She is best known for her 1954 solo recording '"Little Things Mean a Lot" — a song that stayed at the U.S. number one spot for nine consecutive weeks, charted in the U.S. for almost seven months, hit #1 on the UK singles chart, and sold more than two million copies. AllMusic called the recording a "monster hit", music historian Jonny Whiteside said the song "ably characterizes Kallen’s impressive, and graceful, transition from classic big band swing to modern post-war pop".
Voted "most popular female singer" in 1954 in both Billboard and Variety polls, Kallen lost her voice at the Palladium in 1955 at the top of her career and left singing for four years, suffering paralyzed vocal cords. After testing her voice under a pseudonym in small town venues, she ultimately returned and went on to achieve 13 top-ten career hits.
Kallen performed at numerous prominent live venues including Manhattan's Copacabana, Morris Levy's Versailles, the Capitol Theater, the Maisonette Room at the St. Regis, the Cafe Rouge at the Hotel Pennsylvania and the Plaza Hotel's Persian Room. As well, she starred on Broadway in Finian's Rainbow; in the 1955 film The Second Greatest Sex and on numerous television shows including The Tonight Show with Johnny Carson, The Big Beat with singer-host Richard Hayes, American Bandstand, and Fred Allen's Judge for Yourself. In 1951, Kallen appeared with Buster Crabbe as the Queen and King of Winter at the Lake Placid resort.
During the height of her popularity, three imposters billed themselves as "Kitty Kallen". When one of them — Genevieve Agostinello — died in 1978, it was incorrectly reported that Kallen herself had died. On February 8, 1960, Kallen received a star on the Hollywood Walk of Fame (located on the north side of Hollywood Boulevard at #7021), and in 2009 she was inducted into the Hit Parade Hall of Fame.
Some sources give Kallen's birth name as Katherine Kalinsky, but according to records cited by her son, the name was Katie Kallen. She was born May 25, 1921, in Philadelphia, Pennsylvania, one of seven children, to Russian Jewish immigrants Samuel and Rose Kalinsky (later Kallen). As a child, she won an amateur contest by imitating popular singers. When she returned home with her prize, a camera, her father did not believe her, and punished her for stealing the camera. Only when neighbors subsequently visited to congratulate her, did Kallen's father realize she had actually won it.
While performing with Jack Teagarden's band, she married Clint Garvin, the band's clarinet player. When Teagarden fired Garvin, Kallen left as well, later annulling the marriage. In 1948, Kallen married Bernard "Budd" Granoff, a publicist, agent, and television producer. He later became a pioneering television syndicator. The couple, married for over forty-five years until Granoff's death in 1996, had a son, Jonathan Granoff, President of the Global Security Institute and Adjunct Professor of International Law at Widener University School of Law.
In 1977, Kallen sued her dermatologist, Norman Orentreich, after he prescribed an estrogen drug, Premarin, for her small facial wrinkles. She subsequently suffered blood clots in her lungs, caused directly by the drug, and won $300,000 by the court's decision.
In 2008, Kallen joined artists Patti Page, Tony Martin, Dick Hyman, Richard Hayman and the estates of Count Basie, Benny Goodman, Sarah Vaughan, Woody Herman, Les Brown, the Mills Brothers, Jerry Murad, Frankie Laine, and the gospel singer Sister Rosetta Tharpe in a suit against the world's then largest music label, Universal Music Group, alleging the company had cheated them on royalties.
Kallen died on January 7, 2016 at her home in Cuernavaca, Mexico at the age of 94.
As a young girl Kallen sang on The Children's Hour, a radio program sponsored by Horn & Hardart, an automat chain. As a pre-teen, Kallen had a radio program on Philadelphia's WCAU, and sang with the big bands of Jan Savitt in 1936, Artie Shaw in 1938, and Jack Teagarden in 1940.
Shortly before her 21st birthday, on May 5, 1942, she sang the vocals for "Moonlight Becomes You" with Bobby Sherwood and His Orchestra at the second every session for what was then still called Liberty Records but would soon be renamed Capitol Records. It was her only session for the label.
Just 21, she joined the Jimmy Dorsey band, replacing Helen O'Connell. In every theater of World War II, a favorite of American servicemen, "They're Either Too Young or Too Old". In 1944, Kallen performed the vocals for Dorsey's number-one hit "Besame Mucho". Most of her singing assignments were in duets with Bob Eberly, and when Eberly left to go into the service toward the end of 1943, she joined Harry James' band.
Between January and November 1945, Kitty Kallen had two songs recorded with the Harry James Orchestra in the top twenty, six in the top ten, and two at the #1 spot—"I'm Beginning to See the Light" and "It's Been a Long, Long Time", which remains deeply associated with the end of World War II and the returning troops.
