Lorenzo Aitken (22 April 1927 – 17 July 2005), better known by the stage na… Read Full Bio ↴Lorenzo Aitken (22 April 1927 – 17 July 2005), better known by the stage name Laurel Aitken, was an influential Caribbean singer and one of the pioneers of Jamaican ska music. He is often referred to as the "Godfather of Ska".

Born in Cuba of mixed Cuban and Jamaican descent, Aitken and his family settled in Jamaica in 1938. After an early career working for the Jamaican Tourist Board singing mento songs for visitors arriving at Kingston Harbour, he became a popular nightclub entertainer. His first recordings in the late 1950s were mento tunes such as "Nebuchnezer", "Sweet Chariot" (aka the gospel classic "Swing Low, Sweet Chariot") and "Baba Kill Me Goat". Aitken's 1958 single "Boogie in My Bones"/"Little Sheila" was one of the first records produced by Chris Blackwell and the first Jamaican popular music record to be released in the United Kingdom. Other more Jamaican rhythm and blues orientated singles from this period include "Low Down Dirty Girl" and "More Whisky" both produced by Duke Reid.

Aitken moved to Brixton, London, in 1960 and recorded for the Blue Beat label, releasing fifteen singles before returning to Jamaica in 1963. He recorded for Duke Reid, with backing from the Skatalites on tracks such as "Zion" and "Weary Wanderer", before returning to the UK, where he began working with Pama Records. He recorded hits such as "Fire in Mi Wire" and "Landlord and Tenants", which led to a wider recognition outside of Jamaica and the UK. This cemented his position as one of ska's leading artists and earned him the nicknames The Godfather of Ska, and later Boss Skinhead. He gained a loyal following not only among the West Indian community, but also among mods, skinheads and other ska fans. He had hit records in the United Kingdom and other countries in the 1950s through to the 1970s on labels such as Blue Beat, Pama, Trojan, Rio, Dr. Bird, Nu-Beat, Ska-Beat,Hot Lead and Dice. Some of his singles featured B-sides credited to his brother, guitarist Bobby Aitken. Aitken also recorded a few talk-over/deejay tracks under the guise of 'King Horror', such as "Loch Ness Monster", "Dracula, Prince of Darkness", and "The Hole". Aitken settled in Leicester with his wife in 1970. His output slowed in the 1970s and during this period he worked as an entertainer in nightclubs and restaurants in the area including the popular 'Costa Brava Restaurant' in Leicester under his real name Lorenzo. In 1980, with ska enjoying a resurgence in the wake of the 2 Tone movement, Aitken had his only success in the UK Singles Chart with "Rudi Got Married" (#60) released on I-Spy Records (the label created and managed by Secret Affair. Aitken's career took in mento/calypso, R&B, ska, rock steady, and reggae, and in the 1990s he even turned his talents to dancehall. He performed occasional concerts almost until his death from a heart attack in 2005. After a long campaign, a blue plaque in his honour was put up at his Leicester home in 2007. Punk band Rancid cover's Aitken's Everybody Suffering on their 2014 LP Honor Is All We Know

Laurel Aitken (April 22, 1927 - July 17, 2005) became famous as one of the originators of Jamaican ska music in the late 1950s.

Aitken was born as Lorenzo Aitken in Cuba, and is the brother of singer Bobby Aitken. He moved to England in the 1960s, and had a loyal following among Skinheads and other ska fans. He had massive hits in the 1950s through 1970s, while recording for Blue Beat Records, Pama Records and Trojan Records. He recorded one of the earliest ska records, the double A-sided Boogie in My Bones / Little Sheila (1958). It was the first record on producer Chris Blackwell's Island Records label.

Aitken, who is known as "The Godfather of Ska", made his home in Leicester UK and performed live almost until his death. He suffered from a serious illness following a heart attack about a year before he died. He died from a heart attack in Leicester, UK on July 17, 2005.

Mary Lee
Laurel Aitken Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Oh Mary Lee, baby don't leave me
May Lee, baby don't leave me
I need you darling and I never never let you go
Mary Mary Lee,
Baby can't you see
Mary Lee
We were meant to be
I need a darling and I'm never ever lettin' you go.

Yeah yeah eyah Mary Lee
Oh Im on my knees
Mary Lee, can you hear my plee.
I need you darling and I'm never ever lettin' you go.
I need you darling and I'm never ever lettin' you go.
Oh, oh, oh, oh.
Oh, oh, oh, oh.

Oh, oh, oh, oh.
Oh, oh, oh, oh.

Overall Meaning

In Laurel Aitken's song "Mary Lee," the lyrics express a plea to a beloved named Mary Lee to not leave the singer. The repetition of the phrase "baby don't leave me" emphasizes the singer's desperation and need for Mary Lee to stay by their side. The lyrics also suggest a deep connection and destiny between the two, with lines like "We were meant to be" and "Mary Lee, can you hear my plea." The singer declares their commitment to Mary Lee, promising to never let her go and expressing their love through lines like "I need you darling."

Overall, the lyrics of "Mary Lee" portray a heartfelt plea for love and a fear of losing the person who means so much to the singer. The repetition of phrases and the passionate tone in the delivery underscore the emotional urgency conveyed in the song.

Line by Line Meaning

Oh Mary Lee, baby don't leave me
Oh my love Mary Lee, please don't abandon me

May Lee, baby don't leave me
My dear May Lee, don't go away from me

I need you darling and I never never let you go
I desire you, my dear, and I will always hold onto you

Mary Mary Lee
My beloved Mary Lee

Baby can't you see
My dear, can't you understand

Mary Lee
Mary Lee

We were meant to be
We were destined to be together

I need a darling and I'm never ever lettin' you go.
I long for a beloved and I will never, ever release you from my grasp

Yeah yeah eyah Mary Lee
Yes, yes, oh Mary Lee

Oh Im on my knees
Oh, I am pleading desperately

Mary Lee, can you hear my plee.
Mary Lee, are you able to perceive my plea