Level 42 is an English jazz-funk band formed on the Isle of Wight in 1979. … Read Full Bio ↴Level 42 is an English jazz-funk band formed on the Isle of Wight in 1979. They had the several UK and worldwide hits during the 1980s and 1990s.
Their highest-charting single in the UK was "Lessons in Love", which reached number three on the UK Singles Chart, and number 12 on the US Billboard Hot 100 chart, upon its release in 1986. An earlier single, "Something About You", was their most successful chart-wise in the United States, reaching number 7 on the Billboard Hot 100 chart. After much success as a live and studio band in the 1980s, Level 42's commercial profile diminished during the early 1990s following a series of personnel changes and musical shifts. Disbanding in 1994, the band reformed in 2001.
History
1979–1980: Prehistory and formation:
Mark King and the Gould brothers (Phil and Rowland, the latter was generally known by his nickname Boon) were all brought up on the Isle of Wight and played together in various bands during their teenage years. Phil Gould went on to study at London's Guildhall School of Music and Drama, where he met keyboard player Mike Lindup in a percussion course. Both musicians found that they had the same feelings about musical heroes: Miles Davis, John McLaughlin, Keith Jarrett, and Jan Hammer.
By 1979, Phil Gould and Mark King were both based in London and became involved in Robin Scott's pop project M. While working with M, they became acquainted with Afro-French keyboard player Wally Badarou, who played synthesizer on M's US number-one single "Pop Muzik". In late 1979, Phil Gould introduced Mark King and Mike Lindup to each other, and all of them began playing together in loose rehearsal sessions, developing their jazz-funk fusion style. The developing band's original guitarist was Dominic Miller (later to find fame playing with Sting), but he was replaced by Boon Gould on the latter's return from working in the United States.
Initially, instrumental roles were flexible, with Boon Gould also playing bass guitar and saxophone and Lindup doubling on keyboards and drums. Mark King was primarily a drummer (although he also played guitar) but had recently sold his drum kit to pay for transport back to the UK after an ill-fated European venture. With Phil Gould and Boon Gould established (respectively) as the most accomplished drummer and guitarist in the quartet, King opted to learn bass guitar instead. At the time, King was working in a London music store. A notably flexible musician and quick learner, he had observed visiting American funk players demonstrating the thumb-slap bass guitar technique and developed his take on the style in a matter of weeks.
The developing band (at this point, entirely an instrumental act) took the name Level 42 and settled on a working line-up of King (bass guitar, percussion), Lindup (keyboards, percussion), Boon Gould (guitar, saxophone), and Phil Gould (drums). The name of the band is a reference to the novel The Hitchhiker's Guide to the Galaxy by Douglas Adams, in which "42" is the answer to "the ultimate question of life, the universe, and everything." Having maintained their links with Wally Badarou, Phil Gould, and Mark King invited him to work with Level 42. Although he never formally joined the band, Badarou would become a fifth member in all but name: co-writing songs, playing keyboards and synthesizers in the studio, and co-producing the records.
1980–1983: Early albums (Level 42, The Early Tapes, The Pursuit of Accidents)
After they were seen, jamming together, Level 42 were invited to sign to Elite Records (a small independent label) in 1980. They were also encouraged to branch out into vocal music. Having considered recruiting a singer, the band eventually settled on giving King and Lindup the vocal role. The two men developed a complementary style, with Lindup's falsetto frequently used for harmonies and choruses while King's deep tenor led the verses (although Lindup would also sing entire songs on his own). The Gould brothers generally wrote lyrics while King, Badarou, and Lindup concentrated on Level 42's music.
The Elite Records single "Love Meeting Love" brought the band to the attention of Polydor Records, with whom they signed their second recording contract. In 1981, they released their first Polydor single, "Love Games", which became a Top 40 hit. They then cut their critically acclaimed self-titled debut album, which was an immediate success throughout Europe.
The band quickly established themselves as concert favorites on the budding British and European jazz-funk scene, taking advantage of the musical expertise and performance skills of all four members.[citation needed] Polydor capitalized on the band's success by releasing a second album, The Early Tapes later in the same year. This was a compilation of material from the Elite Records period (and is also known by an alternate name, Strategy).
In 1982, Level 42 released their third album The Pursuit of Accidents. This was a further development of the Level 42 formula, maintaining their instrumental jazz-funk skills and styling but also experimenting further with pop songs. Both of the singles from the album — "Weave Your Spell" and "The Chinese Way" — charted. The latter, in particular, raised high in the charts and gained the band a much wider audience than before.
1983–1985: Moving towards pop (Standing in the Light and True Colours):
A fourth album, Standing in the Light, was released in 1983. Produced by Larry Dunn and Verdine White (of Earth, Wind & Fire), this album began a new era for the band, being less experimental and less jazzy than previous releases. It provided them with their first UK Top Ten hit, "The Sun Goes Down (Living It Up)". Notably, the album featured no instrumental tracks, with the band now focusing heavily on songs. (The band would not release another instrumental on an album until 1988's Staring at the Sun).
The 1984 album True Colours continued the band's development away from primarily jazz-funk based music, switching between funk, power pop, mid-tempo rock, and moody ballads. It yielded the singles "The Chant Has Begun" and "Hot Water". The latter was a Top 20 hit in Britain and a Top 5 hit in the Netherlands where the band became popular (the song reached also No. 7 in Belgium). During the same year, Mark King released his first solo album Influences on which he played the majority of the instruments (with a guest appearance by Aswad's Drummie Zeb, and with Lindup guesting on additional keyboards).
Level 42 became known for their power as a live band (as showcased on the 1985 double live album A Physical Presence). For live gigs the band added saxophonist Krys Mach, who toured with the group from 1984 to 1988 and contributed to some album recordings.
1985–1987: Worldwide fame (World Machine and Running in the Family) and split of the original line-up
By this time, the band was well established in their mainstream pop/rock sound, as evidenced on their next studio album, World Machine, released later in 1985. King's dextrous bass playing and Lindup and Badarou's chugging keyboards acted as templates for pop songs such as "Something About You" and "Leaving Me Now", which were both UK Top 20 hits (Top 40 hits in the Netherlands).
Significantly, "Something About You" was also their first (and only) US Top 10 the following year; also reaching the Top 5 in Canada and the Top 20 in Italy and New Zealand. "Leaving Me Now" was the second hit from this album, peaking at No. 15 in the United Kingdom but proving less successful in Europe. Elements of Level 42's roots could still be found in the funky "Coup d'État" and "Dream Crazy" on the UK version of the album, as well as a long instrumental track named "Hell," which was also recorded during the World Machine sessions (This last track did not see the light of day until the early 2000s as an MP3 download on the original Napster).
