Once the frontwoman of UK band Blue Zone, which saw modest success with their single "Jackie", she became a major international star beginning with her guest vocal stint on Coldcut's record People Hold On.
Stansfield is probably best known for her first UK #1 single, All Around the World (1989), which also peaked at #3 in the U.S. Billboard Hot 100 the following year. Other worldwide hits from her debut solo album Affection include This is the Right Time (featuring a house music-styled production by Coldcut with Mark Saunders), Live Together, What Did I Do To You? and You Can't Deny It. "All Around the World" was the second song by a white female soloist to hit #1 on the Billboard R&B chart (the first being "Ooo La La La" by Teena Marie in 1988). "You Can't Deny It" also topped that chart. Affection went platinum in the U.S., and sold a total of five million copies worldwide.
In 1990, Stansfield was among a handful of high-profile artists to participate in the Red Hot + Blue charity album, which honored the songwriting career of Cole Porter, and benefitted AIDS research at a time when funding from government agencies was insufficient for those in need. She was given the chance to show her swing and jazz chops on the song "Down in the Depths" (video), which was one of a few throwback renditions to appear on the album. This likely won her the female lead in the independent film Swing (1999), for which soundtrack she also performed most of the songs. Thus began an illustrious and respected tradition of Stansfield offering jazz and torch songs to outside projects (she also sang I've Got the World on a String in the original movie soundtrack of 2003's Mona Lisa Smile).
In 1992, Stansfield won a BRIT Award as best British female solo artist. Her second album Real Love did not quite live up to the success of Affection, despite selling very well. However, it did spawn four Top 40 singles on the European charts: Change, All Woman, Time to Make You Mine and Set Your Loving Free. "Change" has since become one of her signature classics, and still receives regular air-play to this day. "All Woman" became Stansfield's third #1 single on the Billboard R&B chart, and due to the success of that song, the album went gold in the U.S. Filled with pathos and emotion, it is "kitchen sink soul", from the viewpoint of a woman taken for granted. Like "All Around the World", many critics initially believed that it had been performed by a black singer.
Stansfield continued recording disco-influenced soul throughout the 1990s. Her third album So Natural (1993) spawned three Top 40 European singles including the title track So Natural, In All the Right Places and Little Bit of Heaven, but the album was never released in the U.S. She had continued success throughout Europe, but her popularity in America had diminished.
sidenote: "In All The Right Places" was featured on the soundtrack of the movie Indecent Proposal (1993), for which Stansfield was shortlisted as the lead that eventually went to Demi Moore. You can catch her talking about it in this YouTube interview clip (@ 1:30).
Her self-titled fourth album Lisa Stansfield (1997) was a hit in Europe with two Top Ten singles - People Hold On (Dirty Rotten Scoundrels Mix) (a re-released dance mix by The Dirty Rotten Scoundrels) and The Real Thing, and the Top 40 track Never, Never Gonna Give You Up (a remake of the late Barry White's 1973 hit). Upon being released in the U.S., the album scored some mainstream attention, but fared much better in the dance clubs where remixes were very successful; an astonishing four singles - "Never, Never Gonna Give You Up", Never Gonna Fall, I'm Leavin', and "People Hold On" reached #1 on the Hot Dance Club Play chart. It charted modestly, peaking at #30 Top R&B/Hip-Hop Albums and #55 on the Billboard 200. Subsequently, The Remix Album was released due to revived interest in Stansfield within the dance community. The music video for "Never, Never Gonna Give You Up" (video) was an eye-catcher featuring her strolling nude down a city street, acquiring a few items of clothing along the way. VH1 featured the clip and even gave it the Pop-Up Video treatment. During the promotion for the single, Stansfield appeared on the RuPaul Show, but inexplicably, did not sing the song (or any others, for that matter).
Her 2001 album Face Up was less successful, barely charting through a lack of publicity, but featured the singles Let's Just Call It Love and 8-3-1, which found her experimenting with newer styles of R&B such as 2-step while continuing with her established sound. Stansfield's husband, Ian Devaney, delivered an arrangement for the ballad How Could You?, which displayed his love of Burt Bacharach's legacy. Only one single was officially released in the UK.
Following the release of Face Up, a 2-CD greatest hits collection titled Biography: The Greatest Hits was released in 2003, which sold well in the UK and Europe. Stansfield then parted ways with Arista/BMG, ending an 18-year association with the label.
Stansfield signed with ZTT Records from the UK, and her 2004 release The Moment was produced by Trevor Horn, well-known for his work with Seal, Grace Jones, and Frankie Goes to Hollywood, among others. The album was distributed in Europe by Edel, featuring the singles Treat Me Like a Woman (released as a double A-side with Easier) and If I Hadn't Got You, a song written by Chris Braide with ex-Squeeze songwriter Chris Difford. The album found her exploring more pop-oriented material, and focusing on lush ballads.
