SO WONDERFUL AS ALWAYS!!!!! Thank you for one of my favourite Chopin's masterpieces in an excellent rendition and for your analysis/tutorial, again my best regards, have a nice evening/happy relaxing weekend. Joanna

DopedDeer

2y↑1

This channel is truly a gold mine, you really deserve much more subscribers with your amazing talent and dedication! Would be cool to see your interpretation of Chopin's Rondo à la Mazur op 5, not sure if you have done that one yet. Please keep the amazing work up!

DopedDeer

@gregniemczuk_official That sounds amazing! Looking forward to it!

gregniemczuk_official

2y↑1

Thank you! I appreciate your words. Rondo op.5 will be done in February!

booboo

Another great video! Thank you! I really enjoy all your talking about Chopin pieces! it's better than reading the book about chopin : ) by the way are you planning to do a quick analysis of another of my Chopin short piece: Cantabile in B-flat major, B.84? thanks and keep the video coming : )

booboo

@gregniemczuk_official Thanks and looking forward to that : )

gregniemczuk_official

2y↑2

Probably next year after finishing about all his piano music which was published during his life. Thank you!!

david van mersbergen

Bravo. A great lesson today...

gregniemczuk_official

Thank you dear David!

Aggro Incarnate

29:18 34:35 This does not sound like completely new material to me. But I think it’s not quite coming from the 1st theme played by the right hand, but the left hand accompaniment that begins the piece, its very first two bars (particularly the 2nd). Maybe not a straightforward variation but traces of it are there. The E flat is played at a later beat but I still recognize it being there.

Also the first 3 notes of the left hand melody at the beginning of the piece (or the variant where the first note is transposed down by half a key) acts as a motif, in this part and the next before the return of Part B. It’s been transformed and embellished but I can still hear it being repeated inside each modulation.

I’m not a music theory expert so I’m not sure if I’ve explained what I’m hearing very clearly but I really think what’s happening here is that Chopin is returning to the left hand material starting the piece, transforming it and playing it with the right hand. And it just sounds like a really natural thing to do, at least when I first heard the piece this part did not seem detached from the rest of Part A - or at least I think there is a way it can be played that doesnt sound like it comes from nowhere.