In 2002 he played lead role (Biggs) in the film Shottas along with Spragga Benz, Paul Campbell, Louie Rankin, Wyclef Jean, Screechie Bop and many more. It is an original story that shows the life of a shotta/gangster on the streets of Jamaica and Miami.
He achieved even more success as a musician with a cover of Eddy Grant's Electric Avenue, in collaboration with the Fugees' Pras. He has also starred in several films, including Shottas in 2002 and as John the Baptist in the 2004 film Haven.
Remaining true to his Jamaican culture, Ky-mani's fondness for all genres of music influences the work he creates. Ky-mani is an artist with no limits. Incorporating world music, hip hop, blues, rock and a grass roots sound into his music, the end product is the pure representation of life for Ky-mani. The Ky-mani Marley sound is one that transcends cultural lines and prohibits him from being categorized as only a reggae artist. His raw, unadulterated, gruff sound captures the listener and reverberates the essence of Ky-mani's life story.
Ky-mani launched his latest album "Radio" in 2007. The album features several key singles including One Time, The March and Conversation among others. All of the songs contain Marley’s unique sound of classical reggae beats mixed with contemporary hip hop. Also featured on the CD are some of today’s hottest artists including Young Buck, Mya and Gail Gotti.
Warning
Ky-Mani Marley Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
this song is K Y T
2005 remake song
ye like this like that
Cuz a party
aint a party
Till we run though
jigga K Y and the T
Whut whut party
aint a party
Till we run though it
whut yeah KYT
정말 네가 몰랐니
우리가 만난다는 걸
너와 그는
이미 다 끝났잖아
왜 또 그를 흔들어
내게서 뺏어가려 해
이제서야 그가
필요해졌니
나와 나만의 baby boo
사랑은 for life
너는 막을 수 없어
우리는 bonny & clyde
No 1 2 3 it goes
하늘 끝까지
너의 단 한번의 기회는
끝나고 말았지
그리 쉽게
네가 원하는 걸
가지려 했다니 madada
now you left with nada
이젠 내게 다가오는 건
my lover say good bye
To my baby
while we pass you by
네가 그를
버린 걸 알아
아주 냉정히
넌 떠났었잖아
너 때문에 헤매던 그를
위로했던 건 바로 나야
생각해봐 그의 맘을
네게 상처 받은 뒤로
얼마나
힘들었을지
이제서야
너의 그늘을 벗어나
그는 내게
맘을 열게 된거야
너는 이러면 안돼
그에게 다가오지마
그의 사랑 받을 자격
넌 없어
네가 필요할 때만
넌 그를 찾아오잖아
이젠 내가 너를
용서 않을래
친구의 친굴
사랑하게 된 나는
슬픈 영화 속에
주인공이 될지 몰라서
혼자 나만을 원망한 나
다신 그런 바보 같은
생각 하지 않을거야
yeah you know
Who we be Koyote
in 2005
Prime time to shine
K Y T
Hit me one more time
uh
네가 그를
버린 걸 알아
아주 냉정히
넌 떠났었잖아
너 때문에 헤매던 그를
위로했던 건 바로 나야
이제 와서 어떻게 넌
옛날로 돌아가자는
말을 또 쉽게
꺼낼 수 있니
네가 그의 마음에
줬던 상처가
이제 겨우
사라지고 있는데
다시 그를 찾지마
그에게 다가오지마
이젠 내가
그의 곁에 있으니
그와 나의 사랑을
더 이상 방해하지마
이제 그에게는
내가 필요해
너는 이러면 안돼
그에게 다가오지마
그의 사랑 받을 자격
넌 없어
네가 필요할 때만
넌 그를 찾아오잖아
이젠 내가 너를
용서 않을래
(Let's get it
to the party time go)
Hit me one more time
baby one more time uh
Hit me one more time
baby one more time uh
Hit me one more time
baby one more time uh
1 2 3 everybody
put your hands up
Hit me one more time
baby one more time uh
Hit me one more time
baby one more time uh
Hit me one more time
baby one more time uh
It's K Y T to the
like a song yeah
The lyrics to Ky-Mani Marley's song "Warning" talk about the singer and his crew, K Y T (presumably representing the initials of the members), being the life of the party. They emphasize that a party isn't complete until they show up and run through it. The lyrics also touch upon a romantic storyline, where the singer advises someone who has left their partner to not try to come back and claim their love now that they see their ex-partner happy with someone else. The singer takes pride in being the one who comforted and uplifted the person who was lost and hurt after the breakup.
The second verse continues with the same message of not going back to the past and not interfering with the singer's love for the person in question. The lyrics convey a sense of empowerment and confidence as the singer asserts their role as the main love interest, emphasizing that the person seeking to come back into their partner's life only wants them when they need them.
Overall, the song "Warning" is a declaration of self-worth, resilience, and the determination to move forward rather than dwell on past relationships.