World Machine gained positive reviews from critics, with AllMusic journalist William Cooper, in a retrospective review, describing it as "one of the finest pop albums of the mid-'80s." During the recording of the album, the first major tensions between Phil Gould and Mark King began to surface over musical direction, production, and their relationship. This clashing led to Gould leaving the band for a week. Allan Holdsworth's drummer Gary Husband was lined up as a potential replacement, but Gould and King's dispute was subsequently patched up and the group went on to enjoy their most successful year to date.
Released in early 1986 (and initially recorded to keep up the band's European chart momentum while the band was busy touring the United States), "Lessons in Love" was an international hit and became Level 42's biggest selling single.[citation needed] It gave the band their first number one in Denmark, Germany, Switzerland, and South Africa, increasing the band's popularity considerably. It also placed at No. 2 in Italy, the Netherlands, and Sweden, No. 3 in the UK and Ireland, No. 4 in Austria, No. 10 in Norway, No. 12 in the US in 1987, No. 18 in New Zealand, and No. 22 in France).
"Lessons in Love" became the lead single on 1987's Running in the Family album, recorded to capitalize on the impact. With the band now at the peak of their success, the album added further gloss to Level 42's polished pop sound (despite adding to Phil Gould's disquiet). Further singles from the album continued and built on the band's existing profile: "To Be With You Again" (No. 6 in the Netherlands and Ireland), the ballad "It's Over" (No. 3 in Ireland and No. 7 in the Netherlands) and Running In The Family's title track (No. 1 in Denmark, No. 3 in the Netherlands, No. 4 in Ireland, No. 5 in Switzerland, No. 7 in Norway and No. 9 in New Zealand). The album itself was a major international success, reaching the Top 10 in numerous countries.
By now a leading British pop band, Level 42 played at the Prince's Trust concert in June 1987, with Eric Clapton standing in on lead guitar for a performance of "Running in the Family". King and Lindup also performed with artists including Ben E. King on "Stand By Me" and George Harrison and Ringo Starr on "While My Guitar Gently Weeps".
Despite the success, Level 42 was on the brink of splitting up. Although Phil Gould was the most visibly dissatisfied member, Boon Gould was the first to leave, departing in late 1987, following a support slot on a Madonna tour. The quietest member of the band, Boon surprised both King and Lindup with his sudden departure. However, he had been suffering from nervous exhaustion and wanted to leave the lifestyle of a constantly touring musician to settle down and spend more time with his wife and children. Boon's relationship with the band remained amicable and, although he would not return to Level 42 as a performing or recording member, he continued to write lyrics for the band following his departure. Paul Gendler (an experienced session player who had previously been the guitarist for Modern Romance) temporarily replaced him for a six-week headlining tour and further support slots with Tina Turner.
In December 1987, midway through the tour, Phil Gould left Level 42 permanently. Like his brother, he was suffering from exhaustion, but his relationship with King had broken down once again and they now found it difficult to work together. Phil was also reportedly dissatisfied with the band's direction in terms of their newer "pop" sound, and King and Lindup failed to convince him to stay. To complete the tour dates, the band hired Prefab Sprout drummer Neil Conti to fill in.
1988–1989: The second line-up (Staring at the Sun):
Following the tour, Level 42 recruited Gary Husband as the band's new full-time drummer. He in turn recommended Steve Topping as a replacement guitarist. However, Topping and King's personalities clashed and Topping eventually left the band in early 1988 after initial writing and rehearsing sessions in Dublin. Most of the next Level 42 album, Staring at the Sun, was recorded without a permanent guitarist. Rhythm guitar on the studio recordings was handled either by the band's old friend Dominic Miller or by an uncredited Mark King. In April 1988, towards the end of the sessions, the band recruited lead guitarist Alan Murphy (a session guitarist who had worked extensively with Kate Bush and had been a member of Go West).
Staring at the Sun was released in 1988, reaching number 2 in the UK and the top ten in several European charts. It included the hit single "Heaven in My Hands" (number 12 in the UK and the top twenty in the Netherlands, Norway, and Switzerland). Boon Gould had co-written many of the tracks with King, Lindup, and Badarou, while Gary Husband was credited with his first co-write with King on "Tracie" (a tribute to King's childhood sweetheart). To promote the album, Level 42 embarked on a four-month European tour, culminating in six sell-out nights at Wembley Arena. These latter dates were recorded for what would become the band's second live album, Live At Wembley (eventually released in 1996).
Although the band seemed to have maintained their momentum and recovered well from the split of the original lineup, they were about to be hit by a serious tragedy. Unknown to the rest of Level 42, guitarist Alan Murphy was suffering from AIDS, something that he may have been aware of before joining the band. At the time, his previous band Go West had been stalled by internal disagreements, and one of Murphy's reasons for joining Level 42 was to ensure that he spent his last days playing the music that he loved. During 1989, Murphy contracted pneumonia: weakened by his existing condition, his decline was rapid and he died on 19 October 1989.
Devastated, Level 42 took a year off to regroup and rethink. To cover the gap and to fulfill the band's contract with Polydor Records, Level Best (a greatest hits compilation) was released at the end of 1989; also marking a decade since the band's beginnings. During the break, Mike Lindup also recorded and released his debut solo album, Changes (featuring Dominic Miller, Pino Palladino on bass and Manu Katché on drums).
1990–1992: Third and fourth lineups – Guaranteed album, Allan Holdsworth and Jakko Jakszyk:
The band signed a new contract with RCA Records in 1990, for whom they produced their next album, Guaranteed. Although Dominic Miller once again handled most of the rhythm guitar work, Gary Husband asked Allan Holdsworth to provide some guitar work (notably on "A Kinder Eye"). As well as drumming, Husband also played keyboards and increased his songwriting role, co-writing many tracks with King, Lindup, and Badarou. The album features the only track entirely written by Husband – "If You Were Mine" – that also featured on the "Guaranteed" single release. Mark King also collaborated with lyricists Drew Barfield and George Green to expand the songwriting. Guaranteed was well received by American music critics. However, the album did not get good reviews in the UK (despite reaching No. 3 in the UK charts while the title track reached No. 17 in the singles charts) and was ultimately less commercially successful than previous efforts.
