The band was originally formed in 1989 in Palm Desert, California under the name "Sons of Kyuss". They took the name from a monster in Dungeons and Dragons. Shortly after the release of their self-titled EP, the name was shortened to just Kyuss.
The quartet gained popularity around the desert due to their famous generator parties. These were parties fueled by gas generators in the canyons and isolated desert surrounding the small valley towns.
The group disbanded in 1997. They felt that they were in a decline and felt it best to call it quits before it escalated into something that could not be fixed. The line up had shifted dramatically between 1989 and 1997. Josh Homme, John Garcia, Brant Bjork, and Chris Cockrell were the original members. Chris was replaced by Nick Oliveri during high school. That line up recorded Wretch (released in 1991) and Blues for the Red Sun (released in 1992), after which Nick soon left. The eighteen year older, but very able Scott Reeder from The Obsessed was brought in. This line up recorded the famous self-titled album Kyuss (released in 1994; due to the album front cover often referred to as "Welcome to Sky Valley", a small town outside of Palm Desert — wrongly labelled by many). Brank Bjork left after this due to personal reasons. Alfredo Hernandez was brought in. The final line-up recorded ...And the Circus Leaves Town (released in 1995). The band toured and soon disbanded. With the compilation Muchas Gracias: The best of Kyuss, one final greatest hits CD was released in 2000.
All band members still influence the genre they helped to create. The most notable is Queens of the Stone Age. Josh Homme, Nick Oliveri, and Alfredo Hernandez started this up after Josh had experimented with his famous Desert Sessions.
John Garcia took a path geared more towards traditional rock. He opened with Slo Burn. It was a harder Kyuss, and still played in drop C. That project did not last for over a year, although one EP was released. Following Slo Burn came Unida. This band was steered toward rock n' roll and away from the stoner rock genre. John has most recently been involved with the band Hermano. Many consider this the greatest post-Kyuss project. In 2010 a Garcia Plays Kyuss gig at Roadburn Festival (Netherlands), to be followed by a proper European tour, was announced. The line-up of this band includes (former) members of Agua de Annique, Celestial Season, Kong and Arsenal.
Nick Oliveri also has created waves in the music world. Apart from playing for years in Queens of the Stone Age he has played on and off in The Dwarves. He is most known for his side project, which has become his full-time band, Mondo Generator.
Scott Reeder pursued a career of producing mainly (most notably Orange Goblin's Coup de Grace). In 2006, he released a solo album called Tunnelvision Brilliance. He also played in Unida for a little bit.
Brant Bjork has the most stable musical career of them all. He turned down playing with Queens of the Stone Age to pursue a journey with his surfing buddies, Fu Manchu. He left after making numerous records with them to focus on his already blossoming solo career, playing the guitar instead of drums. He has worked with many people since, releasing records with Ché, touring as Brant Bjork and the Bros, and occasionally playing drums as well. Brant Bjork also played on some Desert Sessions.
Los Angeles based drummer Gene Trautmann played for a brief period between Brant Bjork and Alfredo Hernandez.
Alfredo Hernandez has guest starred on too many CDs and bands to count including Yawning Man, Orquestra Del Desierto, Fatso Jetson, and many others. He also played in a local band located in Palm Desert and is the drummer of Brant Bjork and the Bros.
A big influence on the sound of Kyuss was Chris Goss (frontman of Masters of Reality), who produced Blues for the Red Sun, and everything that followed.
Although Queens of the Stone Age has been, and continues to be, a great deal more popular than Kyuss or any of its offshoots for many Kyuss is considered far superior than anything the disbanded members created afterward.
A lot of bands have been inspired by Kyuss, including Electric Wizard, Monster Magnet, Orange Goblin, Beaver, Dozer, Los Natas, Truckfighters, Acid King, Fu Manchu, Clutch, Pelican, Torche.
For 2011 touring line-up, see Kyuss Lives!.
Black Widow
Kyuss Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Give me now
Give me now
Give me now
Give me now
Give me away.
Give me a fucking reason,
A reason I should stay.
Any way you choose,
It doesn't matter how or why,
'Cause either way you lose.
Yeah.
Give me now
Give me now
Give me now
Give me now
Give me now
Give me away.
Give me a fucking reason,
A reason I should stay.
Kill for business or for pleasure,
Any way you choose,
It doesn't matter how or why,
'Cause either way you lose.
Yeah.
Yeah.
The song "Black Widow" by Kyuss is a powerful piece of music filled with lyrics that seem to delve into the darker side of human nature. The repetition of the phrase "give me now" at the beginning of each verse has a demanding quality which perhaps suggests an insatiable desire for something. This is followed by the demand for a reason to stay, implying a desire to escape or leave. The mention of killing for business or pleasure is a disturbing notion and the lack of concern for motive or reason speaks to the destructive nature of violence. The repeated phrase "either way you lose" reinforces the idea that violence always has negative consequences, no matter the justification.
Overall, "Black Widow" seems to be commenting on the dangers of giving into destructive desires and the ultimate futility of violence. The lyrics are open to interpretation, but they convey a sense of unease and warning about the consequences of our actions.
Line by Line Meaning
Give me now
The singer demands immediate action or attention from someone or something.
Give me away.
The singer does not want to be a part of something or someone and wishes to be removed.
Give me a fucking reason,
A reason I should stay.
The singer needs a strong justification to continue being involved with something or someone.
Kill for business or for pleasure,
Any way you choose,
The options for killing are presented as either work-related or for enjoyment, with no restrictions on methodology.
It doesn't matter how or why,
'Cause either way you lose.
The act of killing, regardless of the purpose or method, will result in negative consequences for the person doing it.
Yeah.
An exclamation to end the song, possibly indicating that the singer is resigned to their situation or views it as inevitable.
Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Written by: JOSH HOMME, NICK OLIVERI, JOHN M GARCIA, BRANT BJORK
Lyrics Licensed & Provided by LyricFind