Once the frontwoman of UK band Blue Zone, which saw modest success with their single "Jackie", she became a major international star beginning with her guest vocal stint on Coldcut's record People Hold On.
Stansfield is probably best known for her first UK #1 single, All Around the World (1989), which also peaked at #3 in the U.S. Billboard Hot 100 the following year. Other worldwide hits from her debut solo album Affection include This is the Right Time (featuring a house music-styled production by Coldcut with Mark Saunders), Live Together, What Did I Do To You? and You Can't Deny It. "All Around the World" was the second song by a white female soloist to hit #1 on the Billboard R&B chart (the first being "Ooo La La La" by Teena Marie in 1988). "You Can't Deny It" also topped that chart. Affection went platinum in the U.S., and sold a total of five million copies worldwide.
In 1990, Stansfield was among a handful of high-profile artists to participate in the Red Hot + Blue charity album, which honored the songwriting career of Cole Porter, and benefitted AIDS research at a time when funding from government agencies was insufficient for those in need. She was given the chance to show her swing and jazz chops on the song "Down in the Depths" (video), which was one of a few throwback renditions to appear on the album. This likely won her the female lead in the independent film Swing (1999), for which soundtrack she also performed most of the songs. Thus began an illustrious and respected tradition of Stansfield offering jazz and torch songs to outside projects (she also sang I've Got the World on a String in the original movie soundtrack of 2003's Mona Lisa Smile).
In 1992, Stansfield won a BRIT Award as best British female solo artist. Her second album Real Love did not quite live up to the success of Affection, despite selling very well. However, it did spawn four Top 40 singles on the European charts: Change, All Woman, Time to Make You Mine and Set Your Loving Free. "Change" has since become one of her signature classics, and still receives regular air-play to this day. "All Woman" became Stansfield's third #1 single on the Billboard R&B chart, and due to the success of that song, the album went gold in the U.S. Filled with pathos and emotion, it is "kitchen sink soul", from the viewpoint of a woman taken for granted. Like "All Around the World", many critics initially believed that it had been performed by a black singer.
Stansfield continued recording disco-influenced soul throughout the 1990s. Her third album So Natural (1993) spawned three Top 40 European singles including the title track So Natural, In All the Right Places and Little Bit of Heaven, but the album was never released in the U.S. She had continued success throughout Europe, but her popularity in America had diminished.
sidenote: "In All The Right Places" was featured on the soundtrack of the movie Indecent Proposal (1993), for which Stansfield was shortlisted as the lead that eventually went to Demi Moore. You can catch her talking about it in this YouTube interview clip (@ 1:30).
Her self-titled fourth album Lisa Stansfield (1997) was a hit in Europe with two Top Ten singles - People Hold On (Dirty Rotten Scoundrels Mix) (a re-released dance mix by The Dirty Rotten Scoundrels) and The Real Thing, and the Top 40 track Never, Never Gonna Give You Up (a remake of the late Barry White's 1973 hit). Upon being released in the U.S., the album scored some mainstream attention, but fared much better in the dance clubs where remixes were very successful; an astonishing four singles - "Never, Never Gonna Give You Up", Never Gonna Fall, I'm Leavin', and "People Hold On" reached #1 on the Hot Dance Club Play chart. It charted modestly, peaking at #30 Top R&B/Hip-Hop Albums and #55 on the Billboard 200. Subsequently, The Remix Album was released due to revived interest in Stansfield within the dance community. The music video for "Never, Never Gonna Give You Up" (video) was an eye-catcher featuring her strolling nude down a city street, acquiring a few items of clothing along the way. VH1 featured the clip and even gave it the Pop-Up Video treatment. During the promotion for the single, Stansfield appeared on the RuPaul Show, but inexplicably, did not sing the song (or any others, for that matter).
Her 2001 album Face Up was less successful, barely charting through a lack of publicity, but featured the singles Let's Just Call It Love and 8-3-1, which found her experimenting with newer styles of R&B such as 2-step while continuing with her established sound. Stansfield's husband, Ian Devaney, delivered an arrangement for the ballad How Could You?, which displayed his love of Burt Bacharach's legacy. Only one single was officially released in the UK.
Following the release of Face Up, a 2-CD greatest hits collection titled Biography: The Greatest Hits was released in 2003, which sold well in the UK and Europe. Stansfield then parted ways with Arista/BMG, ending an 18-year association with the label.
Stansfield signed with ZTT Records from the UK, and her 2004 release The Moment was produced by Trevor Horn, well-known for his work with Seal, Grace Jones, and Frankie Goes to Hollywood, among others. The album was distributed in Europe by Edel, featuring the singles Treat Me Like a Woman (released as a double A-side with Easier) and If I Hadn't Got You, a song written by Chris Braide with ex-Squeeze songwriter Chris Difford. The album found her exploring more pop-oriented material, and focusing on lush ballads.
