Lamb of God is an American groove metal band, originally formed under the n… Read Full Bio ↴Lamb of God is an American groove metal band, originally formed under the name Burn the Priest.

The roots of Lamb of God were planted in the year 1990, when Mark Morton, Chris Adler and John Campbell were friends at Virginia Commonwealth University. The trio began playing at Adler's house in Richmond weathering chilly conditions. "There was no heat in the house," recalls Campbell. "We would hang around the kerosene heaters, get really drunk and write metal songs. Fumes and Black Label beer were definitely what fueled our early days."

After graduation, Morton moved to Chicago to pursue a master's degree, but the band continued. A new guitarist, Abe Spear, replaced Morton as the band retired its instrumental sound and added Randy Blythe on vocals.

The quartet, known then as Burn the Priest, became a fixture in the tightly-knit Richmond music scene. To compete with the high-level of musicianship displayed by their contemporaries, the band adopted a rigid practice schedule. "To this day, we practice five days a week out of necessity," says Campbell. "The bands in Richmond can flat outplay you and if you don't practice, they will blow you off the stage. Bands like Breadwinner and Sliang Laos - two local math-metal bands - could play insanely complicated music note perfect. They inspired us to raise the bar musically and taught us the work ethic we needed to be a success."

The band was playing around Virginia when Mark Morton moved back from Chicago and re-joined the group. Soon after, Burn the Priest released a self-titled full length album on Legion Records. Abe left soon after, which opened a spot for guitarist, and brother to Chris - Willie Adler.

A year after the second Adler joined, in 2000, Burn the Priest changed its name to Lamb of God, and signed a record deal with Prosthetic Records. The band's independent-debut, New American Gospel, was released in the year 2000. "This album was all about creating a rhythmic and pummeling musical landscape with riff after riff," explains Morton. Drummer Adler notes: ''This is a classic record. We had all the elements come together to make one of the heaviest, yet contagious records of our career. It was difficult to contain us - we didn't even understand at the time what we had created."

Two years of extensive touring to support the album raised Lamb of God's profile before the band released the critically acclaimed, As The Palaces Burn (2003). ATPB won record of the year honors in such notable magazines as Revolver and Metal Hammer while garnering mainstream press in Rolling Stone and Entertainment Weekly.

The band hit the road again and began headlining tours across the globe. In the fall of 2003 Lamb of God was a co-headliner on the first ever MTV's Headbanger's Ball Tour which elevated Lamb of God beyond the underground. The band then released Terror and Hubris, a DVD, featuring early live performances, videos for "Ruin" and "Black Label" and behind-the-scenes footage highlighting the work ethic, humility and sense of humor of one of the most respected and influential bands around today. The DVD proved to be a commercial success as it entered the Billboard Music DVD Charts at #32.

Gradually, Lamb of God's persistence paid off. Their 2003 disc, As The Palaces Burn earned them a new level of respect and admiration, but it was 2004's virulent major label debut (Epic Records) Ashes of the Wake that turned the band into true contenders for the metal throne. By mid 2006, the record had sold over 275,000 copies. Revolver magazine voted it the album of the year, a Guitar World readers poll deemed it best metal album and awarded the band "most valuable players," "best shredders" and "best riffs." The video for "Now You've Got Something to Die For" earned "best video" from both Headbanger's Ball and Revolver. And a DVD chronicling the tour and life on the road with the band, Killadelphia, has gone gold. Lamb of God supported Ashes with more relentless touring, now playing mostly arenas and festivals, starting with a headlining run on Second Stage at Ozzfest 2004, and ending by headlining the North American Sounds of The Underground Festival in 2005.

The political angst that fueled the lyrics on As The Palaces Burn continues unabated on Ashes of the Wake. However, Blythe admits that his plans to write songs about personal responsibility quickly changed. "Mark and I write most of the lyrics together, and at the start of this album we agreed that we wanted to concentrate on internal instead of external politics," he explains. "But as we got into it, considering the condition of the world today, we felt obligated as responsible artists to give accurate social commentary, and that meant writing a few indictments against the powers that be."

Mixing a call to arms with a sneering disdain balances Ashes of the Wake. "In the end, I think the album is stronger because we show the relation between internal and external politics instead of just focusing on one or the other," Blythe says. "These songs are a reality check for everyone because they rail against a wrong-headed government and against the apathetic people that ignore the government and allow it to exist."

After Ashes of the Wake, they had been praised as one of the leaders of the new American metal movement, and while they were flattered to be considered part of something so influential, this time they wanted to stand alone. "I believe it's important for us to create a legacy for this band, and I don't want that legacy to be in association with anyone else," Adler says. "In our minds, we're a cut above and we feel like we put out a whole lot more."

