With themes related to the pacific northwest, Gibson writes songs on a nylon-stringed guitar. In November 2004, she self-released an EP, Amends, produced and engineered by Drew Grow, on a laptop, in a house in Newberg, Oregon. Following this initial release, Laura released her debut full-length in November, 2006 titled If You Come to Greet Me on Hush Records. Engineered by Adam Selzer (Norfolk and Western, M. Ward, The Decemberists) and recorded completely on analog tape, songs on If You Come to Greet Me vary from pieces composed with bare-bones guitar and voice, to an orchestra of trumpets, piano, vibraphone, saw, violin, cello, banjo and found sounds. Songs have described as, "haunting portraits of nostalgia and intimacy, of loneliness and wide-eyed hope".
The La Grande Songfacts reports that Laura Gibson's fifth album is titled after La Grande, a small town situated in the forests of the Pacific Northwest where she parked her trailer and wrote and recorded the ten tracks that make up the record. It was released in January 2012.
Gibson's latest album Empire Builder was released April 1st, 2016 on Barsuk Records / City Slang.
Postures Bent
Laura Gibson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Days have
Falling, spin
Tatter, ringing
Wooden sheds
Lining up in perfect rows
Oh, mine and yours
All the
Leaders
Seasons change
Burning in our cartons
Singing stories in our ears
Pulling, pulling at our wills
When we
Burn our candles down
Gather our, unions songs
Faces white with paper, reed
Loving in our frail tears
Laura Gibson's song "Postures Bent" is a poetic exploration of the cyclical nature of life and death, and the complex emotions and experiences that come with it. The lyrics paint a vivid picture of a world in which days fall quickly and time spins out of control, leaving us disconnected and out of touch with ourselves and with each other. Wooden sheds line up in perfect rows, a symbol of the artificial and confining structures we create to protect ourselves from the chaos of the world around us.
Against this backdrop of chaos, there are our postures bent - a reference to the ways in which we physically and emotionally contort ourselves in order to fit into the world. These postures are not just about physical positioning, but also about the ways in which we hide our true selves in order to be accepted or loved by others.
As the cycles of life and death continue, seasons change and leaders come and go. Burning in our cartons and singing stories in our ears, we are pulled in different directions and our wills are tested. When we eventually burn our candles down and gather together to sing union songs, our faces are white with paper reed and we are left to love in our frail tears.
Overall, "Postures Bent" is a deeply introspective and thought-provoking song that invites listeners to reflect on their own experiences with life, death, and the complexities of human emotion.
Line by Line Meaning
All our
All of our
Days have
The passing of time affects us all
Falling, spin
Time is fleeting and constantly in motion
Tatter, ringing
The wear and tear of life, both physical and emotional
Wooden sheds
Simple structures that represent our basic needs
Lining up in perfect rows
The order and uniformity of life
Our postures bent
The toll that life takes on our bodies and minds
Oh, mine and yours
Both individuals are affected by the challenges of life
All the
Each and every one of the
Leaders
Those in positions of power
Seasons change
The passing of time affects not only individuals, but also the world around us
Burning in our cartons
The things we hold onto, both physically and emotionally
Singing stories in our ears
The memories and experiences that shape us
Pulling, pulling at our wills
The constant tug-of-war between our desires and responsibilities
When we
At times when we
Burn our candles down
When we exhaust ourselves
Gather our, unions songs
Coming together to find strength and support
Faces white with paper, reed
The physical toll of exhaustion, represented by pale skin
Loving in our frail tears
Despite our weaknesses and vulnerabilities, we still have the capacity for love
Contributed by Kayla C. Suggest a correction in the comments below.