Lawrence Welk (March 11, 1903 – May 17, 1992) was a musician, accordion pla… Read Full Bio ↴Lawrence Welk (March 11, 1903 – May 17, 1992) was a musician, accordion player, bandleader, and television impresario, hosting "The Lawrence Welk Show" from 1951 to 1982. His style came to be known to his large number of radio, television, and live-performance fans as "champagne music." He is a 1961 inductee of North Dakota's Roughrider Award. Contents [hide]
Lawrence was born in Strasburg, North Dakota, as one of nine children to Catholic, German-speaking immigrants from the French portion of Alsace-Lorraine, via Odessa, Ukraine.
The family lived on a homestead outside of town, which today still stands as a tourist attraction. The first year they lived there, they spent the cold South Dakota winter underneath an upturned wagon covered in sod.[citation needed] Never intent on being a farmer, Welk became interested in a career in music, convincing his father to purchase a mail-order accordion for $400. He made a promise to his father that he would continue to work on the farm until he turned twenty-one; in exchange, he would work on the farm and any money he made working elsewhere, whether doing formwork or putting on a show, would go to his family.
Welk didn't learn English until he was 21 because he always spoke German at home. To the day he died, he spoke with a noticeable German accent. When he was asked about his ancestry, he replied always with "Alsace-Lorraine, Germany"; this is explained in his autobiography, entitled "Wunnerful, Wunnerful!"
On his twenty-first birthday, Welk, having fulfilled his promise to his father, left the family farm to pursue a career in music. During the 1920s, he first performed with the Lincoln Boulds and George T. Kelly bands, before starting his own orchestra. He led big band engagements in North Dakota and eastern South Dakota. These bands included the Hotsy Totsy Boys and later the Honolulu Fruit Gum Orchestra.[citation needed] His band was also the station band for popular radio station, WNAX, in Yankton, South Dakota. In 1927, he graduated from the MacPhail School of Music in Minneapolis, Minnesota.
During the 1930s, Welk led a traveling big band, specializing in dance tunes and "sweet" music. The term "Champagne Music" was derived from an engagement at the William Penn Hotel in Pittsburgh, when a dancer referred to his band's sound as "light and bubbly as champagne." The band performed in many places across the country, particularly in the Chicago area. In the early 1940s, the band began a regular 10-year stint at the Aragon Ballroom in Chicago, regularly drawing crowds of nearly 7,000.
His orchestra also performed frequently at the Roosevelt Hotel in New York City during the late 1940s. From 1944 to 1945, Welk led his orchestra in many motion picture "Soundies," considered to be the early pioneers of music videos [citation needed], and the band had its own syndicated radio program, sponsored by Miller High Life Beer.
In 1951, Welk settled in Los Angeles, California. That same year, he began producing "The Lawrence Welk Show" on KTLA in Los Angeles where it was broadcast from the Aragon Ballroom in Venice Beach. After being a local hit, the show was picked up by ABC in the spring of 1955. Welk's television program had a policy to play well-known songs and tunes from previous years, so that the target audience would only hear numbers that they were already familiar with. Very occasionally, in the TV show's early days, the band would play a tune from the current charts, but strictly as a novelty number ("Nuttin' for Christmas" became a vehicle for comic singer Rocky Rockwell, dressed in a child's outfit; Elvis Presley's "Don't Be Cruel" was sung by violinist Bob Lido, wearing fake Elvis Presley sideburns).
Welk never lost his affection for the hot jazz he'd played in the 1920s, and when a Dixieland tune was scheduled, he would enthusiastically lead the band.
The type of music on "The Lawrence Welk Show" was almost always conservative, concentrating mostly on popular music standards, polkas, and novelty songs, delivered in a smooth, calming, good-humored easy listening style and "family-oriented" manner. Although described by one critic as "the squarest music this side of Euclid,"[citation needed] this strategy proved commercially successful, and helped it stay on the air for 28 years.
Much of the show's appeal was Welk himself. His unusual accent appealed to the audience. (On one 1955 show, he mentioned Danny Thomas's series, "Mek Room fur Deddy.") While Welk's English was passable, he never did grasp the English "idiom" completely, and was thus famous for his "Welk-isms," such as "George, I want to see you when you have a minute, right now." His TV show was recorded as if it was a live performance, and was sometimes quite freewheeling. Another famous "Welk-ism" was his trademark count-off, "A one and a two.." which was immortalized on his California automobile license plate that read "A1ANA2".[citation needed] This plate is visible on the front of a Model A Ford in one of the shows from 1980.
