Thornton's early career and lyrics with the Ultramagnetic MC's often referenced his time as a patient of Bellevue, a psychiatric hospital, where he was treated for depression. With Ultramagnetic MC's, his abstract style developed, maturing in songs like Poppa Large. He was probably the first rapper to create an alter ego, and then create an alter ego for that alter ego (Kool Keith v. Moe Luv). After the Ultramagnetic MC's broke up, he expanded his resume, experimenting with new styles, including his self-described pornocore, known for pornographic imagery and brutal, abstract lyrics. Sex Style released in 1997, was the showcase for this genre.
Teaming up with Dan the Automator Nakamura under the name Dr. Octagon, Thornton again reinvented his image, recording the self-titled Dr. Octagon album (later reissued under the title Dr. Octagonecologyst) which was released by the English trip hop label Mo Wax. The album received critical acclaim, though mainly from sources outside the mainstream hip-hop community. The critical success of the album helped to open the accessibility of the underground hip hop scene to an appreciative audience. For Dan the Automator, this album laid the foundation for a burgeoning career and accolades as a producer; for Thornton, the success of Dr. Octagonecologyst seemed to put him in danger of being typecast as a "space and Mars" rapper, or an industry tool, which he throughout his career has looked down upon.
His style as a whole is characterized by non sequiturs and bizarre commentary, particularly anal, fecal and genital references. For example, "Chief administrator suck my oil," "Dr. Ludicrous I turn into an octopus," "All this jealousy shit is mayonnaise and celery shit," "Two drinks minimum, don't worry, we're maximum," etc. An instrumental version of the album, Instrumentalyst, showcased the production, became a rising success with most of the credit given to Dan the Automator and other collaborators, even though Thornton is credited on the LP with some production duties.
List of projects, groups and alter-egos:
- Ultramagnetic MC's
- Dr. Octagon
- Dr. Dooom
- Sinister 6000 (Dan the Automator)
- Black Elvis
- Masters of Illusion
- Analog Brothers
- Mr. Nogatco
- Project Polaroid
- Tashan Dorset
- Sex Style
- Ultra
- The Cenobites
- Sergei Khmelev
(this list is incomplete)
Plastic World
Kool Keith Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He should rap about space and Mars...
Yo I'm tired of looking at everybody. Same boots, skully hats in
90 degree weather looking to get into clubs for free. I'm not
smoking blunts or looking for jazz records at the Roosevelt.
I left New York the city itself was stress depression
Producers filtering join in with R&B
A million rappers, some clones trying to sound like me
Biting my space styles, biting my horror-core
All I saw was cool Keiths on my thaw
Record companies had G'd-off all my royalties
Watching vinyl spin, local groups' wack MC's
Some try to rap with that perpetrate mobster crap
Karl Kani jeans, fat stomachs in the limousines
Mixtapes by wack DJs adds doo doo play
I'm on the turnpike, the city drifting down the highway
Like a mirage, the style there is all illusion
On videos out of town, peoples buy confusion
Rolling high with cash pulled over down my eye
Since I've been out, y'all can't see
[Chorus:]
Is the world made of plastic?
Is the city buried in dreams? (Yeah)
Is the world made of plastic?
Cause that's the way is seems (Owww)
Watching TV so bored, while imbeciles hold the mic cord
Graffiti playgrounds are played out, yo how'd that sound?
Army fatigues are weak, is for the minor leagues
No rapping cyphers or brothers in the rented Benz
Crews on stage, acting hard with a thousand friends
I saw the place turn plastic, crackers looping beats
People with no deals, walkmen rappin' on the streets
I turned my back, 90% of the city sounded wack
Payola scams switched DJ's like a rubber band
Everybody clear with beats trying to be Premier
Clearing samples, your SP-12 fake examples
My money grows with green from my own label
While you act rich with no cash on the bigger label
Your tri-state ways are shut down by barricades
In fact I packed my bags, and listened to E-40
Mac Mall, see-Bo, and other rappers you don't know
You're narrow-minded and styles of mind you won't find it
My sound proceeds with moog and undertone bass
No comic gimmicks with beats rapping in my face
I come back real, solid rock razor steel
Tap your program, show the world I'm the man
You copy Poppa Large, the industry is large
[Chorus]
[Chorus
As I do see sorta rugged wack beer commercials
Some rappers are bought and puppeteered like the Ninja Turtles
From Manhattan I heat up, yo light up Times Square
I make noise like open high hats on your cheap snare
No promotional shows, girls wear corn rows
People with hooded sweaters on crack keep me on my toes
I walk with straw hats, fake glasses in the projects
Bring my ghost image so tense on the line of scrimmage
Playing my numbers, waiting for the Five to come
Spaghetti out the window, people acting dumb
Fire hazards wake the neighbors, your family's nosy
I come and go as I please on blockhead MC's
You bought new sneakers, no car, scrambling on the corner
I'm not the star you are, the city's fallen far
By mechanism, you're on my tip
Stay off my penis, you've duplicated me for years
Yeah, yeah, yeah, you are the one
[Chorus]
[Chorus]
In Kool Keith's song "Plastic World," he expresses his frustration with the changing New York City hip hop scene in the late '90s. He feels like the city has become overly commercialized and too focused on appearances, with rappers and fans alike dressing a certain way and chasing fame and fortune rather than creating authentic music. He raps about leaving the city, feeling like an outsider in the place that used to be his home, and seeking out more underground, real hip hop scenes elsewhere.
