Cohen pursued a career as a poet and novelist during the 1950s and early 1960s; he did not launch a music career until 1967, at the age of 33. His first album, Songs of Leonard Cohen (1967), was followed by three more albums of folk music: Songs from a Room (1969), Songs of Love and Hate (1971) and New Skin for the Old Ceremony (1974). His 1977 record Death of a Ladies' Man, co-written and produced by Phil Spector, was a move away from Cohen's previous minimalist sound. In 1979, Cohen returned with the more traditional Recent Songs, which blended his acoustic style with jazz, Oriental, and Mediterranean influences. Perhaps Cohen's most famous song, "Hallelujah", was first released on his studio album Various Positions in 1984. I'm Your Man in 1988 marked Cohen's turn to synthesized productions and remains his most popular album. In 1992, Cohen released its follow-up, The Future, which had dark lyrics and references to political and social unrest.
Cohen returned to music in 2001 with the release of Ten New Songs, which was a major hit in Canada and Europe. His 11th album, Dear Heather, followed in 2004. Following a successful string of tours between 2008 and 2013, Cohen released three albums in the final four years of his life: Old Ideas (2012), Popular Problems (2014) and You Want It Darker (2016), the last of which was released three weeks before his death.
Leonard Cohen was born into a middle-class Jewish family in Westmount, Quebec, on September 21, 1934. His Lithuanian mother, Marsha Klonitsky ("Masha"; 1905–1978), was the daughter of a Talmudic writer, Rabbi Solomon Klonitsky-Kline, and emigrated to Canada in 1927. His paternal grandfather, whose family had moved from Poland to Canada, was Lyon Cohen, the founding president of the Canadian Jewish Congress. His father, Nathan Bernard Cohen (1891–1943), who owned a substantial clothing store, died when Cohen was nine years old. The family observed Orthodox Judaism, and belonged to Congregation Shaar Hashomayim, to which Cohen retained connections for the rest of his life. On the topic of being a Kohen, Cohen told Richard Goldstein in 1967, "I had a very Messianic childhood. I was told I was a descendant of Aaron, the high priest."
Cohen attended Roslyn Elementary School and completed grades seven through nine at Herzliah High School, where his literary mentor Irving Layton taught, then transferred in 1948 to Westmount High School, where he studied music and poetry. He became especially interested in the poetry of Federico García Lorca. Cohen involved himself actively beyond Westmount's curriculum, in photography, on the yearbook staff, as a cheerleader, in the arts and current events clubs, and even served in the position of president of the Students' Council while "heavily involved in the school's theater program". During that time, Cohen taught himself to play the acoustic guitar, and formed a country–folk group that he called the Buckskin Boys. After a young Spanish guitar player taught him "a few chords and some flamenco", Cohen switched to a classical guitar. He has attributed his love of music to his mother, who sang songs around the house: "I know that those changes, those melodies, touched me very much. She would sing with us when I took my guitar to a restaurant with some friends; my mother would come, and we'd often sing all night.
Cohen frequented Saint Laurent Boulevard for fun and ate at such places as the Main Deli Steak House. According to journalist David Sax, Cohen and one of his cousins would go to the Main Deli to "watch the gangsters, pimps, and wrestlers dance around the night". Cohen enjoyed the formerly raucous bars of Old Montreal as well as Saint Joseph's Oratory, which had the restaurant nearest to Westmount, for him and his friend Mort Rosengarten to share coffee and cigarettes. When Cohen left Westmount, he purchased a place on Saint-Laurent Boulevard, in the previously working-class neighbourhood of Little Portugal. He would read his poetry at assorted nearby clubs. In that period and that place, Cohen wrote the lyrics to some of his most famous songs.
Take This Waltz
Leonard Cohen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There's a shoulder where Death comes to cry
There's a lobby with nine hundred windows
There's a tree where the doves go to die
There's a piece that was torn from the morning
And it hangs in the Gallery of Frost
Aey, aey, aey, aey
Take this waltz with the clamp on its jaws
Oh, I want you, I want you, I want you
On a chair with a dead magazine
In the cave at the tip of the lilly
In some hallway where love's never been
On a bed where the moon has been sweating
In a cry filled with footsteps and sand
Aey, aey, aey, aey
Take this waltz, take this waltz
Take its broken waist in your hand
This waltz, this waltz, this waltz, this waltz
With its very own breath of brandy and Death
Dragging its tail in the sea
There's a concert hall in Vienna
Where your mouth had a thousand reviews
There's a bar where the boys have stopped talking
They've been sentenced to death by the blues
Ah, but who is it climbs to your picture
With a garland of freshly cut tears?
