(February 1, 1902 - May 22, 1967)
Born in Joplin, Missouri, James Langst… Read Full Bio ↴(February 1, 1902 - May 22, 1967)
Born in Joplin, Missouri, James Langston Hughes was a member of an abolitionist family. He was the great-great-grandson of Charles Henry Langston, brother of John Mercer Langston, who was the first Black American to be elected to public office, in 1855. Hughes attended Central High School in Cleveland, Ohio, but began writing poetry in the eighth grade, and was selected as Class Poet. His father didn't think he would be able to make a living at writing, and encouraged him to pursue a more practical career. He paid his son's tuition to Columbia University on the grounds he study engineering. After a short time, Langston dropped out of the program with a B+ average; all the while he continued writing poetry. His first published poem was also one of his most famous, "The Negro Speaks of Rivers", and it appeared in Brownie's Book. Later, his poems, short plays, essays and short stories appeared in the NAACP publication Crisis Magazine and in Opportunity Magazine and other publications.
One of Hughes' finest essays appeared in the Nation in 1926, entitled "The Negro Artist and the Racial Mountain". It spoke of Black writers and poets, "who would surrender racial pride in the name of a false integration," where a talented Black writer would prefer to be considered a poet, not a Black poet, which to Hughes meant he subconsciously wanted to write like a white poet. Hughes argued, "no great poet has ever been afraid of being himself." He wrote in this essay, "We younger Negro artists now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased we are glad. If they aren't, it doesn't matter. We know we are beautiful. And ugly too... If colored people are pleased we are glad. If they are not, their displeasure doesn't matter either. We build our temples for tomorrow, as strong as we know how and we stand on the top of the mountain, free within ourselves."
In 1923, Hughes traveled abroad on a freighter to the Senegal, Nigeria, the Cameroons, Belgium Congo, Angola, and Guinea in Africa, and later to Italy and France, Russia and Spain. One of his favorite pastimes whether abroad or in Washington, D.C. or Harlem, New York was sitting in the clubs listening to blues, jazz and writing poetry. Through these experiences a new rhythm emerged in his writing, and a series of poems such as "The Weary Blues" were penned. He returned to Harlem, in 1924, the period known as the Harlem Renaissance. During this period, his work was frequently published and his writing flourished. In 1925 he moved to Washington, D.C., still spending more time in blues and jazz clubs. He said, "I tried to write poems like the songs they sang on Seventh Street...(these songs) had the pulse beat of the people who keep on going." At this same time, Hughes accepted a job with Dr. Carter G. Woodson, editor of the Journal of Negro Life and History and founder of Black History Week in 1926. He returned to his beloved Harlem later that year.
Langston Hughes received a scholarship to Lincoln University, in Pennsylvania, where he received his B.A. degree in 1929. In 1943, he was awarded an honorary Lit.D by his alma mater; a Guggenheim Fellowship in 1935 and a Rosenwald Fellowship in 1940. Based on a conversation with a man he knew in a Harlem bar, he created a character know as My Simple Minded Friend in a series of essays in the form of a dialogue. In 1950, he named this lovable character Jess B. Simple, and authored a series of books on him.
Langston Hughes was a prolific writer. In the forty-odd years between his first book in 1926 and his death in 1967, he devoted his life to writing and lecturing. He wrote sixteen books of poems, two novels, three collections of short stories, four volumes of "editorial" and "documentary" fiction, twenty plays, children's poetry, musicals and operas, three autobiographies, a dozen radio and television scripts and dozens of magazine articles. In addition, he edited seven anthologies. The long and distinguished list of Hughes' works includes: Not Without Laughter (1930); The Big Sea (1940); I Wonder As I Wander" (1956), his autobiographies. His collections of poetry include: The Weary Blues (1926); The Negro Mother and other Dramatic Recitations (1931); The Dream Keeper (1932); Shakespeare In Harlem (1942); Fields of Wonder (1947); One Way Ticket (1947); The First Book of Jazz (1955); Tambourines To Glory (1958); and Selected Poems (1959); The Best of Simple (1961). He edited several anthologies in an attempt to popularize black authors and their works. Some of these are: An African Treasury (1960); Poems from Black Africa (1963); New Negro Poets: USA (1964) and The Best Short Stories by Negro Writers (1967).
Published posthumously were: Five Plays By Langston Hughes (1968); The Panther and The Lash: Poems of Our Times (1969) and Good Morning Revolution: Uncollected Writings of Social Protest (1973); The Sweet Flypaper of Life with Roy DeCarava (1984).
Langston Hughes died of cancer on May 22, 1967. His residence at 20 East 127th Street in Harlem, New York has been given landmark status by the New York City Preservation Commission. His block of East 127th Street was renamed "Langston Hughes Place" .
