Once the frontwoman of UK band Blue Zone, which saw modest success with their single "Jackie", she became a major international star beginning with her guest vocal stint on Coldcut's record People Hold On.
Stansfield is probably best known for her first UK #1 single, All Around the World (1989), which also peaked at #3 in the U.S. Billboard Hot 100 the following year. Other worldwide hits from her debut solo album Affection include This is the Right Time (featuring a house music-styled production by Coldcut with Mark Saunders), Live Together, What Did I Do To You? and You Can't Deny It. "All Around the World" was the second song by a white female soloist to hit #1 on the Billboard R&B chart (the first being "Ooo La La La" by Teena Marie in 1988). "You Can't Deny It" also topped that chart. Affection went platinum in the U.S., and sold a total of five million copies worldwide.
In 1990, Stansfield was among a handful of high-profile artists to participate in the Red Hot + Blue charity album, which honored the songwriting career of Cole Porter, and benefitted AIDS research at a time when funding from government agencies was insufficient for those in need. She was given the chance to show her swing and jazz chops on the song "Down in the Depths" (video), which was one of a few throwback renditions to appear on the album. This likely won her the female lead in the independent film Swing (1999), for which soundtrack she also performed most of the songs. Thus began an illustrious and respected tradition of Stansfield offering jazz and torch songs to outside projects (she also sang I've Got the World on a String in the original movie soundtrack of 2003's Mona Lisa Smile).
In 1992, Stansfield won a BRIT Award as best British female solo artist. Her second album Real Love did not quite live up to the success of Affection, despite selling very well. However, it did spawn four Top 40 singles on the European charts: Change, All Woman, Time to Make You Mine and Set Your Loving Free. "Change" has since become one of her signature classics, and still receives regular air-play to this day. "All Woman" became Stansfield's third #1 single on the Billboard R&B chart, and due to the success of that song, the album went gold in the U.S. Filled with pathos and emotion, it is "kitchen sink soul", from the viewpoint of a woman taken for granted. Like "All Around the World", many critics initially believed that it had been performed by a black singer.
Stansfield continued recording disco-influenced soul throughout the 1990s. Her third album So Natural (1993) spawned three Top 40 European singles including the title track So Natural, In All the Right Places and Little Bit of Heaven, but the album was never released in the U.S. She had continued success throughout Europe, but her popularity in America had diminished.
sidenote: "In All The Right Places" was featured on the soundtrack of the movie Indecent Proposal (1993), for which Stansfield was shortlisted as the lead that eventually went to Demi Moore. You can catch her talking about it in this YouTube interview clip (@ 1:30).
Her self-titled fourth album Lisa Stansfield (1997) was a hit in Europe with two Top Ten singles - People Hold On (Dirty Rotten Scoundrels Mix) (a re-released dance mix by The Dirty Rotten Scoundrels) and The Real Thing, and the Top 40 track Never, Never Gonna Give You Up (a remake of the late Barry White's 1973 hit). Upon being released in the U.S., the album scored some mainstream attention, but fared much better in the dance clubs where remixes were very successful; an astonishing four singles - "Never, Never Gonna Give You Up", Never Gonna Fall, I'm Leavin', and "People Hold On" reached #1 on the Hot Dance Club Play chart. It charted modestly, peaking at #30 Top R&B/Hip-Hop Albums and #55 on the Billboard 200. Subsequently, The Remix Album was released due to revived interest in Stansfield within the dance community. The music video for "Never, Never Gonna Give You Up" (video) was an eye-catcher featuring her strolling nude down a city street, acquiring a few items of clothing along the way. VH1 featured the clip and even gave it the Pop-Up Video treatment. During the promotion for the single, Stansfield appeared on the RuPaul Show, but inexplicably, did not sing the song (or any others, for that matter).
Her 2001 album Face Up was less successful, barely charting through a lack of publicity, but featured the singles Let's Just Call It Love and 8-3-1, which found her experimenting with newer styles of R&B such as 2-step while continuing with her established sound. Stansfield's husband, Ian Devaney, delivered an arrangement for the ballad How Could You?, which displayed his love of Burt Bacharach's legacy. Only one single was officially released in the UK.
Following the release of Face Up, a 2-CD greatest hits collection titled Biography: The Greatest Hits was released in 2003, which sold well in the UK and Europe. Stansfield then parted ways with Arista/BMG, ending an 18-year association with the label.
Stansfield signed with ZTT Records from the UK, and her 2004 release The Moment was produced by Trevor Horn, well-known for his work with Seal, Grace Jones, and Frankie Goes to Hollywood, among others. The album was distributed in Europe by Edel, featuring the singles Treat Me Like a Woman (released as a double A-side with Easier) and If I Hadn't Got You, a song written by Chris Braide with ex-Squeeze songwriter Chris Difford. The album found her exploring more pop-oriented material, and focusing on lush ballads.
Despite this, as with her previous release, the album and supporting singles were not a success. At the time of the project's release, ZTT was directing large amounts of its resources into re-marketing its back catalogue, and producing the Trevor Horn concert for The Prince's Trust and its accompanying double CD Produced by Trevor Horn. The release of "Treat Me Like a Woman" was twice delayed, and the label eventually paired it with "Easier". While ZTT did erect a billboard to advertise the album in Stansfield's home area of Greater Manchester, print advertising and in-store displays were reportedly absent. Later that year ZTT dropped her from their label.
