Natives of New York City, band members have a well-documented history of back-and-forth conflict with the NYPD which precedes the band's formation.[1]. The name "Leftöver Crack" is explained by Stza as being "an oxymoron", based on the idea that crack cocaine addicts are known for vigorous use, and are unlikely to have any "leftover" crack.
Leftöver Crack was formed with a higher production value than Choking Victim. LöC, combined with Choking Victim and two other bands, Morning Glory and INDK, share a total of seven members between them. These seven musicians are collectively self-labeled as the "Crack Rock Steady Seven." The line-up of Leftöver Crack changes fairly often, drawing on members of other NYC punk bands such as The Stockyard Stoics and The X-Possibles, with Stza, Alec and Ezra the only completely permanent members (Though Ezra was absent for most of the few 2005 gigs due to a blood infection). Brad Logan, or "Brad Minus" from F-Minus was not around for Mediocre Generica.
They have been banned from performing in many venues in New York City, such as ABC No Rio, the Knitting Factory, and North 6th; however, they still play at banned venues sometimes, usually under different disguises or Sturgeon individually as a solo act.
Super Tuesday
Leftöver Crack Lyrics
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They've been driving around in their big stylish cars well
I think they oughta feel your pain, yeah
I think they oughta wear your scars
'Cause what Ruby told you, well that was true
Now you better lace up those boots
'Cause only you know how it felt when the pretty girls looked at you that way
And somebody is gonna have to pay
He's gonna crucify himself for the world's sins
His name was Atchet
He was one of them
He was one of them
He's coming through the swing door
He doesn't give a fuck no more
'Cause no one ever gave a fuck about him
A horrible little monster born into a life of pain
The only way to relieve the hate
Justice in the upper tiers of the corporate class tonight
A little lesson on twisted wrongs and crooked rights
If he could write the headline in the paper the very next day it would read
Violence works in mysterious ways
And somebody is gonna have to pay
Somebody's gonna have to pay
He's gonna get his revenge
He's gonna crucify himself for the world's sweet sweet sins
His name was Atchet
He was one of them
He was a skin
"Are you a messenger boy?"
"No, I'm the judge and jury
If you're gonna call the cops
You better fucking hurry
There's no use begging for your life
You made your choice and now you pay the price
You fucking bastards! Bastards! Bastard!"
The lyrics of Leftöver Crack's "Super Tuesday" bring to focus the issue of social and economic inequality, especially between the upper-class elite and the underprivileged masses. It begins by referencing someone named Martin who has had a difficult life and has been mistreated by those in positions of power. The song suggests that the rich and the powerful should empathize with the struggles of the less fortunate and not turn a blind eye to their pain and suffering.
The song then shifts to tell the story of Atchet, who is described as a "skin" or a member of a neo-Nazi group. Atchet has been a victim of discrimination and marginalization, and the song suggests that he has turned to violence as a means of expressing his rage and seeking revenge against those he feels have oppressed him. The lyrics also criticize the justice system for being biased in favor of the wealthy and powerful and not serving the interests of the common people. The song ends with Atchet taking the law into his own hands and becoming judge and jury for those who have wronged him.
Overall, "Super Tuesday" is a scathing critique of the social and economic structures that perpetuate inequality and oppression. It suggests that violence may be the only means for the marginalized to seek justice and that the justice system is not equipped to serve the needs of the common people. The lyrics highlight the need for empathy, understanding, and social justice, and portray violence as a desperate but understandable response to the forces of oppression and inequality.
Line by Line Meaning
Martin, I've seen the ones you oughta bleed
Referring to Martin Luther King Jr., I have encountered the oppressors who deserve to be punished.
They've been driving around in their big stylish cars well
These wealthy oppressors have no regard for others and spend their money on material possessions.
I think they oughta feel your pain, yeah
They should empathize with those who they harm.
I think they oughta wear your scars
They should suffer the same consequences as their victims.
'Cause what Ruby told you, well that was true
Ruby, a reference to Ruby Ridge, a site of a standoff between the government and a small Christian community, speaks truth about the corrupt nature of authority.
Now you better lace up those boots
Prepare for action to confront these oppressors.
'Cause only you know how it felt when the pretty girls looked at you that way
The singer understands the resentment and bitterness that comes from feeling excluded and looked down upon.
And somebody is gonna have to pay
There will be consequences for those who perpetuate mistreatment of others.
He's gonna get his revenge
The oppressed will take action to retaliate against their abusers.
He's gonna crucify himself for the world's sins
Taking major risks, the artist will fight to redeem humanity and bring justice.
His name was Atchet
Introducing a character who has been victimized by the system.
He was one of them
He belonged to the oppressed groups in society.
He's coming through the swing door
Entering to unleash his wrath.
He doesn't give a fuck no more
He doesn't care about the consequences of his actions anymore.
'Cause no one ever gave a fuck about him
Atchet has been neglected and disregarded by society, leading him to seek revenge.
A horrible little monster born into a life of pain
Atchet has endured extreme pain and trauma throughout his life, turning him into a violent aggressor.
The only way to relieve the hate
Atchet believes the only solution to his relentless anger is to take revenge on those who wronged him.
Justice in the upper tiers of the corporate class tonight
There will be revenge against those who occupy a high-class position in this corrupt system who are not being held accountable.
A little lesson on twisted wrongs and crooked rights
This revenge will teach a lesson about the wrongdoing of those who are supposed to be in positions of power.
If he could write the headline in the paper the very next day it would read
Atchet wants to cause a real impact that will be covered by media outlets.
Violence works in mysterious ways
The violence that Atchet will commit will have its own mysterious consequences that he does not foresee.
Somebody's gonna have to pay
Reiterating the point that those who do wrong will face consequences.
He's gonna get his revenge
Repetition of the idea that justice will be served.
He's gonna crucify himself for the world's sweet sweet sins
The artist is willing to sacrifice himself for the world's redemption.
He was a skin
Atchet was a skinhead, a person in this subculture; this could also reference him having been a victim of skinhead violence.
"Are you a messenger boy?"
Possibly a question asked by Atchet to someone who came to deliver him a message.
"No, I'm the judge and jury
This could be the response given to Atchet's question.
If you're gonna call the cops
The character is daring someone to call the police, knowing that they will result in no help or justice.
You better fucking hurry
The situation is urgent and there is no time to waste.
There's no use begging for your life
The character has already made up their mind and wouldn't listen to pleas for mercy.
You made your choice and now you pay the price
The victim is responsible for their actions and will suffer the consequences.
You fucking bastards! Bastards! Bastard!"
The character's anger and contempt are palpable.
Lyrics © O/B/O APRA AMCOS
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