By: Andrew P. Jackson (Sekou Molefi Baako)
Langston Hughes a biography by Milton Meltzer 1968
Langston Hughes and Gwendolyn Brooks: A Reference Guide by R. Baxter Miller 1979
Langston Hughes, American Poet by Alice Walker 1974
Langston Hughes in the Hispanic World and Haiti by Edward J. Mullen 1977
The World of Langston Hughes Music: A Bibliography of Musical Settings of Langston Hughes' Works with Recordings and Other Listings by Kenneth Neilson 1982
Langston Hughes: Before and Beyond Harlem by Faith Berry 1983
Langston Hughes and the Blues by Steven C. Tracy 1988
Langston Hughes: Black Genius, A Critical Evaluation edited by Therman B. O'Daniel 1977
The Life of Langston Hughes: Vol. I 1902-194, Too, Sing America and Vol. II 1941-1967 Dream A World by Arnold Rampersad 1986
From http://www.redhotjazz.com/hughes.html
Born in Joplin, Missouri, James Langst… Read Full Bio ↴(February 1, 1902 - May 22, 1967)
Born in Joplin, Missouri, James Langston Hughes was a member of an abolitionist family. He was the great-great-grandson of Charles Henry Langston, brother of John Mercer Langston, who was the first Black American to be elected to public office, in 1855. Hughes attended Central High School in Cleveland, Ohio, but began writing poetry in the eighth grade, and was selected as Class Poet. His father didn't think he would be able to make a living at writing, and encouraged him to pursue a more practical career. He paid his son's tuition to Columbia University on the grounds he study engineering. After a short time, Langston dropped out of the program with a B+ average; all the while he continued writing poetry. His first published poem was also one of his most famous, "The Negro Speaks of Rivers", and it appeared in Brownie's Book. Later, his poems, short plays, essays and short stories appeared in the NAACP publication Crisis Magazine and in Opportunity Magazine and other publications.
One of Hughes' finest essays appeared in the Nation in 1926, entitled "The Negro Artist and the Racial Mountain". It spoke of Black writers and poets, "who would surrender racial pride in the name of a false integration," where a talented Black writer would prefer to be considered a poet, not a Black poet, which to Hughes meant he subconsciously wanted to write like a white poet. Hughes argued, "no great poet has ever been afraid of being himself." He wrote in this essay, "We younger Negro artists now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased we are glad. If they aren't, it doesn't matter. We know we are beautiful. And ugly too... If colored people are pleased we are glad. If they are not, their displeasure doesn't matter either. We build our temples for tomorrow, as strong as we know how and we stand on the top of the mountain, free within ourselves."
In 1923, Hughes traveled abroad on a freighter to the Senegal, Nigeria, the Cameroons, Belgium Congo, Angola, and Guinea in Africa, and later to Italy and France, Russia and Spain. One of his favorite pastimes whether abroad or in Washington, D.C. or Harlem, New York was sitting in the clubs listening to blues, jazz and writing poetry. Through these experiences a new rhythm emerged in his writing, and a series of poems such as "The Weary Blues" were penned. He returned to Harlem, in 1924, the period known as the Harlem Renaissance. During this period, his work was frequently published and his writing flourished. In 1925 he moved to Washington, D.C., still spending more time in blues and jazz clubs. He said, "I tried to write poems like the songs they sang on Seventh Street...(these songs) had the pulse beat of the people who keep on going." At this same time, Hughes accepted a job with Dr. Carter G. Woodson, editor of the Journal of Negro Life and History and founder of Black History Week in 1926. He returned to his beloved Harlem later that year.
Langston Hughes received a scholarship to Lincoln University, in Pennsylvania, where he received his B.A. degree in 1929. In 1943, he was awarded an honorary Lit.D by his alma mater; a Guggenheim Fellowship in 1935 and a Rosenwald Fellowship in 1940. Based on a conversation with a man he knew in a Harlem bar, he created a character know as My Simple Minded Friend in a series of essays in the form of a dialogue. In 1950, he named this lovable character Jess B. Simple, and authored a series of books on him.
