Low
Lil John Feat. Ying Yang Twins Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Three, six, nine, damn, she fine
Hopin' she can sock it to me one mo' time
Get low (get low), get low (get low)
Get low (get low), get low
To the window (to the window)
To the wall (to the wall)
'Til the sweat drop down my balls (my balls)
'Til all these bitches crawl (crawl)
'Til all skeet-skeet mothafucka (mothafucka)
'Til all skeet-skeet, goddamn (goddamn)
'Til all skeet-skeet mothafucka (mothafucka)
'Til all skeet-skeet goddamn (goddamn)

Shorty crunk, so fresh, so clean
"Can she fuck?" That question been harassin' me
In the mind, this bitch is fine
I done came to the club 'bout fifty 'leven times
Now, can I play with yo' panty line?
The club owner say I need to calm down
Security guards go to sweatin' me now
Nigga drunk than a mothafucka, threaten me now

She gettin' crunk in the club, I mean, she work it
And then I like to see them females twerkin'
Takin' her clothes, off buck naked
ATL ho, don't disrespect it
P-Pop yo' pussy like this
'Cause Yin Yang Twins in this B-I-itch
Lil Jon & the East Side Boyz with me
And we all like to see ass and titties
Now bring yo' ass over here, ho
And let me see you get low if you want this thug
Now take it to the floor (to the floor)
And if yo' ass wanna act (what?)
Then you can keep ya ass where you at

Three, six, nine, damn, she fine
Hopin' she can sock it to me one mo' time
Get low (get low), get low (get low)
Get low (get low), get low
To the window (to the window)
To the wall (to the wall)
'Til the sweat drop down my balls (my balls)
'Til all these bitches crawl (crawl)
'Til all skeet-skeet mothafucka (mothafucka)
'Til all skeet-skeet, goddamn (goddamn)
'Til all skeet-skeet mothafucka (mothafucka)
'Til all skeet-skeet goddamn (goddamn)

Let me see you get low (you scared, you scared)
Drop that ass to the floor (you scared, you scared)
Let me see you get low (you scared, you scared)
Drop that ass to the floor (you scared, you scared)
Drop that ass, ayy, shake it fast ayy
Pop that ass to the left and the right, ayy
Drop that ass, ayy, shake it fast ayy
Pop that ass to the left and the right, ayy
Now back (ah), back, back it up (ah)
Ayy, back (ah), back, back it up (ah)
Ayy, back (ah), back, back it up (ah)
Ayy, back (ah), back, back it up (ah)
Now stop (oh), then wiggle wit' it (yeah)
Stop (oh), then wiggle wit' it (yeah)
Stop (oh), then wiggle wit' it (yeah)
Stop (oh) then wiggle wit' it, wiggle wit' it (yeah)

Three, six, nine, damn, she fine
Hopin' she can sock it to me one mo' time
Get low (get low), get low (get low)
Get low (get low), get low
To the window (to the window)
To the wall (to the wall)
'Til the sweat drop down my balls (my balls)
'Til all these bitches crawl (crawl)
'Til all skeet-skeet mothafucka (mothafucka)
'Til all skeet-skeet, goddamn (goddamn)
'Til all skeet-skeet mothafucka (mothafucka)
'Til all skeet-skeet goddamn (goddamn)

Now give me my dub back, go an get ya friend
Stupid bitch standin' there while I'm drinkin' my Hen'
Steady lookin' at me, still askin' questions
Time's up, nigga, pass me another contestant
Ho, move to the left if you ain't 'bout fifty
Done talk through three or four songs already
Lookin' at a nigga with yo' palm out
Bitch, I ain't even seen you dance
Twerk somethin' baby, work somethin' baby
Poppin' pussy on the pole, do yo' thang baby
Slide down that bitch a little bit, then stop
Get back on the floor, catch yo' balance, then drop
Now bring it back up, clap yo' ass like hands
I just wanna see yo' ass dirty dance
Yin Yang, we done it again
And put it on the map like, "hah"

