Once the frontwoman of UK band Blue Zone, which saw modest success with their single "Jackie", she became a major international star beginning with her guest vocal stint on Coldcut's record People Hold On.
Stansfield is probably best known for her first UK #1 single, All Around the World (1989), which also peaked at #3 in the U.S. Billboard Hot 100 the following year. Other worldwide hits from her debut solo album Affection include This is the Right Time (featuring a house music-styled production by Coldcut with Mark Saunders), Live Together, What Did I Do To You? and You Can't Deny It. "All Around the World" was the second song by a white female soloist to hit #1 on the Billboard R&B chart (the first being "Ooo La La La" by Teena Marie in 1988). "You Can't Deny It" also topped that chart. Affection went platinum in the U.S., and sold a total of five million copies worldwide.
In 1990, Stansfield was among a handful of high-profile artists to participate in the Red Hot + Blue charity album, which honored the songwriting career of Cole Porter, and benefitted AIDS research at a time when funding from government agencies was insufficient for those in need. She was given the chance to show her swing and jazz chops on the song "Down in the Depths" (video), which was one of a few throwback renditions to appear on the album. This likely won her the female lead in the independent film Swing (1999), for which soundtrack she also performed most of the songs. Thus began an illustrious and respected tradition of Stansfield offering jazz and torch songs to outside projects (she also sang I've Got the World on a String in the original movie soundtrack of 2003's Mona Lisa Smile).
In 1992, Stansfield won a BRIT Award as best British female solo artist. Her second album Real Love did not quite live up to the success of Affection, despite selling very well. However, it did spawn four Top 40 singles on the European charts: Change, All Woman, Time to Make You Mine and Set Your Loving Free. "Change" has since become one of her signature classics, and still receives regular air-play to this day. "All Woman" became Stansfield's third #1 single on the Billboard R&B chart, and due to the success of that song, the album went gold in the U.S. Filled with pathos and emotion, it is "kitchen sink soul", from the viewpoint of a woman taken for granted. Like "All Around the World", many critics initially believed that it had been performed by a black singer.
Stansfield continued recording disco-influenced soul throughout the 1990s. Her third album So Natural (1993) spawned three Top 40 European singles including the title track So Natural, In All the Right Places and Little Bit of Heaven, but the album was never released in the U.S. She had continued success throughout Europe, but her popularity in America had diminished.
sidenote: "In All The Right Places" was featured on the soundtrack of the movie Indecent Proposal (1993), for which Stansfield was shortlisted as the lead that eventually went to Demi Moore. You can catch her talking about it in this YouTube interview clip (@ 1:30).
Her self-titled fourth album Lisa Stansfield (1997) was a hit in Europe with two Top Ten singles - People Hold On (Dirty Rotten Scoundrels Mix) (a re-released dance mix by The Dirty Rotten Scoundrels) and The Real Thing, and the Top 40 track Never, Never Gonna Give You Up (a remake of the late Barry White's 1973 hit). Upon being released in the U.S., the album scored some mainstream attention, but fared much better in the dance clubs where remixes were very successful; an astonishing four singles - "Never, Never Gonna Give You Up", Never Gonna Fall, I'm Leavin', and "People Hold On" reached #1 on the Hot Dance Club Play chart. It charted modestly, peaking at #30 Top R&B/Hip-Hop Albums and #55 on the Billboard 200. Subsequently, The Remix Album was released due to revived interest in Stansfield within the dance community. The music video for "Never, Never Gonna Give You Up" (video) was an eye-catcher featuring her strolling nude down a city street, acquiring a few items of clothing along the way. VH1 featured the clip and even gave it the Pop-Up Video treatment. During the promotion for the single, Stansfield appeared on the RuPaul Show, but inexplicably, did not sing the song (or any others, for that matter).
Her 2001 album Face Up was less successful, barely charting through a lack of publicity, but featured the singles Let's Just Call It Love and 8-3-1, which found her experimenting with newer styles of R&B such as 2-step while continuing with her established sound. Stansfield's husband, Ian Devaney, delivered an arrangement for the ballad How Could You?, which displayed his love of Burt Bacharach's legacy. Only one single was officially released in the UK.
Following the release of Face Up, a 2-CD greatest hits collection titled Biography: The Greatest Hits was released in 2003, which sold well in the UK and Europe. Stansfield then parted ways with Arista/BMG, ending an 18-year association with the label.