In December 1990, Level 42 returned to play a record run of concerts at Hammersmith Odeon, London, in part fulfilling booking obligations preceding the band's recent hiatus. The concerts featured Allan Holdsworth (whom Husband had asked to play as a favor while the band searched for a permanent guitarist) plus four additional players: Lyndon Connah (ex-64 Spoons) on additional keyboards and percussion and sharing backing vocals with Annie McCaig, plus the horn section from the Guaranteed album (John Thirkell and Gary Barnacle).
After the recording of Guaranteed and a weeklong promotional tour, Level 42 needed a permanent guitarist. Mark King assumed (erroneously) that Allan Holdsworth would not be interested in taking the position. Instead, the band recruited well-respected art-pop guitarist, session player, and sometime solo artist Jakko Jakszyk: the former frontman for 64 Spoons, he had also collaborated with Tom Robinson, Sam Brown, and Stewart/Gaskin among others. Although he did not play on Guaranteed, Jakszyk appeared on the album's cover photo and took part in promotional duties and the tour for the album, as well as playing on two B-sides from this era ("At This Great Distance" and "As Years Go By").
Unlike Husband, Jakszyk never became a full legal member of the band (apparently due to "record company politics"). However, following the end of promotion for Guaranteed, the King-Lindup-Husband-Jakszyk line began writing and recording new material together, with at least two songs ("Fire" and "Free Your Soul") completed. Following the next development in the band's history, this work was shelved and remains unreleased.
1993–1994: Fifth and sixth lineups (including the brief return of Phil Gould), Forever Now and disbandment
In early 1993, Gary Husband left Level 42, leading to the return of group founder member Phil Gould as Level 42's drummer (and principal lyricist) for 1994's Forever Now album. Further changes to the band were evident in that Jakko Jakszyk did not play on the album: the American session guitarist Danny Blume (erroneously credited as “Danny Bloom” performed all guitars.
Although Forever Now was a critical success, the reunion of Gould and the group was short-lived. When Level 42 began to promote the new album (with Jakszyk returning to the live band for concerts and TV appearances), Gould played only one promotional gig and did not go on the road for the Forever Now tour. Jakszyk’s friend and frequent collaborator Gavin Harrison (who later played drums for both Porcupine Tree and King Crimson) replaced him as a live drummer.
It was announced halfway through the Forever Now tour, on the day of the Manchester Apollo gig, which the band would be disbanding permanently following their concert commitments. Level 42 played their last gig at the Albert Hall in London on 14 October 1994. According to Jakszyk, the band recorded tapes for a live album during the final 1994 shows at the Albert Hall and the Brighton Dome which "sounded fantastic", but the album was never released.
1996–2000: Mark King's solo years:
In 1996, Mark King signed to Virgin Records and released a solo single "Bitter Moon" (with Lyndon Connah playing keyboards). This was followed up by his second solo album One Man, featuring lyrics by Boon Gould. The album was not a big commercial success.
King later toured as a solo act, playing his new compositions and some Level 42 favorites. In 1999, he played some shows at the Jazz Cafe in London under the name of "The Mark King Group" with a band including Husband, Jakszyk, and Jakszyk's fellow former 64 Spoons colleague Lyndon Connah on keyboards. Jakszyk left the band after the Jazz Cafe shows, to be replaced on guitar by Nathan King (Mark King's younger brother). King continued to tour with this band, now renamed "Grupo Mark King", over the next couple of years, augmenting the line-up with saxophone player Sean Freeman.
In August 1999, three-quarters of the original Level 42 line-up reunited for a private show. Phil Gould invited some musician friends to play at a party, including his brother Boon and Mike Lindup. In 2001, Mark King, Mike Lindup, and Phil Gould played together at Lindup's wedding for the first time in ten years.[citation needed]
2001–2005: Return of Level 42 (seventh lineup):
Although Mark King released two solo albums, his previous band's music proved to be persistently popular and he found that he was playing more and more old Level 42 tracks at live shows.
In late 2001, King came to a business agreement with Mike Lindup and bought the rights to the name Level 42. Although Lindup agreed to play on future albums, he did not want to tour.[citation needed] King announced the return of Level 42 with a new line-up which also happened to be the musicians from his current live band: himself, Husband, Connah, Freeman, and Nathan King. On 12 July 2002, the first official Level 42 concert for six years was played at The Circus Tavern in Purfleet, Essex. While not recording any new material, for the next few years the band settled into a regular pattern of touring and playing old hits.
On 13 February 2005, there was a brief one-night reunion with Mike Lindup (who joined the band onstage for a date at The Forum in London)[citation needed] and over the year, there was a burst of reissue activity. Two Rockpalast shows from 1983 and 1984 were released on DVD, followed by two CD releases: The River Sessions (a live show from 1983 recorded in Scotland) and a new compilation called The Ultimate Collection II. The latter included a new song called "Genius Of Love", which was a Level 42 tribute/collaboration by the Italian-American dance producer Hardage, featuring Mark King on vocals and incorporating a sample of the Level 42 track "I Want Eyes".
2006–2012: Retroglide and further tours and lineup changes:
In February 2006, after twelve years without releasing a new studio album, Level 42 announced the release of Retroglide. While billed as a band album, it was chiefly recorded and produced by King at his home studio, with Gary Husband, Lyndon Connah, Sean Freeman, and Nathan King all contributing.
Retroglide also featured input from two previous Level 42 members. Erstwhile guitarist Boon Gould provided the album's lyrics (as well as contributing a guitar solo on "Ship") and Mike Lindup, who added prominent keyboard parts and vocals to many tracks, effectively expanded the band to a six-piece via extensive guest performances. Although Phil Gould was uncredited on the album, the track "Ship" is the first song since 1986 worked on by all four original members, as Phil originally arranged the track with his brother Boon. However, Retroglide was also the first Level 42 album not to feature any contributions from Wally Badarou.
In May 2006, Level 42 announced that Mike Lindup would return full-time to replace Lyndon Connah on keyboards. Retroglide was promoted via a supporting tour throughout the UK, Netherlands, Germany, and several other European countries during October 2006. On 26 August 2007, Level 42 played an outdoor gig at the Arundel Festival in West Sussex: the band's only UK show of the year. In 2008, Level 42 played a twenty-date UK tour.
In 2010, Husband stepped down as Level 42's drummer for the second time, due to prior commitments with John McLaughlin. Pete Ray Biggin replaced Husband. In 2012, Level 42 toured the UK and mainland Europe, in celebration of the 25th anniversary since the release of Running in the Family, by playing the whole album, with a whole array of other hits. Also included in the shows was an acoustic set, with Mike Lindup playing the accordion. In October 2012, on Mark King's birthday during a gig in Bristol, Boon Gould joined the band on stage.