Line by Line Meaning
Uh ye
Expressing excitement and enthusiasm
this song is K Y T
Identifying the artist as KYT and highlighting the song's origin
2005 remake song
Indicating that the song is a remake from 2005
ye like this like that
Expressing enjoyment and involvement in the party atmosphere
Cuz a party ain't a party
Stating that a party is incomplete without certain elements
Till we run though jigga K Y and the T
Implying that the party becomes exciting when KYT takes over and energizes it
Whut whut party ain't a party
Reiterating that a party is not complete without certain elements
Till we run though it whut yeah KYT
Emphasizing KYT's role in making the party lively and enjoyable
정말 네가 몰랐니
Asking if the person really didn't know
우리가 만난다는 걸
Asserting that the person and the artist will be meeting
너와 그는 이미 다 끝났잖아
Stating that the person and their relationship are already over
왜 또 그를 흔들어
Questioning why the person is trying to disrupt the artist's relationship with someone else
내게서 뺏어가려 해
Accusing the person of trying to take someone away from the singer
이제서야 그가 필요해졌니
Asking if the person now realizes that they need the person they had previously disregarded
나와 나만의 baby boo
Referring to the person as the singer's special and beloved partner
사랑은 for life
Asserting that love is meant to last forever
너는 막을 수 없어
Asserting that the person cannot prevent the artist from experiencing love
우리는 bonny & clyde
Comparing the singer and the person to the notorious criminal duo, highlighting their loyalty and partnership
No 1 2 3 it goes
Suggesting a countdown or progression of events
하늘 끝까지 너의 단 한번의 기회는 끝나고 말았지
Implies that the person's opportunity is over and lost forever
그리 쉽게 네가 원하는 걸 가지려 했다니 madada
Expressing surprise and disbelief at the person's attempt to attain what they desire easily
now you left with nada
Indicating that the person is now left with nothing
이젠 내게 다가오는 건 my lover say good bye
Describing the person as someone who lost their lover and now approaches the singer
To my baby while we pass you by
Expressing disregard for the person while the artist continues on with their loved one
네가 그를 버린 걸 알아
Stating that the person is aware that they abandoned someone
아주 냉정히 넌 떠났었잖아
Accusing the person of leaving cold-heartedly
너 때문에 헤매던 그를 위로했던 건 바로 나야
Asserting that the singer was the one who comforted and supported the person when they were lost
생각해봐 그의 맘을 네게 상처 받은 뒤로 얼마나 힘들었을지
Encouraging the person to consider the pain and hardships the artist endured after the person hurt them
이제서야 너의 그늘을 벗어나 그는 내게 맘을 열게 된거야
Implying that the person has finally moved on from their shadow and opened their heart to the artist
넌 이러면 안돼 그에게 다가오지마
Warning the person not to approach the singer's loved one
그의 사랑 받을 자격 넌 없어
Asserting that the person doesn't deserve to receive the love of the singer's loved one
네가 필요할 때만 넌 그를 찾아오잖아
Accusing the person of only seeking the artist's loved one when they need them
이젠 내가 너를 용서 않을래
Stating that the artist will no longer forgive the person
친구의 친굴 사랑하게 된 나는
Expressing that the artist has become someone who loves their friend's loved one
슬픈 영화 속에 주인공이 될지 몰라서
Wondering if the singer will become the singer of a sad movie
혼자 나만을 원망한 나
Acknowledging that the artist had previously blamed themselves alone
다신 그런 바보 같은 생각 하지 않을거야
Expressing determination to never entertain such foolish thoughts again
yeah you know Who we be Koyote
Asserting identity as Koyote and implying familiarity with the group
in 2005 Prime time to shine
Highlighting 2005 as a prime time for success and recognition
Hit me one more time uh
Asking for more energy and enthusiasm in the music
네가 그를 버린 걸 알아
Confirming that the person is aware they abandoned someone
아주 냉정히 넌 떠났었잖아
Accusing the person again of leaving cold-heartedly
너 때문에 헤매던 그를 위로했던 건 바로 나야
Reminding the person that the singer was the one who comforted and supported them when they were lost
이제 와서 어떻게 넌 옛날로 돌아가자는 말을 또 쉽게 꺼낼 수 있니
Questioning how the person can casually suggest going back to the past after all this time
네가 그의 마음에 줬던 상처가 이제 겨우 사라지고 있는데
Noting that the person's wounds inflicted on the artist's loved one are finally healing
다시 그를 찾지마 그에게 다가오지마
Advising the person not to seek out the artist's loved one or approach them
이젠 내가 그의 곁에 있으니
Expressing the singer's position next to their loved one
그와 나의 사랑을 더 이상 방해하지마
Requesting the person to stop interfering with the artist's love and their loved one's love
이제 그에게는 내가 필요해
Asserting that the singer is now the one needed by their loved one
넌 이러면 안돼 그에게 다가오지마
Reiterating the warning to the person not to approach the singer's loved one
그의 사랑 받을 자격 넌 없어
Reaffirming that the person doesn't deserve to receive the love of the singer's loved one
네가 필요할 때만 넌 그를 찾아오잖아
Accusing the person again of only seeking the artist's loved one when they need them
이젠 내가 너를 용서 않을래
Confirms once more that the artist will no longer forgive the person
(Let's get it to the party time go)
Encouraging the listeners to engage in the party atmosphere
Hit me one more time baby one more time uh
Requesting more energy and enthusiasm in the music
1 2 3 everybody put your hands up
Encouraging everyone to participate and raise their hands
It's K Y T to the like a song yeah
Identifying the artist as KYT and comparing themselves to a lively song
Lyrics © Danalentertainment
Written by: 유유진
Lyrics Licensed & Provided by LyricFind
Sandra Harris
Rocking jam 🖤❤️💛💚👣👣👣🌎👑🇬🇳🇩🇪👌🏾🌿🌿🌿💯❤️4 u. Ky-mani.
Raoel PHILIPS
Blessed by the most-hicht ky marley