Spilt Milk was recorded in London with Jimmy Hogarth, the sought-after British producer whose recent credits include Duffy, Corinne Bailey Rae and James Blunt. Powerhouse songwriter, multi-instrumentalist and arranger Eg White – Grammy Awards Record of the Year nominee for Adele’s “Chasing Pavements” – co-wrote most of this material. Singer and pianist Ed Harcourt also co-wrote two, including the climactic “Far From the Country,” an especially poignant and personal conclusion to the disc, about the physical and emotional distances one must bridge to keep love alive
For inspiration, Train turns to Aretha Franklin – “There is not a song that Aretha has sung or will ever sing that doesn’t just melt me” – along with blues/R&B cult figures like former Stax star/Raelette Mable John and Bob Dylan-favorite Karen Dalton. Says Train, “I wanted my album to offer glimpses of my influences, not sound like my influences. Jimmy, Eg and I are of similar backgrounds, we appreciate the same music; we have similar tastes. The arrangements are just what we felt the songs needed, they give the songs flavor but don’t try to steal anybody else’s style. I hope the album is a nod to the music I love, while still being modern.”
Music has been at the center of Train’s world since she was a toddler, when her mother encouraged her to play the violin. Train took to the instrument, but, more importantly, she also discovered an innate aptitude as a singer, with unerring pitch and a preternaturally mature delivery from a very young age. Says Train, “There’s depth to my voice and I think it comes from a lot of different places. But the way I sound today is the way I always sounded -- except in a tinier body.”
As an artist, Train could never simply be described as a product of her times and that has allowed her, on Spilt Milk, to create music that can arguably be called timeless. Her mom, who raised Train alone, fashioned what some might view as a sheltered existence for the young Train, keeping her away from television and pop radio. But what she really did was provide a fertile laboratory for Train to freely grow as a young woman and a singer, apart from the vagaries of trends. Train took music and ballet lessons and listened to classical music and opera, along with jazz and blues. Her violin training definitely came in handy: Train has arranging credits on three of her tracks and overdubbed strings on two of them.
Though born in New York City, Train was raised in Savannah, Georgia, and southern soul and gospel, which she sang in church and school choirs growing up, has had the most profound effect on her work. Almost as significant was the moment when, as a teenager, she unearthed her mom’s tucked-away stash of vinyl albums from the sixties and seventies: Joni Mitchell, Jimi Hendrix, Led Zepplin. Say Train,” I remember hearing Janis Joplin’s records and thinking, what is that all about? We lived in downtown Savannah, in a house kind of like a New York City brownstone. When we had thunderstorms I would go up to the roof and scream at the top of my lungs because I wanted to make my voice raspier. God only knows what that’s done to me!”
By the time Train was 19, she was already singing professionally, albeit locally. A producer based in the south who’d spotted Train arranged to bring her up to New York City to showcase for Blue Note. The label chiefs offered Train a development deal – but her mom had other ideas. She insisted her daughter go to college first. Many a confident and headstrong young artist would rebel and go it alone, accept the deal and take their chances. But Train – reluctantly, she now admits – listened to her mom. She agreed to attend college in Athens, Ga., keeping her hand in music by joining a band and spending far more time rehearsing and gigging than hitting the books. And when she was ready to return to her career full-time, Blue Note was still waiting.
It was time well-spent, Train now realizes: “I know that at 19, I would not have made this record, which is the record I always wanted to make. This is the album that defines who I am. At 19, I don’t know what I would have put out. I believe everything happened for a reason. It took this amount of time for me to get here and to make this record. I always knew it would happen. “
Train made several trips to London over the course of two years, to write with Hogarth and White, but the actual recording moved quickly. In fact, Train was such a natural that some of the vocal performances they chose came straight from the song demos they’d originally done. Right before they were about to embark on their final sessions, though, a disastrous computer glitch during file back-up resulted in the loss of much of what they’d already completed. As Train recalls, “It was the perfect electronic storm.” Undaunted, she and her cohorts went back in and re-cut the vanished material with even more passion and determination, the setback turning out to be far more inspiration than challenge. Looking back, Train says, “I don’t think anything was lost. I don’t think there was this one magic moment that we could never recapture. I love what it is today.” And the experience provided her with an album title. “Don’t cry over spilt milk.”