2013–present: "Sirens" EP series and re-engagement with contemporary dance-pop:
On 20 and 21 September 2013, Level 42 (joined by an expanded brass section), performed three new songs at London's Indigo O2 Arena – "Where's Yo' Head At", "Too Much Time", and "Sirens". All of these appeared on the band's first new release for seven years, the six-song studio EP "Sirens" (released on 31 October 2013, and the first output from the band's new self-owned label Level 42 Records). Mixed by the American DJ John Morales, the EP also contained "Mind on You", "My Independence Day" and "Build Myself a Rocket" (with King's daughter Marlee providing the backing vocals on the last of these tracks). Musically, it built on the production approach of Retroglide while allying the band with contemporary developments in R&B and dance electronic.
On 3 December 2013, the band announced 'The Sirens Tour' – a 30-date tour, starting in October 2014 and taking in the UK, Netherlands, Germany, and Italy. In the summer of 2014, the band performed at several festivals across Europe including headline performances at Let's Rock Bristol and Rochester Castle. They also played at Rewind festivals. At a performance in Bournemouth, ex-drummer Gary Husband returned due to Pete Ray Biggin being unavailable.
In 2015, the band appeared at a number of the UK and European festivals headlining at 'Let's Rock the Moor' and 'Carfest' concerts. They also played two nights at the Indigo2 in London where the band once again featured a larger brass section consisting of Dan Carpenter (trumpet) and Nicol Thomson (trombone) as well as regular saxophonist Sean Freeman.
In 2016, Level 42 performed at several festivals across the UK and Europe as well as in Curaçao, Chile, and Argentina before embarking on the UK, Netherlands, and Scandinavian tour to promote the "Sirens II" EP. On 1 May 2019, it was announced that Boon Gould had been found dead at his home in Dorset. He was 64. On 4 July 2019, Level 42 made a rare North American incursion, being the band to perform the first concert to launch the week-long «Festival d'été de Québec» (Quebec City Summer Festival). A rare treat for North American fans.
Their highest-charting single in the UK was "Lessons in Love", which reached number three on the UK Singles Chart, and number 12 on the US Billboard Hot 100 chart, upon its release in 1986. An earlier single, "Something About You", was their most successful chart-wise in the United States, reaching number 7 on the Billboard Hot 100 chart. After much success as a live and studio band in the 1980s, Level 42's commercial profile diminished during the early 1990s following a series of personnel changes and musical shifts. Disbanding in 1994, the band reformed in 2001.
History
1979–1980: Prehistory and formation:
Mark King and the Gould brothers (Phil and Rowland, the latter was generally known by his nickname Boon) were all brought up on the Isle of Wight and played together in various bands during their teenage years. Phil Gould went on to study at London's Guildhall School of Music and Drama, where he met keyboard player Mike Lindup in a percussion course. Both musicians found that they had the same feelings about musical heroes: Miles Davis, John McLaughlin, Keith Jarrett, and Jan Hammer.
By 1979, Phil Gould and Mark King were both based in London and became involved in Robin Scott's pop project M. While working with M, they became acquainted with Afro-French keyboard player Wally Badarou, who played synthesizer on M's US number-one single "Pop Muzik". In late 1979, Phil Gould introduced Mark King and Mike Lindup to each other, and all of them began playing together in loose rehearsal sessions, developing their jazz-funk fusion style. The developing band's original guitarist was Dominic Miller (later to find fame playing with Sting), but he was replaced by Boon Gould on the latter's return from working in the United States.
Initially, instrumental roles were flexible, with Boon Gould also playing bass guitar and saxophone and Lindup doubling on keyboards and drums. Mark King was primarily a drummer (although he also played guitar) but had recently sold his drum kit to pay for transport back to the UK after an ill-fated European venture. With Phil Gould and Boon Gould established (respectively) as the most accomplished drummer and guitarist in the quartet, King opted to learn bass guitar instead. At the time, King was working in a London music store. A notably flexible musician and quick learner, he had observed visiting American funk players demonstrating the thumb-slap bass guitar technique and developed his take on the style in a matter of weeks.
The developing band (at this point, entirely an instrumental act) took the name Level 42 and settled on a working line-up of King (bass guitar, percussion), Lindup (keyboards, percussion), Boon Gould (guitar, saxophone), and Phil Gould (drums). The name of the band is a reference to the novel The Hitchhiker's Guide to the Galaxy by Douglas Adams, in which "42" is the answer to "the ultimate question of life, the universe, and everything." Having maintained their links with Wally Badarou, Phil Gould, and Mark King invited him to work with Level 42. Although he never formally joined the band, Badarou would become a fifth member in all but name: co-writing songs, playing keyboards and synthesizers in the studio, and co-producing the records.
1980–1983: Early albums (Level 42, The Early Tapes, The Pursuit of Accidents)
After they were seen, jamming together, Level 42 were invited to sign to Elite Records (a small independent label) in 1980. They were also encouraged to branch out into vocal music. Having considered recruiting a singer, the band eventually settled on giving King and Lindup the vocal role. The two men developed a complementary style, with Lindup's falsetto frequently used for harmonies and choruses while King's deep tenor led the verses (although Lindup would also sing entire songs on his own). The Gould brothers generally wrote lyrics while King, Badarou, and Lindup concentrated on Level 42's music.
The Elite Records single "Love Meeting Love" brought the band to the attention of Polydor Records, with whom they signed their second recording contract. In 1981, they released their first Polydor single, "Love Games", which became a Top 40 hit. They then cut their critically acclaimed self-titled debut album, which was an immediate success throughout Europe.
The band quickly established themselves as concert favorites on the budding British and European jazz-funk scene, taking advantage of the musical expertise and performance skills of all four members.[citation needed] Polydor capitalized on the band's success by releasing a second album, The Early Tapes later in the same year. This was a compilation of material from the Elite Records period (and is also known by an alternate name, Strategy).
In 1982, Level 42 released their third album The Pursuit of Accidents. This was a further development of the Level 42 formula, maintaining their instrumental jazz-funk skills and styling but also experimenting further with pop songs. Both of the singles from the album — "Weave Your Spell" and "The Chinese Way" — charted. The latter, in particular, raised high in the charts and gained the band a much wider audience than before.
1983–1985: Moving towards pop (Standing in the Light and True Colours):
A fourth album, Standing in the Light, was released in 1983. Produced by Larry Dunn and Verdine White (of Earth, Wind & Fire), this album began a new era for the band, being less experimental and less jazzy than previous releases. It provided them with their first UK Top Ten hit, "The Sun Goes Down (Living It Up)". Notably, the album featured no instrumental tracks, with the band now focusing heavily on songs. (The band would not release another instrumental on an album until 1988's Staring at the Sun).