Three, six, nine, damn, she fine
Hopin' she can sock it to me one mo' time
Get low (get low), get low (get low)
Get low (get low), get low
To the window (to the window)
To the wall (to the wall)
'Til the sweat drop down my balls (my balls)
'Til all these bitches crawl (crawl)
'Til all skeet-skeet mothafucka (mothafucka)
'Til all skeet-skeet, goddamn (goddamn)
'Til all skeet-skeet mothafucka (mothafucka)
'Til all skeet-skeet goddamn (goddamn)

Goddamn (goddamn)
Yeah, y'all twerkin' a little bit ladies (a little bit)
But ya got to twerk it a little harder then that (a little harder)
Right now I need all the ladies that know they look good tonight (where my sexy ladies?)
We want y'all to just do this shit like this
Bend over to the front, touch ya toes
Back that ass up and down and get low (get low)
Bend over to the front, touch ya toes
Back that ass up and down and get low (get low)
Bend over to the front, touch ya toes
Back that ass up and down and get low (get low)
Bend over to the front, touch ya toes
Back that ass up and down and get low (get low)

Three, six, nine, damn, she fine
Hopin' she can sock it to me one mo' time
Get low (get low), get low (get low)
Get low (get low), get low
To the window (to the window)
To the wall (to the wall)
'Til the sweat drop down my balls (my balls)
'Til all these bitches crawl (crawl)
'Til all skeet-skeet mothafucka (mothafucka)
'Til all skeet-skeet, goddamn (goddamn)




'Til all skeet-skeet mothafucka (mothafucka)
'Til all skeet-skeet goddamn (goddamn)

Overall Meaning

The lyrics to Lil Jon Feat. Ying Yang Twins' song 'Low' are a clear tribute to women's ability to dance provocatively. The lyrics center around the singer's admiration for a woman who is dancing in the club and his hopes of being able to dance with her. Throughout, the song highlights the importance of getting low and becoming more sexually suggestive as the beat drops. By the end of the song, the singer can see that the woman is finally getting into the groove, and the song becomes a party anthem of sorts with everyone getting low and dancing.


One of the interesting facts about this song is that it was released in 2002 and remained a popular party anthem for years to come. The song helped to catapult both Lil Jon and the Ying Yang Twins to fame and paved the way for other crunk artists to emerge. Another fascinating feature of the song is its repetitive nature, making it an easy-to-remember and catchy tune that became popular on dance floors worldwide.


The song's title, 'Low,' is a reference to getting low on the dance floor and becoming more suggestive, which was a popular dance move of the early 2000s. The song was frequently played in clubs, bars, and at parties, making it a nostalgic anthem for those who grew up during that time. The song was also used in various movies and television shows, including the popular film "Friends with Benefits" and the television series "Hindsight."


The song's chorus, "To the window, to the wall, 'til sweat drips down my balls," is often cited as one of the most recognizable lines from the song. However, this line has also been controversial, with some people criticizing the song's sexually suggestive lyrics. Despite the controversy, the song has remained a hit and continues to be played in various settings.


Chords (if known):
The song is in the key of E minor, and the chords are:


Em - B - G - D (verse and chorus)
C - G - D (bridge)


Line by Line Meaning

Three, six, nine, damn, she fine
The singer is admiring the attractiveness of a woman he sees, using a playful rhyme to express his thoughts.


Hopin' she can sock it to me one mo' time
The singer is hoping to have sexual intercourse with the woman he is attracted to.


Get low (get low), get low (get low)
The singer is inciting the crowd to get low and dance in a suggestive way.


To the window (to the window)
The singer is encouraging the audience to move towards the window.


To the wall (to the wall)
The singer continues to encourage audience members to move, this time towards the wall.


'Til the sweat drop down my balls (my balls)
The singer is dancing so energetically that he is sweating profusely, with sweat running down to his testicles.


'Til all these bitches crawl (crawl)
The singer is asking audience members to dance in a provocative way, even getting on their hands and knees.


'Til all skeet-skeet mothafucka (mothafucka)
The artist is using slang to shout out his desire for sexual release, indicating he wants to ejaculate.


'Til all skeet-skeet, goddamn (goddamn)
Continuing on his theme, the artist is again expressing his extreme desire for sexual release.