Stansfield signed with ZTT Records from the UK, and her 2004 release The Moment was produced by Trevor Horn, well-known for his work with Seal, Grace Jones, and Frankie Goes to Hollywood, among others. The album was distributed in Europe by Edel, featuring the singles Treat Me Like a Woman (released as a double A-side with Easier) and If I Hadn't Got You, a song written by Chris Braide with ex-Squeeze songwriter Chris Difford. The album found her exploring more pop-oriented material, and focusing on lush ballads.
Despite this, as with her previous release, the album and supporting singles were not a success. At the time of the project's release, ZTT was directing large amounts of its resources into re-marketing its back catalogue, and producing the Trevor Horn concert for The Prince's Trust and its accompanying double CD Produced by Trevor Horn. The release of "Treat Me Like a Woman" was twice delayed, and the label eventually paired it with "Easier". While ZTT did erect a billboard to advertise the album in Stansfield's home area of Greater Manchester, print advertising and in-store displays were reportedly absent. Later that year ZTT dropped her from their label.
Stansfield's talents also extended into acting; she starred in the 1999 film Swing with actor Hugo Speer, and recorded covers of swing classics and a few original songs written in the style for the soundtrack. She later appeared on a London stage in The Vagina Monologues. In 2006, she guest-starred in the series Goldplated. In 2007, she starred in an episode of Marple: Ordeal by Innocence, and later joined the cast of The Edge of Love.
On June 2012, Lisa told the UK newspaper, The Sunday Mirror that she's working on her seventh studio album, her first in nine years, and that it is going to be released in spring 2013. Lisa announced in November 2012 that the album will be titled 'Seven'.
Official website: http://www.lisa-stansfield.com
I've Got The World On A String
Lisa Stansfield Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Got that string around my finger
What a world, what a life, I'm in love
I've got a new song I sing, I can make the rain go
Anytime I move my finger, lucky me, can't you see?
I'm in love
Life's a wonderful thing, long as I hold that string
I'd be a silly so and so, if I should ever let you go
I've got the world on a string, sittin' on a rainbow
Got that string around my finger, what a world, what a life
I'm in love
Life's a crazy thing, long as I hold that string
I'd be a silly so and so, if I should ever let you go
I've got the world on a string, sittin' on a rainbow
Got that string around my finger, what a world
Man this is the life, hey now, I'm in love
In Lisa Stansfield's song "I've Got The World On A String," the singer expresses her joy of being in love by using a vivid metaphor. She compares her love to a string that she has wrapped around her finger, and the world is sitting on that string, while she is sitting on a rainbow. By doing so, she is saying that being in love has given her a sense of control over the world, and she can make anything happen as long as she holds on to that string. She is confident and optimistic about her future, knowing that she can make the rain go away with just a flick of her finger. She feels lucky and grateful for being in love, and she wants the world to know about her happiness.
In the second verse of the song, Lisa Stansfield emphasizes the importance of holding on to the string of love. She thinks that life is a wonderful-crazy thing, as long as she holds on to that string. If she ever lets it go, she would be a silly so-and-so, meaning a foolish or ridiculous person. She doesn't want to let go of such a precious thing, and she knows that being in love has given her a purpose and direction in life. In the end, Lisa Stansfield repeats the chorus, highlighting once again how being in love has given her a sense of power and fulfillment. She feels like she has the whole world at her fingertips, and it's a beautiful thing.
Line by Line Meaning
I've got the world on a string, sittin' on a rainbow
I feel on top of the world and nothing can bring me down
Got that string around my finger
I have complete control and power over my life
What a world, what a life, I'm in love
Everything is perfect and I am deeply in love with my life
I've got a new song I sing, I can make the rain go
I have found a new perspective and can turn bad situations into good
Anytime I move my finger, lucky me, can't you see?
I am incredibly fortunate and grateful for my life
Life's a wonderful thing, long as I hold that string
Life is full of blessings and positivity as long as I stay in control
I'd be a silly so and so, if I should ever let you go
I would be foolish to let go of my control and let life bring me down
Life's a crazy thing, long as I hold that string
Life can be unpredictable and chaotic, but I am still in control
Man this is the life, hey now, I'm in love
I am truly happy and content with my life
Lyrics © BMG RIGHTS MANAGEMENT US, LLC, S.A. MUSIC
Written by: HAROLD ARLEN, TED KOEHLER
Lyrics Licensed & Provided by LyricFind