Towards the end of 2005, the band stopped all touring and came home to Richmond, VA, to begin writing the next chapter. An intense 8 month writing process followed. "We pretty much killed ourselves working on it five to six days a week for six to eight hours a day," says drummer Chris Adler. "It was important to push ourselves into uncomfortable territory as players. A lot of times one of us would say, 'I'm not sure if I can play that.' The typical response was, 'Well, you've got a year to figure it out.' We pushed ourselves to step it up and threw out a lot of decent material because we were insisting on only the best." One reason Lamb of God pushed so hard is because they wanted to create something that couldn't be classified, categorized or marginalized.

August 22, 2006 brought Sacrament, a stunning example of how diverse, articulate and pummeling metal can be. It's a record that emphasizes just how far the band members have come as players, writers and people and stands as a true testament of triumph over adversity. With Sacrament, Lamb of God has stoked the flames by stripping the flesh to the bone and examining the carnage. The songs are bleak and dark, yet key ingredients of a ride that's as breathless, exhilarating and terrifying as an overdose.

Guitarist and co-lyricist Mark Morton notes the band chose the name Sacrament based on a specific lyrical reference as well as a more general symbolic perspective. "We like it because it employs the idea of the traditional religious Sacrament, which is something you do as ritual to get to a different level of your faith," he says. "Also, I thought it was symbolic in terms of us putting out another record and getting to the next stage of our musical development." "This is definitely a personal record and it's the darkest thing we've ever done," adds Blythe. "It stems from a lot of depression and a fucked up worldview. In the last couple years I've been going through a lot of weird, bad shit."

The biggest difference between Sacrament and Ashes of the Wake is the lyrical content. In the past, Lamb of God has lyrically been motivated by the hypocrisy, greed and turmoil of politics and politicians. This time the band turned within to reveal an even greater source of despair and frustration.

Songs like 'Pathetic' and 'Descending' for instance are about the whirlpool of addiction and alcoholism, 'Walk With Me In Hell' addresses the destruction of codependency and 'Blacken the Cursed Sun' confronts suicidal depression.

"The lyrics were so intense for me, when I was recording, it was like breathing pain instead of breathing air," Blythe says. "So, when it was done, I couldn't listen to the record for another two months. It just took so much out of me to get all this stuff out, I didn't want to touch it right away."

In addition to being relatively heavy, Sacrament is a sincere expression of the turmoil that has tumbled through the last few years of the band's existence. In an era of stagnant, contrived metal, Lamb of God is a harrowing rush of honesty, a declaration that no matter what anyone else is playing, Lamb of God will always follow their own hearts.

"This band was started because no one out there was making the music that we wanted to hear," singer Randy Blythe says. "So, we decided to make that music, and from that point it has just been a continuation of that philosophy. We had never changed anything we do to appeal to anyone, appease anyone or seek any sort of approval from anyone other than ourselves."

In 2009, Lamb of God released their sixth studio album 'Wrath' which debuted at No. 2 on the billboard top 200. The track 'Set to Fail' also received a Grammy nomination amongst other Metal heavyweights such as Megadeth, Slayer, Judas Priest, and Ministry. They spent the remainder of 2009 touring in support of the new album and expect to continue touring through most of 2010.

In an interview with Spin Magazine, Chris Adler stated that the band currently has plans to begin work on their seventh album (title unknown) at the start of 2011. The album has been stated to be released either the end of 2011 or the beginning of 2012 and the band will not be doing any public performances until 2012 according to Morton's personal Twitter account.

On June 28, 2012, Randy Blythe was arrested in Czech Republic for alleged manslaughter. He was released on August 3 on a $400,000 bail until the criminal proceedings are finished.

Despite statements from band members that Lamb of God planned to enter the studio in 2014 to begin recording their eighth studio album, hoping to complete it by the end of the same year, Chris Adler said in an interview with The Virginian-Pilot that besides the large amount legal fees the band encountered from Randy Blythe's trial, the band's inactivity during the trial had eventually depleted the band's funds and thus were unable to fulfill those plans.

On January 26, 2014, Randy Blythe posted a picture and a statement on his Instagram saying he would be taking a long break from Lamb of God. The band, after the then-current album cycle would be on hiatus, except for some summer festival appearances. By September, however, Blythe revealed that he was planning to release a new Lamb of God record, which uses lyrics he had written while he was incarcerated along with his book, Dark Days: A Memoir in early 2015.