He often took ladies from the audience for a turn around the dance floor. During one show, Welk brought a cameraman out to dance with one of the ladies and took over the camera himself.
Welk's musicians were always top quality, including accordionist Myron Floren and New Orleans Dixieland clarinetist Pete Fountain. Though Welk was occasionally rumored to be very tight with a dollar, he paid his regular band members top scale - a very good living for a working musician. Long tenure was very common among Welk's regulars. For example, Floren was the band's assistant conductor throughout the show's run. He was noted for spotlighting individual members of his band and show. His band was well-disciplined and had excellent arrangements in all styles.[citation needed] One notable showcase was his album with the noted jazz saxophonist Johnny Hodges. Welk had a number of instrumental hits, including a cover of the song "Yellow Bird". His highest charting record was his recording of "Calcutta". Welk himself was indifferent to the tune, but his musical director, George Cates said that if Welk did not wish to record the song, he, (Cates) would. Welk replied, "Well, if it's good enough for you, George, I guess it's good enough for me.” Despite the emergence of rock and roll, "Calcutta" reached number 1 on the U.S. pop charts in 1961, and was recorded in only one take.
However, Walk’s insistence on wholesome entertainment led him to be a somewhat stern taskmaster at times. For example, he fired Alice Lon, the original "Champagne Lady," on the air after she crossed her legs on a desk. [Citation needed] Welk told the audience that he would not tolerate such "cheesecake" performances on his show. He often arbitrated marriage disputes for his stars.
"The Lawrence Welk Show" embraced changes on the musical scene over the years. The show continued to feature fresh music alongside the classics for as long as it existed, even music originally not intended for the big band sound. During the 1960s and 1970s, for instance, the show incorporated material by such contemporary sources as The Beatles, Burt Bacharach and Hal David, The Everly Brothers and Paul Williams, albeit in Welk's signature "Champagne" style. The show, which was originally produced in black and white, was recorded on videotape starting in 1957, and it switched to color for the fall TV season that started in September of 1965. In time, it would feature synthesized music and, toward the end of its run, early chroma key technology would add a new dimension to the story settings sometimes used for the musical numbers. He referred to his blue screen effect in one episode as "the magic of television."
During its network run, "The Lawrence Welk Show" aired on ABC on Saturday nights at 8 p.m. (Eastern Time). In fact, Lawrence headlined two weekly prime time shows on ABC for three years. From 1956 to 1958, he hosted a show entitled Top Tunes and New Talent, which aired on Monday nights. The series moved to Wednesdays in the fall of 1958 and was renamed The Plymouth Show, which expired in May 1959. During that time, the Saturday show was also known as The Dodge Dancing Party. ABC cancelled the show in the spring of 1971, citing an aging audience. However, it continued on as a syndicated show on 250 stations across the country (including many ABC affiliates, but at an earlier time), until the final original show was produced in 1982.
Welk was married for 61 years, until his death, to Fern Renner, with whom he had three children. One of his sons, Lawrence Welk, Jr., ended up marrying fellow "Lawrence Welk Show" performer Tanya Falan (they later divorced). Welk left many grandchildren and great-grandchildren. One of them, grandson Lawrence Welk III who usually goes by "Larry Welk", is a reporter and helicopter traffic pilot for KCAL-TV and KCBS-TV in Los Angeles.
Known as an excellent businessman, the maestro, thanks to wise investments in real estate and music publishing, was the second wealthiest entertainer in Hollywood, the wealthiest being Bob Hope. Today (2007) as one travels from Victorville to San Diego on I-15 one passes by many properties that Welk either owned at one time or helped develop.
He enjoyed playing golf, which he first took up in the late 1950s, and was often a regular at many celebrity pro-ams such as the Bob Hope Desert Classic.
After retiring his show and from the road in 1982, the maestro continued to air reruns of his shows, which were repackaged first for syndication and starting in 1986 for public television. Welk also starred and produced a pair of Christmas specials in 1984 and 1985.
He died from pneumonia in Santa Monica, California in 1992 at age 89 and is buried in Holy Cross Cemetery in Culver City, California.