Aey, aey, aey, aey
Take this waltz, take this waltz
Take this waltz, it's been dying for years
There's an attic where children are playing
Where I've got to lie down with you soon
In a dream of Hungarian lanterns
In the mist of some sweet afternoon
And I'll see what you've chained to your sorrow
All your sheep and your lillies of snow
Aey, aey, aey, aey
Take this waltz, take this waltz
With its "I'll never forget you, you know"
This waltz, this waltz, this waltz, this waltz
With its very own breath of brandy and Death
Dragging its tail in the sea
And I'll dance with you in Vienna
I'll be wearing a river's disguise
The hyacinth wild on my shoulder
My mouth on the dew of your thighs
And I'll bury my soul in a scrapbook
With the photographs there, and the moss
And I'll yield to the flood of your beauty
My cheap violin and my cross
And you'll carry me down on your dancing
To the pools that you lift on your wrist
Oh my love, oh my love
Take this waltz, take this waltz
It's yours now, it's all that there is
(La-la-la, la-la-la)
(La-la-la, la-la-la)
(La-la-la, la-la-la)
(La-la-la, la-la-la)
(La-la-la, la-la-la)
(La-la-la, la-la-la)
(Aey, aey, aey, aey)
Leonard Cohen's "Take This Waltz" is a romantic and melancholic song that discusses a couple's memories and experiences in Vienna. The song is full of vivid imagery, with the theme of love and death running throughout. The first verse describes the beauty of Vienna, from the ten pretty women to the tree where doves go to die. The line "there's a shoulder where Death comes to cry" alludes to the idea that death is an ever-present force in life, even in the midst of beauty.
The second verse is more personal, with the singer expressing a desire for his lover. He wants her "on a chair with a dead magazine" or "on a bed where the moon has been sweating." These images are both intimate and surreal, capturing the feeling of being lost in a moment with someone you love. The line "take this waltz with the clamp on its jaws" suggests that the dance itself is a metaphor for something more profound, perhaps the pain of love or the inevitability of death.
The tone shifts in the final verse, which is more hopeful and joyful. The singer imagines dancing with his lover in Vienna, wearing a "river's disguise" and experiencing the beauty and passion of the moment. The song ends with the plea "take this waltz, take this waltz, it's yours now, it's all that there is," suggesting that love and the memories it creates are the only things that truly matter.
Line by Line Meaning
Now in Vienna there are ten pretty women
Vienna is a city of elegance and beauty with lovely women all around.
There's a shoulder where Death comes to cry
In Vienna, there is a place which is the site of mourning.
There's a lobby with nine hundred windows
There is a place full of possibilities and opportunities with abundant chances.
There's a tree where the doves go to die
A place which is a symbol of death and mourning.
There's a piece that was torn from the morning
A section which represents the pain and brokenness of time.
And it hangs in the Gallery of Frost
This fragment now resides in a very cold, museum-like place where it can be observed and analyzed.
Aey, aey, aey, aey
An exclamation prompted by the implied emotional complexity surrounding these places and experiences.
Take this waltz, take this waltz
The singer invites the listener to participate in this dance, to experience these emotions with him.
Take this waltz with the clamp on its jaws
This dance is intricate and sad, with the beauty of the waltz unable to escape its mournful nature.
Oh, I want you, I want you, I want you
The singer desires the listener's emotional investment in this experience, to share in the sadness and beauty he sings about.
On a chair with a dead magazine
The setting of this experience is in a bleak place, surrounded by loss and sorrow.
In the cave at the tip of the lily
This is a place of beauty and fragility that is hidden and unknown.
In some hallway where love's never been
A place that has never experienced love or joy and is unfamiliar to such tenderness.
On a bed where the moon has been sweating
This description alludes to a place of intense passion and love but also makes an obscure reference to some innate sorrow.