The band began teasing a new album, with the placeholder title Lamb of God VII via Instagram and Twitter in late April 2015. A website, lambofgodvii.com, initially comprising an empty black screen, went online in early May. The "VII" (the roman numeral for the number seven) refers to the album being the band's seventh, and does not take into account the first of their albums, released with a slightly different line-up as Burn the Priest. On May 15, 2015, it was announced that the title of the new album VII: Sturm und Drang, and would be released in July via Epic and Nuclear Blast Entertainment. The first song, "Still Echoes" was made available for streaming on LambofGodVII.com, and available for digital download on May 18. In June of the same year, the band released a video for the song "512".

On November 14, 2016, Lamb of God released a new EP titled "The Duke", which featured two new songs from the VII: Sturm und Drang recordings and three live tracks. The title track is dedicated to a fan and friend of vocalist Randy Blythe, Wayne Ford, who died after a 5-year battle with leukaemia. In addition to the new release, several members of the band auctioned off their instruments, signed CDs, lyric books and gold records to raise money for the Leukemia and Lymphoma Society.

On April 4, 2017, Blythe said it was time for the band to "really go on hiatus" after their summer North American tour; this was in reference to the first hiatus being on the back of his release from prison and acquittal. On August 10, guitarist Mark Morton confirmed that the band would be going on hiatus but stated that they would still be making music but did not hint at whether this was either for an upcoming release or indeed for Lamb of God at all.

On January 22, 2018, Lamb of God was announced as one of the bands supporting the Slayer Farewell Tour.

On March 22, 2018, Lamb of God announced that on May 18, 2018, they would release a cover album, Legion: XX under their original name Burn the Priest. It is the band's first album as Burn the Priest since their 1999 album.

On October 23, 2018, Lamb of God drummer Chris Adler was interviewed on the 486th Metal Injection Livecast and in the interview with Metal Injection he revealed that the band is aiming for a December 2019 release date for Lamb of God's tenth studio album. He also revealed in the interview that he had a conversation with fellow heavy metal drummer Lars Ulrich of the band Metallica about what it is like to work with ex-Metallica guitarist and current Megadeth lead vocalist and guitarist Dave Mustaine prior to working with him on Megadeth's 15th album, Dystopia, which was released in 2016.

In June 2019, on the topic of Chris Adler returning to the band on a touring basis, Randy Blythe stated during an interview with WSOU that he had no comment and that "it's hard to see what's going to happen with Chris Adler."On July 19, 2019, the band released a statement informing that they had indeed parted ways with Chris Adler, with Winds of Plague and former Prong drummer Art Cruz being named the new drummer of Lamb of God. They additionally stated that they had begun pre-production on their forthcoming 10th album.On October 23, 2019, Chris Adler released his own statement about his departure from Lamb of God revealing that he "did not make the decision to leave my life’s work" and he "is unwilling to paint by numbers".

On February 5, 2020, the band released "Checkmate" as the debut single from their self-titled album, Lamb of God, which marks the first song to feature new drummer Art Cruz. The album was initially planned to be released on May 8, but was postponed to June 19, 2020 due to the coronavirus pandemic. Lamb of God will spend most of 2021 touring in support of the album, including a co-headlining US tour with Megadeth, and a European trek with Kreator and Power Trip.

In a September 2020 interview with Australia's Subculture Entertainment, Lamb of God guitarist Mark Morton was asked how he was spending his coronavirus downtime. He responded, "Writing and recording and creating new music is my favorite part out of all the things we get to do. There's a lot of elements, a lot of components about being in a band like Lamb of God. Performing and touring is one of them. Writing and recording is another one of them. The writing and recording part is far and away my favorite part of what we get to do. And so I have been doing some writing. I've been writing some stuff for Lamb of God, some stuff for other people, some stuff for my own solo project, so there's a lot of new music jumping out of me right now."

On February 4, 2021, the band released a song called "Ghost Shaped People" off the upcoming deluxe version of their 2020 self-titled album. The reissue of the album is set for release on March 26, 2021.

Forgotten
Lamb of God Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

This is a mean and cold town,
I hate this fucking place.
Watch the rats as they all drown,
Dying slowly day by day.
Decrepit and falling down,
Cesspool of human waste.
Swallow profit in deep,
Now in death you'll finally know the taste.

There are no souls left here to save.
Forgotten, lost angels, long disgraced.

You fucking hypocrite,
But hooks in lips they do not lie.
Compassion served not on your plate,
How many of them have you watched die?

I can't write you a happy song,
I can't write you a sing-a-long,
The only catchy hook I've got,
Is the one in my bleeding gut.

Burn it down

There are no souls left here to save.
Forgotten, lost angels, long disgraced.

Dead stares, dead eyes,
Choked hopes and vacant minds,
Blank words, blank lives,
The end result of endless lies.

There's no angels here,
To get lost in the first place
Jackhammer a fault line,
Pray for earthquakes.
Mulhollands's on fire,
And my cig' started it.
'92 should have burnt this fucker down,
We're here to finish it.