The chorus poses the question, "Is the world made of plastic?" suggesting that the surface-level obsession with appearance and materialism goes beyond just the hip hop scene and may be a larger societal issue.
Overall, the song is a critique of the commercialization of hip hop, the pressure to conform and fit a certain image, and the loss of authenticity and creativity that can result from these trends.
Line by Line Meaning
Yeah cool Keith should keep it real
The artist should stay true to himself and not follow trends or conform to the mainstream.
He should rap about space and Mars...
The artist should explore new and unique concepts to rap about, such as science fiction and outer space.
Yo I'm tired of looking at everybody. Same boots, skully hats in 90 degree weather looking to get into clubs for free. I'm not smoking blunts or looking for jazz records at the Roosevelt.
The artist is tired of seeing people mindlessly following trends and trying to be something they're not just to fit in, and he himself is not interested in such things either.
I left New York the city itself was stress depression High boots and urban beats that wasn't my direction Producers filtering join in with R&B A million rappers, some clones trying to sound like me Biting my space styles, biting my horror-core All I saw was cool Keiths on my thaw Record companies had G'd-off all my royalties Watching vinyl spin, local groups' wack MC's Some try to rap with that perpetrate mobster crap Karl Kani jeans, fat stomachs in the limousines Mixtapes by wack DJs adds doo doo play I'm on the turnpike, the city drifting down the highway Like a mirage, the style there is all illusion On videos out of town, peoples buy confusion Rolling high with cash pulled over down my eye Since I've been out, y'all can't see
The artist left New York due to the stress and depression caused by the constant pressure to conform to mainstream rap styles and the cutthroat music industry that takes advantage of artists. He also criticizes the lack of originality and the overwhelming number of rappers and producers trying to sound like him or copy his style, as well as the fake gangster image that some rappers try to portray. He sees the whole scene as an illusion that tricks people into following trends, and he feels like he can see the situation clearly after distancing himself from it.
Is the world made of plastic? Is the city buried in dreams? (Yeah) Is the world made of plastic? Cause that's the way is seems (Owww)
The artist questions whether the world and the city he lives in are genuine or just superficial and fake, as if made of plastic. He wonders if people are living in a dream world and are disconnected from reality, leading them to chase after superficial things like fame and money.
Watching TV so bored, while imbeciles hold the mic cord Graffiti playgrounds are played out, yo how'd that sound? Army fatigues are weak, is for the minor leagues No rapping cyphers or brothers in the rented Benz Crews on stage, acting hard with a thousand friends I saw the place turn plastic, crackers looping beats People with no deals, walkmen rappin' on the streets I turned my back, 90% of the city sounded wack Payola scams switched DJ's like a rubber band Everybody clear with beats trying to be Premier Clearing samples, your SP-12 fake examples My money grows with green from my own label While you act rich with no cash on the bigger label Your tri-state ways are shut down by barricades In fact I packed my bags, and listened to E-40 Mac Mall, see-Bo, and other rappers you don't know You're narrow-minded and styles of mind you won't find it My sound proceeds with moog and undertone bass No comic gimmicks with beats rapping in my face I come back real, solid rock razor steel Tap your program, show the world I'm the man You copy Poppa Large, the industry is large
The artist criticizes the state of the rap scene, as people with no talent or originality are taking over and holding the mic just because they fit the trend. He sees the hip-hop subculture with its graffiti, army fatigues, and rented cars as a hollow representation of what it used to be. He also notes the oversaturation of rap crews trying to act hard and the lack of authentic music, as people switch DJs and copy popular producers' beats without any creativity. The artist is proud to work on his own music and build his own label, recognizing the limitations and difficulties of the industry. He challenges other artists to step up their game and come back with originality and authenticity if they don't want to be just another copycat.
