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Following the success of the singles with Beats International, in 1990, Layton signed a solo deal with Arista, and released her version of Janet Kay's hit, "Silly Games". The single was a notable hit, and further releases followed from her debut album, Pressure (released in 1991). However, these decreased in popularity with each release. Pressure was mostly produced by Norman Cook and the dance-soul-funk outfit Driza Bone. The album's second single, "Echo My Heart" narrowly missed out on a UK Top 40 placing in January 1991.[1] Whilst "Wait For Love" produced by Norman Cook failed to reach the UK Singles Chart altogether, in April of that year.
Layton's summer 1991 release of "Without You (One and One)" followed, again produced by Driza Bone. Although "Without You (One and One)" sold better than Layton's previous single, it still failed to reach the Top 40.[1] Layton then released a one-off single for Debut Records in 1992. "I'll Be a Freak for You" was not a chart hit. The following year, Layton re-emerged with a new deal with PWL. The new material was more commercial, and two single releases of minor chart success were released in the UK: "We Got the Love" and "Show Me".[1] Without the expected profitable return Layton parted company with PWL.
In Japan, she released a pop-reggae album, entitled, No Other Star in 1996, and went on to release other work as Hardknox with fellow DJ Steve Proctor the same year. They were signed to Skint Records and released their debut single "Coz I Can" which was given "Single of the Week" honours by NME. The group's second effort, the "Psychopath" EP, received the same recognition. After various performing remixes for artists such as Orgy, Crystal Method, and Faith No More, plus appearing on a various compilations and mixes, a self-titled LP was released in 1999 by Jive Electro.
Layton guested on three tracks on the 2009 Groove Diggerz album, Money for Good Times: "Weirdness", "Just Be Good to Me" (a reworking of her Beats International hit "Dub Be Good to Me"), and "Body Flow" for which she also shared a writing credit.
She guested with the Dub Pistols in May 2009, reprising "Dub Be Good to Me", at their support slot to The Specials at the O2 Academy, Brixton. She guested again with the Dub Pistols at Rock the River 2009, a wakeboard and music festival held on the quay of World Heritage Site, Conwy. She also appeared with the Dub Pistols at the last Glade Festival in 2009.
Silly Games
Lindy Layton Lyrics
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For so long, it's a shame
Oh, baby
Every time I hear your name
Oh, the pain
Boy, how it hurts me inside
‘Cause every time we meet
I'm wondering what I should do
Should I, dear, come up to you
And say, “How do you do?”
Would you turn me away
You're as much to blame
‘Cause I know you feel the same
I can see it in your eyes
But I've got no time to live this lie
No, I've got no time to play your silly games
Silly games
Yet, in my mind I say
“If he makes his move today
I'll just pretend to be shocked”
Oh, baby
It's a tragedy
That you hurt me
We don't even try
You're as much to blame
‘Cause I know you feel the same
I can see it in your eyes
But I've got no time to live this lie
No, I've got no time to play your silly games
Silly games
Silly games
Silly games (No, don't wanna play)
Silly games (Your silly)
No, I've got no time to play your silly games
No
The lyrics of Lindy Layton's song Silly Games feature the singer expressing her long-standing desire for a certain someone, but holding back because of their game of hide and seek. The singer is clearly in pain from this uncertain situation, as she is unsure whether to approach the person or not. She knows they feel the same way, but they continue to play these childish games instead of being honest with each other. The singer doesn't want to live a lie or play these silly games anymore, but at the same time, she can't help pretending to be shocked if the other person were to make a move.
The song's lyrics touch upon the themes of insecurity, unrequited love, and the inability to communicate honestly with someone we care about. The lyrics are powerful and emotional, as they describe the inner turmoil and pain that comes with wanting someone who plays hard to get. The singer's voice carries the weight of these emotions, adding to the melancholic yet hopeful feel of the song.
Line by Line Meaning
I've been wanting you
I have desired you for a long time
For so long, it's a shame
It's a pity that I have been wanting you for so long
Every time I hear your name
I feel pain every time I hear your name
Oh, the pain
I feel intense pain
Boy, how it hurts me inside
The pain I feel is deep inside
‘Cause every time we meet
Each time we see each other
We play hide and seek
We act like we don't want to be noticed
I'm wondering what I should do
I'm unsure of how to proceed
Should I, dear, come up to you
Should I approach you
And say, “How do you do?”
And greet you with a polite question
Would you turn me away
Would you reject me
You're as much to blame
You are equally responsible
‘Cause I know you feel the same
I know you have the same feelings
I can see it in your eyes
I can tell from the look in your eyes
But I've got no time to live this lie
I cannot keep pretending
No, I've got no time to play your silly games
I refuse to participate in your foolish games
Yet, in my mind I say
However, in my thoughts I think
“If he makes his move today
If you try to make a move today
I'll just pretend to be shocked”
I will act surprised on purpose
It's a tragedy
It's a terrible thing
That you hurt me
That you have caused me pain
We don't even try
We don't make any effort
Silly games
Ridiculous games
Silly games (No, don't wanna play)
I don't want to play these games
Silly games (Your silly)
Your games are foolish
No, I've got no time to play your silly games
I will not participate in your foolish games
Lyrics © Universal Music Publishing Group, Peermusic Publishing
Written by: DIANA MARIE BOVELL, JOHN LAWRENCE MYATT
Lyrics Licensed & Provided by LyricFind
@teachtool
My mother recorded this episode of TOTP. I overplayed it and knackered the VHS.
@mickymuscle
Lindy layton voice is so nice ❤️
@debbier6458
I remember this well. Brings back memories of living in reading. Great to hear it thank you
@alanstanden4364
Love this girl. Wonder what she does now ?
@terrybinns2162
Janet must’ve been getting paid real good for this…What a shame…😕
@journeybymoonlight3216
Too bad she never got bigger like Kylie.
@HolyRollerTV
that would be because she sung other peoples stuff..here she got the original singer of silly games as a backing vocalist..weird scenario...
@djeasysteve
So sad that Janet Kay only had a small part in this, when she clearly a much better singer but they needed a non black person to front this for TOTP😢
@HolyRollerTV
bit wierd that leyton is taking the lead on janet kayes own song..but hey the pop world is not a real place