The 1984 album True Colours continued the band's development away from primarily jazz-funk based music, switching between funk, power pop, mid-tempo rock, and moody ballads. It yielded the singles "The Chant Has Begun" and "Hot Water". The latter was a Top 20 hit in Britain and a Top 5 hit in the Netherlands where the band became popular (the song reached also No. 7 in Belgium). During the same year, Mark King released his first solo album Influences on which he played the majority of the instruments (with a guest appearance by Aswad's Drummie Zeb, and with Lindup guesting on additional keyboards).
Level 42 became known for their power as a live band (as showcased on the 1985 double live album A Physical Presence). For live gigs the band added saxophonist Krys Mach, who toured with the group from 1984 to 1988 and contributed to some album recordings.
1985–1987: Worldwide fame (World Machine and Running in the Family) and split of the original line-up
By this time, the band was well established in their mainstream pop/rock sound, as evidenced on their next studio album, World Machine, released later in 1985. King's dextrous bass playing and Lindup and Badarou's chugging keyboards acted as templates for pop songs such as "Something About You" and "Leaving Me Now", which were both UK Top 20 hits (Top 40 hits in the Netherlands).
Significantly, "Something About You" was also their first (and only) US Top 10 the following year; also reaching the Top 5 in Canada and the Top 20 in Italy and New Zealand. "Leaving Me Now" was the second hit from this album, peaking at No. 15 in the United Kingdom but proving less successful in Europe. Elements of Level 42's roots could still be found in the funky "Coup d'État" and "Dream Crazy" on the UK version of the album, as well as a long instrumental track named "Hell," which was also recorded during the World Machine sessions (This last track did not see the light of day until the early 2000s as an MP3 download on the original Napster).
World Machine gained positive reviews from critics, with AllMusic journalist William Cooper, in a retrospective review, describing it as "one of the finest pop albums of the mid-'80s." During the recording of the album, the first major tensions between Phil Gould and Mark King began to surface over musical direction, production, and their relationship. This clashing led to Gould leaving the band for a week. Allan Holdsworth's drummer Gary Husband was lined up as a potential replacement, but Gould and King's dispute was subsequently patched up and the group went on to enjoy their most successful year to date.
Released in early 1986 (and initially recorded to keep up the band's European chart momentum while the band was busy touring the United States), "Lessons in Love" was an international hit and became Level 42's biggest selling single.[citation needed] It gave the band their first number one in Denmark, Germany, Switzerland, and South Africa, increasing the band's popularity considerably. It also placed at No. 2 in Italy, the Netherlands, and Sweden, No. 3 in the UK and Ireland, No. 4 in Austria, No. 10 in Norway, No. 12 in the US in 1987, No. 18 in New Zealand, and No. 22 in France).
"Lessons in Love" became the lead single on 1987's Running in the Family album, recorded to capitalize on the impact. With the band now at the peak of their success, the album added further gloss to Level 42's polished pop sound (despite adding to Phil Gould's disquiet). Further singles from the album continued and built on the band's existing profile: "To Be With You Again" (No. 6 in the Netherlands and Ireland), the ballad "It's Over" (No. 3 in Ireland and No. 7 in the Netherlands) and Running In The Family's title track (No. 1 in Denmark, No. 3 in the Netherlands, No. 4 in Ireland, No. 5 in Switzerland, No. 7 in Norway and No. 9 in New Zealand). The album itself was a major international success, reaching the Top 10 in numerous countries.
By now a leading British pop band, Level 42 played at the Prince's Trust concert in June 1987, with Eric Clapton standing in on lead guitar for a performance of "Running in the Family". King and Lindup also performed with artists including Ben E. King on "Stand By Me" and George Harrison and Ringo Starr on "While My Guitar Gently Weeps".
Despite the success, Level 42 was on the brink of splitting up. Although Phil Gould was the most visibly dissatisfied member, Boon Gould was the first to leave, departing in late 1987, following a support slot on a Madonna tour. The quietest member of the band, Boon surprised both King and Lindup with his sudden departure. However, he had been suffering from nervous exhaustion and wanted to leave the lifestyle of a constantly touring musician to settle down and spend more time with his wife and children. Boon's relationship with the band remained amicable and, although he would not return to Level 42 as a performing or recording member, he continued to write lyrics for the band following his departure. Paul Gendler (an experienced session player who had previously been the guitarist for Modern Romance) temporarily replaced him for a six-week headlining tour and further support slots with Tina Turner.
In December 1987, midway through the tour, Phil Gould left Level 42 permanently. Like his brother, he was suffering from exhaustion, but his relationship with King had broken down once again and they now found it difficult to work together. Phil was also reportedly dissatisfied with the band's direction in terms of their newer "pop" sound, and King and Lindup failed to convince him to stay. To complete the tour dates, the band hired Prefab Sprout drummer Neil Conti to fill in.
1988–1989: The second line-up (Staring at the Sun):
Following the tour, Level 42 recruited Gary Husband as the band's new full-time drummer. He in turn recommended Steve Topping as a replacement guitarist. However, Topping and King's personalities clashed and Topping eventually left the band in early 1988 after initial writing and rehearsing sessions in Dublin. Most of the next Level 42 album, Staring at the Sun, was recorded without a permanent guitarist. Rhythm guitar on the studio recordings was handled either by the band's old friend Dominic Miller or by an uncredited Mark King. In April 1988, towards the end of the sessions, the band recruited lead guitarist Alan Murphy (a session guitarist who had worked extensively with Kate Bush and had been a member of Go West).
Staring at the Sun was released in 1988, reaching number 2 in the UK and the top ten in several European charts. It included the hit single "Heaven in My Hands" (number 12 in the UK and the top twenty in the Netherlands, Norway, and Switzerland). Boon Gould had co-written many of the tracks with King, Lindup, and Badarou, while Gary Husband was credited with his first co-write with King on "Tracie" (a tribute to King's childhood sweetheart). To promote the album, Level 42 embarked on a four-month European tour, culminating in six sell-out nights at Wembley Arena. These latter dates were recorded for what would become the band's second live album, Live At Wembley (eventually released in 1996).