His band continues to appear in a dedicated theater in Branson, Missouri. In addition, the television show has been repackaged for broadcast on PBS stations, with updates from show performers appearing where commercial breaks were during the original shows. The repackaged shows are broadcast at roughly the same Saturday-night time slot as the original ABC shows, and special longer Welk show rebroadcasts are often shown during individual stations' fund-raising periods.
A resort community, developed by the maestro and promoted heavily by him on the show, is still named for Welk. "Lawrence Welk Village" is just off Interstate 15 north of Escondido, California, about 55 miles northeast of San Diego. Lawrence Welk Village is where Welk actually lived in a rather affluent "cottage". There are many other homes like this in this community in which notables such as John Wayne lived or came to stay to get away from San Diego or Los Angeles, as well as folks from his show who lived there, not to mention people in the Hollywood area who also owned or have owned property there. The Village has strict security; in addition, the Lawrence Welk Museum resides on a public access street also named after him, Lawrence Welk Drive.
His organization, The Welk Group, consists of his resort communities in Branson and Escondido; Welk Syndication, which is responsible for broadcasting the show on public television, and the Welk Music Group, which operates record labels Sugar Hill, Vanguard and Ranwood. From the late 1950s to the mid-1980s, the Welk Group was known as Teleklew in which tele stood for television and klew was Welk spelled backwards.
The Live Lawrence Welk Show makes annual concert tours across the United States and Canada featuring the actual stars from the television series such as Ralna English, Mary Lou Metzger, Jack Imel, Gail Farrell, Anacani and Big Tiny Little.
The Welk family homestead in Strasburg is now a popular tourist attraction in North Dakota
Lawrence was born in Strasburg, North Dakota, as one of nine children to Catholic, German-speaking immigrants from the French portion of Alsace-Lorraine, via Odessa, Ukraine.
The family lived on a homestead outside of town, which today still stands as a tourist attraction. The first year they lived there, they spent the cold South Dakota winter underneath an upturned wagon covered in sod.[citation needed] Never intent on being a farmer, Welk became interested in a career in music, convincing his father to purchase a mail-order accordion for $400. He made a promise to his father that he would continue to work on the farm until he turned twenty-one; in exchange, he would work on the farm and any money he made working elsewhere, whether doing formwork or putting on a show, would go to his family.
Welk didn't learn English until he was 21 because he always spoke German at home. To the day he died, he spoke with a noticeable German accent. When he was asked about his ancestry, he replied always with "Alsace-Lorraine, Germany"; this is explained in his autobiography, entitled "Wunnerful, Wunnerful!"
On his twenty-first birthday, Welk, having fulfilled his promise to his father, left the family farm to pursue a career in music. During the 1920s, he first performed with the Lincoln Boulds and George T. Kelly bands, before starting his own orchestra. He led big band engagements in North Dakota and eastern South Dakota. These bands included the Hotsy Totsy Boys and later the Honolulu Fruit Gum Orchestra.[citation needed] His band was also the station band for popular radio station, WNAX, in Yankton, South Dakota. In 1927, he graduated from the MacPhail School of Music in Minneapolis, Minnesota.
During the 1930s, Welk led a traveling big band, specializing in dance tunes and "sweet" music. The term "Champagne Music" was derived from an engagement at the William Penn Hotel in Pittsburgh, when a dancer referred to his band's sound as "light and bubbly as champagne." The band performed in many places across the country, particularly in the Chicago area. In the early 1940s, the band began a regular 10-year stint at the Aragon Ballroom in Chicago, regularly drawing crowds of nearly 7,000.
His orchestra also performed frequently at the Roosevelt Hotel in New York City during the late 1940s. From 1944 to 1945, Welk led his orchestra in many motion picture "Soundies," considered to be the early pioneers of music videos [citation needed], and the band had its own syndicated radio program, sponsored by Miller High Life Beer.
In 1951, Welk settled in Los Angeles, California. That same year, he began producing "The Lawrence Welk Show" on KTLA in Los Angeles where it was broadcast from the Aragon Ballroom in Venice Beach. After being a local hit, the show was picked up by ABC in the spring of 1955. Welk's television program had a policy to play well-known songs and tunes from previous years, so that the target audience would only hear numbers that they were already familiar with. Very occasionally, in the TV show's early days, the band would play a tune from the current charts, but strictly as a novelty number ("Nuttin' for Christmas" became a vehicle for comic singer Rocky Rockwell, dressed in a child's outfit; Elvis Presley's "Don't Be Cruel" was sung by violinist Bob Lido, wearing fake Elvis Presley sideburns).