Despite this, as with her previous release, the album and supporting singles were not a success. At the time of the project's release, ZTT was directing large amounts of its resources into re-marketing its back catalogue, and producing the Trevor Horn concert for The Prince's Trust and its accompanying double CD Produced by Trevor Horn. The release of "Treat Me Like a Woman" was twice delayed, and the label eventually paired it with "Easier". While ZTT did erect a billboard to advertise the album in Stansfield's home area of Greater Manchester, print advertising and in-store displays were reportedly absent. Later that year ZTT dropped her from their label.
Stansfield's talents also extended into acting; she starred in the 1999 film Swing with actor Hugo Speer, and recorded covers of swing classics and a few original songs written in the style for the soundtrack. She later appeared on a London stage in The Vagina Monologues. In 2006, she guest-starred in the series Goldplated. In 2007, she starred in an episode of Marple: Ordeal by Innocence, and later joined the cast of The Edge of Love.
On June 2012, Lisa told the UK newspaper, The Sunday Mirror that she's working on her seventh studio album, her first in nine years, and that it is going to be released in spring 2013. Lisa announced in November 2012 that the album will be titled 'Seven'.
Official website: http://www.lisa-stansfield.com
Ain
Lisa Stansfield Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My ma said daughter, come here to me
Says, things may come and things may go
But this is one thing you ought to know
[Chorus]
Ain't what you do, it's the way that you do it (x3)
That's what gets results
Ain't what you do, it's time that you do it (x3)
That's what gets results
You can try hard, don't mean a thing
Take it easy, easy, in the jive 'n swing
Ain't what you do, it's the place that you do it
ain't what you do, it's the time that you do it
Ain't what you do, it's the way that you do it
That's what gets results
You've learned your ABCs, you've learned your DFGs
But this is something you don't learn in school
So get your hip boots on, and then you carry on
But remember not to try too hard or it don't mean a thing
[Chorus]
Ain't what you do, it's the time you do it
Ain't what you do, it's the time you do it
Ain't what you sing it's the way that you sing it
That's what gets results
The song "Ain't what you do" by Lisa Stansfield is a lively and upbeat song that delivers a message of encouragement to listeners. The lyrics describe a piece of advice that the singer received from her mother when she was a child. Her mother told her that while things may come and go, it is important to remember that it is not just the things that you do in life, but the way that you do them that really matters. This lesson serves as a guide for the singer throughout the song, explaining that success does not come from simply trying hard or knowing your ABCs, but rather from the way that you approach and carry out your actions.
The song features a catchy chorus that is repeated throughout, urging listeners to understand that it is the time, place and way in which you do things that can truly make a difference. The song encourages people to let go of their fears and worries about measuring up, and instead to embrace their individuality and style. By singing that "it's not what you do, it's the way that you do it", the song is promoting self-confidence and instilling a belief that people can succeed in their own way and at their own pace.
Overall, "Ain't what you do" is a fun and uplifting song, combining positive messaging with an energetic beat and foot-tapping melody, leaving the listener feeling motivated to approach their own challenges with a renewed sense of self-belief.
Line by Line Meaning
When I was a kid, about half past three
As a child, around 3:30, my mother imparted some valuable advice onto me.
My ma said daughter, come here to me
My mother called out to me, her daughter, and requested I come closer to her.
Says, things may come and things may go
She advised me that events in life will ebb and flow and not to get too attached to any one thing.
But this is one thing you ought to know
She explained that there is one pearl of wisdom that is worth remembering.
Ain't what you do, it's the way that you do it (x3)
It's not just what you do, but it's the approach you take and how you go about it that counts.
That's what gets results
This is what brings about success.
Ain't what you do, it's time that you do it (x3)
It's not only what you do, but also when you do it that counts.
You can try hard, don't mean a thing
You may put in a lot of effort, but it doesn't necessarily equate to worthwhile outcomes.
Take it easy, easy, in the jive 'n swing
She suggests enjoying life in a relaxed and easygoing way.
Ain't what you do, it's the place that you do it
It isn't always about what you do, but it's also about where you do it.
ain't what you do, it's the time that you do it
Similar to the previous line, timing is also crucial when it comes to achieving success.
Ain't what you do, it's the way that you do it
Reiterating the main point that success is more about the approach and style rather than just the action itself.
That's what gets results
Emphasizing that this approach is indeed what leads to success.
You've learned your ABCs, you've learned your DFGs
You may have gained knowledge and skills through formal education.
But this is something you don't learn in school
However, this particular lesson is not typically taught in an academic environment.
So get your hip boots on, and then you carry on
She advises taking on this life lesson with a steady and confident stride.
But remember not to try too hard or it don't mean a thing
Balancing effort with ease is important to avoid losing sight of what truly matters.
Ain't what you do, it's the time you do it
Reinforcing the previous lines in regards to the importance of timing.
Ain't what you sing it's the way that you sing it
A variation of the song's chorus, but highlighting that it's not just about the content of what you do, but also how you do it.
That's what gets results
Repeating the core lesson of the song in that the method is vital to achieving success.
Lyrics © Universal Music Publishing Group
Written by: JAMES OLIVER YOUNG, SY OLIVER
Lyrics Licensed & Provided by LyricFind