Wonderful
Lee Williams & The Spiritual QC's Lyrics

VIctor Nimekam na moto–oh Moto moto–oh (Dj Venji)
The singer is full of confidence and energy, represented by the metaphor of being on fire

Dance to the beats Unlock your feat Si una look so sweet Si ukam tu chill Hadi uko dunga beach (eeeeh) Hadi uko dunga beach Yani mi ndio nyoria Ukipenda fagiah Mama Hassan Bhagia Aii ngoja, aii Ngojah Tinga Tinga Malo Take off the preacher Owaro the teacher Chukuwa khalifa Juu njaga ndio speaker Juu njanga ndio speaker Juu njaga ndio speaker
The singer encourages the listener to dance and enjoy themselves, while asserting their own superiority and leadership. The references to Mama Hassan Bhagia and Tinga Tinga Malo are unclear, but the singer is likely invoking local cultural references.

Chora chora Saba Saba Nikiona itashika Nitasonga songa songa One two, ndio game two Ninaplay two, tripple two Hype Po two Ka bonjour, ka bonjour Ka bonjour, ka bonjour Ka bonjour, ka bonjour
The singer moves from urging dancing to hyping themselves up with repetition and meaningless phrases.

Basi twende tuki Bost Tip toeing on your toes Hata muki boost Mi ndio boss Like fifteen Mi hukill, hata ma big fish Na hata ma big deals, na hata ma big deals Na hata ma big deals, na hata ma big deals
The singer asserts their dominance again, this time using language that suggests wealth and success. The repetitive reference to 'big deals' emphasizes the idea of wealth and success, but also feels somewhat empty and meaningless.

Dance to the beats Unlock your feat Si una look so sweet Si ukam tu chill Ati uko dunga beach (eeeeh) Ati uko dunga beach (eeeeh) Chora chora Saba Saba Nikiona itashika Nitasonga songa songa One two Ndio game two Ninaplay two Tripple two Hype Po two Ka bonjour, ka bonjour Ka bonjour, ka bonjour Basi twende tuki Bost Tip toeing on your toes Hata muki boost Mi ndio boss Like fifteen Mi hukill Hata ma big fish Na hata ma big deals Dance Dance Dance to the beats Unlock unlock your feat Si una look so sweet Si ukam tu chill Ati uko dunga beach (eeeeh) Ati uko dunga beach Yani mi ndio njoria Ukipenda fagia Mama Hassan bajia Mama Hassan bajia, aii ngoja Mama Hassan, aii ngoja Instrumental
The song repeats its exhortations to dance and enjoy oneself, as well as the themes of the singer as leader and their wealth and success. Mama Hassan Bhagia returns as a mysterious cultural reference, followed by an instrumental break.

Tinga tinga malo Take off the preacher Owaro the teacher Chukuwa khalifa Juu njaga ndio speaker Juu njanga ndio speaker Ju njaga ndio speak
The singer again references Tinga Tinga Malo and makes more obscure, vaguely threatening references to 'the preacher', 'the teacher', and 'khalifa'. The 'speaker' takes on an ominous tone, suggesting that the singer has some kind of authority or ability to intimidate.

Tingisha, tin tin tingisha (baby) Tingisha, tin tin tingisha Tingisha, tin tin tingisha (baby) Tingisha, tin tin tingisha Tingisha, tin tin tingisha (baby) Tingisha, tingisha baby Zungusha baby Waki wakisha tunarintisha Wakilipuwa tunalipuwa Eeeeeeh Tingisha, tin tin tingisha (baby) Zungusha (baby)
The song ends with a repetitive dance beat and meaningless phrases again, while suggesting that dancing and moving can create pleasure and excitement.