Despite this, as with her previous release, the album and supporting singles were not a success. At the time of the project's release, ZTT was directing large amounts of its resources into re-marketing its back catalogue, and producing the Trevor Horn concert for The Prince's Trust and its accompanying double CD Produced by Trevor Horn. The release of "Treat Me Like a Woman" was twice delayed, and the label eventually paired it with "Easier". While ZTT did erect a billboard to advertise the album in Stansfield's home area of Greater Manchester, print advertising and in-store displays were reportedly absent. Later that year ZTT dropped her from their label.
Stansfield's talents also extended into acting; she starred in the 1999 film Swing with actor Hugo Speer, and recorded covers of swing classics and a few original songs written in the style for the soundtrack. She later appeared on a London stage in The Vagina Monologues. In 2006, she guest-starred in the series Goldplated. In 2007, she starred in an episode of Marple: Ordeal by Innocence, and later joined the cast of The Edge of Love.
On June 2012, Lisa told the UK newspaper, The Sunday Mirror that she's working on her seventh studio album, her first in nine years, and that it is going to be released in spring 2013. Lisa announced in November 2012 that the album will be titled 'Seven'.
Official website: http://www.lisa-stansfield.com
Marvellous & Mine
Lisa Stansfield Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When we kiss and you hold me in that hold
We're full of fire, fire, fire, fire, fire
You're so good, you make me cry, fill me up
You fill me up like wine
I need to please you and hold you in my arms
And feel the fire, fire, fire, fire, fire
Ooh, when you're by my side
I feel my heart is open wide and brand new
Ooh, ooh, ooh
Everything's gonna be alright
'cause we have so much sun inside
So baby, it's no wonder
That there ain't any other for me like you
You are marvellous & mine
You're so much more than time
Baby, you fill me up so
You're marvellous & mine
Pull me in with the treasure in those eyes
With you there's no such thing as time
There's just fire, fire, fire, fire, fire
When we kiss all that I do is sigh
We embrace, and I feel like I could die
I want to hold you forever in my arms
And feel the fire, fire, fire, fire, fire
Ooh, when you're by my side
I feel my heart is open wide and brand new
Ooh, ooh, ooh
Everything's gonna be alright
Can we have so much sun inside?
So baby, it's no wonder
There ain't any other for me like you
You are marvellous & mine
You're so much more than time
Baby, you fill me up so
You're marvellous & mine
The song "Marvellous & Mine" by Lisa Stansfield is a passionate tribute to a lover who is seen as a priceless treasure. The first verse describes the physical connection the singer feels with this person, using images of precious material ("a touch like gold," "fill me up like wine") to emphasize their value. The repeated use of "fire" suggests the intensity of their attraction, which brings them to tears. The second verse further emphasizes the singer's desire to hold and be held by this person, and the open-hearted joy they feel when they are together. Through lines like "there's no such thing as time" and "everything's gonna be alright," the song suggests that this relationship is a refuge from the trials of the outside world - a source of light and comfort.
Overall, "Marvellous & Mine" is a song about the transcendent power of love, which has the ability to make everything else fade away. The singer's focus is entirely on their lover, who is both marvellous and completely theirs. The repeated use of the word "mine" underscores the exclusivity of this relationship, emphasizing the deep connection between the two people involved.
Line by Line Meaning
The way you touch, you got a touch like gold
Your touch is valuable and precious, like gold
When we kiss and you hold me in that hold
When we embrace, I feel safe and secure in your arms
We're full of fire, fire, fire, fire, fire
Our passion is intense and burning strong
You're so good, you make me cry, fill me up
You are amazing, you bring me to tears of happiness and fulfill all my needs
You fill me up like wine
Your presence and love make me feel intoxicated and full
I need to please you and hold you in my arms
I crave to satisfy and comfort you with my love
Ooh, when you're by my side
Being with you completely changes my world with all its wonder and beauty
I feel my heart is open wide and brand new
You make me feel alive, and fill me with a new sense of joy
Everything's gonna be alright
No matter what happens in life, as long as we have each other, we'll be fine
'cause we have so much sun inside
Our love radiates warmth and happiness inside us
So baby, it's no wonder
I'm not surprised that there is no one else for me but you
That there ain't any other for me like you
You are one of a kind and no one else can compare with what we share
You are marvellous & mine
You are an extraordinary mystery and you belong to me
You're so much more than time
You are not just a moment in time, you are timeless and infinite
Baby, you fill me up so
My love for you is overflowing and abundant
Pull me in with the treasure in those eyes
The beauty and depth of your eyes captivate me and pull me in
With you there's no such thing as time
When I'm with you, time stands still because our love transcends time
When we kiss all that I do is sigh
When we kiss, I feel overwhelmed with emotion and my heart fills with happiness
Lyrics © Universal Music Publishing Group
Written by: ANDY MORRIS, IAN OWEN DEVANEY, LISA JANE STANSFIELD
Lyrics Licensed & Provided by LyricFind