'Til all skeet-skeet goddamn (goddamn)
The repetition emphasizes the artist's urgent and imploring desire to ejaculate.


Shorty crunk, so fresh, so clean
The singer is complementing the woman he is admiring for her confidence and style.


"Can she fuck?" That question been harassin' me
The artist is wondering about the sexual prowess of the woman he is interested in, and this question is occupying his thoughts.


In the mind, this bitch is fine
The singer is admitting that he is thinking about sex with the woman he is interested in and finds her attractive.


I done came to the club 'bout fifty 'leven times
The singer has been to the club many times before, indicating he is a frequent patron of the establishment.


Now, can I play with yo' panty line?
The singer is asking whether he can touch or remove the woman's underwear.


The club owner say I need to calm down
The club owner or bouncer has told the artist to control his behavior, suggesting he is acting inappropriately or aggressively.


Security guards go to sweatin' me now
The artist is drawing negative attention from security, suggesting he might be removed from the club.


Nigga drunk than a mothafucka, threaten me now
The singer is drunk and potentially causing problems, leading to threats from other patrons of the club.


She gettin' crunk in the club, I mean, she work it
The singer is impressed by the way the woman he is interested in is dancing and acting in the club.


And then I like to see them females twerkin'
The artist is expressing his enjoyment of watching women dance suggestively and in a provocative manner.


Takin' her clothes, off buck naked
The artist is imagining the woman he is interested in taking off her clothes and being completely exposed.


ATL ho, don't disrespect it
The artist is from Atlanta and is expressing pride in his city and culture, warning others not to disrespect it.


P-Pop yo' pussy like this
The singer is encouraging women to dance in a provocative way, emphasizing the sensuality of the movement.


'Cause Yin Yang Twins in this B-I-itch
The singer is calling attention to himself and his partner, indicating they are famous and present in the club.


Lil Jon & the East Side Boyz with me
The singer is identifying Lil Jon and the East Side Boyz as his group or crew, and indicating they are present with him in the club.


And we all like to see ass and titties
The singer and his companions enjoy watching women dance in a suggestive way and exposing their bodies.


Now bring yo' ass over here, ho
The singer is addressing a woman he is interested in and asking her to come closer.


And let me see you get low if you want this thug
The artist is saying that if the woman wants to be with him, she should dance in a provocative manner by getting low and exposing her body.


Now take it to the floor (to the floor)
The singer is encouraging the woman to dance by dropping down to the floor.


And if yo' ass wanna act (what?)
The singer is asking the woman if she wants to act or pretend in a certain way.


Then you can keep ya ass where you at
The singer is telling the woman that if she does not want to dance in a provocative way, she can stay where she is and not interact with him.


Let me see you get low (you scared, you scared)
The singer is encouraging the woman to dance in a suggestive way and suggesting that if she does not, it is because she is scared or timid.


Drop that ass to the floor (you scared, you scared)
The singer is repeating his encouragement for the woman to dance in a suggestive way by dropping down to the floor, and again suggesting that if she does not, it is because she is scared.


Drop that ass, ayy, shake it fast ayy
The singer is ordering the woman to dance in a suggestive way and shake her buttocks quickly while doing so.


Pop that ass to the left and the right, ayy
The singer is instructing the woman to shake her buttocks to the left and right while dancing provocatively.


Now back (ah), back, back it up (ah)
The singer is telling the woman to back up and keep dancing in a provocative manner.


Ayy, back (ah), back, back it up (ah)
The repetition emphasizes the singer's command to the woman to keep backing up while dancing in a suggestive way.


Now stop (oh), then wiggle wit' it (yeah)
The singer is telling the woman to stop backing up and start wiggling her buttocks while still dancing in a provocative manner.


Stop (oh), then wiggle wit' it (yeah)
The repetition emphasizes the singer's command and desire for the woman to wiggle her buttocks in between provocative dance moves.


Stop (oh) then wiggle wit' it, wiggle wit' it (yeah)
The singer is urging the woman to continue wiggling her buttocks in a provocative manner while dancing.


Now give me my dub back, go an get ya friend
The singer is telling someone to give him a $20 bill back and go get their friend, indicating that they have to leave or change their behavior.