With the 1954 hit "Little Things Mean a Lot", Kallen was voted most popular female singer in Billboard and Variety polls. She followed up this song with "Chapel in the Moonlight", another million selling record, and a version of "True Love" for Decca. In 1959, she recorded "If I Give My Heart to You" for Columbia Records, and in 1963, she recorded a top-selling version of "My Coloring Book" for RCA. Her final album was Quiet Nights, a bossa nova–flavored release for 20th Century Fox Records. Subsequently, Kallen retired due to a lung ailment.
A compilation of her hits on various labels remains available on the Sony CD set The Kitty Kallen Story.
I ll Buy That Dream
Kitty Kallen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And you with your lips getting bolder
A sky full of moon and a sweet mellow tune
I′ll buy that dream
Imagine me in a gown white and flowery
And you thanking Dad for my dowry
A church full of folks, those last minute jokes
I'll buy that dream
Then off to Rio for a drink
We′ll settle down in Dallas
In a little plastic palace
Oh it's not as crazy as you think
Imagine me eighty three wearing glasses
And you ninety two making passes
It soesn't sound bad, and if it can be had
I′ll buy that dream
Imagine me with my head on your shoulder
And you with your lips getting bolder
The sky full of moon, a sweet mellow tune
I′ll buy that dream
Imagine me in a gown white and flowery
And you thanking Dad for my dowry
A church full of folks and those last minute jokes
I'll buy that dream
A honeymoon in Cairo in a brand new autogyro
Then home by rocket in a wink
We′ll settle down near Dallas
In a little plastic palace
It's not as crazy as you think
Imagine me on our first anniversary
With some one like you in the nursery
Oh, it doesn′t sound bad
And if it can be had
(Both together) I'll buy that dream
In "I'll buy that dream," Kitty Kallen sings about her dream of being with her loved one in different stages of life. The song's vivid imagery paints a picture of a romantic relationship that lasts through time. The singer imagines herself with her head on her partner's shoulder, dancing to a sweet, mellow tune under a moonlit sky. She envisions a beautiful wedding where her partner thanks her father for her dowry, and they exchange last-minute jokes with their family and friends. They go on a honeymoon to Cairo, travel by autogyro, and later settle in a little plastic palace near Dallas, perhaps hinting at the futuristic or modernist architecture of the time. The song's final stanza portrays a couple celebrating their first anniversary with their newborn child.
However, the song's true essence lies in the title's meaning- buying the dream of being with someone you love. In life, we all have dreams of love, happiness, and a beautiful future with our partners. We imagine scenarios of growing old together, reminiscing about the past, and cherishing every moment. Kallen's song exemplifies these dreams and exemplifies that these dreams can be bought willingly.
Kitty Kallen's "I'll Buy That Dream" offers a whimsical and romantic interpretation of love's enduring nature while inviting listeners to imagine their own romantic fantasies. It continues to be a testament to how love's imagination can be bought and realized.
Line by Line Meaning
Imagine me with my head on your shoulder
Visualize me laying my head on your shoulder
And you with your lips getting bolder
You becoming more confident in kissing me
A sky full of moon and a sweet mellow tune
A romantic setting with a beautiful moonlit sky and romantic music
I'll buy that dream
I would love to experience that romantic moment
Imagine me in a gown white and flowery
Picture me in a beautiful, white dress covered in flowers
And you thanking Dad for my dowry
You expressing gratitude to my father for giving me to you
A church full of folks, those last minute jokes
Getting married in front of a church full of people and sharing some last minute jokes before the ceremony
I'll buy that dream
I would love to have that wedding
A honeymoon in Cairo, in a brand new autogyro
Going on a romantic honeymoon in Cairo in a new flying machine
Then off to Rio for a drink
Continuing the honeymoon in Rio and enjoying some drinks
We'll settle down in Dallas
We will eventually make our home in Dallas
In a little plastic palace
In a small, modern house
Oh it's not as crazy as you think
This idea of settling down in Dallas is not as wild as it seems
Imagine me eighty three wearing glasses
Picture me at age 83, wearing glasses
And you ninety two making passes
You at age 92 still making romantic advances towards me
It doesn't sound bad, and if it can be had
It's not an unpleasant thought, and if it could happen
I'll buy that dream
I would love to be with you for so many years and still be in love
Imagine me on our first anniversary
Picture us celebrating our first anniversary together
With someone like you in the nursery
With a child like you, who I love dearly, in the nursery
Oh, it doesn't sound bad
That scenario is not a terrible idea
And if it can be had
If it is possible to achieve
(Both together) I'll buy that dream
We would both love to experience that future together
Writer(s): Allie Wrubel, Herb Magidson
Contributed by Wyatt B. Suggest a correction in the comments below.