Their signature song is Gorecki, from their eponymous debut album and it was inspired by Henryk Górecki's Third Symphony, the Symphony of Sorrowful Songs. Other essential songs are Cotton Wool, God Bless, B Line, Gabriel, Sweet, and Wonder.
To date, the band has released six studio albums: Lamb (1996), Fear of Fours (1999), What Sound (2001), Between Darkness And Wonder (2003), 5 (2011) and Backspace Unwind (2014). In 2003 they also issued a compilation entitled Best Kept Secrets.
In February 2005, Lamb announced that they would pursue their own solo projects, ending their collaboration for now. Their last concerts were in Paradiso, Amsterdam, and these shows appear in the DVD 'Lamb Live at the Paradiso' which was released in 2011.
Lou Rhodes released her first solo album Beloved One (2006) which received a Mercury nomination. This was followed by Bloom (2007), and One Good Thing (2010). Lou also branched out and became an author, with children's books The Phlunk (2013) and The Phlunk's Worldwide Symphony (2014 Strata Books).
Producer Andy Barlow focused on his band Hoof and a project called Luna Seeds with vocalist–songwriter Carrie Tree, and produced the Fink album Distance and Time. In 2013 Barlow's debut solo album as LOWB, Leap and the Net Will Appear was re-released on a new label, Distiller Records. Andy continued to work as a producer, working with Bristol band The Ramona Flowers on their album Dismantle and Rebuild (2014) which he also co-wrote. Most recently, he produced and mixed David Gray's new album Mutineers (2014).
The hiatus ended in 2009 when Lamb reunited and started performing again. Lamb returned to the studio the following year to record their fifth studio album 5 which was released in 2011. They also released their first live album in 2011 Live at Koko and the long-awaited DVD Lamb Lamb Live at the Paradiso.
In October 2014, the band released a new album Backspace Unwind, followed by a single 'We Fall in Love' (subsequently voted "Best Chillout/Lounge Track" at the International Dance Music Awards 2015). They began a tour in 2014 which included the UK and Europe. The tour continued into 2015 with shows and festivals in Australia, New Zealand and Europe.
There are other artists with the same name:
(2) A group formed by Barbara Mauritz and Bob Swanson in San Francisco in the late 1960s. This group disbanded in 1972. The minor San Francisco group Lamb tend to be remembered only for their appearance on the Fillmore: The Last Days concert album, where they were one of several non-star artists on a set dominated by bigger names like the Grateful Dead, Santana, and Boz Scaggs. The band did actually put out three albums in the early '70s, however, and were quite an interesting group. Not only were they not readily comparable to other acts on the San Francisco rock circuit, but it's debatable whether they could be fairly categorized as a rock band at all. Their music blended jazz, folk, singer/songwriter pop, gospel, and even some classical and avant-garde influences. Certainly the dominant figure was singer Barbara Mauritz, whose bluesy and earthy vocals had considerable resonance, but which could also traverse the band's frequently mystical, poetic lyrics with much delicacy and nuance. Reminiscent in spots of such varied artists as Tim Buckley, Judy Collins (in her art-song phase), David Ackles, and Savage Rose (in that band's most gospel-soaked period), their records were ultimately idiosyncratic enough to defy ready comparison to anyone. And they were, too, ultimately too inaccessible to make much commercial impact, despite plenty of tracks of considerable power, beauty, and enigma.
Lamb were formed by the duo of Texan singer Mauritz and multi-instrumentalist (though primarily guitarist) Bob Swanson. The two (writing both separately and together) was responsible for the band's material. They attracted attention in San Francisco when they opened for Crosby, Stills, Nash & Young for a few nights at Winterland in November 1969. Impresario Bill Graham became their manager, and producer David Rubinson, who had worked with notable groups such as Santana and Moby Grape, acted in that capacity for their first record. Their debut album on the Fillmore label, A Sign of Change, was perhaps their most uncompromising and experimental, relying largely on jazz-folk acoustic arrangements and spotlighting Mauritz's impressive voice on impressionistic, dream-like lyrics. They moved over to Warner Bros (while retaining Rubinson as executive producer) for the follow-up, Cross Between, which moved toward slightly more mainstream rock arrangements and a more pronounced gospel feel on several tracks. Yet others were throwbacks to the first album in their obscure but enchanting poesy, sometimes owing more to a classical-influenced art song tradition than conventional pop music.
