Baxter studied piano at the Detroit Conservatory before moving to Los Angeles for further studies at Pepperdine College. Abandoning a concert career as a pianist, he turned to popular music as a singer. At the age of 23 he joined Mel Tormé's Mel-Tones, singing on Artie Shaw records such as "What Is This Thing Called Love?".
Baxter then turned to arranging and conducting for Capitol Records in 1950, and was credited with the early Nat King Cole hits, "Mona Lisa" and "Too Young", but both were actually orchestrated by Nelson Riddle.[1] (In later releases of the recordings the credit was corrected to Riddle.[citation needed]) Not a uncommon practice these days: Baxter himself had arranged Nat King Cole's "Nature Boy" in 1947 for a recording conducted by Frank De Vol. In 1953 he scored his first film, the sailing travelogue Tanga Tika. With his own orchestra, he released a number of hits including "Ruby" (1953), "Unchained Melody" (1955) and "The Poor People Of Paris" (1956). The latter recording sold over one million copies and was awarded a gold disc.[2]He also achieved success with concept albums of his own orchestral suites: Le Sacre Du Sauvage, Festival Of The Gnomes, Ports Of Pleasure, and Brazil Now, the first three for Capitol and the fourth on Gene Norman's Crescendo label. The list of musicians on these recordings includes Plas Johnson and Clare Fischer.
Baxter also wrote the "Whistle" theme from the TV show Lassie.
Baxter did not restrict his activities to recording. As he once told Soundtrack! magazine, "I never turn anything down".
In the 1960s, he formed the Balladeers, a besuited and conservative folk group that at one time featured a young David Crosby.[citation needed] He operated in radio as musical director of The Halls of Ivy and the Bob Hope and Abbott and Costello shows.
Like his counterparts Henry Mancini, Lalo Schifrin and James Horner, Baxter later worked for the film industries from 1960s to 70s. He worked on movie soundtracks for American International Pictures where he composed and conducted scores for Roger Corman's Edgar Allan Poe films and other horror stories and teenage musicals, including The Pit and the Pendulum, Panic in Year Zero!, Beach Party, The Comedy of Terrors,The Dunwich Horror, and Frogs. Howard W. Koch recalled that Baxter composed, orchestrated, and recorded the entire score of The Yellow Tomahawk (1954) in a total of three hours for $5,000.[3]
With less soundtrack work in the 1980s, he scored music for theme parks and SeaWorlds. In the 1990s, Baxter was widely celebrated, alongside Martin Denny and the Arthur Lyman Group, as one of the progenitors of what had become known as the "exotica" movement. In his 1996 appreciation for Wired magazine, writer David Toop remembered Baxter thus:
"Baxter offered package tours in sound, selling tickets to sedentary tourists who wanted to stroll around some taboo emotions before lunch, view a pagan ceremony, go wild in the sun or conjure a demon, all without leaving home hi-fi comforts in the white suburbs".
Baxter has a motion picture star on the Hollywood Walk of Fame at 6314 Hollywood Blvd.
Don't Let the Stars Get in Your Eyes
Les Baxter and His Orchestra Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Don't let the moon break your heart
Love blooms at night
In daylight it dies
Don't let the stars get in your eyes
Or keep your heart from me
For some day I'll return
And you know you're the only one I'll ever love
Too many nights (too many nights)
Too many stars (too many stars)
Too many moons could change your mind
(Don't let the moon change your mind)
If I'm gone too long don't forget where you belong
When the stars come out remember you are mine
Don't let the stars get in your eyes
Don't let the moon break your heart
Love blooms at night
In daylight it dies
Don't let the stars get in your eyes
Or keep your heart from me
For some day I'll return
And you know you're the only one I'll ever love
(Don't let the stars get in your eyes)
(Don't let the moon break your heart)
Too many miles (too many miles)
Too many days (too many days)
Too many nights too be alone
(Too many night all alone)
Oh, please keep your heart while we are apart
Dontcha linger in the moonlight when I'm gone
(While I'm gone)
Don't let the stars get in your eyes
Don't let the moon break your heart
(Don't let the moon break your heart)
Love blooms at night
In daylight it dies
Don't let the stars get in your eyes
Or keep your heart from me
For some day I'll return
And you know your the only one I'll ever love
(I'll ever love)
I'll ever love
You're the only one (you're the only one)
I'll ever love
The lyrics of "Don't Let the Stars Get in Your Eyes" deliver a poignant message about love and longing, exploring the emotional complexities of relationships amidst the backdrop of nighttime romanticism. The first verse introduces a sense of caution, advising the listener not to be swayed by the beauty and allure of the night sky. The phrase "don't let the stars get in your eyes" serves as a metaphor for allowing the magical and potentially misleading qualities of love to cloud judgment. It suggests that nighttime, often associated with romance and intimacy, can also be deceptive. The juxtaposition of love that "blooms at night" but "dies in daylight" speaks to the ephemeral nature of such feelings, reinforcing the notion that moments of passion may not sustain themselves in the practical realities of everyday life.