Welk never lost his affection for the hot jazz he'd played in the 1920s, and when a Dixieland tune was scheduled, he would enthusiastically lead the band.
The type of music on "The Lawrence Welk Show" was almost always conservative, concentrating mostly on popular music standards, polkas, and novelty songs, delivered in a smooth, calming, good-humored easy listening style and "family-oriented" manner. Although described by one critic as "the squarest music this side of Euclid,"[citation needed] this strategy proved commercially successful, and helped it stay on the air for 28 years.
Much of the show's appeal was Welk himself. His unusual accent appealed to the audience. (On one 1955 show, he mentioned Danny Thomas's series, "Mek Room fur Deddy.") While Welk's English was passable, he never did grasp the English "idiom" completely, and was thus famous for his "Welk-isms," such as "George, I want to see you when you have a minute, right now." His TV show was recorded as if it was a live performance, and was sometimes quite freewheeling. Another famous "Welk-ism" was his trademark count-off, "A one and a two.." which was immortalized on his California automobile license plate that read "A1ANA2".[citation needed] This plate is visible on the front of a Model A Ford in one of the shows from 1980.
He often took ladies from the audience for a turn around the dance floor. During one show, Welk brought a cameraman out to dance with one of the ladies and took over the camera himself.
Welk's musicians were always top quality, including accordionist Myron Floren and New Orleans Dixieland clarinetist Pete Fountain. Though Welk was occasionally rumored to be very tight with a dollar, he paid his regular band members top scale - a very good living for a working musician. Long tenure was very common among Welk's regulars. For example, Floren was the band's assistant conductor throughout the show's run. He was noted for spotlighting individual members of his band and show. His band was well-disciplined and had excellent arrangements in all styles.[citation needed] One notable showcase was his album with the noted jazz saxophonist Johnny Hodges. Welk had a number of instrumental hits, including a cover of the song "Yellow Bird". His highest charting record was his recording of "Calcutta". Welk himself was indifferent to the tune, but his musical director, George Cates said that if Welk did not wish to record the song, he, (Cates) would. Welk replied, "Well, if it's good enough for you, George, I guess it's good enough for me.” Despite the emergence of rock and roll, "Calcutta" reached number 1 on the U.S. pop charts in 1961, and was recorded in only one take.
However, Walk’s insistence on wholesome entertainment led him to be a somewhat stern taskmaster at times. For example, he fired Alice Lon, the original "Champagne Lady," on the air after she crossed her legs on a desk. [Citation needed] Welk told the audience that he would not tolerate such "cheesecake" performances on his show. He often arbitrated marriage disputes for his stars.
"The Lawrence Welk Show" embraced changes on the musical scene over the years. The show continued to feature fresh music alongside the classics for as long as it existed, even music originally not intended for the big band sound. During the 1960s and 1970s, for instance, the show incorporated material by such contemporary sources as The Beatles, Burt Bacharach and Hal David, The Everly Brothers and Paul Williams, albeit in Welk's signature "Champagne" style. The show, which was originally produced in black and white, was recorded on videotape starting in 1957, and it switched to color for the fall TV season that started in September of 1965. In time, it would feature synthesized music and, toward the end of its run, early chroma key technology would add a new dimension to the story settings sometimes used for the musical numbers. He referred to his blue screen effect in one episode as "the magic of television."
During its network run, "The Lawrence Welk Show" aired on ABC on Saturday nights at 8 p.m. (Eastern Time). In fact, Lawrence headlined two weekly prime time shows on ABC for three years. From 1956 to 1958, he hosted a show entitled Top Tunes and New Talent, which aired on Monday nights. The series moved to Wednesdays in the fall of 1958 and was renamed The Plymouth Show, which expired in May 1959. During that time, the Saturday show was also known as The Dodge Dancing Party. ABC cancelled the show in the spring of 1971, citing an aging audience. However, it continued on as a syndicated show on 250 stations across the country (including many ABC affiliates, but at an earlier time), until the final original show was produced in 1982.
Welk was married for 61 years, until his death, to Fern Renner, with whom he had three children. One of his sons, Lawrence Welk, Jr., ended up marrying fellow "Lawrence Welk Show" performer Tanya Falan (they later divorced). Welk left many grandchildren and great-grandchildren. One of them, grandson Lawrence Welk III who usually goes by "Larry Welk", is a reporter and helicopter traffic pilot for KCAL-TV and KCBS-TV in Los Angeles.
