Stoney Jackson
Kool Keith Lyrics


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This is a message - yeah
To all you jheri curl, cats - SOLAR - yknahmsayin?
You Chic kids, seventy-four niggaz, SEVENTY-FOUR niggaz
Fuck that I remember them niggaz with jheri curls
Nobody's hardcore niggaz who souped up ready for the world
Babyface in the deal, I keep shit real
Activator spray, you know how that shit feel
Only SOLAR Records was signin niggaz with curls
and givin Afro Sheen niggaz a deal
Aluminum foil suits, you niggaz know your roots
Like undisputed truth, lakeside, music niggaz, Zapp clap niggaz
I referee, watch them fight backpack niggaz
Big groups like Heatwave and War, carryin all that shit
Amp and costume shits on tour

[Chorus]
Wake up! .. The sun's in your face
The sun in your face
Wake up! .. The sun's in your face
The sun's in your face face face face..
Wake up! .. The sun's in your face
The sun's in your face
Stoney Jackson!

[Kool Keith]
Fuck you liar, tryin to come like you Earth Wind & Fire
Sly Stone picture with a DJ and a Numark mixer
Niggaz on Julius Earving dick, use a 76er fake Sir Nose
Larry Blackman was dissin rap with Cameo
I had my Lee dungarees on, and my right arm pickin my afro
Slave was my niggaz, I bought ten cans of gel activator
when Atlantic Starr was payin no mind to me in the front row
I wasn't FUCKIN with the Isley Brothers, the Gap Band
On stage all them shiny motherfuckers like Clear and Pure Energy
More jheri curl niggaz flyin into LaGuardia and Kennedy
I'm before rap, FUCK YOU, I'm the Public Enemy
Madison Square Garden security can't get with me
Don't bother me, motherfucker I'm busy!

[Chorus]

[Kool Keith]
This is my land, fuck K-Ci and the Sunshine Band
Wack-ass leather gear with them metal chemicals around your hand
Parliament/Funkadelic
Two niggaz comin out with that same shit like Bootsy
You ain't a true nigga
Alexander O'Neal perm type shit on your Ampex reel
Jimmy Jim and Terry Lewis production
Got Morris Day on the SSL board
with fucked up beats that need reconstruction
Vest on the cover of Jet with liposuction
Jheri curl niggaz like The Time got fucked up on their publishin
From TKO to Con-Funk-Shun, the Jet album was hot




The Family shit was bumpin
Fuck what you thought Stoney Jackson you was somethin!

Overall Meaning

The lyrics of Kool Keith's song Stoney Jackson are a scathing attack on the trend of jheri curls and flashy fashion in the music industry during the 70s and 80s. He calls out record labels such as SOLAR for only signing artists with jheri curls and unfairly promoting them over other artists. Keith also criticizes the fashion choices of these artists, describing their aluminum foil suits and flashy costumes as shallow and ridiculous. He highlights the lack of authenticity in the music these artists produced, referencing bands like Heatwave and War who he claims were merely carrying around their equipment as part of their image. Keith makes it clear that he refused to follow this trend and instead stayed true to himself and his roots.


The chorus of the song, "Wake up! The sun's in your face", is a metaphor for Kool Keith's message to those who were caught up in this trend. Keith is urging these people to wake up to the reality that they are not being true to themselves and their music. He also references Stoney Jackson, a mid-80s TV series that featured him as a recurring character. The title of the song is a reference to his character in the show.


Line by Line Meaning

This is a message - yeah
Kool Keith is setting the tone for the song, letting everyone know that he has a message to deliver.


To all you jheri curl, cats - SOLAR - yknahmsayin?
Kool Keith is addressing those who used to wear Jheri curls and were signed by SOLAR Records.


You Chic kids, seventy-four niggaz, SEVENTY-FOUR niggaz
Kool Keith is talking about the people in the late 70s who were part of the Chic movement, and he is also emphasizing the year 1974.


Fuck that I remember them niggaz with jheri curls
Kool Keith is expressing his disdain for those who used to wear Jheri curls.


Nobody's hardcore niggaz who souped up ready for the world
Kool Keith is saying that those who wore Jheri curls weren't real hardcore people who were ready for the world.


Babyface in the deal, I keep shit real
Kool Keith is referencing Babyface and his deal with SOLAR Records and saying that he keeps it real.


Activator spray, you know how that shit feel
Kool Keith is talking about the activator spray that was used to maintain Jheri curls and commenting that we all know how that feels.


Only SOLAR Records was signin niggaz with curls and givin Afro Sheen niggaz a deal
Kool Keith is saying that only SOLAR Records was signing people with Jheri curls and giving deals to those who used products like Afro Sheen.


Aluminum foil suits, you niggaz know your roots Like undisputed truth, lakeside, music niggaz, Zapp clap niggaz
Kool Keith is referencing the fashion trends of the time as well as the musical roots of those who wore Jheri curls, mentioning artists like Undisputed Truth, Lakeside, and Zapp.