Stansfield's talents also extended into acting; she starred in the 1999 film Swing with actor Hugo Speer, and recorded covers of swing classics and a few original songs written in the style for the soundtrack. She later appeared on a London stage in The Vagina Monologues. In 2006, she guest-starred in the series Goldplated. In 2007, she starred in an episode of Marple: Ordeal by Innocence, and later joined the cast of The Edge of Love.
On June 2012, Lisa told the UK newspaper, The Sunday Mirror that she's working on her seventh studio album, her first in nine years, and that it is going to be released in spring 2013. Lisa announced in November 2012 that the album will be titled 'Seven'.
Official website: http://www.lisa-stansfield.com
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Lisa Stansfield Lyrics
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Before you call me and tell me to come home
Someday I'm coming back, and it won't be long
Before I'm home, home and in your arms
What did I do, my darling, tat made you send me running
Told you to cast me down and throw me out?
What can I tell you, honey, if I don't know what I've done?
Someday I'm coming back, and it won't be long
Before you call me and tell me to come home
Someday I'm coming back, and it won't take long
Before I'm home, home and in your arms
Even in stormy weather, we always stuck together
You always kept me near, we're so sincere
So why so sudden the change of heart?
Why do I feel like I've done wrong
When all that I want is that you ask me to come back home?
Someday I'm coming back, and it won't be long
Before you call me and tell me to come home
Someday I'm coming back, and it won't be long
Before I'm home, home and in your arms
Someday, someway (I never wanted anyone so much)
Someday, someway
Someday, someway
So why so sudden the change of heart?
Why do I feel like I've done wrong
When all that I want is that you ask me to come back home?
Someday I'm coming back, and it won't be long
Before you call me and beg me to come home
Someday I'm coming back, and it won't be long
Before I'm home, home and in your arms
In your arms (someday, someway)
(Someday, someway) ooh, call me, baby
(Someday, someway)
The lyrics of Lisa Stansfield's "I Will Be Waiting" convey the message of support and encouragement for someone going through a tough time. The singer asks the person to open up and let her know their needs, so she can lead them on the right path. She reassures them that they have the strength to face the truth and that it will only make them stronger. The singer reminds them to have faith in themselves and their abilities while she waits for them to heal and return to her.
The message of the song emphasizes the power of love to overcome obstacles and heal emotional pain. The singer acknowledges the pain the person might be experiencing but reassures them that they don't have to face it alone. She wants to be there to support them, offering her shoulder to cry on and believing in them when they feel lost. The lyrics show the importance of being there for someone in their difficult times and believing in the power of love.
Line by Line Meaning
Tell me what you need to give
Share your desires with me so that I can give you what you need
Let me know if I should lead you on
Tell me if I should guide you towards something
Take time to understand
Give things a chance to sink in
The magic in you
Acknowledge the special qualities that you possess
Don't be frightened of the truth
Don't shy away from what's real
'cause the truth can only make you stronger
Because facing the truth can help you become more resilient
Have faith in what you do
Believe in your actions
Have faith in you
Believe in yourself
Whenever you call I'll be there
I'll be there for you whenever you need me
Honey I'll beg steal or borrow for you
I'll do whatever it takes to help you
'cause baby there's so much to share in love
Because there's a lot to experience in a loving relationship
In love
Within the context of a relationship
I will be waitin' for you
I'll wait for you
Waitin' for time to heal your wounds
Waiting for you to recover from emotional pain
And I will be thinkin' of you
I'll keep you on my mind
Knowin' love will bring you back to me
Believing that our love will help us reunite
'cause our love is true
Because our love is genuine and authentic
If you've been saving up your tears
If you've been holding back your emotions
Well mine's a shoulder you can cry on
I'm here to support you through difficult times
It's so easy to believe
It's simple to have faith
Believe in me
Have faith in me
Only if you can heal the pain
Only if you're able to overcome your emotional suffering
All the pain that's swelling up inside you
All of the emotional anguish that's consuming you
Gotta face up to the truth
You need to confront what's real
Be true to you
Stay true to yourself
You got to stay
You need to tough it out
So when the love will bring you back to me
So that our love will reunite us
And our love is true
And our love is authentic
I will be thinking of you
I'll keep you on my mind
Lyrics © Universal Music Publishing Group
Written by: Ian Owen Devaney, Andy Morris, Lisa Jane Stansfield
Lyrics Licensed & Provided by LyricFind
@robertaeveritt-witts1998
My dad produced this song, to see it’s had 57 million views is just amazing! So proud ❤️❤️
@renegaderunner332
Your dad had good taste!
@adamflax2012
Gorgeous production...dad did it up lovely🔥
@AnsweritsMom
Respect to your pops
@jackiehoughton9727
Awesome 💜
@lyricandrelltaylor4985
One of my favorite songs hands 🙌🏾 down to your dad
@ramlonghorn6237
Been around the internet, and I I I, I cant find good shit like this anymore.
@topwreckfleece6160
LMAO!!
@stevies6251
Jeff Ament 😂😂😂😂
@80KLady
🤣🤣🤣