Known as an excellent businessman, the maestro, thanks to wise investments in real estate and music publishing, was the second wealthiest entertainer in Hollywood, the wealthiest being Bob Hope. Today (2007) as one travels from Victorville to San Diego on I-15 one passes by many properties that Welk either owned at one time or helped develop.
He enjoyed playing golf, which he first took up in the late 1950s, and was often a regular at many celebrity pro-ams such as the Bob Hope Desert Classic.
After retiring his show and from the road in 1982, the maestro continued to air reruns of his shows, which were repackaged first for syndication and starting in 1986 for public television. Welk also starred and produced a pair of Christmas specials in 1984 and 1985.
He died from pneumonia in Santa Monica, California in 1992 at age 89 and is buried in Holy Cross Cemetery in Culver City, California.
His band continues to appear in a dedicated theater in Branson, Missouri. In addition, the television show has been repackaged for broadcast on PBS stations, with updates from show performers appearing where commercial breaks were during the original shows. The repackaged shows are broadcast at roughly the same Saturday-night time slot as the original ABC shows, and special longer Welk show rebroadcasts are often shown during individual stations' fund-raising periods.
A resort community, developed by the maestro and promoted heavily by him on the show, is still named for Welk. "Lawrence Welk Village" is just off Interstate 15 north of Escondido, California, about 55 miles northeast of San Diego. Lawrence Welk Village is where Welk actually lived in a rather affluent "cottage". There are many other homes like this in this community in which notables such as John Wayne lived or came to stay to get away from San Diego or Los Angeles, as well as folks from his show who lived there, not to mention people in the Hollywood area who also owned or have owned property there. The Village has strict security; in addition, the Lawrence Welk Museum resides on a public access street also named after him, Lawrence Welk Drive.
His organization, The Welk Group, consists of his resort communities in Branson and Escondido; Welk Syndication, which is responsible for broadcasting the show on public television, and the Welk Music Group, which operates record labels Sugar Hill, Vanguard and Ranwood. From the late 1950s to the mid-1980s, the Welk Group was known as Teleklew in which tele stood for television and klew was Welk spelled backwards.
The Live Lawrence Welk Show makes annual concert tours across the United States and Canada featuring the actual stars from the television series such as Ralna English, Mary Lou Metzger, Jack Imel, Gail Farrell, Anacani and Big Tiny Little.
The Welk family homestead in Strasburg is now a popular tourist attraction in North Dakota
Yellow Bird
Lawrence Welk Lyrics
We have lyrics for 'Yellow Bird' by these artists:
Akeboshi One rainy afternoon A yellow bird nest in my grandpa's tree…
Andy Sturmer & Holland Greco Yellow bird Up high in banana tree Yellow bird You sit all a…
Arthur Lyman Group Yellow bird, yellow bird I'd fly away with you but I…
Ben Stevenson Yellow bird sing softly Flying across the sky Just a blurry …
Bess Rogers Yellow bird in the mines I gave you my word you'd…
Caribbean Allstars Yellow bird, up high in banana tree. Yellow bird, You…
Chris Isaak Yellow bird, up high in banana tree. Yellow bird, you sit…
Claire Johnston Yellow bird Up high in banana tree Yellow bird You sit all a…
Clairy Browne The Bangin' Rackettes You don′t smoke cigarettes no more Since you been with me Yo…
Edmundo Ros and His Orchestra Yellow bird, up high in banana tree. Yellow bird, You…
Gatlin Brothers Yellow bird, up high in banana tree. Yellow bird, you sit…
Gert Potgieter Wish that I was a yellow bird I'd fly away with…
Goombay Dance Band Yellow Bird Yellow bird, up high in banana tree. Yellow bir…
jessica mauboy Yellow bird, up high in banana tree. Yellow bird, You…
John Holt & The Paragons Yellow bird, up a high banana tree Yellow bird, you sit…
Johnny Tillotson Yellow bird way up in banana tree Yellow bird you sit…
Jorge Morel his Guitar and Orchestra Yellow bird, up high in banana tree. Yellow bird, You…
Keely Smith Yellow bird, up high in banana tree Yellow bird, you sit…