Although the band seemed to have maintained their momentum and recovered well from the split of the original lineup, they were about to be hit by a serious tragedy. Unknown to the rest of Level 42, guitarist Alan Murphy was suffering from AIDS, something that he may have been aware of before joining the band. At the time, his previous band Go West had been stalled by internal disagreements, and one of Murphy's reasons for joining Level 42 was to ensure that he spent his last days playing the music that he loved. During 1989, Murphy contracted pneumonia: weakened by his existing condition, his decline was rapid and he died on 19 October 1989.
Devastated, Level 42 took a year off to regroup and rethink. To cover the gap and to fulfill the band's contract with Polydor Records, Level Best (a greatest hits compilation) was released at the end of 1989; also marking a decade since the band's beginnings. During the break, Mike Lindup also recorded and released his debut solo album, Changes (featuring Dominic Miller, Pino Palladino on bass and Manu Katché on drums).
1990–1992: Third and fourth lineups – Guaranteed album, Allan Holdsworth and Jakko Jakszyk:
The band signed a new contract with RCA Records in 1990, for whom they produced their next album, Guaranteed. Although Dominic Miller once again handled most of the rhythm guitar work, Gary Husband asked Allan Holdsworth to provide some guitar work (notably on "A Kinder Eye"). As well as drumming, Husband also played keyboards and increased his songwriting role, co-writing many tracks with King, Lindup, and Badarou. The album features the only track entirely written by Husband – "If You Were Mine" – that also featured on the "Guaranteed" single release. Mark King also collaborated with lyricists Drew Barfield and George Green to expand the songwriting. Guaranteed was well received by American music critics. However, the album did not get good reviews in the UK (despite reaching No. 3 in the UK charts while the title track reached No. 17 in the singles charts) and was ultimately less commercially successful than previous efforts.
In December 1990, Level 42 returned to play a record run of concerts at Hammersmith Odeon, London, in part fulfilling booking obligations preceding the band's recent hiatus. The concerts featured Allan Holdsworth (whom Husband had asked to play as a favor while the band searched for a permanent guitarist) plus four additional players: Lyndon Connah (ex-64 Spoons) on additional keyboards and percussion and sharing backing vocals with Annie McCaig, plus the horn section from the Guaranteed album (John Thirkell and Gary Barnacle).
After the recording of Guaranteed and a weeklong promotional tour, Level 42 needed a permanent guitarist. Mark King assumed (erroneously) that Allan Holdsworth would not be interested in taking the position. Instead, the band recruited well-respected art-pop guitarist, session player, and sometime solo artist Jakko Jakszyk: the former frontman for 64 Spoons, he had also collaborated with Tom Robinson, Sam Brown, and Stewart/Gaskin among others. Although he did not play on Guaranteed, Jakszyk appeared on the album's cover photo and took part in promotional duties and the tour for the album, as well as playing on two B-sides from this era ("At This Great Distance" and "As Years Go By").
Unlike Husband, Jakszyk never became a full legal member of the band (apparently due to "record company politics"). However, following the end of promotion for Guaranteed, the King-Lindup-Husband-Jakszyk line began writing and recording new material together, with at least two songs ("Fire" and "Free Your Soul") completed. Following the next development in the band's history, this work was shelved and remains unreleased.
1993–1994: Fifth and sixth lineups (including the brief return of Phil Gould), Forever Now and disbandment
In early 1993, Gary Husband left Level 42, leading to the return of group founder member Phil Gould as Level 42's drummer (and principal lyricist) for 1994's Forever Now album. Further changes to the band were evident in that Jakko Jakszyk did not play on the album: the American session guitarist Danny Blume (erroneously credited as “Danny Bloom” performed all guitars.
Although Forever Now was a critical success, the reunion of Gould and the group was short-lived. When Level 42 began to promote the new album (with Jakszyk returning to the live band for concerts and TV appearances), Gould played only one promotional gig and did not go on the road for the Forever Now tour. Jakszyk’s friend and frequent collaborator Gavin Harrison (who later played drums for both Porcupine Tree and King Crimson) replaced him as a live drummer.
It was announced halfway through the Forever Now tour, on the day of the Manchester Apollo gig, which the band would be disbanding permanently following their concert commitments. Level 42 played their last gig at the Albert Hall in London on 14 October 1994. According to Jakszyk, the band recorded tapes for a live album during the final 1994 shows at the Albert Hall and the Brighton Dome which "sounded fantastic", but the album was never released.
1996–2000: Mark King's solo years:
In 1996, Mark King signed to Virgin Records and released a solo single "Bitter Moon" (with Lyndon Connah playing keyboards). This was followed up by his second solo album One Man, featuring lyrics by Boon Gould. The album was not a big commercial success.
King later toured as a solo act, playing his new compositions and some Level 42 favorites. In 1999, he played some shows at the Jazz Cafe in London under the name of "The Mark King Group" with a band including Husband, Jakszyk, and Jakszyk's fellow former 64 Spoons colleague Lyndon Connah on keyboards. Jakszyk left the band after the Jazz Cafe shows, to be replaced on guitar by Nathan King (Mark King's younger brother). King continued to tour with this band, now renamed "Grupo Mark King", over the next couple of years, augmenting the line-up with saxophone player Sean Freeman.
In August 1999, three-quarters of the original Level 42 line-up reunited for a private show. Phil Gould invited some musician friends to play at a party, including his brother Boon and Mike Lindup. In 2001, Mark King, Mike Lindup, and Phil Gould played together at Lindup's wedding for the first time in ten years.[citation needed]
2001–2005: Return of Level 42 (seventh lineup):
Although Mark King released two solo albums, his previous band's music proved to be persistently popular and he found that he was playing more and more old Level 42 tracks at live shows.
In late 2001, King came to a business agreement with Mike Lindup and bought the rights to the name Level 42. Although Lindup agreed to play on future albums, he did not want to tour.[citation needed] King announced the return of Level 42 with a new line-up which also happened to be the musicians from his current live band: himself, Husband, Connah, Freeman, and Nathan King. On 12 July 2002, the first official Level 42 concert for six years was played at The Circus Tavern in Purfleet, Essex. While not recording any new material, for the next few years the band settled into a regular pattern of touring and playing old hits.
On 13 February 2005, there was a brief one-night reunion with Mike Lindup (who joined the band onstage for a date at The Forum in London)[citation needed] and over the year, there was a burst of reissue activity. Two Rockpalast shows from 1983 and 1984 were released on DVD, followed by two CD releases: The River Sessions (a live show from 1983 recorded in Scotland) and a new compilation called The Ultimate Collection II. The latter included a new song called "Genius Of Love", which was a Level 42 tribute/collaboration by the Italian-American dance producer Hardage, featuring Mark King on vocals and incorporating a sample of the Level 42 track "I Want Eyes".
