen had a radio program on Philadelphia's WCAU, and sang with the big bands of Jan Savitt in 1936, Artie Shaw in 1938, and Jack Teagarden in 1940.
Shortly before her 21st birthday, on May 5, 1942, she sang the vocals for "Moonlight Becomes You" with Bobby Sherwood and His Orchestra at the second every session for what was then still called Liberty Records but would soon be renamed Capitol Records. It was her only session for the label.
Just 21, she joined the Jimmy Dorsey band, replacing Helen O'Connell. In every theater of World War II, a favorite of American servicemen, "They're Either Too Young or Too Old". In 1944, Kallen performed the vocals for Dorsey's number-one hit "Besame Mucho". Most of her singing assignments were in duets with Bob Eberly, and when Eberly left to go into the service toward the end of 1943, she joined Harry James' band.
Between January and November 1945, Kitty Kallen had two songs recorded with the Harry James Orchestra in the top twenty, six in the top ten, and two at the #1 spot—"I'm Beginning to See the Light" and "It's Been a Long, Long Time", which remains deeply associated with the end of World War II and the returning troops.
With the 1954 hit "Little Things Mean a Lot", Kallen was voted most popular female singer in Billboard and Variety polls. She followed up this song with "Chapel in the Moonlight", another million selling record, and a version of "True Love" for Decca. In 1959, she recorded "If I Give My Heart to You" for Columbia Records, and in 1963, she recorded a top-selling version of "My Coloring Book" for RCA. Her final album was Quiet Nights, a bossa nova–flavored release for 20th Century Fox Records. Subsequently, Kallen retired due to a lung ailment.
A compilation of her hits on various labels remains available on the Sony CD set The Kitty Kallen Story.
Aba Daba Honeymoon
Kitty Kallen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Said the Chimpie to the Monk
"Baba, daba, daba, daba, daba, daba, dab"
Said the Monkey to the Chimp
All night long they'd chatter away
All day long they're happy and gay
Swinging and singing in their hunky, tonkey way
"Aba, daba, daba, daba, daba, daba, dab"
"Baba, daba, dab," in monkey talk
Means "Chimp, I love you too"
Then the big baboon, one night in June
He married them, and very soon
They went upon their aba, daba honeymoon
"Aba, daba, daba, daba, daba, daba, dab"
Said the Chimpie to the Monk
"Baba, daba, daba, daba, daba, daba, dab,"
Said the Monkey to the Chimp
All night long they'd chatter away
All day long they're happy and gay
Swinging and singing in their hunky, tonkey way
"Aba, daba, daba, daba, daba, daba, dab"
Means "Monk, I love but you"
"Baba, daba, dab," in monkey talk
Means "Chimp, I love you too"
Then the big baboon, one night in June
He married them, and very soon
The lyrics to Kitty Kallen's song "Aba Daba Honeymoon" depict a lighthearted, whimsical love story between two primates - a Chimpie and a Monk - who spend their days and nights happily swinging and singing to each other in their own unique language. The repetition of "aba, daba, daba" and "baba, daba, dab" may seem nonsensical at first, but is intended to imitate the sounds of monkey talk and make the song feel playful and carefree.
What's interesting about these lyrics is that they were actually adapted from a popular vaudeville routine by Rafferty and Steele, which featured two performers in monkey suits miming their way through a similar conversation. The songwriters, Arthur Fields and Walter Donovan, heard the routine and decided to turn it into a song, adding the line about the big baboon officiating the wedding as a final punchline. The tune became a hit in 1951, selling over a million copies and earning Kitty Kallen a spot on the charts.
One interpretation of the lyrics is that they reflect the sweet, uncomplicated nature of young love - in this case, between two animals who don't have any of the human hang-ups that can complicate relationships. The song's light-hearted, escapist tone was likely appealing to audiences at the time, who were dealing with the post-war transition back to "normal" life and may have appreciated a chance to momentarily forget their troubles. Overall, "Aba Daba Honeymoon" is a fun, catchy tune that celebrates the joy of simple pleasures and reminds us not to take ourselves too seriously.
Line by Line Meaning
Aba, daba, daba, daba, daba, daba, dab
The chimp tells the monk that they should speak in their special language
Baba, daba, daba, daba, daba, daba, dab
The monkey responds by saying that they should indeed talk like that
All night long they'd chatter away
The animals spend their nights in deep conversation
All day long they're happy and gay
During the day, they are joyful and carefree
Swinging and singing in their hunky, tonkey way
They move around and make sounds in their unique manner
Means "Monk, I love but you"
The phrase "aba, daba, dab" expresses the chimp's love for the monk
"Baba, daba, dab", in monkey talk
When said in the language of monkeys, it means "Chimp, I love you too"
Then the big baboon, one night in June
Later, a large baboon sees their love and decides to help
He married them, and very soon
The baboon officiates their wedding ceremony, and they become husband and wife
Lyrics © Warner Chappell Music, Inc.
Written by: Walter Donovan, Arthur Fields
Lyrics Licensed & Provided by LyricFind