I'm not impressed by much here,
Much less what you have to say.
Don't give a fuck who you know,
I just want to leave this hellhole

Know that you mean nothing to me,
Nor the lies that seep from your teeth.
Won't piss on you if you're on fire,
One more self-important liar.

Burn it down.

Overall Meaning

The song "Forgotten" by Lamb of God paints a bleak picture of a town that is mean, cold and decrepit. The lyrics express a deep hatred and disgust towards this polluted and corrupted place, where rats drown slowly and the people are engulfed in human waste. The chorus repeatedly emphasizes that there are no souls left to save in this town, and that the lost angels have been long disgraced. The lyrics also attack the hypocrisy of those who claim to have compassion but do nothing to help those in need, and instead watch them die.

The singer admits that he cannot write a happy or catchy song about this town. The only hook he has is the pain in his gut. The song culminates with the singer's call to burn the town down, to bring it to its end and put an end to the pain and misery it has caused.

Overall, the lyrics of "Forgotten" convey a sense of hopelessness and despair, and a deep sense of alienation from this town and the people who inhabit it.

Line by Line Meaning

This is a mean and cold town,
The town is characterized as hostile and heartless.

I hate this fucking place.
The singer despises the town and all that it stands for.

Watch the rats as they all drown,
The singer observes the hopeless and miserable state of the town's inhabitants.

Dying slowly day by day.
The artist notes the gradual decay and decline of the town and its residents.

Decrepit and falling down,
The town and its infrastructure are falling apart.

Cesspool of human waste.
The town is filled with moral decay and depravity.

Swallow profit in deep,
The town prioritizes profit over people, leading to further decay.

Now in death you'll finally know the taste.
The artist suggests that this obsession with profit will inevitably lead to the town's downfall and demise.

There are no souls left here to save.
The town is beyond redemption.

Forgotten, lost angels, long disgraced.
The artist mourns the loss of the town's residents, who have become corrupted and forgotten over time.

You fucking hypocrite,
The singer addresses a person who is guilty of hypocrisy.

But hooks in lips they do not lie.
Despite this person's deceitfulness, their actions prove their guilt.

Compassion served not on your plate,
This person lacks empathy or kindness.

How many of them have you watched die?
The singer accuses this person of being complicit in the suffering and death of others.

I can't write you a happy song,
The singer cannot create an upbeat or positive tune.

I can't write you a sing-a-long,
The artist cannot produce an easy-to-sing tune.

The only catchy hook I've got,
The only memorable thing about the artist's music is its bleak and depressing lyrics.

Is the one in my bleeding gut.
The singer's personal pain and suffering is the main source of inspiration for their music.

Burn it down
The singer advocates for the complete destruction of the town and all of its problems.

Dead stares, dead eyes,
The town's residents are lifeless and devoid of hope.

Choked hopes and vacant minds,
The town's residents lack ambition and are trapped in a state of despair.

Blank words, blank lives,
The town's residents are unable to express themselves and feel trapped in their existence.

The end result of endless lies.
The town's problems can be traced back to a history of deceit and corruption.

There's no angels here,
There are no good or pure people left in the town.

To get lost in the first place
There is nothing worth saving or preserving about the town.

Jackhammer a fault line,
The singer advocates for taking drastic measures to bring about change in the town.

Pray for earthquakes.
The singer believes that the only way to bring about change is through total destruction.

Mulholland's on fire,
A key landmark in the town is burning down.

And my cig' started it.
The artist is indifferent to the chaos and destruction of the town and takes pleasure in causing more problems.

'92 should have burnt this fucker down,
The singer suggests that the town has been a problem for a long time and should have been destroyed years ago.

We're here to finish it.
The singer declares their intention to bring about the town's destruction.

I'm not impressed by much here,
The artist is unimpressed by the town and its inhabitants.

Much less what you have to say.
The artist has no interest in hearing what others have to say about the town.

Don't give a fuck who you know,
The artist is not swayed by social status or connections.

I just want to leave this hellhole
The singer's main goal is to escape the town and its problems.

Know that you mean nothing to me,
The artist has no interest in forming connections or relationships in the town.

Nor the lies that seep from your teeth.
The singer is skeptical of the town's inhabitants and believes they are dishonest.

Won't piss on you if you're on fire,
The singer has no desire to help or rescue anyone in the town.

One more self-important liar.
The singer has no patience for people who are conceited or deceitful.

Lyrics © Sony/ATV Music Publishing LLC
Written by: CHRIS ADLER, DAVID RANDALL BLYTHE, JOHN CAMPBELL, MARK MORTON, WILL ADLER

Lyrics Licensed & Provided by LyricFind

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