Let's Go
Lil' Jon Trick Daddy Twista Lyrics


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Yeah (Yeah!)
There's a lotta fuck niggas in the club tonight,
(fuck em, fuck em, fuck em)
But its gonna be alright, (yeah, yeah, yeah, yeah)
Cause me and my clique we don't give a fuck nigga.
Trick Daddy, Jim Johnson, Big D, Lil Jon

[Chorus]
Lets go! (Lets go!)
If you want it you can get it let me know (let me know),
I'm bout to fuck a nigga up, lets go! (lets go!)
If you want it you can get it let me know (let me know),
I'm bout to fuck a nigga up, lets go! (lets go!)

If you want some, come get some,
Cause where I'm from we tote big guns,
And everybody know somebody that
Know somebody that know somethin' bout it,
And I want answers now who, what, where,
When and why,
See, a lotta dudes like to act a fool
And all get all loud but that ain't my style,
And he who he gonna get and what he gonna do,
Run up on me if he want to,
Out there impressin' his homies,
But he stood up in front of his mama,
I mop up the flo' wit em,
And I kick in the door and let the .44 get em,
I got fools that'll go get em,
That's for him, his crew and the dudes that run wit em.

[Chorus]

Gotta spit for the murderas and the
Killas and the thugstas,
That be fuckin' up the ballas and
The dealas and the hustlas,
Got me comin' at you bokas in the
V.I. while they bumpin' Lil' Jon I'm a brush ya,
Its the psycho nigga twista from
Chicago rollin' with the Miami nigga that'll crush ya,
We already been lookin' for drama
If a nigga try to get it to then we still gotta get em,
Feelin' fury from my tough shit that cant never be true
And the penicillin
I'm telling you Trick of in and still em
Got me swingin' Crysie and Hennessy bottles,
In the club with my thug homies goin' for the skrilla,
Don't get it twisted with that
Overnight celebrity you better be scared
Of me in my city I'm a killa.

[Chorus]

I ain't that rappin' type alright,
And I that actin' type alright,
This sulphane in my script,
I'm a play on you and you just a square,
See, once that Hennessy into
Me the whole industry is my enemy,
If you ain't no ten to me or friend to me,
Bitch don't pretend to be,
I'm strictly for the thugs,
I'm part of the streets and straight out the hood,
That moments ghetto (ghetto),
Got me deep in gats for you wheezly cats,
I'm straight out the county of Dade,
Played on fire nigga M-I-A,
Never gone south of the border,
Americas most wanted you gonna get slaughtered.

[Chorus: x2]

The AK go chop, chop, chop, chop
The SK go fire, fire, fire, fire




The AK go chop, chop, chop, chop
The SK go fire, fire, fire, fire

Overall Meaning

The opening verse of "Let's Go" by Lil' Jon, Trick Daddy, and Twista sets the tone for an aggressive song about asserting dominance in a club full of "fuck niggas." The artists express their disregard for anyone who stands in their way while emphasizing their willingness to fight to prove their point. The chorus repeatedly invites anyone who wants to challenge them to come forward: "If you want it, you can get it, let me know / I'm bout to fuck a nigga up, let's go!"


In the second verse, Twista describes his reputation as a "psycho nigga" from Chicago who rolls with Miami's Trick Daddy to "crush" anyone who crosses them. He goes on to suggest that his aggression is a result of feeling ostracized by the music industry, which he views as his enemy. Meanwhile, Trick Daddy makes it clear that he and his "thug homies" are only in the club to make money: "In the club with my thug homies goin' for the skrilla."


Overall, "Let's Go" celebrates toughness and aggression as essential components of street credibility. The song's repeated invitation to "let's go" suggests that the only way to prove oneself in this world is through physical combat.


Line by Line Meaning

Yeah (Yeah!)
The artist is expressing excitement and enthusiasm about the upcoming song.


There's a lotta fuck niggas in the club tonight, (fuck em, fuck em, fuck em)
The club is crowded with people who the artists view as inferior or unworthy, and they express their disdain for them.


But its gonna be alright, (yeah, yeah, yeah, yeah)
Despite the presence of undesirable people, the artists are still confident that the night will end well.


Cause me and my clique we don't give a fuck nigga.
The artists express their apathy towards the presence of others in the club by stating that they are only concerned with themselves and their group.


If you want it you can get it let me know (let me know),
The artists are inviting anyone who wants to engage in conflict with them to make their intentions known.


I'm bout to fuck a nigga up, lets go! (lets go!)
The artists are expressing their readiness to engage in physical violence if the situation arises.


If you want some, come get some,
The artists are once again inviting people to confront them if they want to.


Cause where I'm from we tote big guns,
The artists are warning others that they come from a place where firearms are common, and they are not afraid to use them if necessary.


And everybody know somebody that Know somebody that know somethin' bout it,
The artists are implying that they have connections throughout the city that keep them informed about the activities of others.


See, a lotta dudes like to act a fool And all get all loud but that ain't my style,
The artists are criticizing those who behave recklessly and noisily in public, saying that they do not share that behavior.


Feelin' fury from my tough shit that cant never be true
The artists are expressing anger towards people who are pretending to be as tough as they are but are actually far from it.


Its the psycho nigga twista from Chicago rollin' with the Miami nigga that'll crush ya,
The artists are introducing themselves and warning others that they are a dangerous combination of people from two different cities.


Got me swingin' Crysie and Hennessy bottles
The artists are describing their actions in the club, where they are drinking alcohol and prepared to use the bottles as weapons if necessary.


In the club with my thug homies goin' for the skrilla,
The artists are explaining why they are in the club: to make money, and they are doing so with the help of their criminal associates.


Don't get it twisted with that Overnight celebrity you better be scared Of me in my city I'm a killa.
The artists are warning those who seek fame and fortune that they should not be mistaken for being weak and should be afraid of them because they have a reputation in their city for being killers.


The AK go chop, chop, chop, chop The SK go fire, fire, fire, fire
The artists are describing the sounds of their weapons of choice, an AK-47 and an SKS rifle, in a catchy, rhyming manner.




Lyrics © Kobalt Music Publishing Ltd., Universal Music Publishing Group, RESERVOIR MEDIA MANAGEMENT INC, THE ADMINISTRATION MP, INC.
Written by: CARL TERRELL MITCHELL, ROBERT JOHN DAISLEY, JOHN OSBOURNE, RANDY RHOADS, MAURICE YOUNG, DERRICK A. BAKER, JAMES GREGORY SCHEFFER, MAURICE DWIGHT MARSHALL, CHARLES C. YOUNG, JONATHAN H. SMITH

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@p4in163

Anyone in 2024 ?

@pierreo33

Anyone in 2079?

@p4in163

@@pierreo33 maybe in 3024

@senadademario9603

Hell yeah. Kids nowadays will never understand what sick era this was!!!!!

@p4in163

@@senadademario9603 ofc, that was insane rap music

@ericcraft2890

Right here

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@marshayemanuel4774

When rock and hip hop come together it’s almost always epic

@jarmarnewell

Just like Aerosmith and Run DMC. That was straight up MTV!

@one234569and10

@@jarmarnewell They were the original mash up team.

@jarmarnewell

@@one234569and10 boo-yah man!

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