In a cry filled with footsteps and sand
The pain present within the singer's past that adds to the sorrow of his relationship.
Take its broken waist in your hand
Despite the difficulties within this situation, the singer invites the listener to embrace this broken beauty and take it all in.
This waltz, this waltz, this waltz, this waltz
Each repetition emphasizes the necessity to absorb and experience this dance and all its melancholy beauty.
With its very own breath of brandy and Death
This experience has a bitter-sweet quality, one that is both exhilarating and depressing at the same time.
Dragging its tail in the sea
The waltz is a powerful emotional force that can never be truly silenced or forgotten.
There's a concert hall in Vienna
A place of cultural significance and importance, where talent and creativity are celebrated and appreciated.
Where your mouth had a thousand reviews
Suggests the recipient of the song has been vocal and expressive, has enjoyed moments in life where creativity is at the forefront.
There's a bar where the boys have stopped talking
A sad, lonely place where the energy, chatter, and camaraderie of young men has been replaced, suggesting loss and passing of time.
They've been sentenced to death by the blues
The blues, a genre of deep sorrow, dominates and ultimately destroys the energy, passion, and vitality found in youth.
Ah, but who is it climbs to your picture
A question about who or what can really know and understand all that is said and felt within the heart of the recipient of the song.
With a garland of freshly cut tears?
Perhaps a reference to death and the sorrow that surrounds it or the ultimate sadness that comes from the passing of a soul within a community.
Take this waltz, take this waltz
The desire to experience and connect the suffering felt by all humans.
Take this waltz, it's been dying for years
Emphasizes the bitterness and sorrow present in this dance, suggesting it has been forgotten and ignored over time.
There's an attic where children are playing
A place of innocence, youthful enjoyment, and lightness of spirit.
Where I've got to lie down with you soon
Being able to embrace and cuddle the recipient of the song is the only way to save oneself from the darkness of melancholy.
In a dream of Hungarian lanterns
A dreamy and romantic place, filled with the lightness of the soul and the joy of life.
In the mist of some sweet afternoon
A time of day where things can be mysterious and bewildering yet still filled with hope.
And I'll see what you've chained to your sorrow
A heartfelt attempt to discover what pain and hurt the recipient of the song holds within.
All your sheep and your lilies of snow
The naturally lovely elements of life that the recipient of the song uses to shield herself/himself from hurt feel fragile and breakable.
With its 'I'll never forget you, you know'
The importance of never forgetting what one has experienced or what has shaped one's life.
This waltz, this waltz, this waltz, this waltz
A repeated cue to continue experiencing the beauty and sorrow of the dance until it is fully understood.
With its very own breath of brandy and Death
The conflicting nature of the emotional experience within the song, which is both bitter and sweet at the same time.
Dragging its tail in the sea
The singer emphasizes the strength of the emotions represented in the dance, suggesting they are too powerful not to be caught up in all aspects of one's life.
And I'll dance with you in Vienna
A moment of potential joy and bliss between the singer and the recipient of the song.
I'll be wearing a river's disguise
An imaginative way of referencing both the flow of emotions and the deep reflection that has preceded the dance.
The hyacinth wild on my shoulder
A symbol of passion and beauty that has taken on a life of its own.
My mouth on the dew of your thighs
An intimate moment between the singer and the listener, felt with sensuality and desire.
And I'll bury my soul in a scrapbook
A reference to preserving the past within one's heart, keeping memories clear and vivid.
With the photographs there, and the moss
The beauty of nature and the memories of the past, entwined into a cherished keepsake.
And I'll yield to the flood of your beauty
Complete surrender of one's self to another's beauty, in awe and admiration.
My cheap violin and my cross
A symbol of the singer's deep faith and meager possessions, but which have still led to a profound connection with the recipient of the song.
And you'll carry me down on your dancing
Symbolizes the great trust between the two individuals.
To the pools that you lift on your wrist
A metaphor for the experiences that the recipient of the song brings to the singer, which enrich and enliven his life.
Oh my love, oh my love
An evocative repetition, capturing the depths of the singer's emotions and affection for the listener.
Take this waltz, take this waltz
The singer's plea to hold onto this dance and experience it for all eternity.
