Kuroma is a psychedelic pop band which formed in Athens, Georgia in 2007 by… Read Full Bio ↴Kuroma is a psychedelic pop band which formed in Athens, Georgia in 2007 by Hank Sullivant. The band consists of Sullivant, and current MGMT touring members Simon O’Connor, James Richardson, and Will Berman.

Sullivant was a co-founder of the Whigs and is also a producer, having overseen the recording of albums by Gift Horse, WAGES, and Colour Revolt.

O'Connor is the principal songwriter/frontman of Simon Doom and a member of Spiral Heads.

Paris
Kuroma Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Jump in the delicate sun
Bleeding on an angel's chair

You've got somethin that's fun
I can feel you everywhere

But I
I'm burning down the one who needs

You can peel it back and let it bleed
For a long, long year

And you
You're counting up from one, two, three
You can peel it back and let it bleed
For a long, long year

I am the devil, the One
You can feel me everywhere
I am the devil, the One
You can feel me everywhere

Stroll down the Champs Elysees
Walking at an angel's pace
If you've got somethin to say
Say it to my fucking face

Cuz I
I'm burning down the one who needs
You can peel it back and let it bleed
For a long, long year

And you
You're counting up from one, two, three

You can peel it back and let it bleed
For a long, long year

Overall Meaning

The lyrics to Kuroma's song "Paris" express a sense of both attraction and hostility, with the singer torn between their desire to connect with someone ("You've got something that's fun/I can feel you everywhere") and their own self-destructive tendencies ("I'm burning down the one who needs"). The opening lines, "Jump in the delicate sun/Bleeding on an angel's chair", suggest a sense of vulnerability and fragility, while the reference to an angel's chair hints at the idea of a higher power or divine presence.

As the song continues, the singer adopts the persona of the devil ("I am the devil, the One/You can feel me everywhere"), signaling a shift towards a more confrontational attitude. The verses describe a leisurely stroll down the Champs Elysees, juxtaposing the idyllic setting with the singer's simmering anger ("If you've got something to say/Say it to my fucking face"). The repeated refrain of "You can peel it back and let it bleed/For a long, long year" emphasizes the idea of emotional pain and the difficulty of healing from past wounds.

Taken as a whole, "Paris" is a highly atmospheric song that blends elements of rock, pop, and psychedelia. The lyrics are relatively sparse and enigmatic, leaving much up to interpretation. However, the overall mood is one of restless energy and longing, with the singer struggling to reconcile their conflicting impulses towards connection and aggression.

Line by Line Meaning

Jump in the delicate sun
Moving towards a bright future with hope

Bleeding on an angel's chair
Sacrificing for a higher cause or purpose

You've got somethin that's fun
Being charming and attractive to someone else

I can feel you everywhere
Feeling the presence of someone who has captured one's attention

But I I'm burning down the one who needs You can peel it back and let it bleed For a long, long year
Struggling with inner demons and self-destructive tendencies

And you You're counting up from one, two, three You can peel it back and let it bleed For a long, long year
Acknowledging another person's struggles and encouraging them to confront their problems head-on

I am the devil, the One You can feel me everywhere I am the devil, the One You can feel me everywhere
Embracing one's dark side or negative traits

Stroll down the Champs Elysees Walking at an angel's pace If you've got somethin to say Say it to my fucking face
Moving through life with confidence and a sense of self-importance

Cuz I I'm burning down the one who needs You can peel it back and let it bleed For a long, long year
Repeating the refrain to emphasize destructive thoughts and behavior

And you You're counting up from one, two, three You can peel it back and let it bleed For a long, long year
Repeating the refrain to extend an invitation for self-reflection

Contributed by Gianna S. Suggest a correction in the comments below.

To comment on or correct specific content, highlight it

TRACKS