I referee, watch them fight backpack niggaz Big groups like Heatwave and War, carryin all that shit Amp and costume shits on tour
Kool Keith is talking about being a referee and watching people fight, as well as referencing bands like Heatwave and War who carried a lot of equipment on tour.


Wake up! .. The sun's in your face The sun in your face Wake up! .. The sun's in your face The sun's in your face face face face.. Wake up! .. The sun's in your face The sun's in your face Stoney Jackson!
This is the chorus of the song, telling people to wake up and realize the truth of the situation, which is embodied by the name Stoney Jackson.


Fuck you liar, tryin to come like you Earth Wind & Fire Sly Stone picture with a DJ and a Numark mixer Niggaz on Julius Earving dick, use a 76er fake Sir Nose
Kool Keith is calling out those who try to copy the style of Earth Wind & Fire and Sly Stone, mentioning a picture of Sly Stone with a DJ and a Numark mixer. He also references Julius Erving and Sir Nose from the Brides of Funkenstein song 'Smoke Signals', both of whom had significant cultural impact during this time.


Larry Blackman was dissin rap with Cameo I had my Lee dungarees on, and my right arm pickin my afro
Kool Keith is talking about Larry Blackman, the lead singer of Cameo, who was known for his red codpiece and sometimes dissed rap music in interviews. Kool Keith is then referencing his own fashion choices of wearing Lee dungarees and picking his afro.


Slave was my niggaz, I bought ten cans of gel activator when Atlantic Starr was payin no mind to me in the front row I wasn't FUCKIN with the Isley Brothers, the Gap Band On stage all them shiny motherfuckers like Clear and Pure Energy
Kool Keith is referencing the band Slave and how he used to buy their gel activator. He also mentions how Atlantic Starr paid him no attention in the front row. Kool Keith then talks about not being into the Isley Brothers or the Gap Band and how he saw other acts on stage who were very shiny, like Clear and Pure Energy.


More jheri curl niggaz flyin into LaGuardia and Kennedy I'm before rap, FUCK YOU, I'm the Public Enemy Madison Square Garden security can't get with me Don't bother me, motherfucker I'm busy!
Kool Keith is referencing people with Jheri curls arriving at the airports in New York City. He then asserts himself as being one of the first Public Enemies and how even the security at Madison Square Garden can't handle him. Finally, he tells anyone bothering him that he is too busy to deal with them.


This is my land, fuck K-Ci and the Sunshine Band Wack-ass leather gear with them metal chemicals around your hand Parliament/Funkadelic Two niggaz comin out with that same shit like Bootsy
Kool Keith is asserting himself and claiming ownership of his territory, dismissing K-Ci and the Sunshine Band. He then talks about people wearing tacky leather clothes and metal jewelry. Finally, he references Parliament/Funkadelic and how two artists were copying Bootsy Collins.


You ain't a true nigga Alexander O'Neal perm type shit on your Ampex reel Jimmy Jim and Terry Lewis production Got Morris Day on the SSL board with fucked up beats that need reconstruction
Kool Keith is saying that people who wore Jheri curls were not true black people because they also had Alexander O'Neal-style perms and were using Ampex reel-to-reel tape decks to listen to their music. He then goes on to talk about Jimmy Jam and Terry Lewis (who produced songs for the Time, Alexander O'Neal, and others), and how Morris Day was on an SSL mixing console, but the beats were messed up and needed to be reconstructed.


Vest on the cover of Jet with liposuction Jheri curl niggaz like The Time got fucked up on their publishin From TKO to Con-Funk-Shun, the Jet album was hot The Family shit was bumpin Fuck what you thought Stoney Jackson you was somethin!
Kool Keith is talking about someone who wore a vest and had liposuction and then references the Time and how they got screwed over in terms of publishing. He then talks about how the Jet album was hot and mentions other bands like TKO and Con-Funk-Shun. Finally, he discusses the Family and how Stoney Jackson was a force to be reckoned with.




Lyrics Β© THE BICYCLE MUSIC COMPANY
Written by: KEITH THORNTON

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@Ringolero

The lyrical flow on this piece is ridiculous

@Shasta615

He always get 'em.

@jamesbeard1837

Great song. This whole album is great right in throughout

@terronherring7402

Keith snap

@pumaeastla2134

Keith lyrics are so fucken hardπŸ’ͺπŸ’―πŸŽ€ the master of the game.. Clowning on his old competition hahah

@dexteronio8418

Keith takes us on another bizarre trip πŸ†

@taylorskidmore2760

Spankmaster is so sadly underappreciated, even by Keith fans.

Very nice video. I never appreciated the psychedelic quality of this song until right now.

@LLsmoothJay

Album is incredible

@luisrenteria6459

another awesome song

@symbal777

10 cans of gel activator

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