Lamb went yet further toward gospel-rockish material on their third and final album, Bring Out the Sun, which was their most mainstream outing, though hardly mainstream overall, with a couple of tracks again giving vent to their more experimental jazz-folk-classical side. The LP was co-billed to Lamb and Barbara Mauritz, though Swanson was still involved as a composer and instrumentalist on much of the material. Whether or not this co-billing was intended as a transition from Lamb to a solo career, Mauritz was soon recording as a solo, putting out Music Box for Columbia. Her solo career didn't take off, however, although she continued to perform and write (composing the music for many commercials). In the mid-'80s, Bob Swanson returned full-time to photography. The Lamb founded by Swanson and Mauritz, incidentally, had no relation to either the Christian rock band Lamb that began to record later in the '70s, or the drum'n'bass duo Lamb that began recording in the late '90s.
(3) A demoscene musician, active from early 1990s till early 2000s, known for composing many chiptunes, as well as themed collection-album called Autumn Leaf.
(4) A messianic Jewish pop music group formed in 1972 by Joel Chernoff and Rick "Levi" Coghill. This group has recorded as recently as 2005 (with Ted Pearce replacing Rick Coghill).
(5) A Japanese duo from Tokyo, formed in 1999. Kudo sings, Nakamura does everything else. They make pretty, light-hearted, chilled-out pop.
(6) A Japanese rockband who regularly do shows in Tokyo, Japan. They're known for their melodic, emotional, and exciting sound with twin guitars, and bass and drums. Lamb's music has taken on elements from post-rock, math-rock, and pop.
Their first EP, MEME, was released in April of 2020.
One
Lamb Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The eyes of the patriot fixed through the scope
The unknowing tyrant walks to the rope
It's when murder is justice that martyrs are made
A one-gun salute for the new independence day
They'll hallow your name
The sins of deliverance
So let the wicked perish in the presence of God for your sacrifice
The sins of the father atoned by the son
Confessions of commitments broken
A nail driven for every one (of them)
It's when murder is justice that martyrs are made
A one-gun salute for the new independence day
They'll hallow your name
They'll hallow your name for your sacrifice
You are the cause, I am the effect
Created in hatred, a nooose for your neck
The eyes of the patriot fixed through the scope
The unknowing tyrant walks through the rope
They'll hallow your name (for your sacrifice)
They'll hallow your name
Sacrifice
Sacrifice
Sacrifice
They'll hallow your name
The song "One" by Lamb is a beautiful and poetic expression of love between two people who share a deep and unbreakable connection. The lyrics describe the intense love between the two lovers, where they are so intertwined that even when apart, they are dreaming together. The love between the two is so strong that they are able to find union and understanding in each other, to the point where their lives resound together. The lyrics illustrate a love that is grounded in the reality of the world, but transcends time and space.
The lyrics of the song are filled with imagery and metaphors that represent the deep and complex love shared between the two. The line "tender threats exquisitely finding" uses a paradox to convey the intensity of their love - something that should cause fear (threats) is instead something felt with delicacy and beauty. The last verse of the lyrics describes how time and space lose their meaning when the two are together. The singer in the song feels heaven's grace and safety within their lover's embrace - this is a powerful comparison that shows how the love two people share can make them feel protected and cared for like no other.
Overall, "One" is a beautiful expression of love that explores the deep and intimate connection between two people. The lyrics are gorgeously written and filled with metaphors that make the song's message even more powerful. The song is a testament to the kind of love that is deep and transcendent, guided by understanding and compassion.
Line by Line Meaning
Here's a story of lovers finding
This is the tale of two lovers who found each other.
Union so deep there is no unwinding
The bond between them is so strong that it cannot be broken.
Tender threats exquisitely finding
Their love is so delicate, yet so powerful.
Two lives together so deep resounding
They are deeply in love, and their lives are intertwined.
Love so strong whatever the weather
Their love is so strong that it endures through any situation.
Even apart our souls are together
Even when physically apart, they are connected on a soul level.
It's you and me, babe, forever and ever
They will be together forever.
Even apart we are dreaming together
Even in each other's absence, they share the same dreams.
Suddenly all time and space
Their love transcends all physical boundaries.
Loses it's meaning when I see your face
Everything else fades away when they look at each other.
And I'm wrapped up in heaven's grace
Their love feels like a gift from heaven.
Feeling so safe in your sweet embrace
They feel safe and protected in each other's arms.
Lyrics © Sony/ATV Music Publishing LLC, Royalty Network
Written by: CHRIS ADLER, DAVID RANDALL BLYTHE, JOHN CAMPBELL, MARK MORTON, WILL ADLER
Lyrics Licensed & Provided by LyricFind
@anastasiabrousali539
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@MaxHechtman
Was amazing working with you, Chris Tsalikis and the entire Reel Life team! Great job!
@KogkoGR
Η φαση που εχεις μεγαλωσει με τα τραγουδια του So Tiri😂😂
@blueunicorn4856
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@Santoss99
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@rayboccino5174
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@sotiriofficial
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@thelittlepickldicks4993
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@fotistiganis1301
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@fotinoulatsianaka8229
xristos anesti se olous tous ellines