Larry Gatlin & The Gatlin Brothers Yellow bird, up high in banana tree. Yellow bird, you sit…
Lou Bennett Yellow bird, up high in banana tree. Yellow bird, You…
michiru monday Yellow bird take up your wings to the sky Try to…
Mills Brothers Yellow bird, yellow bird, up high in banana tree. Yellow bi…
Norman Luboff Choir Yellow bird, up high in banana tree. Yellow bird, You…
Pretty Lights Yellow bird, yellow bird, yellow bird don't fly away (Fly fl…
Roger Whittaker Yellow bird, up high in banana tree Yellow bird, you sit…
Romantic Strings and Orchestra Yellow bird, up high in banana tree. Yellow bird, You…
Simons I'd like to come in from the rain but will these…
Sol3 Mio Hey, hey Yellow bird, up high in banana tree Yellow bird, y…
Taboo & Arthur Lyman Yellow bird, yellow bird I'd fly away with you but I…
The Brothers Four Yellow bird, up high in banana tree. Yellow bird, you sit…
The Merrymen Yellow bird, up high in banana tree. Yellow bird, you sit…
The Mills Brothers Yellow bird, yellow bird, up high in banana tree. Yellow bir…
The Paragons Yellow bird, up a high banana tree Yellow bird, you sit…
Ukulele Jim Yellow bird, high in banana tree. Yellow bird, sitting alone…
Various Artists I'm a princess cut from marble smoother than a storm And the…
Wished Bone yellow bird flies yellow bird flies doesn't ask why cloud hu…
Yellow Bird Yellow bird, yellow bird I'd fly away with you but I…
We have lyrics for these tracks by Lawrence Welk:
Again Again Again Smile the while you kiss me sad adieu When the clouds…
Ain't She Sweet Ain't she sweet? See her walking down that street. Yes I…
Autumn Leaves The falling leaves drift by the window The autumn leaves of…
Begin The Beguine When they begin the beguine It brings back the sound of…
Calcutta [Instrumental]…
Canadian Sunset Once I was alone So lonely and then You came, out of…
Caravan Night and stars above that shine so bright The myst'ry…
Carolina In The Morning It's three o'clock in the morning We've danced the whole nig…
Comin' Thro' The Rye O, Jenny's a' wet, poor body, Jenny's seldom dry: She draggl…
Dolores How I love the kisses of Dolores Aye-aye-aye Dolores Not Mar…
Don't Sweetheart Me Don't sweetheart me if you don't mean it Don't…
Everybody Loves Somebody The tears I cried for you could fill an ocean, But…
Far Away Places Far away places with strange sounding names Far away over th…
For Me and My Gal The bells are ringing for me and my gal. The birds…
Green Leaves Of Summer A time to be reapin', a time to be sowin'. The…
Hawaii Night and you and Blue Hawaii The night is heavenly…
He Put your sweet lips a little closer to the phone. Let's…
I Left My Heart In San Francisco I left my heart in San Francisco. High on a hill…
If You Were the Only Girl in the World If you were the only girl in the world And I…
In A Little Secondhand Evenings are crowded with memories Thrilling me again Like t…
It Might As Well Be Spring I'm as restless as a willow in a windstorm I'm as…
Josephine There never was a gal I could love, like I…
Let It Snow! Let It Snow! Let It Snow! Oh the weather outside is frightful But the fire is so…
Little Green Apples And I wake up in the mornin' With my hair…
Little Town of Bethlehem Oh little town of Bethlehem, how still we see thee…
Love In A Home Why do they think up stories that link my name…
Love Is A Many Splendored Thing Love is a many splendored thing It's the April rose that…
Love Is Blue There is no greater love Than what I feel for you No…
Love Me Or Leave Me Love me or leave me and let me be lonely You…
Loveliest Night of the Year When you are in love It's the lovliest night of the…
Marianne Marianne, oh, Marianne, oh, won't you marry me? We can have…
Me and My Shadow Shades of night are falling and I'm lonely Standing on the…
Mona Lisa Mona Lisa, Mona Lisa men have named you You're so like…
Moonlight Bay We were sailing along on Moonlight Bay We could hear the…
My Blue Heaven Don't know when I've been so blue Don't know what's come…
My Calico Gal The bells are ringing for me and my gal. The birds…
My Man It's cost me a lot But there's one thing that I've…
O Little Town Of Bethlehem Oh little town of Bethlehem, how still we see thee…
Oh The sun is shinin', oh, happy day-ay No more troubles and…
Organ Grinder's Swing Who's that coming down the street? Good old organ grinder Pe…