2006–2012: Retroglide and further tours and lineup changes:
In February 2006, after twelve years without releasing a new studio album, Level 42 announced the release of Retroglide. While billed as a band album, it was chiefly recorded and produced by King at his home studio, with Gary Husband, Lyndon Connah, Sean Freeman, and Nathan King all contributing.
Retroglide also featured input from two previous Level 42 members. Erstwhile guitarist Boon Gould provided the album's lyrics (as well as contributing a guitar solo on "Ship") and Mike Lindup, who added prominent keyboard parts and vocals to many tracks, effectively expanded the band to a six-piece via extensive guest performances. Although Phil Gould was uncredited on the album, the track "Ship" is the first song since 1986 worked on by all four original members, as Phil originally arranged the track with his brother Boon. However, Retroglide was also the first Level 42 album not to feature any contributions from Wally Badarou.
In May 2006, Level 42 announced that Mike Lindup would return full-time to replace Lyndon Connah on keyboards. Retroglide was promoted via a supporting tour throughout the UK, Netherlands, Germany, and several other European countries during October 2006. On 26 August 2007, Level 42 played an outdoor gig at the Arundel Festival in West Sussex: the band's only UK show of the year. In 2008, Level 42 played a twenty-date UK tour.
In 2010, Husband stepped down as Level 42's drummer for the second time, due to prior commitments with John McLaughlin. Pete Ray Biggin replaced Husband. In 2012, Level 42 toured the UK and mainland Europe, in celebration of the 25th anniversary since the release of Running in the Family, by playing the whole album, with a whole array of other hits. Also included in the shows was an acoustic set, with Mike Lindup playing the accordion. In October 2012, on Mark King's birthday during a gig in Bristol, Boon Gould joined the band on stage.
2013–present: "Sirens" EP series and re-engagement with contemporary dance-pop:
On 20 and 21 September 2013, Level 42 (joined by an expanded brass section), performed three new songs at London's Indigo O2 Arena – "Where's Yo' Head At", "Too Much Time", and "Sirens". All of these appeared on the band's first new release for seven years, the six-song studio EP "Sirens" (released on 31 October 2013, and the first output from the band's new self-owned label Level 42 Records). Mixed by the American DJ John Morales, the EP also contained "Mind on You", "My Independence Day" and "Build Myself a Rocket" (with King's daughter Marlee providing the backing vocals on the last of these tracks). Musically, it built on the production approach of Retroglide while allying the band with contemporary developments in R&B and dance electronic.
On 3 December 2013, the band announced 'The Sirens Tour' – a 30-date tour, starting in October 2014 and taking in the UK, Netherlands, Germany, and Italy. In the summer of 2014, the band performed at several festivals across Europe including headline performances at Let's Rock Bristol and Rochester Castle. They also played at Rewind festivals. At a performance in Bournemouth, ex-drummer Gary Husband returned due to Pete Ray Biggin being unavailable.
In 2015, the band appeared at a number of the UK and European festivals headlining at 'Let's Rock the Moor' and 'Carfest' concerts. They also played two nights at the Indigo2 in London where the band once again featured a larger brass section consisting of Dan Carpenter (trumpet) and Nicol Thomson (trombone) as well as regular saxophonist Sean Freeman.
In 2016, Level 42 performed at several festivals across the UK and Europe as well as in Curaçao, Chile, and Argentina before embarking on the UK, Netherlands, and Scandinavian tour to promote the "Sirens II" EP. On 1 May 2019, it was announced that Boon Gould had been found dead at his home in Dorset. He was 64. On 4 July 2019, Level 42 made a rare North American incursion, being the band to perform the first concert to launch the week-long «Festival d'été de Québec» (Quebec City Summer Festival). A rare treat for North American fans.
Hot Water
Level 42 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tell me something
Why do I always find it hard
Just to get along
Try my best for nothing
Every little thing I do is wrong
Feel it in my brain
Driving me insane
'Round and 'round
The same old tune
Daddy's on the phone
You know you're not alone
Turn that down
And clean up your room
Sons and daughters
(Don't fall in)
In hot water
Sons and daughters
(They don't do)
What they oughta
Tell (tell) you something (what?)
Music is the key to set me free
To the beat (on the street) I'm jumping
Forgetting all the things they said 'bout me
Here it comes again
Chugging like a train
'Round and 'round
An impeccable groove
I know it's getting late
But I won't hesitate
Can't slow down
Got to do what I do
Sons and daughters
(Always in)
In hot water
Wasting time
Is a crime in their eyes
I'm still young
So much time to decide what to do
I don't need confirmation
For my boyhood extrapolation
Though I'm not sure of my direction
I have the groove for my protection
Here it comes again
Chugging like a train
'Round and 'round
An impeccable groove
I know it's getting late
But I won't hesitate
Can't slow down
Got to do what I do
What I do
Sons and daughters
(Don't fall in)
In hot water
(When they fall by the way)
Sons and daughters
(They don't do)
What they oughta
Sons and daughters
(Don't fall in)
In hot water
(When they fall by the way)
Sons and daughters
(They don't do)
What they oughta
Sons and daughters
(Don't fall in)
In hot water
(When they fall by the way)
Why do I always find it hard
Just to get along
Try my best for nothing
Every little thing I do is wrong
Feel it in my brain
Driving me insane
The same old tune
Daddy's on the phone
You know you're not alone
Turn that down
And clean up your room
Sons and daughters
(Don't fall in)
In hot water
Sons and daughters
(They don't do)
What they oughta
Tell (tell) you something (what?)
Music is the key to set me free
To the beat (on the street) I'm jumping
Forgetting all the things they said 'bout me
Here it comes again
Chugging like a train
'Round and 'round
An impeccable groove
I know it's getting late
But I won't hesitate
Can't slow down
Got to do what I do
Sons and daughters
(Always in)
In hot water
Wasting time
Is a crime in their eyes
I'm still young
So much time to decide what to do
I don't need confirmation
For my boyhood extrapolation
Though I'm not sure of my direction
I have the groove for my protection
Here it comes again
Chugging like a train
'Round and 'round
An impeccable groove
I know it's getting late
But I won't hesitate
Can't slow down
Got to do what I do
What I do
Sons and daughters
(Don't fall in)
In hot water
(When they fall by the way)
Sons and daughters
(They don't do)
What they oughta
Sons and daughters
(Don't fall in)
In hot water
(When they fall by the way)
Sons and daughters
(They don't do)
What they oughta
Sons and daughters
(Don't fall in)
In hot water
(When they fall by the way)
Level 42's song "Hot Water" details the struggles of youth trying to get by but finding themselves in trouble despite their best efforts. Lead singer Mark King laments about how hard it is to fit in and how everything he does seems wrong. We all crave the feeling of being understood and accepted in any given situation, but for some of us it never seems to come so easily. You can feel the pain in Mark King's voice as he relates the story of a youth trying so hard to be accepted but still finding themselves in hot water. The chorus reminds us that sons and daughters should learn to avoid the pitfalls of life and do what they should. And while growing up can be difficult, the right guidance and advice can lead you to a healthy and fulfilled life.