Train’s confidence and faith in what she has created is part of what makes Spilt Milk so thrilling: “There’s just this magic thing that happens sometimes and you think, I want to sing this song for the rest of my life – I want to live in it, I want to bury myself in it, I want to wriggle around in it.. Every time I finished one, it was like, I can’t believe that, at this point in my life I finally have a song I would fight for, that I believe in 100% percent. And now I have all these songs together on an entire album that I feel this way about. For me, that’s my college degree.”
Everloving Arms
Kristina Train Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
these hopes that hanging by a thread
now raise from the ropes instead
to your loving arms
fifteen strong
the cutthroat choir sing their song
though I don't hear now I belong to your loving arms
winding down the back roads
whistling through the trees
cross the tracks to your ever loving arms
in my stride
I'll cross valleys far and wide
trace the rivers through a turning tide
to your loving arms
somewhere there's a dream for me
skipping cross the rooftops on a summer breeze
cross the tracks to your ever loving arms
I belong to your ever loving arms
The lyrics to Kristina Train's song Everloving Arms seems to speak to the idea of finding hope and belonging in a person's arms. The opening line, "from the dead," alludes to the idea of being in a difficult or dark place, with hopes that are barely hanging on. The next line, "these hopes that hanging by a thread, now raise from the ropes instead," suggests that the person has been rescued from this struggle and now feels more supported. The confidence in finding the needed support, that was missing before, in "your loving arms" is evident in the lyrics.
The word choice in the next line "fifteen strong, the cutthroat choir sing their song," presents the idea of a community aspect to this support, suggesting the people around the singer are cheering them on, even though they may be wary or is it cutthroat? It's like the singer may feel that others are trying to cut them down but those who matter are cheering them on. Despite not being able to hear, the singer is content knowing that they belong to "your loving arms." In the following lines, "somewhere there's a dream for me, winding down the back roads, whistling through the trees," the singer speaks of the hope that there is something out there that drives them, a dream that gives them purpose. There's a sense of adventure in discovering something more about oneself, possibly in the embrace of this loving person. The song ends with the repeated assurance of belonging in the person's "ever loving arms."
Line by Line Meaning
from the dead
Out of a state of despair or hopelessness.
these hopes that hanging by a thread
My dreams that are nearly impossible to achieve.
now raise from the ropes instead
I am finally able to overcome the obstacles that held me back.
to your loving arms
I am seeking refuge in the comfort and safety of someone's embrace.
fifteen strong
A large group of people united in their efforts.
the cutthroat choir sing their song
Even though others may try to bring me down or stop me, I will continue to pursue my dreams.
though I don't hear now I belong to your loving arms
Even if I am lost or feel alone, I know that I have a place where I am loved and accepted.
somewhere there's a dream for me
I believe that there is something out there that I am destined to achieve or become.
winding down the back roads
I am willing to take on any challenge or face any obstacle to reach my goal.
whistling through the trees
I am filled with hope and determination, and nothing can stop me.
cross the tracks to your ever loving arms
I will do whatever it takes to reach the place where I feel safe and loved.
in my stride
I am moving forward with confidence and determination.
I'll cross valleys far and wide
I am willing to endure hardships and difficult terrain to reach my goal.
trace the rivers through a turning tide
I am following my instincts and trusting that things will work out for me.
somewhere there's a dream for me
I am driven by a sense of purpose and the belief that I am meant for great things.
skipping cross the rooftops on a summer breeze
I am light-hearted and joyful as I pursue my dreams.
I belong to your ever loving arms
I have found the place where I am accepted and loved unconditionally, and I will always return there.
Contributed by Jack F. Suggest a correction in the comments below.