Langston Hughes was a prolific writer. In the forty-odd years between his first book in 1926 and his death in 1967, he devoted his life to writing and lecturing. He wrote sixteen books of poems, two novels, three collections of short stories, four volumes of "editorial" and "documentary" fiction, twenty plays, children's poetry, musicals and operas, three autobiographies, a dozen radio and television scripts and dozens of magazine articles. In addition, he edited seven anthologies. The long and distinguished list of Hughes' works includes: Not Without Laughter (1930); The Big Sea (1940); I Wonder As I Wander" (1956), his autobiographies. His collections of poetry include: The Weary Blues (1926); The Negro Mother and other Dramatic Recitations (1931); The Dream Keeper (1932); Shakespeare In Harlem (1942); Fields of Wonder (1947); One Way Ticket (1947); The First Book of Jazz (1955); Tambourines To Glory (1958); and Selected Poems (1959); The Best of Simple (1961). He edited several anthologies in an attempt to popularize black authors and their works. Some of these are: An African Treasury (1960); Poems from Black Africa (1963); New Negro Poets: USA (1964) and The Best Short Stories by Negro Writers (1967).
Published posthumously were: Five Plays By Langston Hughes (1968); The Panther and The Lash: Poems of Our Times (1969) and Good Morning Revolution: Uncollected Writings of Social Protest (1973); The Sweet Flypaper of Life with Roy DeCarava (1984).
Langston Hughes died of cancer on May 22, 1967. His residence at 20 East 127th Street in Harlem, New York has been given landmark status by the New York City Preservation Commission. His block of East 127th Street was renamed "Langston Hughes Place" .
By: Andrew P. Jackson (Sekou Molefi Baako)
Langston Hughes a biography by Milton Meltzer 1968
Langston Hughes and Gwendolyn Brooks: A Reference Guide by R. Baxter Miller 1979
Langston Hughes, American Poet by Alice Walker 1974
Langston Hughes in the Hispanic World and Haiti by Edward J. Mullen 1977
The World of Langston Hughes Music: A Bibliography of Musical Settings of Langston Hughes' Works with Recordings and Other Listings by Kenneth Neilson 1982
Langston Hughes: Before and Beyond Harlem by Faith Berry 1983
Langston Hughes and the Blues by Steven C. Tracy 1988
Langston Hughes: Black Genius, A Critical Evaluation edited by Therman B. O'Daniel 1977
The Life of Langston Hughes: Vol. I 1902-194, Too, Sing America and Vol. II 1941-1967 Dream A World by Arnold Rampersad 1986
From http://www.redhotjazz.com/hughes.html
I Have Known Rivers
Langston Hughes Lyrics
mi ai salvato la vita
...,.
...
...
suona il corno dei
suonalo per me
che stagioni ormai
di andarmene
un po cosi
senza piu ali
senza la tua luce
come un cielo che
stelle piΓΉ non ha
ero il sogno
di un soldato
ero in liberta
e muoriro
per te
portami via
e laschiami cosi
...
suona il corno dei
tanto fa lo stesso
non c'Γ¨ piΓΉ strada ormai
che porti fino a te
il buio mi assale
mi porta via
in alto se ne va
lanima mia
che sai
lasciami qui
ma da lontano
oltre le montagne
una voce dice
ricordati chi sei
sei un saldato che
non sara mai sciavo
non ti arrendere
ricordati chi sei
...
sei un guerriero che
combatte per la vita
per la liberta
per la liberta
...,.
...
...
suona il corno dei
suonalo per me
che stagioni ormai
di andarmene
un po cosi
senza piu ali
come un cielo che
stelle piΓΉ non ha
ero il sogno
di un soldato
ero in liberta
e muoriro
per te
portami via
e laschiami cosi
...
suona il corno dei
tanto fa lo stesso
non c'Γ¨ piΓΉ strada ormai
che porti fino a te
il buio mi assale
mi porta via
in alto se ne va
lanima mia
che sai
lasciami qui
ma da lontano
oltre le montagne
una voce dice
ricordati chi sei
sei un saldato che
non sara mai sciavo
non ti arrendere
ricordati chi sei
...
sei un guerriero che
combatte per la vita
per la liberta
per la liberta
Contributed by Harper L. Suggest a correction in the comments below.
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@therealzilch
What a treasure, that we have Langston Hughes' own voice still.
@depreepounds4419
I was just thinking this. I am so glad my children will be able to hear his poetry in his own voice. β€
@anacontreras4632
I AGREE with you
@ihateemoss
yasssss
@beankobe8205
Well spoken too the old movies always made us seem so uneducated ,look how smart he sounds when he is not reading a racist script .πͺπΎπͺπΎπͺπΎπͺπΎhate he they would make us look
@jochanaan58
When he speaks he sounds very ordinary, but when he recites he becomes the great poet. Magnificent!
@ZenGrammy
Exactly
@kueen7538
I read this poem for the first time in 3rd grade. And I instantly feel in love with it. A very short poem; however, those few lines filled my heart with the richness and greatness of my people!
@brunapixie5969
He was a genius, so young and so wise. If he wrote only this poem in his life it would be perfect.
@Ray_Davis15
Reading this poem as a child, I never thought that it would be the dawn of defining my writing.