Get Low
Lil' Jon and the Eastside Boys Lyrics

Three, six, nine damn she fine hopin she can sock it to me one mo time
The singer is marveling at how attractive someone they see is and hoping to engage with them romantically.

Get low, Get low
This is a repeated command for the listener to drop their body low to the ground, either literally or metaphorically in reference to dancing.

To the window, to the wall, (to dat wall)
The singer is identifying two points in the room and the wall between them, potentially as a metaphor for the physical distance between the singer and other people in the club.

To the sweat drop down my balls (MY BALLS)
The artist is indicating that they are physically engaged in the party atmosphere and are sweating heavily. The mention of their genitals may be intended for shock value or to assert their masculinity.

To all these bitches crawl (crawl)
This line is a degrading command for women to dance on the ground in front of the artist and other men. The term 'bitches' is used pejoratively to strip these women of any individuality or respect.

To all skeet skeet motherfucker (motherfucker!) all skeet skeet got dam (Got Dam)
The term 'skeet' is a vulgar slang term that describes bodily secretions. In this context, it appears to be a reference to the physical act of sex. The line is an exclamation of enthusiasm for the party atmosphere and perhaps sexual opportunities.

Shortie crunk so fresh so clean can she fuck that
The singer is admiring a woman who is visibly energized and attractive. The line may be interpreted as a request for sex, but the tone is noncommittal and more of an inquiry.

Question been harassing me in the mind this bitch is fine
The artist is mentally fixated on someone they find attractive and are attempting to work up the courage to make a move or engage them in conversation.

I done came to the club about 50 11 times now can I play with yo
This line is a non-specific request for interaction or attention from someone. The artist has come to the club often and is hoping to strike up a connection with another person.

Panty line the club owner said I need to calm down security guard go to sweating
The artist is apparently getting very excited and perhaps disruptive in the club. They are drawing attention from people in charge of security and have been asked to moderate their behavior.

Me now nigga drunk then a motherfucker threaten me now
The singer is drunk, and in a state of inebriation where they are easily agitated or frightened by others. They may be experiencing paranoia or feeling threatened for no reason.

She getting crunk in the club I mean she work
This line is a complimentary description of someone who is vigorously dancing and enjoying the party atmosphere. The term 'crunk' is a slang term that may mean either excited or drunk.

Then I like to see the female twerking taking the clothes off BUCKEY naked
The singer is expressing an enthusiastic desire to see women dancing in a provocative manner and potentially taking off their clothing. The specific reference to 'BUCKEY' may indicate a shared cultural context or inside joke.

ATL. Hoe don't disrespect it
This line is a statement of pride and loyalty to the city of Atlanta and a general warning not to disrespect it or its inhabitants.

Pa pop yo pussy like this cause yin yang twins in this b I itch
The line is a command to women to dance in an explicit, sexual manner. The reference to the 'Yin Yang Twins' may indicate a shared cultural context and appreciation for their music.

Lil Jon and the East side boys wit me and we all like to see Ass and tities
This line is a boastful declaration of the presence of famous musicians and their preference for women with attractive bodies. The line objectifies women and implies that their worth lies solely in their appearance.

Now bring yo ass over here hoe and let me see you get low if you want this Thug
The artist is issuing a challenge for women to come dance closer to them and show off their moves. The term 'hoe' is used to objectify women and strip them of any individuality.

Now take it to the floor (to the floor) and if yo ass wanta act you can keep yo Ass where you at
The listener is encouraged to dance and interact with the singer. If they refuse or behave negatively, the singer will dismiss them and encourage them to leave the party atmosphere.

Let me see you get low you scared you, scared you
The singer is challenging the listener to dance lower and express themselves more fully. The repetition of 'scared you' is an insult, accusing the listener of being too timid or afraid to dance properly.

Drop dat ass to the floor you scared you, scared you
This line repeats the challenge to dance more freely and more explicitly threatens the listener with accusations of cowardice. It is a cruel and demeaning way to encourage people to dance.

Drop dat ass ya shake it fast ya
This is a command to dance more energetically and provocatively. The artist is urging the listener to show off their body in a way that is sexually appealing.