As I do see sorta rugged wack beer commercials Some rappers are bought and puppeteered like the Ninja Turtles From Manhattan I heat up, yo light up Times Square I make noise like open high hats on your cheap snare No promotional shows, girls wear corn rows People with hooded sweaters on crack keep me on my toes I walk with straw hats, fake glasses in the projects Bring my ghost image so tense on the line of scrimmage Playing my numbers, waiting for the Five to come Spaghetti out the window, people acting dumb Fire hazards wake the neighbors, your family's nosy I come and go as I please on blockhead MC's You bought new sneakers, no car, scrambling on the corner I'm not the star you are, the city's fallen far By mechanism, you're on my tip Stay off my penis, you've duplicated me for years Yeah, yeah, yeah, you are the one
The artist talks about his presence in the city and his disregard for the commercialized rap industry. He criticizes the artists who sell out and become puppets for corporations, comparing them to Ninja Turtles toy characters. He makes noise and creates a buzz in Times Square and other places on his own and without promotional shows or corny gimmicks. He moves around the projects wearing straw hats and fake glasses, keeping a low profile and releasing his tension through his music. He is aware of the dangers of living in the city, such as fire hazards and nosy neighbors, but he feels free to come and go as he pleases and create music without following trends or copying other artists. He recognizes the influence he has on the rap scene and calls out the imitators who have been trying to copy his style for years.
[Chorus]
The artist repeats the chorus that questions the genuineness of the world and the city as he sees it, and reflects on whether everything is just a superficial facade.
[Chorus
The artist repeats the chorus that questions the genuineness of the world and the city as he sees it, and reflects on whether everything is just a superficial facade.
Lyrics Β© O/B/O APRA AMCOS
Written by: KEITH THORNTON, KURT MATLIN
Lyrics Licensed & Provided by LyricFind
James Moreno
"Yeah, Kool Keith should keep it real
He should(en't) rap about space and Mars..."
[Kool Keith]
Yo, I'm tired of looking at everybody. Same boots, skully hats in
90 degree weather, looking to get into clubs for free. I'm not
Smoking blunts, or looking for jazz records at the Roosevelt
I left New York, the city itself was stress depression
High boots and urban beats, that wasn't my direction
Producers filtering join in with R&B
A million rappers, some clones trying to sound like me
Biting my space styles, biting my horror-core
All I saw was little Kool Keiths, on my tour
Record companies, I G'd-off all my royalties
Watching vinyl spin, local groups' wack MC's
Some try to rap with that perpetrate mobster crap
Karl Kani jeans, fat stomachs in the limosines
Mixtapes by wack DJ's, as doo doo play
I'm on the turnpike, the city drifting down the highway
Like a mirage, the style there is all illusion
On videos out of town, peoples spot confusion
Rolling high with caps pulled over down my eye
Since I been out, y'all can't see
Chorus x2:
Is the world made of plastic?
Is the city buried in dreams? (Yeah)
Is the world made of plastic?
Cause that's the way is seems (Owww)
Watching TV so bored, while imbiciles hold the mic cord
Graffiti playgrounds are played out, yo how'd that sound?
Army fatigues are weak, is for the minor leagues
No rapping cyphers or brothers in the rented Benz
Crews on stage, acting hard with a thousand friends
I saw the place turn plastic, crack heads looping beats
People with no deals, walkmens rappin on the streets
I turned my back, 90% of the city sounded wack
Payola scams switch DJ's like a rubber band
Everybody clear with beats trying to be Premier
Clearing your samples, your SP-12 fake examples
My money grosses with green from my own label
While you act rich with no cash on the bigger label
Your tri-state ways are shut down by barricades
In fact I pack my bags, and listened to E-40
Mac Mall, C-Bo, and other rappers you don't know
You're narrow-minded in styles of mine you won't find it
My sound proceeds with Moog and undertone bass
No comic gimmicks with beats rapping in my face
I come back real, solid rock razor steel
Tappin your program, show the world I'm the man
You copy Poppa Large, the industry is robbed
Chorus x2
As I do see soda, wack, rugged beer commercials
Some rappers are bought and puppeteered like the Ninja Turtles
From Manhattan I heat up, yo light up Times Square
I make noise like open high hats on your cheap snare
No promotional shows, girls wear corn rows
People with hooded sweaters on crack keep me on my toes
I walk with straw hats and glasses in the projects
Bring my ghost image so tense on the line of scrimmage
Playing my numbers, waiting for the Five to come
Spaghetti out the window, people acting dumb
Fire hydrants wet the neighbors, your family's nosy
I come and go as I please on blockhead MC's
You bought sneakers, no car, scrambling on the corner
I'm not the star you are, the city's fallen far
My mechanism, you're on my tip
Stay off my penis, you've duplicated me for years
Yeah, yeah, yeah, you are the one
Chorus x2
Earth Shaker
Remember if you see Kool Keith out there in the world, he's a legend! Buy this man a drink or a yoohoo!
UhNo
Seltzer water on me
AM HAPPY
Donβt even talk to him take a profound photo and pay himβ¦
Ishmael Cunningham
Me and my homies smoked a blunt and talked to him
Deetroiter
Just donβt stand there for an hour staring when you could just walk up him and shake his hand
Max Capacity
seltzer water and pumpernickel bread
dekko
I love how often Keith says "doo doo".... One of my favorites since I was a teenager lol
AmarDj
most prolific, crazy, real rapper ever.
AR Work On It
Probably the most underground rapper ever.
subsamadhi
Hes the best rapper of all time. And he was always underground. Today's rap is a joke im so glad he's always going to be a secret