The track is driven by Mark King's funky bass lines, which flow effortlessly alongside the horn section. It is a clear demonstration of the band's musical proficiency in mixing pop and funk that was so popular during the 1980s. The guitar solo also helps to showcase the technical ability of guitarist Boon Gould.
Line by Line Meaning
Tell me something
The singer is asking for an explanation or insight.
Why do I always find it hard
The singer is questioning why they struggle so much.
Just to get along
The singer is having a hard time fitting in or being accepted.
Try my best for nothing
The artist feels like they're putting in effort with no results to show for it.
Every little thing I do is wrong
The artist feels like they can't do anything right.
Feel it in my brain
The singer is experiencing frustration or stress mentally.
Driving me insane
The singer is feeling overwhelmed and mentally unstable.
'Round and 'round
The artist feels stuck in a cycle or routine.
The same old tune
The artist feels like they're dealing with the same issues repeatedly.
Daddy's on the phone
The artist's father is currently talking on the phone.
You know you're not alone
The singer is letting someone know that they're not by themselves.
Turn that down
The artist is telling someone to lower the volume.
And clean up your room
The singer is telling someone to tidy their living area.
Sons and daughters
The singer is referring to young people in general.
(Don't fall in)
The singer is emphasizing the importance of avoiding trouble or danger.
In hot water
The artist is referring to being in trouble or facing consequences.
(They don't do)
The artist is pointing out that some individuals don't follow expected behavior.
What they oughta
The singer is expressing what is expected or typical of individuals.
Tell (tell) you something (what?)
The singer is repeating their request for an explanation or insight.
Music is the key to set me free
The artist finds solace in music.
To the beat (on the street) I'm jumping
The artist is enjoying music and dancing in public.
Forgetting all the things they said 'bout me
The artist is able to let go of negative comments made towards them.
Here it comes again
The singer is anticipating something to happen or repeat.
Chugging like a train
The artist is using a simile to describe the nature of what is happening or repeating.
'Round and 'round
The singer is stuck in a cycle or routine.
An impeccable groove
The singer is describing the music in a positive manner.
I know it's getting late
The singer is aware of the time passing by.
But I won't hesitate
The artist is determined to continue despite the late time.
Can't slow down
The artist is not willing or able to slow down their activity level.
Got to do what I do
The singer is intent on continuing their activity.
Wasting time
The singer views idle time as unproductive.
Is a crime in their eyes
The artist is explaining the judgment others have of idle time.
I'm still young
The artist is emphasizing their youth.
So much time to decide what to do
The artist is acknowledging that they have time to plan their future.
I don't need confirmation
The singer is independent and does not require validation from others.
For my boyhood extrapolation
The artist is referencing their younger years in relation to their current aspirations.
Though I'm not sure of my direction
The singer is honest about being uncertain of their future path.
I have the groove for my protection
The singer finds comfort in their love of music and dancing.
When they fall by the way
The singer is warning about the potential negative consequences of deviating from expected actions.
Lyrics © BMG Rights Management, Peermusic Publishing
Written by: Waliou Jacques Badarou, Philip Gabriel Gould, Mark King, Michael David Lindup
Lyrics Licensed & Provided by LyricFind
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@benjaminlizana1994
Tell me something
Why do I always find it hard
Just to get along
Try my best for nothing
Every little thing I do is wrong
Feel it in my brain
Driving me insane
'Round and 'round
The same old tune
Daddy's on the phone
You know you're not alone
Turn that down
And clean up your room
Sons and daughters
(Don't fall in)
In hot water
Sons and daughters
(They don't do)
What they oughta
Tell (tell) you something (what?)
Music is the key to set me free
To the beat (on the street) I'm jumping
Forgetting all the things they said 'bout me
Here it comes again
Chugging like a train
'Round and 'round
An impeccable groove
I know it's getting late
But I won't hesitate
Can't slow down
Got to do what I do
Sons and daughters
(Always in)
In hot water
Wasting time
Is a crime in their eyes
I'm still young
So much time to decide what to do
I don't need confirmation
For my boyhood extrapolation
Though I'm not sure of my direction
I have the groove for my protection
Here it comes again
Chugging like a train
'Round and 'round
An impeccable groove
I know it's getting late
But I won't hesitate
Can't slow down
Got to do what I do
What I do
Sons and daughters
(Don't fall in)
In hot water
(When they fall by the way)
Sons and daughters
(They don't do)
What they oughta
Sons and daughters
(Don't fall in)
In hot water
(When they fall by the way)
Sons and daughters
(They don't do)
What they oughta
Sons and daughters
(Don't fall in)
In hot water
(When they fall by the way)
@bobbyshafto3259
Oh My Word ! Does it get any funkier than this ? And that BASS is absolutely AWESOME. Level 42 at their very BEST.
@stephenalanmoore7278
Agreed. It's still a 'Live' favourite at their concerts, even now after all these years and always gets a great response from the audience. Mark is quite rightly very proud of it to this day.
It's criminal that this classic single only got to No18 in the UK charts, as it definitely deserved to go Top Five.
@oiyyou
the most under rated group of all time......
@dennisd2531
Phenomenal bass work!
@pamelamorrell1115
How bloody amazing were they?? Great times great sounds ❤️🔥🎹🎸❤️💃
@kneeleydavis574
Still listening this funky groove 2023!!!!❤
@StrangerPings22
All Level 42 songs remind me of my mother who passed away 17 years ago. Good memories sitting in thz car with her and a recorded cassette playing all these songs. Never will I forget her. Have a nice day, life's too short!
@petehotton4740
Very sorry to hear that
@stephenalanmoore7278
Sorry to hear about your loss! I also lost my lovely Mum to the dreadful 'Alzheimer's Disease' last December at the age of 85! She also loved 'Level 42', particularly their 1983 album 'Standing In The Light'. I really miss her terribly. As you said, life is too short.
@garycarr3857
Level 42