Pop dat ass to the left and the right ya
This is another command to dance in a specific way, in this case moving their buttocks left and right. The repeated use of imperative statements can be coercive.

Now back,back,back it up
The term 'back it up' is a command to move the body backwards, but in this context, it is meant to suggest that the listener is sexually aroused and should move towards the singer.

Now stop then wiggle wit it
This command may be a reference to a specific dance move or an invitation to be more creative in their movements. The tone is playful and suggestive.

Now give me my doe back and go get ya friend
The term 'doe' is a slang term for money and may be a request for payment or simply a way of commanding attention. The singer is directing the listener to leave and find someone else to dance with.

Stupid bitch standing there while I'm drinking my hen
This line is derogatory towards women, specifically one who is not engaging with the singer as they drink. The use of 'stupid bitch' is meant to demean this woman and assert the singer's dominance over her.

Steady looking at me Still asking questions
The singer is becoming irritated with someone who is asking them questions and invading their personal space. The tone is impatient and aggressive.

Times up nigga pass me another contestant
The artist is dismissing the person they were talking to and demanding another one. The use of 'nigga' is familiar but also somewhat hostile.

Hoe move to the left if you ain't bout 50
The term 'hoe' is used pejoratively to address women and strip them of any individuality or respect. The command to move to the left suggests that the artist is creating a hierarchy of people based on age or status.

Done talk through 3 or 4 songs already
This line suggests that the singer has already gone through several dance partners and is growing impatient with women who are not engaging with them. It is also a boastful way of implying that the singer is very popular in the party atmosphere.

Looking at a nigga with yo palm out bitch I ain't even seen you dance
The singer is irritated with someone who is asking them for money or other forms of payment. The use of 'nigga' is somewhat aggressive, and the singer is also insulting the person's dancing abilities.

Twerk something baby work something baby
These commands are urging women to dance in a sexually explicit manner. The use of 'baby' is somewhat infantilizing and can be seen as objectifying.

Pop yo pussy on the pole do yo thang baby
This is a direct command to dance in an explicit and provocative manner. The term 'pop yo pussy' is obscene and objectifying, while the use of 'baby' again suggests a power dynamic where the artist is in control.

Slide down dat bitch
This is another command to dance in a certain way, in this case sliding down a pole or surface. The use of 'bitch' is pejorative and objectifying.

A little bit then stop
This command is more specific, asking the dancer to engage in a particular movement before stopping. The tone is directive and authoritative.

Get back on the floor catch yo balance then drop
This line is a command to dance more energetically and physically exert oneself. The use of 'drop' suggests that the listener should be lowering themselves towards the ground again.

Now bring it back up clap yo ass like hands
The use of 'clap yo ass like hands' is a command to dance in a particular way, in this case clapping one's buttocks together rhythmically. The tone is directive and authoritative.

I just wanna see yo ass dirty dance yin yang we done again
The singer is requesting an explicit and sometimes physically dangerous dance. The reference to 'Yin Yang' may indicate the cultural context of the music or the preference of the singer.

And put it on the map like annnnn
This line is celebratory, suggesting that the party and the dancing are noteworthy and worth remembering. The use of 'like annnnn' is an elongated and exaggerated way of indicating approval or excitement.

Got dam (Got dam) ya ya'll twerking a little bit ladies
The artist is expressing excitement at the dancing of the women around them. The tone is celebratory, and the use of 'Got dam' is exaggerated enthusiasm.

But ya got to twerk a little bit harder then dat
This line is a directive for women to dance more explicitly and energetically. The tone is playful and perhaps flirtatious.

Now right now I need all the ladies dat know they look good tonite (where my sexy ladies) we want ya'll to do this shit like this Bend over to the front touch toes back dat ass up and down and get low (get low)
This is a call to action for women to dance more explicitly and provocatively, in a way that is attractive to men. The term 'sexy ladies' is objectifying, and the commands for women to bend over and touch their toes can be seen as lewd or sexist.

To the sweat drip down my balls (MY BALLS)
This line is a repetition of an earlier line. The singer is emphasizing that they are physically engaged in the party atmosphere and experiencing intense physical sensations as a result.