Stupid bitch standin' there while I'm drinkin' my Hen'
The singer is annoyed that someone is standing near him or bothering him while he is drinking his liquor, calling them a derogatory name.


Steady lookin' at me, still askin' questions
The singer is frustrated that someone is maintaining eye contact with him and asking him questions, indicating that they are bothering him or being a nuisance.


Time's up, nigga, pass me another contestant
The singer is telling someone that they have run out of time and need to leave, using aggressive language to emphasize the point.


Ho, move to the left if you ain't 'bout fifty
The singer is addressing someone with a derogatory name and telling them to move if they are not at least 50 years old, indicating they are too old to be participating in the action.


Done talk through three or four songs already
The singer is frustrated that someone has been talking instead of dancing and enjoying the music, indicating that they are spoiling the atmosphere of the club.


Lookin' at a nigga with yo' palm out
The singer is annoyed that someone is looking at him with their hand out, indicating that they are asking for something or expecting him to do something for them.


Bitch, I ain't even seen you dance
The singer is frustrated that someone is asking him for something or bothering him when they have not even participated in the action and danced.


Twerk somethin' baby, work somethin' baby
The singer is encouraging women to dance in a provocative manner and shake their buttocks, emphasizing the sensuality of the movement.


Poppin' pussy on the pole, do yo' thang baby
The singer is referring to women dancing on stripper poles and encouraging them to continue to do so in a provocative manner.


Slide down that bitch a little bit, then stop
The singer is giving advice on how to dance on a stripper pole, telling women to slide down it in a provocative manner before stopping.


Get back on the floor, catch yo' balance, then drop
The singer is telling women to get back on to the dancing floor and maintain their balance before dropping down to dance in a provocative manner again.


Now bring it back up, clap yo' ass like hands
The singer is instructing women to bring their bodies back up while dancing and to slap their buttocks together in a provocative manner.


I just wanna see yo' ass dirty dance
The singer is expressing his desire to watch women dance in a suggestive and provocative manner.


Yin Yang, we done it again
The singers are emphasizing their success and popularity as artists.


And put it on the map like, "hah"
The singers are suggesting that they have popularized a certain dance or style and made it more well-known or popular.


Yeah, y'all twerkin' a little bit ladies (a little bit)
The singer is acknowledging that some women in the audience are dancing in a provocative manner, but suggests that they need to do it more intensely.


But ya got to twerk it a little harder then that (a little harder)
The singer is encouraging women to dance in a more provocative and intense way, indicating that they need to put more effort into it.


Right now I need all the ladies that know they look good tonight (where my sexy ladies?)
The singer is requesting that any women who feel confident and attractive, to identify themselves by making a noise or showing themselves.


We want y'all to just do this shit like this
The singer is indicating that he and the other artists want women to dance in a very provocative and sexually charged way, suggesting they should follow his explicit instructions.


Bend over to the front, touch ya toes
The singer is ordering women to bend over and touch their toes, emphasizing the explicit and provocative nature of the movement.


Back that ass up and down and get low (get low)
The singer is instructing women to back up, and then drop down low, emphasizing the sexually suggestive nature of the movement.




Lyrics © Sony/ATV Music Publishing LLC, RESERVOIR MEDIA MANAGEMENT INC
Written by: Deongelo Holmes, Eric Jackson, Jonathan Smith

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@jarodk1294

I remember launching Need For Speed: Underground on my PS2 and this music started playing. Instant classic, both game and song.

@IndiBombindi

My redneck ass friend will sing every lyric perfectly bc of NfS underground lmaoooo

@razor049

BRUH, my thoughts exactly👍👍

@Cryptic_Ghost

good memories

@PieceOfPooVideos

Good times

@maddyxmadsen-ds4fg

Need for speed heat and payback?

26 More Replies...

@Carlinisalive

i will never understand how this was allowed to be played at my 8th grade dance lmfao

@derwinclarke928

the early 2000s were a simpler time, fellow Millenial. it was a great time to be in middle school

@manganistDIMITRI

people where less triggered and not sensatives snowflakes back then.

@danilozivanovic03

Hahahaha :D

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