Paradise And then she holds my hand, mm And then I understand.…
Peg O' My Heart Peg o'my heart I love you, don't let us part I love…
People Will Say We're In Love Why do they think up stories that link my name…
Remember Oh, give me something to remember you by When you are…
Riders In The Sky To tell you that as a result of your many,…
San Antonio Rose Deep within my heart lies a melody A song of old…
Santa Claus Is Comin I just came back from a lovely trip along the…
Snowbird Beneath this snowy mantle cold and clean The unborn grass li…
Someone to Watch Over Me There's a saying old says that love is blind Still were…
Stand By Your Man Sometimes it's hard to be a woman giving all your love…
Stardust And now the purple dusk of twilight time Steals across the…
Stumbling 'Tention folks, speak of jokes This is one on me Took my…
Swingin' Down The Lane Everybody's hand in hand Swingin' down the lane Everybody's…
Take Me Home Country Roads Almost heaven, West Virginia, Blue ridge mountain, Shenandoa…
Tea for Two Oh honey Picture me upon your knee, With tea for two and…
That Old Black Magic Old black magic has me in its spell Old black magic…
The Christmas Song Chestnuts roasting on an open fire Jack Frost nipping at you…
The Moon Is a Silver Dollar The moon is the silver dollar Shining in the sky There′s the…
The Old Balck Magic Old black magic has me in its spell Old black magic…
The Old Black Magic Old black magic has me in its spell Old black magic…
The Song Is You I hear music when I look at you, A beautiful theme…
The Umbrella Man When there's a lull and things are dull He sharpens knives…
There's A Small Hotel I'd like to get away, Junior Somewhere alone with you It cou…
Three O'clock in the Morning It's three o'clock in the morning We've danced the whole nig…
Tie a Yellow Ribbon Round the Ole Oak Tree I'm comin' home, I've done my time Now I've got to…
Till We Meet Again Smile the while you kiss me sad adieu When the clouds…
Tonight Though you belong To somebody else, Tonight you belong to me…
When I Grow Too Old To Dream We have been gay, going our way Life has been beautiful,…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Pearl Caster
In 1962, I was atonished that Lawrence Welk could/would be in the TOP-40...and this is the song that did it (Conquistdor wasn't a slacker either). I admit now, at well past my three score and ten, I would watch his show if I could (as long as I could also listen to the 1950s-1980s +Tuba Skinny.
Dale Schneider
Lawrence’s version was in the Top 40 but Arthur Lyman had a even bigger hit with it. Check it out.
Barb Peto
One of my favorites, sooths my soul.
Arun Arrieta
My first time to hear thjis beautiful version. I just love the way it soothes my tired body after a day's school work.
Dale Schneider
Frank Scott’s harpsichord is so great. RIP Frank.
Ignacio Altuna
Fue un maestro. Una figura señera en el enorme magma musical norteamericano. Desarrolló varias etapas en su larga carrera como músico y director. Desde unos primeros años con su acordeón a piano y su polkas, pasando por los primeros '50 con la "música champagne", luego la aparición en un equipo de la "1a. "B"" con el sello Coral y esos intentos que llegaron hasta en incursionar con Tchaikovsky y Rachamaninoff en ese momento en que varios vapulearon a los "clásicos" A fines de los '50 y finalmente en 1960, en la ya superexitosa Dot, que tenía en Billy Vaughn y Pat Boone sus ejes maestros, llegó el carismático y gracioso L. W. con un show en TV, y ya para ese momento adaptando para gran arreglo de cuerdas los hits de la hora como los que reunió en su memorable Lp "Calcutta", de 1960, con su cover esencial de "Save the last dance for me" y otras amables gracias por el estilo, con aquellos temas fantásticos de los viejos buenos tiempos... Luego, los años, el adiós y un grato recuerdo para los veteranos que llevamos adentro los sonidos inembargables de algunos tiempos a los que juzgamos mejores (para nosotros...) Y que los mozos amables de Vintage ponen en órbita nuevamente.
Chau, Desde BA, Nacho!
Dale Schneider
That was a great tune featuring The great Frank Scott on Harpsichord and Jerry Burke on organ.
Ma.magdalena Barba
Que recuerdos!! 😢
Bill Busse
The Yellow Bird album was titled "Fugitiva" in Argentina as Fugitiva (Runaway) was the big hit.
Horacio Enrique Sotomayor
-HERMOSO TEMA...