It's yours now, it's all that there is
The dance has fully infused and taken over the lives of these individuals; it is a powerful, meaningful connection that cannot be escaped or forgotten.
(La-la-la, la-la-la)
A simple, heartfelt musical refrain that captures the beauty and simplicity of the moment.
(Aey, aey, aey, aey)
A meditative exclamation, acknowledging once again how profound and complex these emotions are.
Lyrics © Sony/ATV Music Publishing LLC
Written by: Garcia Lorca, Leonard Cohen
Lyrics Licensed & Provided by LyricFind
@mariasmiakowska5068
Now in Vienna there's ten pretty women
There's a shoulder where death comes to cry
There's a lobby with nine hundred windows
There's a tree where the doves go to die
There's a piece that was torn from the morning
And it hangs in theGallery of Frost
Aey, aey, aey, aey
Take this waltz, take this waltz
Take this waltz with the clamp on its jaws
Oh I want you, I want you, I want you
On a chair with a dead magazine
In the cave at the tip of the lily
In some hallway where love's never been
On a bed where the moon has been sweating
In a cry filled with footsteps and sand
Aey, aey, aey, aey
Take this waltz, take this waltz
Take its broken waist in your hand
This waltz, this waltz, this waltz, this waltz
With its very own breath of brandy and death
Dragging its tail in the sea
There's a concert hall in Vienna
Where your mouth had a thousand reviews
There's a bar where the boys have stopped talking
They've been sentenced to death by the blues
But who is it climbs to your picture
With a garland of freshly cut tears?
Aey, aey, aey, aey
Take this waltz, take this waltz
Take this waltz it's been dying for years
There's an attic where children are playing
Where I've got to lie down with you soon
In a dream of Hungarian lanterns
In the mist of some sweet afternoon
And I'll see what you've chained to your sorrow
All your sheep and your lilies of snow
Aey, aey, aey, aey
Take this waltz, take this waltz
With its, I'll never forget you, you know
This waltz, this waltz, this waltz, this waltz
With its very own breath of brandy and death
Dragging its tail in the sea
And I'll dance with you in Vienna
I'll be wearing a river's disguise
The hyacinth wild on my shoulder
My mouth on the dew of your thighs
And I'll bury my soul in a scrapbook
With the photographs there, and the moss
And I'll yield to the flood of your beauty
My cheap violin and my cross
And you'll carry me down on your dancing
To the pools that you lift on your wrist
Oh my love, oh my love
Take this waltz, take this waltz
It's yours now, it's all that there is
Aey, aey, aey, aey
@edwardbrackenborough1867
@Budahbaba
Firstly I am Marlene (female) For reasons best known to herself my granddaughter decided to put every item on my phone in my husband's name !! I really need to try and change it.
I too am Christian with some Jewish ancestry.
I am probably repeating myself, but I am totally mesmerized and bewitched by the 70 + year old Leonard Cohen.
I feel I can "read" the emotion in his soul during these late in life tour performances.
I find myself compelled to watch whilst I listen to him.
I thought he was a magnetic talent in his earlier years, but the stirring in my soul that his later genius brings on in me is uncanny.
I absolutely adore him and his amazing musical magic to a degree far above any earthly comprehension.
I bow/curtsey to his amazing,compelling musical genius and persona.
Marlene
@David-uy8ot
I assume many of you already know, but for those who don't: the lyrics of this incredibly beautiful song are based on a poem ("Pequeño vals vienés") by the Spanish poet Federico García Lorca, who was killed by the Fascists in 1936. Leonard Cohen was a big fan of Lorca's poetry.
@mouroy5738
And Cohen was deeply inspired by Lorca... ❤️
@tonyemmanuel554
Thank you so much for the information.
@jenniferforde8203
Thank-you
@DavidSmith-sf4dr
David thank you Mate, I’m gonna google that, and find out more. Ta Mate 👍
@tonyemmanuel554
@David Smith 👍
@jacksmack51
Notice the respect he shows for his band, and the respect they show him in return. Such class
@antungajovski5916
i never whithnesd more inspired introduction of a band. must be such a honour to play with him!
@VoyageChansons
@Antun Gajovski oui,mais là c'est lui la vedette
@HelenaSi
😅