The singer's plea not to let the moon "break your heart" further emphasizes the vulnerability that comes with love. The moon, symbolizing both the beauty and the fickleness of night, represents the potential for heartbreak unless one remains grounded in their feelings. He reassures his partner of his unwavering devotion, emphasizing that despite physical distance and emotional separation, he will return and remain faithful. The repetition of "you know you're the only one I'll ever love" serves as a mantra, anchoring the listener to a promise that transcends the trials of time apart. This reaffirms the theme of loyalty and a deep, unbreakable bond despite external influences that may challenge the relationship.
As the song progresses into the chorus, the mention of "too many nights," "too many stars," and "too many moons" suggests an overwhelming sense of loneliness and the potential for doubt that arises when one is left to contemplate their feelings in solitude. The chorus articulates the fear of someone losing faith in their connection due to the passage of time and the allure of new possibilities, encapsulated in the refrain about forgetting where they belong. This reality reflects the challenges many face in long-distance relationships or during times of separation, where the emotional strain can lead to uncertainty about commitment. The singer implores the listener to hold onto their heart and not to be swayed by romantic distractions, signaling an awareness of how the night can tempt and distort true love.
Ultimately, the lyrics of "Don't Let the Stars Get in Your Eyes" convey a deep yearning for connection amid the hardships of separation. The refrain "don't let the stars get in your eyes" acts as both a warning against the seductive nature of fleeting romances and a plea for faithfulness from the partner left behind. There is an underlying message of trust, patience, and love's enduring nature, as the singer expresses confidence that despite the physical distances and emotional struggles faced during their time apart, true love will prevail. As the song culminates with the declaration that "you're the only one I'll ever love," it reinforces a powerful affirmation of belonging, suggesting that love, though tested by time, remains constant when nurtured with faith and commitment.
Line by Line Meaning
Don't let the stars get in your eyes
Avoid becoming overly enamored by romantic ideals and illusions.
Don't let the moon break your heart
Do not allow the transient and romantic nature of night to cause emotional pain.
Love blooms at night
Passionate feelings often flourish under the cover of darkness.
In daylight it dies
The realities and routines of daily life can diminish those romantic feelings.
Don't let the stars get in your eyes
Steer clear of becoming blinded by the allure of unattainable romance.
Or keep your heart from me
Don’t build emotional barriers that prevent you from being open to my love.
For some day I'll return
Trust that I will eventually come back to you.
And you know you're the only one I'll ever love
You are the singular focus of my affections, unwavering and true.
Too many nights (too many nights)
Numerous evenings spent apart can lead to feelings of loneliness.
Too many stars (too many stars)
An abundance of romantic distractions can lead to confusion.
Too many moons could change your mind
Repeated cycles of romantic nightfall could sway your feelings.
(Don't let the moon change your mind)
Be steadfast in your commitment, despite the fickleness of romance.
If I'm gone too long don't forget where you belong
In my absence, remember your place in my heart and our bond.
When the stars come out remember you are mine
When night falls, hold on to the truth that you are still dedicated to me.
Don't let the stars get in your eyes
Refrain from allowing romantic fantasies to cloud your judgment.
Don't let the moon break your heart
Avoid letting fleeting moments of romance lead to emotional distress.
(Don't let the moon break your heart)
Remain cautious of love’s ephemeral nature, as it can lead to heartache.
Too many miles (too many miles)
Separation can create a significant emotional distance.
Too many days (too many days)
The passage of time can amplify feelings of isolation.
Too many nights to be alone
A prolonged period of solitude can weigh heavily on the heart.
(Too many nights all alone)
Being alone for an extended time can lead to longing and sadness.
Oh, please keep your heart while we are apart
Hold onto your feelings and commitment to me even during my absence.
Dontcha linger in the moonlight when I'm gone
Avoid indulging in wistful thoughts that may cause you pain while I'm away.
(While I'm gone)
This time apart should not erode your feelings for me.
Don't let the stars get in your eyes
Don't let romantic fantasies distract you from reality.
Don't let the moon break your heart
Avoid letting transient romantic moments lead to sorrow.
(Don't let the moon break your heart)
Stay vigilant against the risks of emotional pain caused by fleeting romance.
Love blooms at night
Emotions tend to thrive in intimate, secluded moments.
In daylight it dies
The pressures of reality can extinguish those intense nighttime feelings.
Don't let the stars get in your eyes
Resist becoming overwhelmed by romantic illusions.
Or keep your heart from me
Don't close yourself off to the love I offer you.
For some day I'll return
Believe that my absence is temporary and I will be back.
And you know you're the only one I'll ever love
My love for you is unique and enduring.
(I'll ever love)
My devotion to you will always remain constant.
I'll ever love
I will forever cherish and hold you in my heart.
You're the only one (you're the only one)
You occupy a singular place in my heart, unmatched by anyone else.
I'll ever love
My love will continue to be for you alone, eternally.
Lyrics © Sony/ATV Music Publishing LLC
Written by: SLIM WILLET
Lyrics Licensed & Provided by LyricFind
Juan
Awesome latin vibe......check out Perez Prado's music.
Mr. Vinyl 67
Juan I got his Patricia I’ll repost it for you it didn’t well in views before it might do better this time I’ll put it on this weekend my friend. 😊